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Ordination of Deacons service at Manchester Cathedral, Manchester. Picture by Paul Heyes, Sunday June 30, 2019.
Processed as HDR from single RAW to 3 exposures (-2/0/+2), orton effect and vignette, then desaturated.
This photo means a lot to me.
It was taken 21th of September 2008 in Trollhättan, Sweden, in the surrounding woods of NÄL (a large hospital).
From left to right, the picture holds one of my brothers, my mother, her man and our dog.
The reason I hold this photo dear is because this is the day the struggle began, both for my mom and for our family and friends. The doctors found a tumor in my mothers stomach. A week later she was diagnosed with cancer.
*** UPDATED ***
My mother has undergone a large surgical operation. She is recovering fine right now, but she still awaits chemotherapy and radation-therapy.
*** UPDATED **
Complications. She had another surgery. Trying to fight an infection at the same time.
*** UPDATE February 2009 ***
Progress! She has woken up from 7 weeks of coma. Has been in recovery after that for a couple of weeks and had her first day of permission from the hospital! Hope!
*** UPDATE March 2009***
She's home! A nurse visits her 2 times per day, but she's managing just fine. I couldn't have wished for anything better!
By Catedrales e Iglesias
© Álbum 0527
By Catedrales e Iglesias
Arquidiócesis de Morelia
Sitio Oficial de la Arquidiócesis de Morelia
www.arquidiocesismorelia.com.mx/inicio.php
Santa Iglesia Catedral
Av Madero Poniente
Col Centro
Apdo Postal 17
C.P.58000
Morelia,Estado de Michoacán
(443) 312-29-36
La Catedral de Morelia es un recinto religioso sede de la Arquidiócesis de Morelia de la Iglesia católica en México. Se encuentra ubicada como su nombre propiamente lo dice en la ciudad de Morelia, capital del estado de Michoacán, México. La catedral se localiza en el primer cuadro de la ciudad, conformando la traza del Centro Histórico de Morelia. El edificio fue construido en el siglo XVIII en la época de la Colonia Española, es de estilo barroco y esta realizado en cantera rosada que le da un color peculiar y característico.
# Arquitectónicamente la Catedral de Morelia comparándose con otras Catedrales de México, es similar a la Catedral Metropolitana de la Ciudad de México, Catedral de Puebla, e inclusive en su interior a la Catedral de Guadalajara.
# La catedral es la edificación más emblemática y representativa de Morelia dada su altura, ya que cuenta con dos altas torres, que se divisan por todo el valle de la ciudad. Por su altura, las torres de la Catedral de Morelia (66.8 m) son las cuartas más altas de México, después de las torres del Santuario Guadalupano (Catedral Inconclusa) en Zamora de Hidalgo (105 m), de la catedral de Villahermosa (80 m) y del Santuario de Guadalupe, en San Luis Potosí (68 m).
# Cuenta con una Iluminación escénica de singular belleza colocada por la empresa que iluminó la Torre Eiffel de París. Los fines de semana la catedral ofrece un espectáculo de luz y sonido con esta iluminación.
# La catedral está dedicada a la Transfiguración y en su interior alberga dos imágenes muy veneradas, Sagrado Corazón de Jesús que es el santo patrono de la ciudad, y el Señor de la Sacristía un Cristo muy antiguo realizado en pasta de caña de maíz. El cual es muy visitado y querido por la feligresía.
# Su belleza arquitectónica y su historia son otras razones por las cuales se ha convertido en un icono de la ciudad.
# En su interior este recinto dada su belleza, sonorización acústica y espaciosidad, figura como escenario de diversos eventos artísticos y culturales como el Festival Internacional de Órgano de Morelia, y el Festival Internacional de Música de Morelia.
La actual catedral de Morelia no ha sido la única catedral que ha tenido la ciudad, ya que en 1580, cuando los poderes civiles y eclesiásticos de Michoacán fueron trasladados de Pátzcuaro a Valladolid (anterior nombre de Morelia), se inauguró una catedral, muy inferior a la actual en tamaño y valor artístico. Esa construcción se ubicaba en la esquina de las actuales calles de Corregidora y Abasolo. Sin embargo, debido al crecimiento que experimentó la ciudad a finales del s. XVI e inicios del XVII, así como por causa de un incendio que en 1584 afectó severamente el anterior edificio catedralicio, se hizo necesario pensar en otro templo, más grande, sólido e importante. Por ello es que a inicios del s. XVII el cabildo catedralicio comenzó las gestiones para la construcción de la nueva catedral.
Muchos proyectos fueron propuestos, pero hasta mediados de ese siglo fue aceptado el proyecto del arquitecto italiano Vicenzo Barrochio, también conocido como Vicente Barroso de la Escayola por parte del Virrey Francisco Fernández de la Cueva, Duque de Alburquerque el 22 de marzo de 1660 concluyendo continuos trámites y proyectos de construcción durante un largo período de casi 80 años.
El día 6 de mayo de 1660 la primera piedra de la construcción fue colocada por el obispo Fray Marcos Ramírez del Prado. La construcción estuvo a cargo del propio Vicenzo Barrochio hasta el año de su muerte, acaecida en 1692, razón por la cual el gran arquitecto no pudo ver concluida su obra monumental. Sin embargo, solo 52 años después del deceso del maestro, sus discípulos lograron terminar la titánica tarea arquitectónica, por lo que la magnífica obra fue concluida en 1744.
La catedral sufrió diversos saqueos por parte del ejército independentista, en el año de 1810. Hacia fines del siglo XIX se construyó la reja perimetral que delimita el atrio. A finales de los años 90 del siglo XX se efectuaron diversas obras de restauración exteriores e interiores, con lo cual se preservó mejor la belleza del edificio. También, en los primeros años del siglo XXI, se inauguró la nueva iluminación escénica de esta catedral de Morelia.
The Cathedral of Morelia is a religious compound headquarters of the Archdiocese of Morelia of the Catholic Church in Mexico. It is located as the name itself says it in the city of Morelia, capital of Michoacan, Mexico. The cathedral is located on the first frame of the city, forming the trace of the Historic Center of Morelia. The building was built in the eighteenth century the Spanish colonial times, is in Baroque style and is made of pink quarry which gives it a distinctive and characteristic color.
# Architecturally, the Cathedral of Morelia compared against other Cathedrals in Mexico is similar to the Metropolitan Cathedral in Mexico City, Puebla Cathedral, and even inside the Cathedral of Guadalajara.
# The cathedral is the most emblematic and representative buildings of Morelia given their height, since it has two tall towers that can be seen throughout the valley of the city. For his height, the towers of the Catedral de Morelia (66.8 m) are the fourth highest in Mexico after the towers of the Sanctuary of Guadalupe (Cathedral Unfinished) in Zamora de Hidalgo (105 m) of the cathedral in Villahermosa (80 m) and the Sanctuary of Guadalupe, San Luis Potosi (68 m).
# Has a unique scenic beauty lighting placed by the company that lit the Eiffel Tower in Paris. On weekends, the cathedral offers a sound and light show with this lighting.
# The cathedral is dedicated to the Transfiguration and its interior houses two highly venerated image, Sacred Heart of Jesus who is the patron saint of the city, and the Lord of the Sacristy a Christ very old paste made of cornstalks. Which is much visited and loved by the congregation.
# Its beautiful architecture and history are other reasons why it has become an icon of the city.
# Inside this enclosure because of its beauty, sound and spacious sound, set for a variety of artistic and cultural events as the International Organ Festival in Morelia, and the International Music Festival of Morelia.
The current cathedral of Morelia was not the only cathedral in the city has had since 1580, when civil and ecclesiastical powers were transferred from Patzcuaro Michoacan to Valladolid (Morelia previous name), opened a cathedral, much lower the current size and artistic value. That building was located on the corner of the present streets of Corregidor and Abasolo. However, due to growth experienced by the city at the end of s. Sixteenth and early seventeenth centuries, and because of a fire in 1584 severely affected the former cathedral building, it became necessary to think of another temple, larger, robust and important. That is why at the beginning of s. XVII the cathedral chapter began efforts to build the new cathedral.
Many projects were proposed, but until mid-century the project was accepted by the Italian architect Vincenzo Barrochio, also known as the Plaster Vicente Barroso by the Viceroy Francisco Fernandez de la Cueva, Duke of Albuquerque on March 22, 1660 concluding continuous procedures and construction projects over a long period of almost 80 years.
On May 6, 1660 the first stone of the building was laid by Bishop Fray Marcos Ramírez del Prado. The building itself was given by Vicenzo Barrochio until his death in 1692, why the great architect could not see completed his monumental work. However, only 52 years after the death of the teacher, his pupils got through the daunting task of architecture, so that the magnificent work was completed in 1744.
The cathedral suffered several raids by the army for independence, in the year 1810. By the end of the nineteenth century built the perimeter fence that marks the atrium. In the late 90s of the twentieth century restoration work carried out various internal and external, thereby better preserved the beauty of the building. Also, in the early twenty-first century, opened the new stage lighting of the cathedral of Morelia.
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Thanks to this Polarizing filter mounted on my Nikkor AF-S 24mm f/1.4 lens (a very expensive prime lens), my lens survived a nasty stumble as I was walking in the streets of Chicago with uneven pavements and dangerous sidewalks. My D700 survived also!. Unfortunately my shoulder did not and I had to rush to the Emergency Room of Northwestern Hospital in huge pains.
Final results: Nikon gear fully functioning - the photographer has a fractured scapula with no possibility to take pictures for the next 6-8 weeks!
Hilo de la Fotohistoria en Pullip .es:
THE PARK(3 of 3): Akari's suitors /
EL PARQUE (3 de 3): Los pretendientes de Akari
(Read in order, this is: SHOT/FOTO 81 of 95) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95.
FOTOSTORY: In English / En Español
Akari: ((Oh my god! T^T I can't believe it! Ihave a date with Dom! A DATE WITH DOM!! WITH DOM!! T^T I'm the happiest girl in the world!... *_____* What am I gonna wear?? Oh god I have to look good! Ò_Ó I need to ask Minao for new clothes! I'm so excited!! )
/
Akari: (Aaaaaaay!!! T^T No me lo puedo creer!!! Tengo una cita con Dom! UNA CITA CON DOM! CON DOM!!!!! T^T Soy la chica más feliz del mundo ahora mismo! *_____* Que voy a ponerme? Tengo que decirle a Minao que me compre ropa nueva para este sábado!! Ò_Ó Tengo que estar a la altura! Ay que nervios!!!!)
