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These were printed 2-up, which meant quicker printing and a bit more cutting after the fact...but it's totally worth the time saved printing. It'd be even better to do 4 (or more) at a time.
by Natalia Monroy, Subyeal Pasha and Garth Elvy. Table mats / coasters based on forest area data from Mexico, Pakistan and Australia. Made with Processing, lasercut by Ponoko.
About
After viewing a “Release the Artist Within” video by Rick Sammon, I decided to use a variety of filters on this shot.
Licensed under: CC BY-NC-SA 3.0
This morning we were out-and-about then headed to MexiGo for breaky at around 10:00.
Wrong! MexiGo does not open now until 11a.m as does Romeo's next door
Thus -- through the process of elimination -- only Artisan Bistro was left. They open at 7a.m.
Pricey but good.
Day 3 - Final day (Feb 21 2015)
Outline art work with Molotow black ink and paint brush along with other various sizes of Molotow markers for detail.
Really honoured and stoked to be invited by Infiniti Canada to paint my illustration work on the brand new Infiniti Q50 tomorrow to help ring in the Chinese new year at the Queen Elizabeth Plaza in Vancouver. Feb 19 - 21st.
Follow:
Heavily processed picture of our Christmas Tree with Tigger and Yuba underneath, pretending to enjoy the view of the tree rather than being honest and planning an attack on it.
Top left: Out of camera
Top right: Black and white
Bottom left: Basic color edits
Bottom right: Faux film (cross process)
Recently I've had quite a few people ask about my editing process. It's impossible to lay out exactly what I do because it often changes from shot to shot.
I always start in lightroom, experimenting with about 30 home-made presets. I shift over to photoshop once I'm happy to edit tonality and hues a bit more directly than lightroom allows.
This isn't showing a step-by-step process, but rather the starting image and 3 of my common processing styles. By creating this layout, it's easier to see the starting and finishing point of each style.
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A double exposed roll of expired Fuji Velvia 50 slide film. Exposed first at ISO 80, then the second time around at ISO 32. Cross processed in C-41 chemicals. Both exposures taken on a Canon EOS A2E camera.
Clearly over-processed but there is something in the exaggerated glow on the trees that intrigues me.