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Mentre Prometeo giaceva incatenato alla montagna e subiva il castigo dell'aquila, Zeus meditava una punizione anche per gli uomini che Prometeo così stoltamente aveva aiutato.
Chiese a suo figlio Efesto di costruire un essere ad immagine e somiglianza delle dee olimpiche, da regalare agli uomini.
Venne così creata la donna, che tutti gli dei coprirono di regali: Afrodite le donò la bellezza, Hermes la curiosità, Era la capacità di generare figli agli uomini e così via. Per questo Zeus la chiamò Pandora, ovvero "Tutti i doni" e le donò uno strano vaso chiuso, proibendole di aprirlo.
Pandora venne portata al cospetto di Epimeteo -titano fratello di Prometeo- da Hermes, che la presentò come un dono di Zeus Olimpo agli uomini. Epimeteo subito se ne innamorò e la prese in sposa.
Passarono gli anni e Pandora era sempre morsa dalla curiosità di sapere che cosa Zeus avesse riposto dentro quel vaso così ben chiuso. Spesso lo prendeva in mano ma poi lo posava, seppur a malincuore, ricordando i consigli del Re degli Dei.
Un giorno Pandora prese il vaso, corrosa da una curiosità isterica, e forzò il coperchio con forza. Di colpo si staccò e il vaso si illuminò: venne percorso da un tremolìo e con un grido, Pandora lo allontanò dal suo viso. Cominciò ad uscire un fumo acre e denso, accompagnato da un terrificante rombo di tuono. Tra le volute nere come l'abisso si intravedevano facce sfigurate e urlanti: erano tutti i mali del mondo che Zeus aveva rinchiuso nel vaso affinchè non colpissero gli uomini. Un castigo terribile ma Zeus, nella sua lungimiranza, aveva chiuso nel vaso anche la Speranza, che da quel momento dà coraggio e forza all'uomo e gli permette di affrontare i mali della vita.
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Cuesta no pensar que la cantidad de filtraciones e información alrededor de la próxima película de Star Wars no le esté viniendo bien a Disney tras la controvertida compra de los estudios LucasArts por parte de este gigante y el anuncio a los pocos días de que se ponía en marcha el proyecto para tener más Star Wars de la mano de Disney.
Queda todavía más de un año para que llegue, pero la expectación es máxima alrededor de todo lo que tiene que ver con Star Wars Episodio 7. Aquí te dejamos con lo principal que se conoce hasta ahora para que vayas abriendo boca.
La historia
Lógicamente, la historia es el secreto mejor guardado de la nueva entrega de Star Wars. Lo único que se conoce con certeza es el momento temporal en que transcurrirá la película: 30 años después de los acontecimientos del episodio anterior, “El Retorno del Jedi”.
Ya entrando en el terreno de los rumores y especulaciones, el inicio de la película estaría protagonizado por una mano, concretamente la de Luke Skywalker, flotando por el espacio sujetando su sable láser.
Al encontrarla en un desierto, los protagonistas de la nueva entrega (se habla de un trío que incluye a un adolescente o niño), ayudados por Han Solo y Chewbacca, iniciarían la búsqueda de Luke, del que nadie sabe nada desde hace 30 años. ¿Adivináis donde estaba? Justo, cautivo por los nuevos malos de la película.
De los pocos detalles con interés que ha dejado caer Abrams sobre el Episodio VI está el uso de menos efectos especiales generados por ordenador, no al menos al nivel de los primeros tres episodios (tras la trilogía original).
Lo único seguro sobre la historia de Star Wars Episodio VII es que transcurrirá 30 años después de “El Retorno del Jedi”
Episodio VII, que no tiene todavía título oficial definitivo, empezó a rodarse en mayo de este año en los estudios Pinewood de Londres. Del éxito de esta primera parte de la siguiente trilogía (cada película irá separada de la otra con un spin off de los principales protagonistas) dependerá la acogida de las siguientes, aunque solo con el nombre y la legión de fans y seguidores, el ruido está garantizado.
El director y equipo técnico
Tener entre las manos las nuevas entregas de Star Wars no es tarea sencilla. La especulación con los posibles directores de los tres siguientes episodios de la saga galáctica se cortó con el anuncio de que J.J. Abrams (responsable de Star Trek o Misión Imposible II y muy prolífico en televisión) sería el director de la orquesta de responsables que Disney iba a poner delante de este esperado retorno de la famosa saga galáctica.
El propio Adams junto con Lawrence Kasdan (responsable El Retorno del Jedi y El Imperio Contraataca) será el guionista (tras un paso en falso con Michael Arndt) de esta producción que cuenta con otros importantes nombres detrás de los apartados de producción, como Tommy Harper, Jack Ryan o Jason McGatlin, todos ellos con mucha experiencia en grandes superproducciones.
Star Wars Episodio VII se rodará en 35 mm, una decisión de su director de fotografía, Dan Mindel. El diseñador de vestuario será otro conocido: Michael Kaplan.
De la música, parte para mi fundamental e histórica de los primeros episodios, se ha conseguido que se encargue el maestro jedi con batura que es John Williams.
El reparto
Tras decidir el director y parte del equipo técnico, el reparto generó bastantes especulaciones hasta que se produjo el anuncio oficial. Con Han Solo apareciendo en el desarrollo del argumento de la nueva entrega, era lógico que por allí apareciera Harrison Ford.
