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Wyatt was originally scheduled to come down with the flower girls, but he had a change of heart and decided on a solo entrance with his father, Richard. Wyatt picked the color of his vest...his favorite color.
Back to this project again. I cant stay away! Working on making it a stand alone application with beat detection and calibration.
A small shooting between friends
Model: Géraldine
MUA: Christelle Lays
Hairstyling: Christine Zanardo
Strobist info: Natural ambiance light, sunlight reflected from gold reflector.
the original image, and the dots generated by processing which get cut on the laser
source code is here: pelletron.org/shared/halftone_generator.pde
that one was loooooong to export.
also, i like to share code. so here it is:
import hipstersinc.sunflow.*;
import hipstersinc.sunflow.shader.*;
import hipstersinc.*;
void setup() {
size(800, 600, "hipstersinc.P5Sunflow");
noLoop();
colorMode(HSB,100,100,100,100);
}
void draw() {
background(255);
int hf=int(random(100)); // colors for fill
int sf=int(random(100));
int bf=int(random(100));
int af=int(random(50)); // alpha :)
noStroke();
int numSpheres = 50;
float yStep = width/20;
float y = 40;
for(int i=0; i<numSpheres; i++) {
pushMatrix();
translate(10, -height/8,-100);
rotate(PI/6);
//fill( i*(255/numSpheres), random(100, 200), random(0, 100) );
fill(i*random(hf),sf,bf,af/(i+1));
beginShape(QUADS);
vertex(random(width/2),random(200),-random(300));
vertex(random(width),random(200),random(-300));
vertex(random(width),random(height),random(-600));
vertex(random(width),random(200),random(-300));
vertex(random(width),random(200),random(-300));
vertex(random(width),random(height/2),random(-300));
vertex(random(width),random(height/2),random(-300));
vertex(random(width),random(height/2),random(-300));
endShape();
popMatrix();
y += yStep;
}
translate(0,0,-100);
}
Throughout my honours year, I photographed all my processes and elements which I worked at.
These are a selection of these images
Tumblr | Facebook | Twitter | Personal Website | Model Mayhem
For small businesses in the processing sector, getting international orders is a big win. In Ethiopia, as part of EIF's partnership with the government, select businesses were sent to international trade fairs like Gulfood in Dubai - the world's largest food trade exhibition.
Tewodros Yilma's Alpha Trading Partners was one of them, and there he secured orders that have helped his business grow. Alpha Trading's processing facility is outside Addis Ababa in Adama, where he employs approximately 40 people.
www.enhancedif.org/en/country-profile/ethiopia
©Fernando Castro/EIF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at EIFCommunications@wto.org
To learn more, visit our website www.enhancedif.org
Another buck I haven't seen on the RS plot before. He is lip curling here, a gland in his mouth tells him if a doe is in estrus. Generally the real rut occurs when temperatures are below 40 degrees. This is probably to keep the bucks from killing themselves chasing does. During the rut, they eat and sleep little and become dehydrated and exhausted. Right now I'd rate this 8-pt as A4 on the alpha scale. I know there are three bigger bucks in the area and suspect there are more.
RAW, PS Elements.
My friend Angel being tattooed by my friend / tattoo artist Stacey Sharp at the Lehigh Valley Skindustry tattoo convention. www.sharptattoos.com
Cross processed Poundland Color Film using Ilford Black and White HC Developer. Scan of the enlargement, not the film. Added some contrast post-scan. Taken on a Nikon F60 with 50mm lens. Enlarged at Norwich Arts Centre Darkroom.
This sign hangs in the Rib Crib in Searcy, AR.
For the record, the ribs are phenomenal!
Processed with Flare using the Video Transfer preset.
I drilled holes in the base of the antlers and the pedicles, cut the pipe down to the right length and fitted them with some apoxy sculpt. The finished product allows the antlers to stay in place whilst up on the wall however the antlers easily slide on and off for easier transport, or if I wanted to display a different pair of antlers.
