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From the forthcoming exhibition Process: The Working Practices of Barney Bubbles
See the Eye events page for more details: blog.eyemagazine.com/?page_id=158
Sketches 1983: Go! Discs record company logo; idents for The Box cable TV channels; sleeve of Hawkwind's The Earth Ritual.
No sign of underexposed whites - minimal clipping. I could have stopped the aperture down a little more as you'll see when viewed large. 1/800sec @ f/8, ISO160.
Worked through the first chapter of Tom Igoe's great new book Making Things Talk. I didn't have a stuffed monkey, so I made this Arduino/Processing Pong game with just some normal knobs.
It has been a long time, but finally I have got round to doing my own black-and-white film processing. My first film - in probably 20 years - is Kodak P3200 T-max: developed for 11 min 30 s at 22-23 C in ID-11.
This gear has accumulated over the ages but includes everything I need to do 35mm and 120 film at home.
I pulled this old photo out of my pile of folders to share another post-process technique I have used to make up for bad backgrounds.
This time I took a previous session's test photo of a blanket and placed it behind the layer of the new photo. I erased the old background to reveal the blanket and used a colorize action to turn the blanket to a blue that matched the blue of the new photo. To help transition between the two layers, I used a blur paintbrush and ran it across the edges of the white blanket where it met the new background. I found this to be much much faster than cloning a new background (see the previous upload in my photostream) although with this technique you have to be careful that the background doesn't look fake and too different from the foreground. (I'm still debating whether this example works or not but I mainly uploaded it for the technique itself, not my first attempt at executing the technique. If you take a photo of your backdrop before the current session, then you have a much better chance of it looking natural when you use this technique.)
More heavily processed pictures of Tigger. The original image was of Tigger getting my attention while standing in a warm sunbeam in the Kitchen.
Generated with custom programming in processing.org
This is a system of 388,800 particles influenced by 100 random clockwise spins and 100 random counterclockwise spins in a colorfield. Each particle was iterated 10,000 times - taking about three days to run on my beastie machine.
Thanks for looking, any comment is appreciated. The code is open source and I can help anyone out who wants to give it a go.