Que el grueso del reparto original vaya a tener presencia en el Episodio VII es un claro guiño a los seguidores y una atracción más para acudir a ver la película
El Han Solo de más de 70 años estará acompañado por los otros dos actores principales de las películas originales: Mark Hamill (Luke Skywalker) y Carrie Fisher (Princesa Leia). Y no faltarán Peter Mayhew (Chewbacca) o los entrañables actores Anthony Daniels y Kenny Baker en sus papeles de C-3PO y RD-D2 respectivamente. Esta vuelta al pasado es sin duda un seguro que Disney ata para tener el apoyo, el menos moral, de parte de los fans de la saga original.
Entre las nuevas caras, hay tanto veteranos como rostros conocidos del cine y la televisión de los últimos años. Como protagonistas principales tendremos a los actores John Boyega y Daisy Ridley, que compartirán aventuras con, entre otros, Adam Driver, Lupita Nyongo, Oscar Isaac, Max von Sydow y Andy Serkis.
La “famosa” foto con la que se anunció el reparto principal de Star Wars Episodio VII
La anécdota relacionada con el reparto e inicio de la grabación tiene a Ford como protagonista. Un mes después de iniciarse el rodaje en mayo de este año, Harrison Ford se rompió un tobillo, cosas del destino, con una puerta de su Halcón Milenario. La grabación tuvo de detenerse y esta misma semana se ha reanudado el trabajo el ritmo habitual, que tendrá lugar en localizaciones de Islandia y Emiratos Árabes además del Reino Unido.
Fecha del estreno
Llevamos ya un largo periplo alrededor de Star Wars Episodio 7, pero todavía nos queda un buen trecho por recorrer.
La fecha de estreno anunciada, el 18 de diciembre de 2015, se va a mantener pese a que estuvo en teoría en peligro por el accidente de un Ford que parece mayor para luchar en esta guerra.
Imágen | Joshlange.
– La noticia Star Wars Episodio 7: lo que se sabe hasta ahora fue publicada originalmente en Xataka por Javier Penalva.
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Everest trekking region, although fairly effortless compare to some of other trek, takes you high along trails to Tengboche monastery Everest Solu Khumbu is the district south and west of Mount Everest. It is inhabited by sherpa, cultural group that has achieve fame because of the develop of its men on climbing expeditions. Khumbu is the name of the northern half of this region above Namche, includes highest mountain (Mt. Everest 8848m.) in the world. Khumbu is in part of Sagarmatha National Park. This is a short trek but very scenic trek offers really superb view of the world's highest peaks, including Mt. Everest, Mt. Lhotse, Mt. Thamserku, Mt. Amadablam and other many snowy peaks. Fly from Kathmandu to Lukla it is in the Khumbu region and trek up to Namche Bazzar, Tyangboche and into the Khumjung village, a very nice settlement of Sherpas people. This trek introduction to Everest and Sherpa culture with great mountain views, a very popular destination for first time trekkers in Nepal. Justifiably well-known world uppermost mountain (8848m.) and also for its Sherpa villages and monasteries. Few days trek from Lukla on the highland, takes you to the entry to Sagarmatha National Park and town of Namche Bazaar is entrance of Everest Trek. Environment of the towering Himalayas is a very delicate eco-system that is effortlessly put out of balance.
Langtang trekking region mixture of three beautiful trek taking us straight into some of the wildest and most pretty areas of Nepal. Starting from the lovely hill town of Syabrubensi our trek winds during gorgeous rhododendron and conifer forests throughout the Langtang National Park on the way to the higher slopes. Leads up to the high alpine yak pastures, glaciers and moraines around Kyanging. Along this route you will have an chance to cross the Ganja La Pass if possible from Langtang Valley. Trail enters the rhododendron (National flower of Nepal) forest and climbs up to alpine yak pastures at Ngegang (4404m). From Ngegang we make a climb of Ganja La Pass (5122m). We start southwest, sliding past Gekye Gompa to reach Tarkeghyang otherwise we take a detour and another unique features of trekking past, the holy lakes of Gosainkund (4300 m.) cross into Helambu via Laurebina to Ghopte (3430 m) and further to Trakegyang. Northern parts of the area mostly fall within the boundaries of Langtang National park.
Peak Climbing in Nepal is great view of Himalayas and most various geological regions in asia. Climbing of peaks in Nepal is restricted under the rules of Nepal Mountaineering Association. Details information and application for climbing permits are available through Acute Trekking. First peak climbing in Nepal by Tenzing Norgey Sherpa and Sir Edmund Hilary on May 29, 1953 to Mt. Everest. Trekking Agency in Nepal necessary member from Nepal Mountaineering Association. Our agency will arrange equipment, guides, high altitude porters, food and all necessary gears for climbing in Nepal. Although for some peaks, you need to contribute additional time, exertion owing to improved elevation and complexity. Climbing peaks is next step beyond simply trekking and basic mountaineering course over snow line with ice axe, crampons, ropes etc under administration and coaching from climbing guide, who have substantial mountaineering knowledge and for your climbing in mountain.