LINKS:
- Las FOTOHISTORIAS de Sheryl en el Foro de Pullips: Pullip .es
Poroiba - Akau - Wigschool - Pruikenschool
The wigmen of the Huli people aren't like Western toupee manufacturers. They are wizards who only work with people who have fine heads of hair.
What a traditional wigman does is use ancient magic to make hair grow faster than normal so it can be cut off and turned into a wig. Evidently, magic - like hair restorer - doesn't work if the hair is long gone.
This singular way of making hairpieces is found in the Tari Valley, 2000m up in the Highlands of PNG, an area just starting to make the transition from the old ways of centuries past to the new ideas which have begun to flow from the outside world.
When I explored the villages and roadside markets around the lodge, most of the men I met were wearing caps, but a good number still went about their daily business dressed in the traditional wigs.
In fact many had not one but two wigs - a plain day wig shaped like an upturned bowl, and an ornate ceremonial wig decorated with bird feathers - possession of which, like ownership of many pigs or having more than one wife, is a sign of wealth and status.
As a result the wigmen are still much in demand. And, this being a place where magic is taken very seriously, they are deeply respected. The sign welcoming visitors to Tari Airport highlights the fact that the area is "Home to the Huli wigman."
uit:
www.nzherald.co.nz/papua-new-guinea/news/article.cfm?l_id...
and:
www.papuanewguinea.net/Wigmen.html
The Huli are an indigenous people that live in the Southern Highlands of Papua New Guinea. They number over 65,000 and have been living in the area for at least 600 years. They speak Huli, Tok Pisin, and English.
From:
en.wikipedia.org/wiki/Huli_people
We bezoeken de pruikenschool van de Huli in het heel afgelegen en geïsoleerd dorpje Poroiba.
Dit is een 'school' met leerlingen en leraren dus. Eerst moeten de jongens toegelaten worden. De jongens moeten bevestigen dat ze nog geen sex gehad hebben met het andere geslacht. Dan worden ze ingewijd in de rituelen om het haar te laten groeien. Ten vroegste na 9 maand intens 'voeden' van de haren met gezang en hoofd besproeien, kan de leeraar oordelen of het haar klaar is voor een pruik. Dan volgt een eerste knipping. Genoeg haar dan voor een gewone pruik. Een volledige cyclus is 18 maand. De jongens blijven al die maanden ter plaatse en ze moeten maagd blijven. Sommige laten de haren groeien zo dat ze 2 pruiken hebben. Genoeg voor een ceremoniële pruik. Het is een statuussymbool.
This image with almond blossom is dedicated to my love on Valentine's day.
Valentine's Day
From Wikipedia, the free encyclopedia
For other uses, see Valentine (disambiguation) and Valentine's Day (disambiguation).
Saint Valentine's Day, commonly shortened to Valentine's Day, is an annual commemoration held on February 14 celebrating love and affection between intimate companions. The day is named after one or more early Christian martyrs, Saint Valentine, and was established by Pope Gelasius I in 496 AD.
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El chorlitejo chico (Charadrius dubius) es una especie de ave Charadriiforme de la familia Charadriidae propia de Europa y Asia Menor que inverna en África.
Descripción
Presenta longitud máxima de 15 cm y una envergadura de 34 a 36 cm. El plumaje de las alas y el dorso es pardogrisáceo, con el vientre blanco y el cuello negro o pardo oscuro. La frente es blanca y presenta una máscara negra alrededor de los ojos. Alrededor del ojo muestra un anillo amarillo a diferencia del chorlitejo grande que no lo presenta. Las patas son encarnadas y los dedos de los pies palmeados.
Hábitat
Habita en áreas cercanas a cuerpos de agua estancada, formando su nido en el suelo en terrenos arenosos o de grava, con escasa vegetación. Son insectívoros. En época de cría se encuentra en próxima a aguas dulces, como ríos y lagos con presencia de guijarros. Durante el invierno prefiere los arenales de las playas.
Distribución
Europa y del Asia Menor. Es un ave migratoria, que inverna en África, formando grandes bandadas cuando se desplaza.
Subespecies
Se conocen tres subespecies de chorlitejo chico:1
Charadrius dubius curonicus Gmelin, 1789
Charadrius dubius dubius Scopoli, 1786
Charadrius dubius jerdoni (Legge, 1880)
Exposición "SUBLIMINAL"
Giro lingüístico y paradoja visual
Consideraciones sobre las fotografías de Álvaro Pérez Mulas
(El texto completo)
En sus estudios sobre el inconsciente óptico Rosalind Krauss recordaba que el pintor norteamericano Frank Stella decía a menudo que la persona a quien más admiraba era el jugador de baseball Ted Williams, el cual presumía de tener una visión tan rápida que era capaz de ver las costuras de la pelota cuando ésta sobrevolaba la base. La excepcional mirada del deportista atraía al pintor por su capacidad de ampliar el espectro de lo visible y superar la mirada natural descubriendo detalles de un mundo que no podríamos percibir de otra manera y accediendo con ello a una suerte de “estado abstracto” de la visión.
La mirada fotográfica de Álvaro Pérez Mulas llega a capturar detalles en los objetos y las superficies urbanas que la vista humana no es capaz de detectar, pero no tanto porque sean invisibles como porque su “humilde objetualidad” los hace pasar desapercibidos. Queremos decir con ello que lo que se descubre en estas fotografías, nunca será lo visto por quien pasó cerca de esos objetos; y aquí radica el valor de las mismas; su capacidad de revelación y transfiguración, pues al final las imágenes resultantes son autónomas respecto al referente objetivo del que han sido seleccionadas. De este modo la fotografía recoge una vieja finalidad de la pintura: hacernos ver lo que de otro modo no veríamos; hacernos conocer lo que de otro modo no conoceríamos…
Como todos saben la fotografía nació con la ilusión de ser el medio que podía fijar más exacta y objetivamente que ningún otro la realidad, inmovilizándola y bidimensionándola. Pero los diferentes espacios discursivos desarrollados por este soporte en los últimos años han logrado dar ese giro de tuerca que hace que lo falso se convierta en verdadero, el engaño se perciba como certeza y la realidad –o más bien los indicios de lo real-: como abstracción.
Como ha señalado Jean Baudrillard, la técnica de la fotografía nos lleva más allá de la réplica y el trampantojo. A través de su juego irreal con la mirada, su inmovilidad, su silencio y su reducción fenomenológica de movimientos, la fotografía se reafirma a sí misma como la más pura y al tiempo, la más artificial exposición de la imagen. La visión fotográfica transforma la mirada y provoca un doble juego entre realidad y simulacro que amplifica el concepto de ilusión hasta el infinito.
En las fotos que Álvaro Pérez Mulas presentó hace dos años en la Galería Adora Calvo bajo el significativo título: “RECONFIGURACIONES”, de las cuales su nueva serie “SUBLIMINAL” son una continuación lógica; la abstracción –si así pudiera llamársele- aparecía casi como un enigma, pero también, -siguiendo a Baudrillard- “como una realidad más real que lo real”. Algunas imágenes se percibían -y se perciben todavía en la nueva serie- como “paisajes de la objetualidad cotidiana” que se transfiguran a través de la mirada fragmentaria del objetivo fotográfico; lo cual las convierte en autónomas, es decir: en fragmentos constitutivos de un universo que se aleja de lo real para constituirse, por encima de todo, en “espacio pos-pictórico”.
Pérez Mulas se ha ido moviendo en las series fotográficas que preceden a su nuevo trabajo en el territorio de la paradoja pues sus fotos revelan el universo radicalmente no objetivo que reside dentro de la estructura de los objetos –y ahora también de las palabras- . La imagen se enmascara en tanto que huella de lo real pues la fragmentación y el aumento de escala contribuyen a aislarla de su referente llevándola virtualmente, al territorio de la abstracción, pero nunca llega a perder del todo su capacidad descriptiva. En cada imagen queda evidenciada la inspiración objetual pero también su intercambiabilidad con los modos de la pintura entendiendo por tales el mantenimiento del formato, -de la lectura frontal- y sobre todo del lenguaje y los signos plásticos -las composiciones determinadas por dibujos lineales, texturas y campos cromáticos-, así como el espacio de representación, limitado por unos imaginarios márgenes cuadrangulares que incitan a la contemplación bidimensional. Cada una de estas fotos se postula de modo independiente como una “ficción objetiva” una “re-configuración fragmentaria de la realidad” que llegamos a percibir, -sin saberlo- como: “la imagen simulada por la apariencia de la imagen”.
Ahora bien, cuando las “formas del lenguaje” entran en colisión con el “lenguaje de las formas” como sucede en la nueva serie fotográfica, las reglas del juego interpretativo pueden llegar a variar…
En el proyecto que ahora presenta en el Espacio Emergente del DA2 bajo el título “SUBLIMINAL” Álvaro Pérez Mulas da una nueva vuelta de tuerca a su trabajo anterior y establece lo que podríamos denominar: un “giro lingüístico” de orden conceptual que transforma las imágenes en “fonemas” y las formas en “signos comunicativos” que interrogan -tautológicamente- al espectador sobre el verdadero significado de aquello que está viendo: ¿lo que miras es lo que ves?
En cada imagen siguen quedando evidenciadas como ya hemos visto: la inspiración objetual y la inspiración pictórica; pero también su intercambiabilidad con los modos del lenguaje y hasta cierto punto de la poesía visual. Este desdoblamiento provoca una tensión equidistante entre los tres vértices del triángulo: abstracción, representación y comunicación; pues en cada foto nos encontramos con la huella, el rastro, la disección y el referente; pero al mismo tiempo asistimos a una suerte de “asesinato simbólico del objeto” en favor -aparente- de los signos del lenguaje; lo que a buen seguro: hará sonreír a los conceptuales más recalcitrantes y provocará una cierto estado de perplejidad en el espectador.
