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MAY 16th, LONDON - Janet Gregory gives a talk on 'How do you know if you have enough process or too much?' Giving you some ideas about how to find the right answer, some ideas to decide if it is helpful or harmful, and how do you know it fits your team or your organization. See the SkillsCast (Film, code, slides) at skillsmatter.com/podcast/agile-scrum/just-enough-process/...
Flowers and Lines created with Processing. They try to be weird and obviously kitsch at the same time, recycling the idea of crusty old blood and urin in fabrics.
This picture was processed using color saturation which is a very popular way to process moon images to bring out the brown and blue under-tones.
King Street, Caboolture.
Camera - Holga 120 CFN
Film - Fuji Provia 400F
Process - Cross processed C-41
The border between Morocco and Algeria was opened especially for us. It has been closed for the best part of 20 years because of a dispute between the countries over Western Sahara. It was opened only twice: both times for essentially this group of volunteers en route to Gaza with humanitarian aid. (The first time was under the guise of Viva Palestina, and the second time, as Road to Hope.)
Naturally, there's a bit of a wait — this is unusual paperwork!
These are fitted for an 8.5" x 11" page to print out six cards. These ones are empty, but should be compatible with a C-41 process like Unicolor's developer.
I sized them so you can then laminate them, and they should store in a 4x5" film box easily. If you print these and the empty ones, you can put them back to back prior to laminating and have a much more versatile set.
The film in the top-right corner was so I wouldn't have to look up which way to load each time I refill (not often enough that I've got it memorized obviously).
Any feedback would be great, I mostly put these together as a way to keep myself organized, so they're far from exhaustive.
We didn't get many pictures of the carving actually happening. I was the last one to finish since I was trying to get the seeds into the oven while everyone was carving, so Nic was able to take a couple of pics as the bat pumpkin came to life. Originally the bat was horizontal, but I accidentally cut across where the wing was supposed to connect to the pumpkin, so I had to tilt it so it would still work. I think it looks even better now!
altreforme is a young and innovatory brand, with deep roots based on a long entrepreneurial tradition.
altreforme is established in 2008 as productive diversification of Fontana Group. The engineering sector, engaged from more than fifty years with the manufacturing of metal bodies for the most worldwide well-known and prestigious automotive companies, gives shape to a creative project exclusively intended for the contemporary design world
Nikon D2H
Focal Length: 28mm
White Balance: Shade
Color Mode: Mode II (Adobe RGB)
RAW (12-bit)
1/20 sec - f/10
Exposure Comp.: -0.7 EV
Lens: 28-300mm f/3.3-6.3 D
Sensitivity: ISO 400
at this point, blend all the ingredients together again in the food processor.
I admit, I don't have a big enough food processor to blend all of it at once, so I did it in batches from a large bowl!
As the previous District image, this version has some processing. Definition, saturation up, shadows up a touch.
Taken in the Ellis Island National Museum of Immigration.
Ellis Island acted as an immigrant inspection station 1892-1934. The main building is the second on the site (the first, a wooden building, lasted 1892-97 before burning down). The replacement structure was designed by Edward Lippincott Tilton and William A. Boring. The Main Building was built 1897–1900, and the Kitchen and Laundry Building, Main Powerhouse, and Main Hospital Building built 1900–1.
University of Arizona Opera Theater's production of Don Giovanni.
Director: Charles Roe
Scenic Designer: Sally Day
Technical Director: Aaron Contreras (Myself)
a bezier curve based on 4 rotating control points. spots drawn along the bezier. random colours, additive blended and with history. trots along nicely at 25fps and <10% cpu.
first thing i've written for a while. need some work, not least the spot graphics i'm using which needs alpha blending and the first and last control points need to do something more interesting than a circular path (especially as the first and last control points determine the first and last points on the bezier exactly). random colours need to be not random, i think. colour cycled both in time and along the bezier.
written in about an hour and a half at the Lexington on a sunday afternoon. will convert to Windows Screensaver when i'm feeling masochistic, possibly tomorrow as it's a bank holiday.