Everest Base Camp Trek well noon its spectacular mountain peaks and the devotion and openness of its inhabitants, the Everest region is one of the most popular destination for tourists in Nepal. While numerous of the routes through the mountains are difficult, there are plenty places to rest and enjoy a meal along the way. Additionally, don't worry about receiving lost. Just ask a local the way to the next village on your route, and they will direct you. Most Sherpas under the age of fifty can at least understand basic English, and many speak it fluently.
Annapurna Base Camp Trek is the major peaks of the western portion of the great Annapurna Himalaya, Annapurna South, Fang, Annapurna, Ganagapurna, Annapurna 3 and Machhapuchhare and including Annapurna first 8091 meters are arranged almost exactly in a circle about 10 miles in diameter with a deep glacier enclosed field at the center. From this glacier basin, known as the Annapurna base camp trek (Annapurna sanctuary trek), the Modi Khola way south in a narrow ravine fully 12 thousand ft. deep. Further south, the ravine opens up into a wide and fruitful valley, the domain of the Gurungs. The center and upper portions of Modi Khola offer some of the best short routes for trekking in Nepal and the valley is situated so that these treks can be easily joint with treks into the Kali Gandaki (Kali Gandaki is name of the river in Nepal) region to the west.
Upper Mustang Trekking name Make an escapade beginning from world deepest gorge Kaligandaki valley into world's highest area of Lo-Mangthang valley that passes through an almost tree-less barren landscape, a steep stony trail up and down hill and panorama views of high Annapurna Himalaya including Nilgiri, Annapurna, Dhaulagiri and numerous other peaks. The trek passes through high peaks, passes, glaciers, and alpine valleys. The thousands years of seclusion has kept the society, lifestyle and heritage remain unaffected for centuries and to this date.
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indianasportsjournal.com/2012/04/17/cougars-join-ranks-of...
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bulldogs.kettering.edu/perspective/2010/08/01/china-2010/
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en.wikipedia.org/wiki/Michael_Harris_%28academic%29
homepages.indiana.edu/web/page/normal/20830.html
nciia.org/network/conference/2010/presenters/michael_harris
kokomoperspective.com/news/local_news/transformation-begi...
The Big Move, Visioned, Initiated and Implemented by Chancellor Michael Harris IU Kokomo:
www.youtube.com/watch?v=mJIe0t6aDEU
www.indianaeconomicdigest.net/main.asp?SectionID=31&S...
nciia.org/network/conference/2010/presenters/michael_harris
www.facultyfocus.com/articles/academic-leadership/academi...
tackk.com/michaelharrischancellor
blogs.forbes.com/people/michaelharrischancellor/
www.businesswire.com/news/home/20100602005505/en/Ketterin...
www.mlive.com/news/flint/index.ssf/2010/02/post_92.html
homepages.indiana.edu/web/page/normal/17736.html
mydigimag.rrd.com/article/Up_Front/706709/67528/article.html
avoyership13.moxai.com/chan-7603525/all_p2.html
kokomoperspective.com/sports/iuk/naia-approves-indiana-un...
prezi.com/mqmsmgcgni1u/iu-kokomomoving-forward/
Indiana University Kokomo Receives $1.25 Million Gift ...
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Jan 22, 2012 - Indiana University Kokomo has announced a $1.25 million gift from the family of Milt and Jean Cole, owners of Cole Hardwood in Logansport, ...
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Hanji paper is made from the Mulberry tree. While not unique to Korea, it is very much a part of their culture and used to produce beautiful arts and crafts.
Photo by Laurie Finch
See the article at www.eriegaynews.com/news/article.php?recordid=201110pride...
Erie Pride Parade & Rally a Great Time!
by Michael Mahler
On Saturday, August 27, about 230 people participated in the Erie Pride Parade & Rally. This year’s Pride events were organized by the Pride Planning committee, which is an informal coalition of groups and individuals.
Parade
About 100 people marched in the parade from the Zone Dance Club to Perry Square. John Daly King was the Grand Marshal for the parade, in a convertible driven by Caitlyn. Also in the parade were beloved local gay icons Jesse and Ricardo, who rode their tandem bike.
Parade units included
Lake Erie Belly Dance
Doctor Who contingent
PFLAG Erie/Crawford County
Erie Gay News
Lake Erie Derby Dames
LBT Women
Latonia Theatre
PFLAG Butler
Erie Sisters
Unitarian Universalist Congregation of Erie
Community United Church
OUT (Pittsburgh newspaper)
There were also many people marching as individuals, as well as a float carrying current and former Miss Eries.
Rally
The rally in Perry Square begins at 2 PM and will include speakers and performers. Please check in at the registration table when you arrive in Perry Square. The rally will include a variety of vendors and information booths.
Speakers and performers included:
Greg Rabb, Openly gay Jamestown City Council President and Councilman at Large
Misty Kall, Miss Erie 2011
Rich McCarty of Equality PA, Greater Erie Alliance for Equality and Community United Church
Chris Wolfe, Erie Idol finalist 2011
Tammie Johnson, 2 term President of ACLU-NWPA
Brian T, singer, also with Pittsburgh Out TV
Jason Landau Goodman, founding Executive Director of the Pennsylvania Student Equality Coalition. The first and only youth-led statewide LGBTQ organization in the nation
Michelle Michaels, Former Miss Erie and Coordinator for FACE Show at Zone
Fiona Hensley, Chair of the Student Network Across Pennsylvania, SNAP, Regional Chair of the Erie-West region for SNAP and President of Queers and Allies at Allegheny College in Meadville, PA.