La lógica de un uso sintáctico de las palabras transmite dudas y decisiones sobre el significado de los signos y las formas, lo que de algún modo sería comparable al análisis de las “condiciones de la verdad” tal y como fueron formuladas por Wittgenstein. Así pues, podemos concluir destacando que para Pérez Mulas la sintaxis lógica –tanto si nos referimos al lenguaje como a las formas- existe para ser pervertida desde dentro. Las “formas-fonema” son como un virus que se auto-duplica y que sólo puede ser destruido por otro virus más fuerte y resistente y está claro que en este caso sólo las paradojas visuales (y no los diccionarios) tienen la capacidad para hacernos dudar y en consecuencia “diseccionar” el “lenguaje de las formas” con la misma intensidad que las “formas del lenguaje”.
F. Javier Panera Cuevas
Director de Programación del Centro de Arte Contemporáneo Domus Artium 2002, DA2
Las demás fotografías de esta serie se pueden ver aquí
© Álvaro Pérez Mulas
The Wandra was wrecked on the night of 15th December 1915 at a location known as the Drumsticks, or Drum and Drumsticks. The image, taken from Google Maps, shows the Beecroft Peninsula and Point Perpendicular. The Peninsula forms the Northern entrance to Jervis Bay, NSW. The precise location of the wreck is contained on this website: www.michaelmcfadyenscuba.info/viewpage.php?page_id=118
This report has been prepared by Chris Borough, Graham Nicholson and Philip Pope
DETAILS
Name: WANDRA (Originally Wandy)
Official Number: 121183
Type: Steamer – ketch rigged
Register: Sydney 31/1907 - 31st July 1907
Builder: Denis Sullivan, Coopernook
Materials: North Coast Hardwood - Blackbutt, Ironbark & Flooded Gum as well as Oregon (for the deck).
Launch: Coopernook, Saturday 1st June 1907
Length: 120.5 ft.
Breadth: 26.0 ft.
Depth in Hold: 5.8 ft.
Tonnage: (n.b. 1 shipping ton = 100 cubic ft. or 2.83 cubic metres)
Gross: 163.66 tons
Nett or Register: 71.07 tons (201.13 cu. m.)
Engines: Two-cylinder Compounding Surface Condensing – Campbell and Calderwood, Paisley, Scotland.
Propeller: two
OWNERS: Allen Taylor and Company Limited of Pyrmont, NSW
LAUNCH OF THE WANDY
Despite being launched as the Wandy she was registered as the Wandra
Launching at Coopernook.
THE S.S. WANDY.
The fourteenth boat built by Mr. D. Sullivan was successfully launched at his Coopernook yards on Saturday last [1st June 1907], in the presence of several hundred spectators— the christening ceremony being performed by Miss Vera Sullivan (a grand-niece of Mr. Sullivan), who gracefully named the steamer "Wandy" as she left the ways. As is usual with Mr. Sullivan's launchings, not the slightest hitch occurred. The name Wandy is derived from Wandyan, on the South Coast, where Messrs. Allen Taylor & Co. are opening up the timber trade at St. George's Basin, near Jervis Bay. The firm has a mill there, and is working what is practically a virgin forest.
The new boat, which is of ordinary build, with a round bilge, is owned by Messrs. Allen Taylor and Co., and is to be placed in the timber trade. She is 125 feet long overall, and 120 feet between perpendiculars, with a 26ft. beam, and has a capacity for 60,000 feet of timber — this being equivalent to 180 tons dead weight, or 1800 bags of maize. The timber will be carried in a large hatch amidships. With the exception of that in the deck, which is Oregon, all the timber used in the construction of the vessel was obtained locally. The keel and keelsons are ironbark, the planking blackbutt and flooded gum, and the frames hardwood. Two masts, each 65ft. in length, will be fitted. The vessel will be of the twin-screw type, and will be electrically-lighted throughout. Accommodation will be provided for a crew of 12—the captain's cabin being on the bridge, and the officers' quarters aft, whilst the sailors will be accommodated for'ard. The engines will be of the compound type, 10-in. and 20-in. stroke, and will be placed aft. They are to be fitted by Messrs. Begg and Grieg [Greig], of Sydney. This firm also fitted the engines in the Pyrmont. A speed of 9 knots will be attained.
Copper fastenings have been used to the water line and galvanised above it. The keel of the Wandy was laid in September of last year, and since then 25 men have been employed by Mr. Sullivan in the yard and bush. The vessel will probably be towed to Sydney on Saturday by one of Messrs. J. and A. Brown's tugs [Alice].
The Manning River Times and Advocate for the Northern Coast Districts of New South Wales (Taree, NSW : 1898 - 1954) - Wed 5 Jun 1907
TOWED TO SYDNEY
The Wandy.— The hull of the steamer Wandy, , which was launched at Coopernook on the 1st inst.,arrived in Sydney on Wednesday night last in tow of Messrs. J. and A. Brown's tug Alice.
The Manning River Times and Advocate for the Northern Coast Districts of New South Wales (Taree, NSW : 1898 - 1954) Wed 19 Jun 1907
ENTERED INTO THE CAPE HAWKE TRADE
The Cape Hawke Trade.— The new steamer Wandra, recently launched at Coopernook by Mr. D. Sullivan, has taken up the Cape Hawke trade for Messrs. Allen Taylor & Co. while the bar and crossing remain in their present shallow condition, and the S.S. Tuncurry is putting in the time elsewhere. The Wandra, when launched, was christened " Wandy" by mistake, but the correct name was registered by the company. She has been nicely fitted, and carries a good cargo on a light draught. Her speed is about 8 knots.
The Manning River Times and Advocate for the Northern Coast Districts of New South Wales (Taree, NSW : 1898 - 1954) - Sat 31 Aug 1907
DAMAGE TO PROPELLER
Grounding and damage to propellers was a common problem for vessels trading along the NSW Coast.
ACCIDENT TO THE WANDRA.
The Navigation Department received a telegram to-day stating that while coming down the Manning River yesterday, the steamer Wandra, owned by Messrs, Allen Taylor and Co., lost two blades of her [starboard] propeller. Repairs will have to be effected at Sydney.
The Sun (Sydney, NSW : 1910 - 1954) - Wed 5 Feb 1913
WANDRA'S PROPELLER INJURED.
A telegram received by the Department of Navigation from the pilot at Bellingen yesterday stated that the steamer Wandra left there for Port Stephens and Newcastle with two blades of her propeller injured.
The Sydney Morning Herald (NSW : 1842 - 1954) - Thu 26 Feb 1914
WANDRA ASSISTS IN RESCUE OF TRAMP
Wandra and Tug to the Rescue.
It fell to the lot of the coasting steamer Wandra, one of Messrs. Allen Taylor and Company's fleet to rescue the Tramp from her dangerous position off the coast.
When the report was received from Captain Thomson of the Wyandra, Captain Hacking, the Superintendent of the Department of Navigation, notified Captain Kerkin at the Manning River of the dismasted schooner's position, and he was instructed to take steps to have the derelict removed from the track of navigation. The steamer Wandra happened to be off the Manning River, and she was signalled to proceed to the wreck. A message had meanwhile been received giving the position of the Tramp as five miles to the southward of Crowdy Head. The Wandra came across the derelict shortly before noon on Monday, and Pilot Kerkin telegraphed to the Navigation Department during the afternoon: "Wandra proceeded as instructed, and secured the derelict. She is now steaming towards the bar, with the derelict in tow."
There was a heavy sea at the Manning River entrance when the Wandra and the derelict arrived off the bar, and the subsidised tug, John Gollan, put out and picked up the Tramp from the Wandra, and towed her inside, the tug and the dismasted vessel entering the river at 3.55 p.m.
The Manning River Times and Advocate for the Northern Coast Districts of New South Wales (Taree, NSW : 1898 - 1954) Sat 2 Aug 1913
WRECKED ON ROCKS NORTH OF JERVIS BAY – 15th December 1915
FOUNDERING OF THE STEAMER WANDRA.
Twelve members of the crew of the steamer Wandra, one of the small coasters belonging to Messrs. Allen Taylor and Co., reached Jervis Bay, on the South Coast, at 1.30 o'clock yesterday morning and reported the loss of the vessel. The Wandra foundered off the Drumsticks, about seven miles north of Point Perpendicular.
The Wandra was bound from Moruya to Sydney, timber-laden, in charge of Captain Rueben Lucey. North of Jervis Bay, the vessel became unmanageable, and subsequently foundered, the crew escaping in the boat with only what they stood in. Captain Lucey telephoned to Messrs. Allen Taylor and Co., yesterday morning news of the disaster, and the company is arranging for the crew to return overland via Nowra.
The Wandra was specially designed for the timber trade on the coast, and she had been running both north and south since she was built in 1907. She was a wooden vessel, of 164 tons gross and 71 tons net, with a length
of 120ft. 5in., beam of 26ft., and depth of 5ft. 8in. The vessel and cargo were covered in the United Insurance Co.
STATEMENT BY THE CAPTAIN.
Nowra, Thursday. — Captain Lucey, of the Wandra, states that the vessel left Moruya yesterday morning with cargo of 48,800 superficial feet of timber, mostly girders, and everything went well until she got five or six miles north of Jervis Bay Lighthouse. At about 10 o'clock at night, wind and sea being moderate, the Wandra suddenly filled up on the lee side, and did not recover. She went in towards Drumsticks at Currarong. The captain let go the anchor quickly, but she foundered almost immediately in from eight to ten fathoms of water. All hands were landed without any flurry or excitement, and proceeded to Jervis Bay lighthouse, where they received every attention. Captain Lucey says there is no chance of salving the Wandra.
The Daily Telegraph (Sydney, NSW : 1883 - 1930) Fri 17 Dec 1915
CREW'S EXPERIENCES AFTER SHIPWRECK.
NOWRA, Sunday 19th.
