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I pulled this old photo out of my pile of folders to share another post-process technique I have used to make up for bad backgrounds.
This time I took a previous session's test photo of a blanket and placed it behind the layer of the new photo. I erased the old background to reveal the blanket and used a colorize action to turn the blanket to a blue that matched the blue of the new photo. To help transition between the two layers, I used a blur paintbrush and ran it across the edges of the white blanket where it met the new background. I found this to be much much faster than cloning a new background (see the previous upload in my photostream) although with this technique you have to be careful that the background doesn't look fake and too different from the foreground. (I'm still debating whether this example works or not but I mainly uploaded it for the technique itself, not my first attempt at executing the technique. If you take a photo of your backdrop before the current session, then you have a much better chance of it looking natural when you use this technique.)
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
All of the useful logs that were removed from the site have been sent to a small mill in Concrete, WA to be sawed into lumber and dried for use in the new homes.
Rita, my new lawn tractor, and my 1946 International Harvester Super A tractor (unrestored workhorse).
drawing with code that I am modifying which is available through this site: www.generative-gestaltung.de/code. Connected to the book Generative Design
Today I tried to re-process Pillars of creation by using the raw data that I found on MAST. I've processed the RAW data using 5 different softwares:
First one was FITS Liberator which I used to stretch the image and make faint dust visible.
Second one was SiriL which I used to compose RGB channels and calibrate the colors on the image.
Third one was GIMP which I used to change the value of the image.
Fourth one was Topaz Studio 2 which I used to clear, denoise and sharpen the image.
Last one was Snapseed which I used to clear big artifacts on the image by using healing tool.
Heavily processed version of a Library of Congress ukiyo-e print of a persimmon, lonely on the tree with only a few leaves to keep it company.
Running a user experience workshop for a client helps us understand the touch points that customers and staff experience. It's low tech - postitnotes, markers, sweets - and it's the conversation that counts
the original image, and the dots generated by processing which get cut on the laser
source code is here: pelletron.org/shared/halftone_generator.pde
Experimental program done with processing.
All screenshots have been captured live in real time.
More info and videos here: blog.goodthink.biz/particles-typography-3d/
Video: vimeo.com/51206202
Fruit packing equipment at the BC Orchard Industry Museum. The manufacturer is the F.B. Pease Co. of Rochester N.Y. This business was started in 1876 by Franklin Beech Pease, forefather of Warren S. Pease, who still designs equipment on a day to day basis, while his son Dudley has taken over the reins of business leadership in the company. Franklin Pease was an inventor who grew up in the apple country town of Ontario, in Western New York State, close to Lake Ontario. The business, carried on by Franklin and his three sons, evolved into the making of apple processing equipment including the apple parer, corer and slicer. Today Dudley Pease carries on the traditional manufacture of the Pease line while also expanding the company's' capability to produce custom equipment in conjunction with the existing line of machines.
This sign hangs in the Rib Crib in Searcy, AR.
For the record, the ribs are phenomenal!
Processed with Flare using the Video Transfer preset.