Diva D’Vyne
Games
The Dunk a Drag Queen game was very popular! We look forward to making this an annual tradition
Donors
Many businesses and organizations gave generously to help support Pride this year. These included
AdultMart
Allegheny College Bookstore
BeautiControl
Blue Heron Inn
Body Language
Chicory Hill Herbs
Coca-Cola/Erie
Country Fair
Craze Night Club
Crime Victim Center of Erie County
Douglas Kolcun
Drenched Fur
Earthshine Company
Eerie Horror Film Festival
emma's revolution
Erie Book Store
Erie County Democratic Party
Erie County Department of Health
Erie Playhouse
Erie Seawolves
Erie Sisters
Erie Spine and Wellness
Family United Counseling
Gaudenzia / SHOUT Outreach
Giant Eagle - Buffalo Road
Glass Growers
Good Health Rejuvenation
Greater Erie Alliance for Equality, Inc.
Hal Leonard Performing Arts Publishing Group
Hollywood Stories
Horomanski's DJ'ing Services
JR's Last Laugh
Kensington Books
La bella
Larese Floral Design
LBT Women
Lion's Den Adult Super Store
MLR Books
Pennsylvania Coaltion to End Homelessness
Pie in the Sky Cafe
Presque Isle Gallery Coffeehouse
Sam's Club
Shakira Nakelle's Mementos, Gifts & More
Silk Screen Unlimited
Smith's Hot Dogs
State Farm Insurance Agent Natalie Braddock
Tanglez Hair and Nail Studio
The Ringbearer
Tops Friendly Markets - W 38th St
Wegman's- Peach St
Wendy's of Erie
Zone Dance Club
Committee Members & Volunteers
Many people from the committee worked hard to make the day enjoyable for everyone! Committee members included
Season
Chris
Preston
Mark H
Erin Moll
Amy
Sue McCabe
Alex
Jeff H
John Daly King
Kerry
In addition to the committee members, volunteers included:
Kevin Schultz
Dok
Johauna
Wanda
Bob H
Eric Rogers
Maria S.
Deb Spilko
Brian
Info Tables & Vendors
Info tables included:
Adagio Health
American Civil Liberties Union (ACLU), NWPA Chapter
Community United Church
Crime Victim Center of Erie County
Equality Pennsylvania
Erie County Democratic Party
Erie County Human Relations Commission
Erie Gay News
Erie Sisters
Lake Erie Derby Dames
LBT Women
Pennsylvania Student Equality Coalition
PFLAG Erie/Crawford County
SafeNet Center
United Way of Erie County
Voices for Independence
Vendors included
BeautiControl
Book Merchant
Christopher's Novelty Gifts
Shakira Nakelle's Mementos, Gifts & More
Collecting Food
We collected 23 pounds of food for the Second Harvest Food Bank of NW PA.
A bit of beauty and the beast going on in my stream with a cage fighter photo going in amongst the girls.
Well, on Saturday I was doing my usuals at the cage event and standing by the door of the cage as these two rather burly guys were giving it the beans. I saw them heading towards me and was thinking this would make a good photo when all of a sudden the door flew open with the two fighters following.
So now I'm sporting a nice blackeye (courtesy of my camera), a big bruise on my right foot and a very sore right elbow and hand.
Fortunately, my camera and lens seem fine (this was the very same lens that fell on the floor a couple of weeks ago too so it's had a good durability test).
Parc Natural del Garraf - Olivella, Barcelona (Spain).
ENGLISH
Prayer flags are colorful panels or rectangular cloths often found strung along mountain ridges and peaks high in the Himalayas to bless the surrounding countryside or for other purposes. Unknown in other branches of Buddhism, prayer flags are believed to have originated with Bön, which predated Buddhism in Tibet. Traditionally they are woodblock-printed with texts and images.
The Indian Buddhist Sutras, written on cloth in India, were transmitted to other regions of the world. These sutras, written on banners, were the origin of prayer flags. Legend ascribes the origin of the prayer flag to the Shakyamuni Buddha, whose prayers were written on battle flags used by the devas against their adversaries, the asuras. The legend may have given the Indian bhikku a reason for carrying the 'heavenly' banner as a way of signifying his commitment to ahimsa. This knowledge was carried into Tibet by 800 CE, and the actual flags were introduced no later than 1040 CE, where they were further modified. The Indian monk Atisha (980-1054 CE) introduced the Indian practice of printing on cloth prayer flags to Tibet.
Lung Ta (meaning "Wind Horse") horizontal prayer flags are of square or rectangular shape and are connected along their top edges to a long string or thread. They are commonly hung on a diagonal line from high to low between two objects (e.g., a rock and the top of a pole) in high places such as the tops of temples, monasteries, stupas or mountain passes.