Captain Lucey, of the wrecked steamer Wandra, and all his crew, arrived at Nowra from Jervis Bay Lighthouse at 12.30 p.m. on Friday [17th]. They left the lighthouse at 6 o'clock in the morning, and a horse and cart having been provided by the lighthouse-keeper, they took it in turns to walk and ride towards Nowra. After covering some 12 miles in this manner they were met by vehicles sent out from Nowra, 16 miles away. From here they proceeded to Sydney.
The captain, who is suffering from a slight injury to one of his knees, sustained whilst landing at the Drumsticks, further states that immediately the sea was shipped and the steamer was in difficulties the ship's pumps were got to work, with the hope of pumping her out, but she never recovered the list received after shipping the sea, and sank with pumps working almost up to the last. The night was clear when she went down, and her masts were showing when they landed.
After landing rain set in, and being a cold night they all suffered considerably in their six-mile tramp to the lighthouse. The captain expressed his gratitude to the lighthouse-keeper and staff, who gave all the assistance in their power to himself and the crew, and provided them with a few pairs of boots, together with caps and tobacco.
The Sydney Morning Herald (NSW : 1842 - 1954) Mon 20 Dec 1915
THE WANDRA FOR SALE
Mr F R Strange advised that he is selling by public auction to-day at 28 Market street, at 11.30 a.m., the wreck of the steamer Wandra as she now lies at The Drumsticks, near Jervis Bay Heads, including a cargo of hardwood, consisting of hardwood sleepers.
The Sydney Morning Herald (NSW : 1842 - 1954) Fri 14 Jan 1916
Further details on the wreck and information on Scuba Diving can be found at
www.michaelmcfadyenscuba.info/viewpage.php?page_id=118
Acknowledgements: The assistance of Mori Flapan (Mori Flapan boatregister) by providing access to his extensive database is greatly appreciated.
Image Source: Unknown
Image Enhancement - Philip Pope
All Images in this photostream are Copyright - Great Lakes Manning River Shipping and/or their individual owners as may be stated above and may not be downloaded, reproduced, or used in any way without prior written approval.
GREAT LAKES MANNING RIVER SHIPPING, NSW - Flickr Group --> Alphabetical Boat Index --> Boat builders Index --> Tags List
this is probably the most sexual thing i've posted; i get this mad vibe from it.
she got a ghetto booty like NAohMAAY!
bahahahahahahahaha. goddamn that gangster rap shit.
regardless, i'm sitting here, and ...OGOD, i wish you could see what i see.
it blatantly describes - absolutely perfectly - where i live.
there's a couple two tables up. he's wearing overalls and a grey tee-shirt, his skin is nearly leather from his life spent outdoors. she is in a striped red and white, hair cut like a butch and grandmum glasses. they're both on the obese side of life, and using the free wifi to look up "that shit that was on the infomercial last night."
if i'm not mistaken, they're browsing knives.
"shit. this is 34.95$. they got dem cheaper at walmart."
welcome to the heartland of america, ladies and gents.
Hilo de la Fotohistoria en Pullip .es: Naruto VS Sasuke
(Read in order, this is: SHOT/FOTO 01 of 23) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23.
FOTOHISTORY: In English / En Español
Naruto: Sasuke...
Sasuke: Whaaaat... (here you go again... can't you be quiet for just 5 minutes?? ¬¬)
/
Naruto: Sasuke...
Sasuke: Queee... (ya estamos otra vez...no puedes estar callado ni 5 minutos?? ¬¬)
LINKS:
- Las FOTOHISTORIAS de Sheryl en el Foro de Pullips: Pullip .es
- Sheryl Photostories at Flickr
- Hilo de Naruto en Grupo en el Foro: miPullip
- See more photos at: Renske‘s Flickr
Macao
Guia Lighthouse
Guia Fortress, Lighthouse and Chapel: Built on the top of the highest hill in Macau peninsula (which has a walking trail with gymnastics infrastructures) is the Guia Fortress, erected in 1637 inside which is a lighthouse (1865), the first to be built in the China coast. Besides the lighthouse there is a Chapel dedicated to Our Lady of Guia, decorated with beautiful frescoes recently restored. From the fortress the visitor can visit the whole city and the Pearl River. It is an extremely calm spot ideal for photos, with a coffee shop selling soft drinks and coffee. Moreover it is here that the typhoon signals are hoisted in order to inform the population that the tropical storm is approaching.
The Guia Complex, which includes a historical military fort, chapel and lighthouse, is a UNESCO World Heritage Site.The fort and chapel were constructed between 1622 and 1638. The lighthouse was constructed between 1864 and 1865, the first western style lighthouse in east Asia or on the China coast.
In October 2006, the Macau Government announced a gigantic construction project which includes a new home for Beijing’s Liaison Office. With such construction plan, Macau’s signature lighthouse will be hidden from large portions of the city, and, perhaps the harbour.
The project at the foot of Macau’s Guia Hill comprises a 135 metre tall tower, a 99.12 metre tower, with other tall buildings in a line spanning some 300 metres, while the Guia Hill is only 91 metres in height.
The height of Beijing’s Liaison Office (99.12 metres) is designed to commemorate December 1999, the year of Macau’s return to Chinese sovereignty. The building is already under construction and will be complete next December to commemorate the eighth anniversary of Macau’s handover.
The Association for the Protection of Macau’s Historical and Cultural Heritage warned the Macau government that if the high-rise buildings turned out to block the view of the Guia Lighthouse, it would upset the feelings of many residents.
Earlier in 2006, the Macau government uplifted two decrees that stipulated maximum construction heights in that area. The Land, Public Works and Transportation Office said the revocation stemmed from “the need to modernize the legislation, already 15 years old and completely outdated, out of touch with the gambling sector development and the increasing need for building sites”. Since 2006 summer, there have been a few heritage disputes in Macau. Activists have been fighting against a building plan that threatened to block the sea view from the A-Ma Temple, a World Heritage site honoring the goddess of seafarers and protesting against a government plan to demolish the Little Blue House - a historic mansion that isn’t on the World Heritage list.
According to the Macau Post Daily (January 10, 2007), heritage management expert, Mr. Imon, stressed that the UNESCO in Paris has a so-called World Heritage in Danger List that comprises properties deemed by the organization to be in peril because of adverse developments in their surroundings. In case of a world-heritage property’s inclusion in the danger list, the UNESCO may issue a warning in order to urge the respective country [China in the case of Macau] to stop the damage and to remedy the situation.
Camera: Canon EOS 30D
Exposure: 1/2500 sec
Aperture: f/4.0
Focal Length: 17 mm
ISO Speed: 100
Exposure Bias: 0 EV
Flash: Off
File Size: 1545 kB
File Type: JPEG
MIME Type: image/jpeg
Image Width: 2509
Image Height: 3677
Encoding Process: Baseline DCT, Huffman coding
Bits Per Sample: 8
Color Components: 3
X-Resolution: 350 dpi
Y-Resolution: 350 dpi
Orientation: Horizontal (normal)
Software: Digital Photo Professional
Date and Time (Modified): 2009:04:04 10:54:24
YCbCr Positioning: Centered
Rating: 0
Custom Rendered: Normal
Exposure Mode: Manual
White Balance: Manual
Scene Capture Type: Standard
Exposure Program: Manual
Date and Time (Original): 2009:04:04 10:54:24
Date and Time (Digitized): 2009:04:04 10:54:24
Color Space: sRGB
Focal Plane X-Resolution: 3959.322034 dpi
Focal Plane Y-Resolution: 3959.322034 dpi
Viewing Conditions Illuminant Type: D50
Measurement Observer: CIE 1931
Measurement Flare: 0.999%
Measurement Illuminant: D65
Visit www.fabinstyle.com / www.fabinstyle.in/hot_actress.php for latest Bollywood celebrity pictures, Hot Bollywood Celebrity pictures, Hot Bollywood actress, Hot actresses and Hyderabad Movie Timings, Movie Review, Bollywood Movie Review, Hyderabad Business Listing, much more….
Anytime I see someone on Facebook complaining about having to go into a job they hate, I feel for them. I've spent year after year, day after day, dragging myself into jobs that I've absolutely loathed. No one deserves to waste their life away spending at least 1/3 of their day at a place they hate - especially when they typically spend another 1/3 of it asleep.
Imagine that. Millions of people in this country spend 2/3 of their life not appreciating their life. Don't be afraid to step out of your comfort zone. Don't be afraid to take risks. Don't be afraid to pursue your dreams. Stop holding yourself back. Stop weighing yourself down.
Printemps 2011 : Jardin Botanique du Montet / Serre Tropicale
Photos : T2P Photos
Warning / Disclaimer:
All these pictures are under copyright protection. The content of this website CANNOT BE COPIED, DISTRIBUTED or PUBLISHED for any media, electronic or any other way of producing without my prior consent.
IMPORTANT
© Copyright.. You can not use!
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My character in HEROICA RPG
En Sabah Nur, level 11½ Mage ~Lucky~
29 year old human male
Power: 19 (16+3) | Health: 10 (15+1-6) | Ether: 15| Gold: 0
Inventory: Sangriste Dagger (WP: 5), Helmet (+1 HP), Thorny Diadem(+3Power-6HP), Loaded Die (Lucky effect), Garnet (Earth), Aquamarine (Water) 4 Potions, 2 Tonics, Grand Tonic, Phoenix Essence, Remedy, Smoke Bomb, Bedroll, Magnifying Glass, Scroll of Sealing, Scroll of Blindness
Nur prefers Earth, Lightning, and Wood magic.
CURRENT SPELL LIST:
Earth Shard - Mage removes clump of the surrounding earth, fastens it into a shard and hurls it at target.
Requirements: Roll of 3. Ether (1)
Earthquake - Mage causes the earth to quake damaging multiple targets.
Requirements: Roll of 1. Ether (1)
Earthen Fury - Mage causes critical damage (WPx2 + LVL) to single target.
Requirements: Roll of 2. Ether (1)
Move Earth - Mage causes the earth to open in a specific location. Causes no damage.
Requirements: Shovel.
BACKSTORY:
My father was an expert at separating people from their valuables and as you can imagine, we had to move from city to city quite often. Eventually we ran out of places to hide and were taken in by a small like-minded orc tribe.
