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that one was loooooong to export.
also, i like to share code. so here it is:
import hipstersinc.sunflow.*;
import hipstersinc.sunflow.shader.*;
import hipstersinc.*;
void setup() {
size(800, 600, "hipstersinc.P5Sunflow");
noLoop();
colorMode(HSB,100,100,100,100);
}
void draw() {
background(255);
int hf=int(random(100)); // colors for fill
int sf=int(random(100));
int bf=int(random(100));
int af=int(random(50)); // alpha :)
noStroke();
int numSpheres = 50;
float yStep = width/20;
float y = 40;
for(int i=0; i<numSpheres; i++) {
pushMatrix();
translate(10, -height/8,-100);
rotate(PI/6);
//fill( i*(255/numSpheres), random(100, 200), random(0, 100) );
fill(i*random(hf),sf,bf,af/(i+1));
beginShape(QUADS);
vertex(random(width/2),random(200),-random(300));
vertex(random(width),random(200),random(-300));
vertex(random(width),random(height),random(-600));
vertex(random(width),random(200),random(-300));
vertex(random(width),random(200),random(-300));
vertex(random(width),random(height/2),random(-300));
vertex(random(width),random(height/2),random(-300));
vertex(random(width),random(height/2),random(-300));
endShape();
popMatrix();
y += yStep;
}
translate(0,0,-100);
}
Another buck I haven't seen on the RS plot before. He is lip curling here, a gland in his mouth tells him if a doe is in estrus. Generally the real rut occurs when temperatures are below 40 degrees. This is probably to keep the bucks from killing themselves chasing does. During the rut, they eat and sleep little and become dehydrated and exhausted. Right now I'd rate this 8-pt as A4 on the alpha scale. I know there are three bigger bucks in the area and suspect there are more.
RAW, PS Elements.
My friend Angel being tattooed by my friend / tattoo artist Stacey Sharp at the Lehigh Valley Skindustry tattoo convention. www.sharptattoos.com
Throughout my honours year, I photographed all my processes and elements which I worked at.
These are a selection of these images
Tumblr | Facebook | Twitter | Personal Website | Model Mayhem
Cross processed Poundland Color Film using Ilford Black and White HC Developer. Scan of the enlargement, not the film. Added some contrast post-scan. Taken on a Nikon F60 with 50mm lens. Enlarged at Norwich Arts Centre Darkroom.
A designed publication that documents the creative process of a year long design project centering on the idea of developing emotion as a communicative medium.
This book follows the development of the project from initial brainstorming stage right till the final execution of different experimental approaches.
374 pages, laser-prints on off white munken print cream paper, perfect bind.
Process Collaboration with my friend Zavo / Tunjuelito Bogotá / colaboración con el compadre Zavo en San Vicente Tunjuelito //
Composite of our work May 12, 2016 in Washington DC on looking at modules 1,2,6, and 7 of the Core Certification
This may drive purists up the wall. Apologies beforehand.
I've recently learned about the language processing, where you can write your own visual scripts. Fairly cool stuff. This is a "filter" that basically expands pixels with transparency into overlays of squares of varying dimensions.
Nothing cooler than writing your own software to manipulate an image. Kind of like artistic hacking.
Heavily processed then vectorized image of Bonkers sitting on the table in the kitchen in our house in Yubari.
Edited (and heavily processed) ISS043 image of Hokkaido and northern Tohoku at night with lots of bright cities.
VAN14:WORLD CUP HOCKEY:VANCOUVER,BC,20AUG96 - Team Canada captain Wayne Gretzky celebrates his assist on a goal by teammate Eric Lindros August 20 during exhibition action between the U.S.A. and Canada in Vancouver. The World Cup of Hockey will take place in Canada, the United States and Europe over the next month. mb/Photo by Jeff Vinnick REUTERS
PROCESSION RELIGIEUSE DANS LA PROVINCE DE KOURSK
1881-1883 / Huile sur toile
Répine se souvient des leçons de la peinture de plein air et compose habilement son groupe avec des personnages issus de différentes classes sociales, en leur conférant une vraie individualité. Le peintre ne s'intéresse pas tant au majestueux reliquaire qu'à la petite icône portée par une bourgeoise d'âge mûr. Répine expose la peinture en 1883 au onzième Salon de la Société des expositions artistiques ambulantes. Les avis sont partagés, certains louant son audace et son expressivité, d'autres l'accusant de trahir les convictions religieuses du peuple.