Traditionally, prayer flags come in sets of five, one in each of five colors. The five colors represent the elements, and the Five Pure Lights and are arranged from left to right in a specific order. Different elements are associated with different colors for specific traditions, purposes and sadhana:
- Blue (symbolizing sky/space)
- White (symbolizing air/wind)
- Red (symbolizing fire)
- Green (symbolizing water)
- Yellow (symbolizing earth)
More info: en.wikipedia.org/wiki/Prayer_wheel
------------------------------------------
CASTELLANO
Las banderas de oración son coloridos paneles o paños rectangulares a menudo encadenados a lo largo de las crestas y de los picos de las montañas en el Himalaya para bendecir el terreno circundante o para otros propósitos. Desconocido en otras ramas del Budismo, se cree que las banderas de oración se originaron con Bön, que precedió el Budismo en el Tíbet. Tradicionalmente los textos y las imágenes son impresiones con plancha.
El Sutras budista indio, escrito en el paño en la India, fue transmitido a otras regiones del mundo. Estos sutras, escritos en banderas, eran el origen de las banderas de oración. La leyenda atribuye el origen de la bandera del rezo al Buda Shakyamuni, cuyos rezos fueron escritos en las banderas de batalla usadas por los devas contra sus adversarios, los asuras. La leyenda pudo haber dado al bhikku indio una razón para llevar la bandera “divina” como manera de significar su compromiso al ahimsa. Este conocimiento fue llevado en Tíbet por el año 800 DC, y las banderas reales fueron introducidas antes del 1040 DC, donde fueron modificadas más a fondo. El monje indio Atisha (980-1054) introdujo en el Tíbet la práctica india de la impresión en banderas de oración.
Las banderas horizontales de oración Lung Ta (significa “caballo del viento”) son de forma cuadrada o rectangular y están conectadas a lo largo de sus bordes superiores con una larga cuerda o hilo. Normalmente se cuelgan en una línea diagonal de arriba a abajo entre dos objetos (por ejemplo, de una roca a la punta de un poste) en lugares altos tales como las puntas de templos, de monasterios, de estupas o de pasos de montaña.
Tradicionalmente, las banderas de oración van en grupos de cinco, cada una de uno de cinco colores. Los cinco colores representan los elementos, y las cinco Luces Puras se disponen de izquierda a derecha en un orden específico. Los diversos elementos se asocian a diversos colores para tradiciones, los propósitos y el sadhana específicos:
- Azul (simbolizando cielo/espacio)
- Blanco (simbolizando aire/viento)
- Rojo (simbolizando fuego)
- Verde (simbolizando agua)
- Amarillo (simbolizando tierra)
Taken with a homemade pinhole camera.
Shoot to 3x4 Polaroid Color instant film.
Author : IMRE BECSI
Location of shoot :
Pilisszentkereszt,
Hungary,
Central-Europe
Latitude - 47°41'18.77"N
Longitude - 18°53'42.26"E
Time of shoot :
08.05.2008.
Shooting
Film : Polaroid Polacolor 690 gloss (expired : 06-2004)
Filters : Tiffen Cir.Polar and ND 0.9
Metered expo.:
Calculated expo.: 10 sec.
( I use my reciprocity compensation value chart to Polaroid color film)
The camera :
Body is a Film Back Adapter Plate from a Polaroid 203 camera
- focus : 34 mm
- pinhole : 0,25 mm (Lenox Laser)
- diaphragm : 136
Film back from my Polaroid 600se camera.
Shutter and Pinhole holder is a "pu(s)h" from Dr. Kai Fuhrmann with filter thread (homemade).
Picture from the camera :
www.flickr.com/photos/jonespointfilm/2837193476/in/set-72...
The parameters of camera :
(when I use 95x73 mm format instant film)
- Angle of view : 119°24'26"
- Light falloff at the corners [f/stops] : 3,6
- Resolution [lines/diagonal] : 887
Post work : (27.08.09)
Scanner : Epson Perfection 3200 Photo (1200 dpi)
Scanner software : SilverFast SE
Final work : PS
Thanks for looking !
Comments very much welcome !
Important note:
This images are copyright protected. No reproduction in any way,
no copies, no editing, no publishing, no screenshots, no posting,
no blogging, no transmitting downloading or uploading
without my written permission!
Thank you !
International Mxt Medium Duty Used Trucks for Sale in Oregon
International Pick-Up Truck Specifications :
Condition :NEW Year: 2008
Manufacturer: International Model:Mxt
Engine Type : VT365 Engine Specs: International
Transmission: AutomaticHorsepower: 300
Tires: 40/13.5R20 Wheels: All Aluminum
黃懷萱 and 艿蓁 appeared among the dancers during the 2012 Taipei Game Show (台北國際電玩展) at the Taipei World Trade Center Nangang Hall (台北世界貿易中心南港展覽館)
Hilo de la Fotohistoria en Pullip .es: SHIN'S BASS SOLO (1 of 1) /
EL SOLO DE SHIN (1 de 1)
(Read in order, this is: SHOT/FOTO 16 of 48) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48.