Spent the better part of my youth wrestling with orc and ogre younglings and even participating in their rites of passage. The elder shamans noticed something special within me so conducted spiritual tests on me. I displayed an affinity for their magicks so they taught me their secrets. When my father and I finally moved along, I took what I'd learned and continued my magical studies. Although I favor earthen magic, I'm quite well versed in other forms of sorcery.
QUESTS - Participated in
Quest #6: "WANTED! Donny Dozenhands
Quest #10: Extra-Curricular Activities
QUESTS - Hosted
Fatehpur Sikri (Hindi: फतेहपुर सीकरी, Urdu: فتحپور سیکری) is a city and a municipal board in Agra district in the state of Uttar Pradesh, India. The historical city was constructed by Mughal emperor Akbar beginning in 1570 and served as the empire's capital from 1571 until 1585. Though the court took 15 years to build, it was abandoned after only 14 years because the water supply was unable to sustain the growing population.[1] The surviving palace and mosque are a tourist attraction and a UNESCO World Heritage Site. The site itself is a ghost town.
Available At:
www.etsy.com/view_listing.php?listing_id=33051410
The Owl design was first tattooed around the early 40's and usually meant that u were a burglar or a safe-cracker (hence the owl sitting on a crowbar). Kat. is an abbreviation of the Russian word "Katorzhnik" which means "sentenced to hard-labor", though "hard" was probably a soft word for it. If you made it through one of those camps and lived then you were one tough, resilient s.o.b. It was first applied back in the Tzarist Camps (1800-1917).
The combination of the two may have been tattooed in memory of those who died in those camps or simply just to scare others. On the front are two cat tattoos which can symbolize luck for a person that needs luck in his/her line of work. There are many different meanings for cat tattoos.
MIR logo printed on hood
Made for week 238 of the Photoshop Contest.
Photo credits:
Stone wall: Lamerie
Dancer: George Eastman House
Stone floor: Gerald Menzel
Rabbits: Halans
Stone arch: Dynamosquito
Clock :Leo Reynolds
Planets courtesy of NASA.
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Währungsreform 1923/1948
Zwei mal in 25 Jahren ist in Deutschland im 20. Jahrhundert die Währung völlig zusammengebrochen. Die äußeren Umstände scheinen sich auf den ersten Blick zu ähneln (verlorener Krieg, Inflation usw.) – die Reformen an sich könnten technisch gesehen kaum unterschiedlicher sein.
1923/24 wurde im „laufenden Betrieb“ an der neuerlichen Etablierung der alten Strukturen gearbeitet. Natürlich auch im Interesse der privaten und auf Gewinn ausgerichteten Reichsbank. Die Regelungen finden sich in verschiedenen Gesetzen und Ausführungsbestimmungen, über Monate verteilt.
1948 lief kein „Betrieb“ mehr.
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Schon am 20. Juni 1948 wurde das erste Währungsreformgesetz in Kraft gesetzt. Damit wurde die D-Mark für die Westzonen das neue Zahlungsmittel. Die amerikanische Besatzungsmacht brachte Banknoten im Nennwert von 5,7 Mrd. DM in den Verkehr (die in den USA schon ab Herbst des vergangenen Jahres gedruckt worden waren). Es gab für jeden Bürger 60 DM „Kopfgeld“, wovon 40 DM sofort ausgezahlt wurden. Die Unternehmen erhielten 60 DM als „Geschäftsbetrag“ pro Arbeitnehmer. Das Altgeld wurde mit dem Verhältnis 100 zu 6,5 umgetauscht. Die meisten privaten Reichsmarkverbindlichkeiten wurden im Verhältnis von 10:1 in D-Mark gewandelt. Insgesamt wurden 93,5 % des alten Reichsmarkvolumens aus dem Verkehr gezogen!
Das neu eingeführte Geld wurde von der Bevölkerung sofort angenommen. Es trat der sogenannte „Schaufenster-Effekt“ ein, in dessen Folge der Schwarzmarkt praktisch im Handumdrehen verschwand und gehortete Waren wanderten über Nacht zum Verkauf in die Läden. Damit wurde (weitgehend) Erhards Wirtschaftspolitik durch einen ersten Erfolg gekrönt.
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www.gold.de/waehrungsreform-1923-1948/
* 23.09. 1922
- 27.06 2017
trauer.schwarzwaelder-bote.de/traueranzeige/olga-effinger
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Zigarettenwährung
Vor der Währungsform wurde oft in "Zigaretten" gezahlt, man spricht auch von "Zigarettenwährung". An die Stelle dieser Zigarettenwährung sollte jetzt wieder "richtiges" Geld treten. So verhandelte man seit 1947 über eine Währungsreform.
Die bedeutete aber, dass alles, was die Leute gespart hatten, wertlos werden würde.
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Natürlich gab es auch Schattenseiten.
Besitzer von Sachwerten wurden begünstigt, während die Reform Geldwertbesitzer praktisch enteignete. Nicht nur wegen der „Streichung“ von Guthaben an sich, sondern vor allem auch, weil Bodenbesitz, Eigentum von Produktionsmitteln und Waren ja von der Neuordnung unberührt geblieben waren.
Beteuert wurde denn auch von Anfang an quer durch alle Parteien, dass ein gerechter Lastenausgleich um diese Schieflage abzuschwächen zu den dringlichsten Aufgaben gehöre.
Lastenausgleich - infolge der Einführung der Mark
Es dauerte aber noch. 1952 trat in der Bundesrepublik Deutschland das Lastenausgleichsgesetz in Kraft. Damit wurden, vor allem durch Abgaben auf Grund- und Immobilienbesitz, Aufbaudarlehen für Ausgebombte, Siedlungshilfe für Flüchtlinge und Investitionshilfen zur Existenzgründung ermöglicht.
1947
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George C. Marshall war 1947 amerikanischer Außenminister. Er kündigte bei einem Vortrag, den er an der amerikanischen Universität Harvard im Juni 1947 hielt, ein Hilfsprogramm für Europa an.
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Hilfsprogramm, dessen offizielle Bezeichnung "European Recovery Program" (kurz ERP) lautete, ging dann als der so genannte Marshallplan - eben nach dem amerikanischen Außenminister Marshall benannt - in die Geschichte ein.
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1949
Konrad Adenauer als erster Bundeskanzler
1. Konrad Adenauer bekannte sich in seiner Antrittsrede - - zur Aussöhnung mit Frankreich.
Soziale Marktwirtschaft
2. Er versicherte ebenso, dass Deutschland Teil eines europäischen Staates sein wolle.
3. Und er bekannte sich zu einem Wirtschaftsprinzip, das für die Zukunft der jungen Bundesrepublik äußerst bedeutsam werden sollte: zum Prinzip der sozialen Marktwirtschaft.
1950
Beitritt der Bundesrepublik zum Europarat
1957
Der EWG-Vertrag
Am 1. Januar trat der EWG-Vertrag in Kraft, der einen gemeinsamen europäischen Markt und den Abbau von Zöllen vorsah. Die Wirtschaftspolitik der sechs teilnehmenden Nationen sollte gemeinsam gesteuert werden. Dieser Vertrag war die Voraussetzung für die spätere politische Einigung Europas.
...
www.zeitklicks.de/top-menu/zeitstrahl/navigation/topnav/j...
1966
Rücktritt von Kanzler Erhard
1971
Mit der Einführung des BAföG (anfangs ein Vollzuschuss ) wurde nun auch Kindern aus weniger wohlhabenden Familien ein Studium ermöglicht. BAföG ist die Abkürzung für Bundesausbildungsförderungsgesetz. Es trat am 1. September 1971 in Kraft.
1972 - Olympische Spiele in München
1973 RAF
- 25 Jahre später
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...
1989
Mauerfall und Grenzöffnung
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Aleah Rico in "I Took the Night"
"When You Believe"
Albuquerque Social Club
October 3, 2009
Benefit for Jordan Renne Cilley and the Juvenile Diabetes Research Foundation International
"Thank you for coming to When You Believe. My name is Jordan Renne Cilley. I am ten years old and I have Juvenile Diabetes Type l. I was diagnosed on March 17, 2007, when I was only seven years old.
...You get diabetes when your pancreas stops making natural insulin in your body. The insulin injections help bring down my blood sugar. I have to poke my finger to check my blood sugar before every meal and snack... Then I have to give myself insulin injections... [adding up to] 6-8 injections a day... I also have to be careful that my blood sugar doesn't go too low, because I could end up in the hospital.
Sometimes I get upset and cry that I have to stop what I'm doing to check my blood, and take insulin injections. It' not fair that I have to let my team down and stop playing a volleyball game because I feel low and have to bring my blood sugars up. It makes me sad that I have juvenile diabetes.
With your help I want to raise money to find a cure for juvenile diabetes, to educate people about juvenile diabetes so that people are aware of who and why we have juvenile diabetes. Finding a cure for juvenile diabetes means not having to always poke our fingers to check our blood. It means that we will be able to live life without being afraid of our blood sugar getting too high or too low. It means that someday we would not have to take insulin injetions anymore."
Support Jeremy Miller's "Ride to Cure"
Death Valley, CA
October 17th, 2009
Visit ride.jdrf.org, click on "Donate"
and search (Jeremy Miller)
Join Jordan Renee Cilley's Walk for a Cure
Saturday, November 7, 2009
Balloon Fiesta Park 10 a.m. to 12 p.m.
Register at walk.jdrf.org
donate at jdrf.org, on the WalkCentral: "Walk to Cure" shoe logo,
type in "Team Monkey"
under Jordan Cilley. Thank you.
Stay at Home Gypsy here--I've had "juvenile diabetes" for twenty-two years--I got it as an adult. I know how relentlessly yucky it is. I'm praying for stem-cell research for this. Until then, I'm honored to have photographed this amazing performance, and to support this girl and this quest.