Process Collaboration with my friend Zavo / Tunjuelito Bogotá / colaboración con el compadre Zavo en San Vicente Tunjuelito //
I followed this Snowy egret...he eliminated...I had no clue...until I processed this photo... (o:
(Egretta thula) @ Yorba Regional Park, Anaheim, CA USA
This may drive purists up the wall. Apologies beforehand.
I've recently learned about the language processing, where you can write your own visual scripts. Fairly cool stuff. This is a "filter" that basically expands pixels with transparency into overlays of squares of varying dimensions.
Nothing cooler than writing your own software to manipulate an image. Kind of like artistic hacking.
Doing Schlaraffia (last completed in 2007) again. GUF worked on the corner of trees while I picked away on what I call the 'summer' half.
Ryba, M. (1984). Bruegel-Ryba: Schlaraffia. Heye: Munchen.
Heavily processed then vectorized image of Bonkers sitting on the table in the kitchen in our house in Yubari.
This is a rough Polaroid photo of the Guadalupe, still in the studio, pretty far along.
I may have a color slide of the murals but haven’t found it yet. But this does give the ecstatic feeling of the painting.
The mural was set in a candle bay. So she is painted, as lit from below by the candles.
The inner garment will be orange; the outer garment- draped over the head is blue, but the outer garment is not really there. It is made of the sky, only visible because the edge is delineated by the aura. In the finished piece there is no line where the aura starts as there is here.
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WHERE.
Where the murals are is a complicated question because two fates befell them:
They were painted over and later the covered panels were stolen.
The murals are missing, having been stolen out of the church, after a fire in another area.
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- don notes- it is an intriguing fact that the murals were painted over ( probably in anger * ), but were stolen later when the fire occurred.
- it leads one to believe that the thieves knew what they had, and lived in hope that the images could be restored. No one would have gone to the risk and trouble to steal panels with nothing but a solid color on them.
- the problem is that it was very unlikely that the covering paint was chosen with any care. It was likely a paint that would be difficult or impossible to remove.
If someone had knowledge of paint and hoped to get the images back at a later date, they could have painted them over with a type of paint that would work with that plan.
- for example, a craftsman would cover the images with a different family of paint than the polymer clear coat that was used to protect the images.
- then, the covering paint- say oil paint- could be removed with turp, causing no damage to the mural. It would be good as new.
- it makes me wonder if the people that covered the mural were the same people who stole it.
Another question arises.;
The murals were not painted directly on the wall. They were painted on panels in the studio and the panel was mounted on the wall on two 1 by 3 inch boards. As a result, the panels were raised off the wall by about an inch.
But getting the panel off the wall would have been very difficult because you could not reach the boards from the edge and just bust them loose with a chisel. They were several inches in from the edge, in the center of the panels. Also each panel was cut to fit the alcove that each one was in, so it would be difficult to get at them from the side. If there was an inch or so free around the edge you might just reach in and try to pry the panels away from the wall, but that would risk breaking them.
It would have been a long and noisy process to get them down. what a puzzle.
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* - the murals were covered with a muted blue cover and the area had framed traditional prints of the Guadalupe and the Perpetual Help, mounted against the blue that was covering the murals had been. This was due to poor comunication between the architects who commissioned the paintings and the members of the Church.:
I was not asked to paint the traditional images. In the case of the Guadalupe, i would have gone to Mexico and made a copy from the original. What i painted was a depiction of the event.
As for the Perpetual Help image, there was less involved.: it was just a matter of making a direct and faithful copy of the original with the exception that the image had to be adapted to a full figure in order to match the full figure Guadalupe. ( The original of the Perpetual Help image is only a half figure. )
If the parishioners had wanted a faithful copy of the Guadalupe and covered the depiction in protest, they had no reason to cover the faithful copy of the Perpetual Help image. But there may have been no cool heads to point that out. The Perpetual Help was covered as well.
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The location of the Church is _________. It was known as “Army Street Church”, for some reason. Army Street is now Cesar Chavez.
Oh, the church was Saint Anthony’s and it burned ( again, and all of it ) in the 1970s. Read down a ways, here.:
www.foundsf.org/index.php?title=A_Brief_History_of_Cesar_...
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