LINKS:
- FOTOHISTORIAS en casa de Sheryl en el Foro de Pullips: Pullip .es
- Hilo de las Fotohistorias de Shin y Yashiro en el Foro de Pullips: Pullip .es
- Hilo de la Relación entre Shin y Yashiro en la sección de Penpals de Pullip .es
- Ayrin and Sheryl PHOTOSTORIES at Flickr
In the port of fishing of Lagoa, after the work in the sea, a short moment of rest near fish market of the port _ Lagoa, Azores, Portugal
expresso das nove, sexta, 21 de dezembro de 2007
**Explored**
I showed these shots to my dad and he chose this one as his favorite because he said it had some mystery to it because at first glance, you're not entirely sure what you're looking at. I don't know about all that, but I'll go with it. I'm still holding up Andy's and my departure. Whoops. :)
These were taken at the site of the Wells Brothers Foundry (founded in 1832, torn down in 1910) in Milford, Michigan. I found this by chance. I was driving home from work and got stuck behind a long string of cars waiting for somebody to turn left. I looked out the left side of my car (when I am normally looking at the park on the right side of the road) and saw this! I immediately pulled off and jumped out to take pictures. I really like how these turned out.
Ok, now this really is a post and run. If I don't finish this up now, I'm going to get into trouble. Everybody have a great evening! I'll catch up on your streams later tonight or tomorrow. :)
Best viewed LARGE on Black: bighugelabs.com/onblack.php?id=4250111887&size=large&...
It's still frozen solid here in North Georgia, so anything green and sunny looks good to me today. Here are more shots from the Italian Garden at Blenheim Palace near Oxford.
We spent a full day here in early July, 2008. Blenheim Palace makes a relatively easy day trip or even half-day trip from Oxford, with frequent public buses to Woodstock stopping right at the gates. We only saw a fraction of the vast parkland and gardens. The tour of the palace itself was well done and very informative.
The full Wikipedia entry is very well done: en.wikipedia.org/wiki/Blenheim_Palace
Here is a quote from the introduction:
Blenheim Palace is a large and monumental country house situated in Woodstock, Oxfordshire, England. It is the only non-episcopal country house in England to hold the title "palace". The Palace, one of England's largest houses, was built between 1705 and circa 1724. It was recognised as a UNESCO World Heritage Site in 1987.
Its construction was originally intended to be a gift to John Churchill, the 1st Duke of Marlborough from a grateful nation in return for military triumph against the French and Bavarians. However, it soon became the subject of political infighting, which led to Marlborough's exile, the fall from power of his Duchess, and irreparable damage to the reputation of the architect Sir John Vanbrugh. Designed in the rare, and short-lived, English baroque style, architectural appreciation of the palace is as divided today as it was in the 1720s.[1] It is unique in its combined usage as a family home, mausoleum and national monument. The palace is also notable as the birthplace and ancestral home of Prime Minister Sir Winston Churchill.
The plaque above the massive East gate gives a sanitised history of the palace's construction, reading:
"Under the auspices of a munificent sovereign this house was built for John Duke of Marlborough and his Duchess Sarah, by Sir J Vanbrugh between the years 1705 and 1722. And the Royal Manor of Woodstock, together with a grant of £240,000 towards the building of Blenheim, was given by Her Majesty Queen Anne and confirmed by act of Parliament."
The truth is that the building of the palace was a minefield of political intrigue, with scheming on a Machiavellian scale by Sarah, Duchess of Marlborough. Following the palace's completion, it has been the home of the Churchill family for the last 300 years, and various members of the family have in that period wrought various changes, in the interiors, park and gardens, some for the better, others for the worse. At the end of the 19th century, the palace and the Churchills were saved from ruin by an American marriage. Thus, the exterior of the palace remains in good repair and exactly as completed.
It's Tech Tuesday, Check Out the latest Tech Jobs in Paulding County - ga-paulding.countyjobs.careers/index.php?q=Technology .
And now here is the rest of the story:
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Mark Hill, a member of Zen Zen Zo, during a promotional performance of Zeitgeist at the Festival Fringe.
I was spell-bound.
Mark Hill of Zen Zen Zo performs a dance from Zeitgeist. This was taken on the Royal Mile.
MARK HILL has been performing with Zen Zen Zo Physical Theatre since 2003. He will perform in Zeitgeist at the Edinburgh Fringe Festival in August this year. Other credits with the company include: The Dairakudakan Project (09); Zeitgeist (08); Tokyo Vogue (08/07); Dracula (07); An End to Dreaming (06); World Shakespeare Congress (06); …those with Lucifer (05) and; The Odyssey (04).
Mark has performed with Amanda Palmer (The Dresden Dolls) as part of The Danger Ensemble (World Tour 08 -09, Australian Tour 08, Edinburgh 07). He has been a Butoh dancer with Dairakudakan (Japan, 07); Yoshimoto Daisuke (Japan, 06); SU-EN Butoh Company (Sweden, 05) and; Yoshioka Yumiko (Germany, 05).
Mark has a Bachelor of Education and teaches Physical Theatre nationally and internationally (Thailand 07, Japan 06). He was the Adult Education Co-ordinator for Zen Zen Zo (08). He teaches at all levels of education (including QUT 08) and has taught the professional year students at the Queensland Ballet (08).