高雄市玩美攝影協會 / 拍攝
『玩美是人生追求完美境界的過程，完美是生活過程中的成果，攝影人在乎過程中的進行。因此，玩美幾乎是攝影人所追求的程序，意即尚在進行中，永無止息，故取名之。』
協會會址:台灣 高雄市新興區尚信街29號
捷運O7文化站 1號出口(步行約1分鐘)
協會服務電話：07-2231345
E-mail：wm2231345@gmail.com
This sensational design called "Raspberry Chocolate Truffle" features pale bronze Swarovski pearls, complimented by pale pink Swarovski pearls to create the classic pink and brown combination. Sterling silver Bali bead caps, pale pink and topaz Swarovski crystals gives this piece a glamorous touch.Its available in various sizes like 6", 7.25", 8", 10", 12", 26", M14" etc. It deals with dog accessories, dog gifts, dog luxury gifts, dog fashion etc!
2008 Chevrolet Malibu hybrid looks like new but originally it is used Chevrolet Malibu hybrid Cars which will be going to sale in cheap price specially for you by wineandcars.com, a well know automotive website. For book today you can visit our website.
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No filters. Tripod used.
One of those unexpected moments I try to learn to expect!
A police helicopter's flood is like a ray of light piercing the overcast...
... Unfortunate about the railing and yellow tape: Instead of just closing-off the damaged portion of this walkway, they barricaded everything.
What are you seeing here?
WWII Victory Ship Lane Victory on the left.
Cormorants rest on her wide berthing ropes.
A container ship loading in the distance on Terminal Island..
The Island Princess cruise ship is on the right, preparing to sail.
There were 3 cruise ships in port at the same time;
and all 3 left within 10 minutes of one another. That is not a common sight.
San Pedro (in Los Angeles County, California) is less than 30 minutes away from my home in neighboring Orange County. It is centrally-located between LA and Orange County.
I always see interesting things in San Pedro! When I'm there for the Battleship IOWA-related events, I always stay to explore and photograph, usually 'til after dark, as some of my friends have noted! Although the conglomeration of container-related machines cover Terminal Island an nearby Long Beach harbor, their is still a lot of charm and historic feel to the San Pedro side of the LA Harbor main channel. San Pedro is an interesting town, a blend of modern mixed with historic buildings. Then just a few minutes drive is the beautiful Palos Verdes Peninsula, with its fantastic ocean views from its perch above the seas. Its a favorite filming locale, and tourist-friendly. It is a perfect new home for the Battleship IOWA, scheduled to open as a floating museum in 2012. Visitors who do their homework could easily spend a week here.
This one is beautiful when Viewed Large and On Black
Rond 1360 was op het strand van de Oosterschelde bij Bergen op Zoom een eikenhouten koningscrucifix aangespoeld, een bekleed beeld met koningskroon. Na de vondst werd het beeld in processie de stad binnengedragen, waarop besloten werd ter ere van dit mirakel jaarlijks een ommegang te houden. De oudst bewaarde stadsrekening (1413) maakte melding van de Cruysommeganck op de zondag na Beloken Pasen, waarna de jaarlijkse paasmarkt begon. Onzeker is, of door deze vondst Bergen op Zoom een bedevaartsplaats werd, omdat daarover geen bronvermeldingen bestaan. Wel nam de crucifix een belangrijke plaats in in de St. Gertrudiskerk, waar het midden in het gebouw op het Heilige Kruisaltaar geplaatst werd voor verering (Het kruis ging in 1580 door brand verloren).
De Kruis Ommegang werd een belangrijke gebeurtenis, die gefinancierd werd door de gemeente. In de loop der tijd werd ook het beeld van Maria van het Lievevrouwegilde meegedragen in de stoet. Op 23 april 1572 werd de Ommegang door het gemeentebestuur verboden.
Op 15 augustus 1942, de dag van de viering van Maria ten Hemelopneming, riep kapelaan Ooijens van de Heilige Maagd Kerk op om een jaarlijkse Ommegang te organiseren als de stad behoed zou blijven voor groot oorlogsgevaar. Op 15 augustus 1945 werd gehoor gegeven aan deze oproep en liep opnieuw een Ommegang door de straten van Bergen op Zoom, ditmaal ter ere van de Hoge Lieve Vrouw van Bergen.
Dit jaar was daarmee de 65e editie die door de Middeleeuwse straten van Bergen op Zoom trok.
" Yoko Ono
David Rockwell
Veronica Webb "
www.vipp.com/press/press_releases/index.php?nid=84
Vipp is celebrating its 70th anniversary by hosting a charity auction in New York City in collaboration with design retailer Design Within Reach (DWR). The auction will benefit DIFFA: Design Industries Foundation Fighting AIDS. The auction will feature Vipp pedal bins re-imagined by 35 leading creative personalities.
Public viewing and bidding from October 15 - 28 at DWR: Tools for Living located at 142 Wooster Street, New York City, during regular store hours (11am-7pm). Gala auction to be held October 28.
Danish design company Vipp is celebrating its 70th anniversary this October by hosting Can It!!! - a charity auction in New York City in collaboration with design retailer Design Within Reach (DWR). The auction will benefit DIFFA: Design Industries Foundation Fighting AIDS. Thirty-five leading figures in the worlds of architecture, art, design, fashion and entertainment have put their signature touch on the iconic Vipp bin for the occasion.
PUBLIC VIEWING AND BIDDING, OCTOBER 15 – 28
From October 15 – 28, the 35 customized Vipp bins will be on display for public viewing and bidding at DWR: Tools for Living located at 142 Wooster Street, New York City, during regular store hours (11am–7pm). Those who place bids on one or more of the customized Vipp bins, will be invited to a special gala auction on Wednesday, October 28, hosted by Veronica Webb, Vipp, DWR and DIFFA.
PARTICIPATING DESIGNERS
Ami James, Avi Adler, Calvin Klein, Camilla Stærk, Cole and Garrett, David Rockwell, David Stark, Evette Rios, Helena Christensen, Izhar Patkin, James Charles, Jes Gordon, John Baldessari, Jonas Hecksher/E-types, Lady Bunny, Lady Pink, Magnus Berger, Michael Aram, Mike Perry, Nigel Barker, Olaf Breuning, Oscar de la Renta, Ralph Lauren, Kiril Kirov/Razortooth, Richard Colman, Rikke Korff/The Furies, Robert Geller, Robert Verdi, Shelly Sabel, Sune Rose Wagner/The Raveonettes, Swathi Ghanta/Kidrobot, The Selby, Veronica Webb, Yoko Ono, Yves Béhar/Fuseproject.
For more information call DIFFA @ 212-727-3100
imaginepeace.com/archives/8557
VIPP 70TH ANNIVERSARY AUCTION
Vipp is celebrating its 70th anniversary by hosting a charity auction in New York City in collaboration with design retailer Design Within Reach (DWR).
The auction will benefit DIFFA: Design Industries Foundation Fighting AIDS. Thirty-five leading figures in the worlds of architecture, art, design, fashion and entertainment have put their signature touch on the iconic Vipp bin for the occasion, including Yoko Ono, Calvin Klein, Ralph Lauren & David Stark.
From October 15 – 28, the 35 customized Vipp bins will be on display for public viewing and bidding at DWR: Tools for Living located at 142 Wooster Street, New York City, during regular store hours (11am–7pm). Those who place bids on one or more of the customized Vipp bins, will be invited to a special gala auction on Wednesday, October 28, hosted by Veronica Webb, Vipp, DWR and DIFFA.
Sign up to receive newsletter www.vipp.comletter
For further information, please write to tsp@vipp.com or call DIFFA @ 212-727-3100
Participating designers:
Ami James, Avi Adler, Calvin Klein, Camilla StÊrk, Cole and Garrett, David Rockwell, David Stark, Evette Rios, Helena Christensen, Izhar Patkin, James Charles, Jes Gordon, John Baldessari, Jonas Hecksher/E-types, Lady Bunny, Lady Pink, Magnus Berger, Michael Aram, Mike Perry, Nigel Barker, Olaf Breuning, Oscar de la Renta, Ralph Lauren, Kiril Kirov/Razortooth, Richard Colman, Rikke Korff/The Furies, Robert Geller, Robert Verdi, Shelly Sabel, Sune Rose Wagner/The Raveonettes, Swathi Ghanta/Kidrobot, The Selby, Veronica Webb, Yoko Ono, Yves BÈhar/Fuseproject.
DESIGN WITHIN REACH
110 Greene St
(between Spring St & Prince St)
New York, NY 10012
(212) 475-0001
Hours:
Monday-Saturday
11am-7pm
Sunday
12pm-6pm
Ordination of Deacons service at Manchester Cathedral, Manchester. Picture by Paul Heyes, Sunday June 30, 2019.
---VIEW IT IN LARGE | MUCH NICER!---
Camera: Canon EOS 450D
Recorded: 2009.07.12 (yyyy.mm.dd)
Exposure: 1/2000s
Aperture: ƒ/3.2
Exposure Program: M
Focal Length: 85mm
ISO Speed: 100
Flash: Off
Lens: Canon EF 70-200mm f/2.8 L IS USM
Place: Brandenburg, Strausberg
Marble statue of a naked Aphrodite crouching at her bath.
In the fourth century BC the sculptor Praxiteles created a life-size naked statue of Aphrodite (Venus). It was placed in a shrine in her temple at Knidos in south-western Turkey. It was an important innovation in classical sculpture, and subsequent Hellenistic sculptors created several new types of nude Aphrodite figures, that further emphasized the sexual nature of her cult. This trend perhaps reflected both the rising social status of women and changes in male attitudes towards women: previously only male statues had been naked.
Most of these statues show Aphrodite ineffectually attempting to cover her nakedness with her hands. The action in fact only succeeds in drawing the viewer's eye towards the sexual areas. In this statue the voluptuous Aphrodite crouches down and turns her head sharply to her right, as if surprised by her audience.
The three-dimensionality of the statue is typical of Hellenistic sculpture, as is the hairstyle with its elaborate top-knot. Another figure of Aphrodite in The British Museum (Sc. 1578) could almost be the same figure standing up. Other versions of the crouching Aphrodite are known: some have an additional figure of Eros, the god of love, while others show the goddess kneeling on a water jar to indicate that she is bathing.
This statue is sometimes known as 'Lely's Venus' since it once belonged to the baroque portrait painter Sir Peter Lely (1618-80). It was subsequently acquired by King Charles I (reigned 1625-49).
