View allAll Photos Tagged processor

Processed with VSCO with hb1 preset

X-E1 + ultra wide heliar 12/5.6

From the forthcoming exhibition Process: The Working Practices of Barney Bubbles

 

See the Eye events page for more details: blog.eyemagazine.com/?page_id=158

 

Sketches 1983: Go! Discs record company logo; idents for The Box cable TV channels; sleeve of Hawkwind's The Earth Ritual.

a little preview of some inking

Sunrise in Napa Valley.

No sign of underexposed whites - minimal clipping. I could have stopped the aperture down a little more as you'll see when viewed large. 1/800sec @ f/8, ISO160.

Worked through the first chapter of Tom Igoe's great new book Making Things Talk. I didn't have a stuffed monkey, so I made this Arduino/Processing Pong game with just some normal knobs.

 

Watch a video of Knob Pong

Processed With Darkroom

Processed with VSCOcam with t1 preset

Fake cross process, that is.

Taken in Xianju, China, with our Lomo LC-A+ and cross processed 35mm film.

This is a close-up of the processor. I am about to push down the lever to lock it in place.

Processed with VSCOcam with q4 preset

cross processing filter B02

It has been a long time, but finally I have got round to doing my own black-and-white film processing. My first film - in probably 20 years - is Kodak P3200 T-max: developed for 11 min 30 s at 22-23 C in ID-11.

 

This gear has accumulated over the ages but includes everything I need to do 35mm and 120 film at home.

Process of trying out the glue wig method for Keta.

черная кошка и охота на птиц

vimeo.com/19379667

I pulled this old photo out of my pile of folders to share another post-process technique I have used to make up for bad backgrounds.

 

This time I took a previous session's test photo of a blanket and placed it behind the layer of the new photo. I erased the old background to reveal the blanket and used a colorize action to turn the blanket to a blue that matched the blue of the new photo. To help transition between the two layers, I used a blur paintbrush and ran it across the edges of the white blanket where it met the new background. I found this to be much much faster than cloning a new background (see the previous upload in my photostream) although with this technique you have to be careful that the background doesn't look fake and too different from the foreground. (I'm still debating whether this example works or not but I mainly uploaded it for the technique itself, not my first attempt at executing the technique. If you take a photo of your backdrop before the current session, then you have a much better chance of it looking natural when you use this technique.)

More heavily processed pictures of Tigger. The original image was of Tigger getting my attention while standing in a warm sunbeam in the Kitchen.

FutureLearn course: Creative Coding @ the Monash University.

#FLcreativecoding

Processed with VSCO with hb1 preset

A version of the Lois quick portrait following adjustments in Lightroom 4.1. Summilux - f/1.4

Generated with custom programming in processing.org

 

This is a system of 388,800 particles influenced by 100 random clockwise spins and 100 random counterclockwise spins in a colorfield. Each particle was iterated 10,000 times - taking about three days to run on my beastie machine.

 

Thanks for looking, any comment is appreciated. The code is open source and I can help anyone out who wants to give it a go.

1 2 ••• 64 65 67 69 70 ••• 79 80