(information from Zen Zen Zo's official site)
Technical specifications
DIMENSIONS/WEIGHT
Overall length.................................................... 4665 mm (183.7 in)
Overall width.................................................... 1962 mm (77.2 in)
Height................................................................ 1336 mm (52.6 in)
Wheelbase..........................................................2750 mm (108.3 in)
Front track......................................................... 1690 mm (66.5 in)
Rear track.......................................................... 1618 mm (63.7 in)
Dry weight........................................................ 1580 kg* (3482 lb*)
Kerb weight........................................................ 1690 kg* (3722 lb*)
Boot (trunk) capacity ....................................... 320 l (11.3 cu ft)
Fuel tank capacity............................................. 105 l (27.7 US gal; 23.1 UK gal)
Weight distribution ........................................ 47% front/53% rear
BRAKES
Front................................................................ 355 x 32 mm (13.9 x 1.3 in)
Rear ................................................................ 330 x 28 mm (12.9 x 1.1 in)
ENGINE
Type ............................................................... 65° V12
Bore & stroke................................................... 92 x 75.2 mm (3.62 x 2.96 in)
Unit displacement............................................ 499 cm3 (30.51 cu in)
Total displacement............................................. 5,999 cm3 (366.08 cu in)
Compression ratio.............................................. 11.2:1
Maximum power................................................ 456 kW** (620 CV*) at 7,600 rpm
Maximum torque............................................... 608 Nm (62 kgm/448 lbs/ft) at 5,600 rpm
Maximum revs per minute................................ 8,400 rpm (with limiter)
Specific output................................................ 103 hp/l
ELECTRONICS
Tyre Pressure and Temperature Monitoring System TPTMS
CST Stability and Traction Control with F1-Trac
TYRES
Front ............................................................... 245/40 19’’
Rear ................................................................ 305/35 20’’
TRANSMISSION
Gearbox .......................................................... (six gears + reverse) Manual/F1
SUSPENSION
Magnetoreological damping Control (SCM)
PERFORMANCE
Maximum speed............................................... over 330 km/h (205 mph)
0-100 km/h (0-62 mph) .................................. 3.70 sec.
0-200 km/h (0-124 mph) ................................ 11 sec.
FUEL CONSUMPTION
Urban cycle ...................................................... 32.7 l/100 km; CO2: 750 g/km
Extra urban cycle .............................................. 14.7 l/100 km; CO2: 337 g/km
Combined ........................................................ 21.3 l/100 km; CO2: 490 g/km
Referenz: www2.cityinfonetz.de/3214074
-
ehemals:
Dr. med. Georg von Keller Internist (Tübingen). Mühlstr. 3 72074 Tübingen
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CC - Attribution-NonCommercial Creative Commons
View On Black
-------------------------------------- Theorie und Wirklichkeit -----------
Planung der Stadt :
Bis Mitte Juli soll das Haus abgerissen und die gründerzeitliche Stützmauer mit Erd-Ankern gesichert sein.
Denn dann startet der eigentliche Straßenbau. so dachte man , ...
Realität: August 2009: tektonische Probleme
images.google.com/imgres?imgurl=http://www.euxus.eu/tuebi...
- der Berg - "Schulberg" - ist instabil geworden ! oder war es schon .
- kostenintensive Nacharbeiten mussten her , längere Erd-Anker mehr als 5 - 7 Meter und Schutzhüllen mit Betonverfüllungen,
- und ... alles besser ??
wohl kaum
... sieht jetzt schon abgrund hässlich aus, diese Metallplatten mit Verschraubungen!
Verschraubungen wurden verlängert und spezialisiert!
Kostenplan
1,4 Mio jetzt wohl 2.8 Mio €uro
- Neue Realität Oktober 2009
Pfusch:
=====
Vermessung der Straße mangelhaft, 15 cm zu nahe am Schulberg
sah ein Blinder !
PS.
Die neu gewonnene Breite der Straße wurde im Tagblatt gerühmt -
ja woher sollte die neue Breite denn kommen - wenn nicht aus eine falschen Vermessung!
- neue Kosten - + 50.000, eher + 100. 000, neu verlegte Bordsteine beidseitig raus und rein, mit Trainage!
eventuell Ende 2009 Eröffnung der Straße;
kurz vor der Eröffnung , letzte November Woche ist beim Test für die Busse im Gegenverker erkannt worden, daß es doch zu eng wird.
50 cm müssen vom Radweg, genagelt werden, d.h. doppelte Nutzung durch Bus und Rad!
einmalig!
Jedoch ohne Gehsteig ( dann im Sommer 2011)
- Kosten: 3 Mio €uro , voraussichtlich!
=========================
-------------------------------------------------------------------------
Wer wohnte hier ?
Es war die Residenz vom besten Homöopath am Ort!
Dr. Georg von Keller
- einer der bekanntesten deutschen Homöopathen -
* 30. 4. 1919 Potsdam
+ 08 . 06. 2003 Tübingen
Studienorte: Berlin, Kiel, Innsbruck, Tübingen
mein " Leibarzt "
Marinearzt,
Dermatologe in Stuttgart
Landarzt in Persien
weiteres Studium : innere Medizin
1959 - 2003 Praxis in Tübingen
Spezialität: Q-Potenzen
Mit- Herausageber der: Bibliotheca Homeopathica
wissenschaftlicher Beirat der
ZKH , Zeitschrift für Klassische Homöopathie
www.medizinverlage.de/fz/09350853/index.html
Quelle:
Lexikon deutschsprachiger Homöopathen Von Fritz D Schroers, Robert Jütte, Fritz D Schroers, Robert Bosch Stiftung. Institut für Geschichte der Medizin
Sukzession in Tübingen:
Dr. med. Martin Bündner
Facharzt für Allgemeinmedizin
Homöopathie - Notfallmedizin
Kronenstr. 7
72070 Tübingen
Tel. 07071/24954
-
www.dr-martin-buendner.de/content/R_Home/M_Home.html
Die Praxis geht ursprünglich auf den in homöopathischen Kreisen und weit über Tübingen hinaus bekannten und berühmten Herrn Dr. med. Georg von Keller zurück. Dieser behandelte seinerzeit in der Tübinger Mühlstraße 3 jahrzehntelang seine Patienten.