Best viewed large, on black: View On Black
There are very few human beings who receive the truth, complete and staggering, by instant illumination. Most of them acquire it fragment by fragment, on a small scale, by successive developments, cellularly, like a laborious mosaic.~ Anais Nin
It's a pretty miserable Monday morning - weather wise; unrelenting, cold rain. I couldn't be in a better mood this morning though - which is a feat in of itself given the aforementioned conditions, I didn't sleep all that well and I'm scheduled to see a neurologist for a surgery consult later this afternoon (I have a pretty severely herniated disc in my lumber spine).
But I feel inspired... and eager! So on this Monday - here are just a few of small pieces of my mosaic; the things that make up my truths, my happiness:
- Imported (German) gummi bears... seriously, I love them and I'm not sure I'd be the same if they ceased to exist.
- Family; they're pretty dandy too!
- Friends who love and support me, my dreams, my ambition... even if I do stumble over and doubt myself.
- Music: I'm not a musical artist (the closest I ever come to that was a failed attempt to play trombone my third-grade year - it was what was available to use for free when I was a foster child), but I am a LOVER of music... with a VERY eclectic taste in that regard.
- My lilac linen spray.
- And it should go without saying, but photography... I'm so happy to share with all of you.
Happy Bench Monday, my friends!
Hilo de la Fotohistoria en Pullip .es:
VISITING RYINA'S PLACE (5 of 5): The day after... /
VISITA A CASA DE RYINA (5 de 5): Al día siguiente...
(Read in order, this is: SHOT/FOTO 46 of 49) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49.
FOTOSTORY: In English / En Español
Lenn: Okay man!!! What am I doing here?? What's this workshop for?!! O__O What happened?!! @_@
Cíen: This is Sheryl's workshop, where she creates us, changes our look, or if happens something bad to us, she repairs us. She asked me to keep an eye on you since you broke your neck yesterday and your head felt to the floor at Ryina's place
Lenn: Huh? … my head? O__O
/
Lenn: Vale tío!!!! Que hago aquí?? Un taller de qué?!! O__O Que ha pasado??!! @_@
Cíen: Pues es el taller donde Sheryl nos crea o nos cambia de look, y si nos pasa algo nos repara. Me ha pedido que te echara un ojo hasta que te despertases, que se ve que ayer se te rompió el cuello y se te cayó la cabeza en casa de Ryina.
Lenn: Eh? ...mi cabeza? O__O
LINKS:
- Las FOTOHISTORIAS de Sheryl en el Foro de Pullips: Pullip .es
- Sheryl Photostories at Flickr
- Hilo de las Fotohistorias de Shin y Yashiro en el Foro de Pullips: Pullip .es
- Hilo de la Relación entre Shin y Yashiro en la sección de Penpals de Pullip .es
Fallow Deer Rut ~ Richmond Park ~ Richmond ~ London ~ England ~ Sunday October 19th 2014.
Click here to see My most interesting images
Purchase some of my images here ~ www.saatchionline.com/art/view/artist/24360/art/1259239 ~ Should you so desire...go on, make me rich..lol...Oh...and if you see any of the images in my stream that you would like and are not there, then let me know and I'll add them to the site for you..:))
You can also buy my WWT cards here (The Otter and the Sunset images) or in the shop at the Wetland Centre in Barnes ~ London ~ www.wwt.org.uk/shop/shop/wwt-greeting-cards/sunset-at-the...
Well, I finally made it back to Richmond Park yesterday, it's only taken me FIVE YEARS!!! Not been there since 2009!!! and I nearly didn't go yesterday either, because of initial bad weather and engineering works on the railway...it was a Sunday I guess, that's power for the course!!!
Anyhoo, I was rewarded with my FIRST ever Fallow deer Rut, which was pretty intense for 5 minutes!!
Hope everybody had a great Weekend..:)
From Wikipedia, the free encyclopedia ~ This article is about the deer genus. For other uses, see Dama (disambiguation).
Description ~ The male fallow deer is known as a buck, the female is a doe, and the young a fawn. Adult bucks are 140–160 cm (55–63 in) long with a 85–95 cm (33–37 in) shoulder height, and typically 60–100 kg (130–220 lb) in weight; does are 130–150 cm (51–59 in) long with a 75–85 cm (30–33 in) shoulder height, and 30–50 kg (66–110 lb) in weight. The largest bucks may measure 190 cm (75 in) long and weigh 150 kg (330 lb). Fawns are born in spring at about 30 cm (12 in) and weigh around 4.5 kg (9.9 lb). The life span is around 12–16 years.
The species has great variations in the colour of their coats, with four main variants, "common", "menil", melanistic and leucistic – a genuine colour variety, not albinistic. The white is the lightest coloured, almost white; common and menil are darker, and melanistic is very dark, sometimes even black (easily confused with the sika deer).
Common: Chestnut coat with white mottles that are most pronounced in summer with a much darker, unspotted coat in the winter. Light-coloured area around the tail, edged with black. Tail is light with a black stripe.
Menil: Spots more distinct than common in summer and no black around the rump patch or on the tail. In winter, spots still clear on a darker brown coat.
Melanistic (black): All year black shading to greyish-brown. No light-coloured tail patch or spots.
Leucistic (white, but not albino): Fawns cream-coloured, adults become pure white, especially in winter. Dark eyes and nose, no spots.
Most herds consist of the common coat variation, yet it is not rare to see animals of the menil coat variation. The Melanistic variation is rarer and white very much rarer still.
Only bucks have antlers, which are broad and shovel-shaped (palmate) from three years. In the first two years the antler is a single spike. They are gazing animals; their preferred habitat is mixed woodland and open grassland. During the rut bucks will spread out and females move between them, at this time of year fallow deer are relatively ungrouped compared to the rest of the year when they try to stay together in groups of up to 150.
Agile and fast in case of danger, fallow deer can run up to a maximum speed of 30 mph (48 km/h) over short distances (being naturally less muscular than other cervids such as roe deer, they are not as fast). Fallow deer can also make jumps up to 1.75 metres high and up to 5 metres in length.
Today my sister came over and we had a lovely day.
She helped me pick my best photo's in a few categories.
It was hard work since I got a few thousants photo's worth saving, hundreds of good shots and i wanted to end up with about 50 best of the best.
( I still have about 150 shots)
We made a first selection on Flickr (which you can find in this set)and on my hard disk.
You could help me out with pointing your winner to me in the comments.
But after all, Beauty is in the eye of the beholder.
Onze gidsen in Port Moresby - our guides in Port Moresby.
New Guinea Natural Tour LTD
P.O. box 2636
Boroko, NCD
Papua New Guinea
email:
danielwakra@yahoo.com
Papoea-Nieuw-Guinea is een land in Oceanië dat het oostelijk deel van het eiland Nieuw-Guinea beslaat. Het grenst aan Indonesië en ligt ten noorden van Australië. De hoofdstad is Port Moresby.
uit:
nl.wikipedia.org/wiki/Papoea-Nieuw-Guinea
Papua New Guinea is one of the most diverse countries on Earth, with over 850 indigenous languages and at least as many traditional societies, out of a population of just under 7 million. It is also one of the most rural, with only 18% of its people living in urban centres. The country is one of the world's least explored, culturally and geographically, and many undiscovered species of plants and animals are thought to exist in the interior of Papua New Guinea.
The capital is Port Moresby.
[http://en.wikipedia.org/wiki/Papua_New_Guinea
www.coys.co.uk/showrooms.php?itemID=5098
Registration Number: German Registered
Chassis Number: 61651
Registration Number: German Registered
Chassis Number: 61651
This Veritas RS was purchased by the current owner in 2001 from the assets of its deceased owner Björn Övre. Mr. Övre was a collector of Veritas and early BMW cars who has purchased already in the 1950s and 1960s several Veritas cars in Belgium and imported them to Norway. He was indeed well known in Veritas circles and often a most welcomed guest at Veritas meetings at Meßkirch and at the Nürburgring. Sadly his intention to restore 61651 after retiring did not happen due to his untimely death.
After being in the now vendors ownership the car was completely restored by German specialist Georg Thiele and a photographic documentation of the restoration is available in the cars file. This restoration included restoring the original space frame, front and rear axles, wheels, braking system and fitting of new shock absorbers, rebuilt engine with new pistons, polished con rods, new oil and water pumps (by Feierabend) and a 5 - speed gearbox is fitted with the original gearbox supplied. Fresh paint and seats trimmed in the traditional style finish the car.
Today 61651 presents itself in superb race and road ready condition. This car campaigned in many classic races, rallies and classic outings all over Europe within the last 10 years while in the ownership of its current custodian, himself a well known pre - and post war BMW collector and is in mint condition throughout. Needless to say that it is highly collectible, very rare and simply beautiful, certainly not to be missed.
Der Veritas RS # 61651 stammt aus dem Nachlass des norwegischen Sammlers Björn Öwre und wurde in 2001 vom jetzigen Einlieferer vom Nachlass - Verwalter erworben. Öwre besaß seit den 1950/1960er Jahren mehrere Veritas, die er in Belgien erworben und nach Norwegen importiert hatte. Er war den Veritas Freunden seit Jahren bekannt und ein gern gesehener Gast an deren Treffen in Meßkirch und am Nürburgring.
Unter der Leitung von Herrn Georg Thiele und dank vorhandener Pläne wurde 61651 von Grund auf restauriert. Der originale Gitterrohrrahmen wurde auf einer Richtbank vermessen und ausgerichtet. Beide Achsen wurden komplett revidiert, ebenso Räder,Adapter, Bremsen sowie Bremsseile und Leitungen. Der Wagen erhielt neue Stoßdämpfer. Der Motor wurde mit neuen Hochleistungskolben versehen, die Pleuel wurden ausgerichtet und poliert. Öl - und Wasserpumpen lieferte die bekannte Fa. Feierabend. Der Zylinderkopf ( Bristol 100 ) bekam neue Solex 32PJCB - Vergaser ( NOS ). Ein leistungsfähiges Kühlsystem ist ebenso verbaut wie der für den Rennbetrieb vorgeschriebene Ölauffangbehälter. Zur Zeit ist ein VOLVO 5-Gang Getriebe verbaut, jedoch ist das Original - Getriebe vorhanden.
Der Gitterrohrrahmen wurde mit Aluminium Blechen beplankt, teilweise unter Verwendung alter Karosserie - Teile. Die Lackierung ( innen + aussen ) wurde ebenso wie die Sattlerarbeiten in der ,, alten Art ,, ausgeführt. Das Armaturenbrett und die Instrumente wurden nach Vorlagen und Muster neu angefertigt und entsperechen dem Original.
Tank und Batterie wurden aus Sicherheitsgründen - abweichend vom Original - im Heck des Wagens untergebracht. Eine Fotodokumentation ist vorhanden.
Merlo P30.11xs Forklift Telescopic, Used Heavy Construction Equipments for Sale
Year : 1995
Category : Forklift
Subcategory : Telescopic
Manufacturer : Merlo
Model : P30.11xs
Location : Texas
Condition : USED
Stock Number : 822
Hours : 7,790
Professionelle Huawei Reparatur Service Center in Andwil Zürich und Winterthur. Wir reparieren auch Huawei-Displays mit Express-Service Huawei Honor 6 Plus, Honor 7, G7, P7, P8, p8 lite, , Mate 8, Mate S, Ascend , P9 lite und Huawei P9 Plus.
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cf. „https://www.die-namen-der-nummern.de/index.php/en/„
Seine Forschung und Lehre bezieht sich auf jüdische Lebenswelten in Vergangenheit und Gegenwart. In diesem allgemeinen Horizont steht die Shoah als ein herausgehobener, aber nicht als einziger Schwerpunkt seiner Interessen. Die jeweiligen Forschungsfelder – darunter insbesondere die Medizin - werden anhand von biografischen Nahaufnahmen erschlossen und in die politischen und gesellschaftlichen Kontexte eingeordnet. Als einen wichtigen Aspekt seiner Arbeit versteht er die anschauliche Vermittlung von wissenschaftlichen Erkenntnissen für ein größeres Publikum, sei es durch Vorträge, sei es durch Publikationen.
His research and teaching relates to Jewish life in the past and present. Within this general horizon, the Shoah is a prominent, but not the only, focus of his interests. The respective fields of research - including medicine in particular - are analysed on the basis of biographical close-ups and placed in their political and social contexts. An important aspect of his work is the vivid communication of scientific findings to a wider audience, be it through lectures or publications.
Ses recherches et son enseignement portent sur les mondes juifs d'hier et d'aujourd'hui. Dans cet horizon général, la Shoah constitue un centre d'intérêt particulier, mais pas unique. Les champs de recherche respectifs - dont notamment la médecine - sont abordés à l'aide de gros plans biographiques et replacés dans les contextes politiques et sociaux. Il considère comme un aspect important de son travail la transmission claire des connaissances scientifiques à un public plus large, que ce soit par des conférences ou des publications.
La sua ricerca e il suo insegnamento riguardano la vita ebraica nel passato e nel presente. All'interno di questo orizzonte generale, la Shoah è un punto di riferimento importante, ma non l'unico, dei suoi interessi. I rispettivi campi di ricerca - tra cui in particolare la medicina - sono analizzati sulla base di primi piani biografici e collocati nei loro contesti politici e sociali. Un aspetto importante del suo lavoro è la comunicazione vivida delle scoperte scientifiche a un pubblico più ampio, sia attraverso conferenze che pubblicazioni.
Su investigación y docencia se relacionan con la vida judía en el pasado y en el presente. Dentro de este horizonte general, la Shoah ocupa un lugar destacado, aunque no el único, en sus intereses. Los respectivos campos de investigación -incluida la medicina en particular- se analizan a partir de primeros planos biográficos y se sitúan en sus contextos políticos y sociales. Un aspecto importante de su trabajo es la comunicación vívida de los descubrimientos científicos a un público más amplio, ya sea mediante conferencias o publicaciones.
Auszeichnungen
2019 Bundesverdienstkreuz am Bande
2017 Champions Award 2017, Forscherpreis des Center for Medicine After The Holocaust, Houston
2008 Leonhard-Fuchs-Medaille der Medizinischen Fakultät der Eberhard Karls Universität Tübingen
2004 Preis der Fondation Auschwitz (Brüssel) für das Buch „Die Namen der Nummern"
1989 Wächterpreis der deutschen Tagespresse für mutigen Journalismus
Distinctions
2019 Croix fédérale du mérite sur ruban
2017 Champions Award 2017, prix du chercheur du Center for Medicine After The Holocaust, Houston
2008 Médaille Leonhard Fuchs de la faculté de médecine de l'université Eberhard Karl de Tübingen
2004 Prix de la Fondation Auschwitz (Bruxelles) pour le livre "Les noms des numéros".
1989 Prix Wächter de la presse quotidienne allemande pour son journalisme courageux
Exhibition view: 2010.
www.mam-st-etienne.fr/index.php?rubrique=31&expositio...
"Incidents"(1996/7):
exhibition history
kopystianskyincidents.tumblr.com/
Exhibition History of “Incidents” (1996/7), 14:56 min video/sound installation:
1997 “L'Autre. 4e Biennale de Lyon, Art Contemporain,” Lyon, France. Curated by Harald Szeemann, (cat.).
1997 “2nd Johannesburg Biennale,” South Africa. Curated by Okwui Enwezor (cat.).
1997 “In Medias Res,” Dolmabahce Palace, Istanbul. Curated by René Block (cat.).
1999 “Szenewechsel” (Change of Scene) Museum of Modern Art, Frankfurt/Main. Curated by Jean-Christophe Ammann and Mario Kramer.
1999 “Trace” Liverpool Biennial of Contemporary Art, Tate Gallery Liverpool. Curated by Anthony Bond, (cat.).
1999 “Wait,” Kunst-Werke, Berlin. Curated by Klaus Biesenbach
2000 Folkwang Museum in Essen, Germany. Curated by Klaus Biesenbach
2000 “Moment,” Dundee Contemporary Arts, Great Britain. Curated by Katrina Brown
2000 “Incidents,” Vor und Zurück. Curated by Sylvia Martin. Kunstmuseum Düsseldorf, Germany.
2000 “Igor and Svetlana Kopystiansky” Museum Sztuki, Lodz, Poland
2000 “Incidents” Art Gallery of New South Wales, Sydney, Australia. Curated by Anthony Bond.
2004 “9th Triennal of Small Sculpture” Fellbach, Germany. Curated by Jean-Christophe Ammann.
2005 “Igor & Svetlana Kopystiansky,” Kunsthalle Fridericianum, Kassel, Germany. Curated by René Block.
2005 “Igor & Svetlana Kopystiansky,” Fine Arts Center of the University of Massachusetts, Amherst, MA. Curators Loretta Yarlow/Gregory Salzmann
2005 “From the permanent collection. Kopystiansky, Roth, Orozco, Cahn, Muniz.“ AGNSW, Sydney. Curated by Anthony Bond.
2007 “Igor & Svetlana Kopystiansky,” ESPOO Museum of Modern Art (EMMA), Espoo, Finland. Curated by Timo Valjakka (cat.)
2008 "From the permanent collection.” AGNSW, Sydney. Curated by Anthony Bond.
2009 “Igor and Svetlana Kopystiansky” Cinema 2, April 22. Musée National d'Art Moderne Center Pompidou, Paris, France. Curated by Philippe-Alain Michaud.
2009 "False Twins” S.M.A.K., Stedelijk Museum voor Actuele Kunst, Ghent, Belgium, Curated by Guillaume Désanges.
2009 “From the permanent collection. Roman Opalka, Brice Marden Igor and Svetlana Kopystiansky and Rachel Whiteread,“ AGNSW, Sydney. Curated by Anthony Bond.
2009 KunstFilmBiennale, "From the collection of the Center Pompidou Paris.” Medienkunstraum der Bundeskunsthalle Bonn, Germany. Curated by Philippe-Alain Michaud.
2010 “Radical Conceptual. Positions in the MMK Collection.” MMK Frankfurt/Main, Germany. Curated by Susanne Gaensheimer.
2010 “Image by Image. Film and Contemporary art from the collection of the Centre Pompidou,” Museum Ostwall, Dortmund, Germany. Curated by Philippe-Alain Michaud and Olivier Michelon.
2010 “Igor and Svetlana Kopystiansky, ” Musée d’Art Moderne de Saint-Etienne Métropole. 6th of February – 18th of April, France. (cat.)
2011 “Energy and Process. Igor and Svetlana Kopystiansky. Presentation of the collection. TATE Modern London. Curated by Stuart Comer.
2011 “Wunder,” Deichttorhallen Hamburg and Siemens Stiftung. Curated by Hürlimann | Lepp | Tyradellis (cat.)
2011 “From Trash to Treasure,” Kunsthalle zu Kiel, Germany. Curated by Anette Hüsch, (cat.)
2012 “Wunder,” Kunsthalle Krems, Austria. March 4th to July 1st Curated by Hürlimann | Lepp | Tyradellis.
2012 “Igor and Svetlana Kopystiansky: Incidents (1996/7),” From the permanent collection. MoMA, New York.
2013 “Incidents,” in works from the collection selected by Rineke Dijkstra for The Krazy House. February 23-May 26. MMK Frankfurt. Catalogue.
2013-2014 “Everyday Epiphanies. Photography and Daily Life Since 1969.” Curator Douglas Eklund. The Metropolitan Museum of Art. June 25, 2013–January 26, 2014.
2014. Collection Display. MMK Frankfurt, Germany.
March 7th is Very Much Alive day.
It is a day where we are all going to come together as people, friends, lovers, brothers, and sisters, and we're going to make sure that that we feel alive. Most people live their entire lives feeling empty, alone, scared, and sad. We're here to remind you that you're not.
It's really easy to participate. If you can, write "Very Much Alive" on your arms, hands, legs, stomachs- anywhere you want! You can also wear purple. Don't forget to tell people about us and invite your friends!
We're also going to hold a contest for the people who are attending, post a picture of yourself wearing purple, or with "VMA" or "Very Much Alive" written on yourself and we'll pick the winner for the most creative person to do so.
Always remember that we love you and we want you to know that you're never alone.
Photo inspired by: Tess.