'Writing Spider (Argiope aurantia)' On Black
From: home.att.net/~larvalbugrex/argiope.html
Argiope
by Valerie (October 25, 2001)
revised September 23, 2004
The largest orb weaver in our gardens is the black and yellow argiope (Argiope aurantia). Actually, only the female is large, the males being much smaller by comparison. Although big enough to deliver a bite, these spiders are not poisonous or aggressive. The black and yellow argiope is also called banana spider, yellow garden spider, zipper spider, golden orb weaver and writing spider. There are a number of other species in the genus Argiope, but most that occur in the U.S. are restricted to tropical climates. A related species inhabits gardens in Europe. Because they make such big webs and are brightly colored, it is impossible for a resident argiope to remain unnoticed in the garden or, as they sometimes look for sheltered areas, on the side of a house. We had one spider who thought the ideal location for her web was right by our front door over the doorbell. She stayed there all summer, enjoying frequent feedings of any large insects we could find to throw into her web.
The argiope spiders make excellent photography subjects because they don't react to the camera lens. Part of the reason is probably their rather poor vision, as they do not rely on sight to catch prey, but on the vibrations produced in their webs. Smaller orb weavers, like members of the genus Araneus, which also inhabit our yard, sometimes make webs even bigger than the argiopes, but they are very difficult to photograph. Maybe because they are small and tasty morsels for birds, these spiders do not sit in the middle of their web during the day, but usually hide in a nearby leaf at the base of one of the web support strands. If they happen to be in the middle of the web, my approach with the camera almost always makes them retreat to a safe hiding place. In spite of their large size and the care with which they place their webs, the argiope spiders in our yard are often taken by predators such as birds.
An interesting feature of many orb webs is the central white design created by the spider, called a stabilimentum (referring to the idea that it helps stabilize the web). With argiopes, this area is almost round and filled in with many zigzags of silk when the spider is young, but as it grows, the design changes to be more of a single vertical zigzag. Spiders are capable of creating as many as seven different kinds of silk using several different glands that supply the spinnerets. argiope spider hanging under its recently shed exoskeletonThe photo at left shows the underside of an adult female argiope. The spinnerets appear as a group of brown structures forming an irregular shaped disk. The different types of silk have varying amino acid compositions. The silk coming out of the spinnerets can vary from an extremely fine single line, like those used to create the main support lines on their web, to wide ribbons of silk used for subduing prey or making the central design on their web. Spiders can vary the stickiness of the silk as well as it's thickness. The purpose of the central design in many spiders' webs is not completely understood. It could serve several purposes, including a way to conceal the spider from its prey or its predators (which could explain why the patch is more disruptive for small, young spiders than for large ones), a way to keep birds from blundering into the web, or a lure for insects, as the silk reflects ultraviolet light in much the same way as do flower centers. Another spider habit that has never been fully explained is that of hanging upside down in the web. Almost all spiders do this but I've never heard a definitive explanation.
In order to grow, spiders must periodically shed their exoskeletons. This is a fascinating process to watch, but one which leaves the spider very vulnerable until its new skin hardens. When the spider is about to shed, the inside layers of its skin are digested. It anchors its legs on part of its web, hanging upside down. The top of the carapace splits open and the spider literally falls out of its old shell. It doesn't fall because it is anchored by a strand of silk from its spinnerets. As soon as the spider is completely free of its old skin, it hangs limp for awhile, then spreads its legs out to let them dry.female argiope spider just before laying eggs In the photograph above at right, the old skin is visible at the top, while the spider hangs below. At this point the spider is expanding its size, and it can even grow a new limb if one was lost before.
The females are easy to spot in their webs, but the males (photo at right) tend to be harder to find. When they are young, both the males and females look similar, but the males seem to never grow much, while the females become quite large. The males also do not remain in their original area if there is no female around. Once they mature, they must search out a female with whom to mate. Often, it is possible to find the tiny males living in their small webs just to the side of a female's large web. While both genders of argiopes have the habit of holding their legs in an X pattern, the males seem to make the posture more pronounced, possibly as an aid to their protective camouflage.
Just before laying eggs, the female spider is often quite large, her abdomen considerably distended. Argiopes produce large numbers of young in their egg sacs. argiope egg caseAlthough one sac seems to be the norm, we saw one female produce three over a period of a couple of weeks and have heard of a single spider producing four and still going strong. Unlike some spiders, such as the green lynx, who guard their eggs and young, argiopes tend to leave their eggs to their fate. The egg case looks like a miniature Greek wine vessel, with a bulbous shape and a little round neck at the top. The color of the egg case is brown and it is anchored within a framework of silk strands, keeping it away from surrounding vegetation. Although this protects the case from some predators, like ants, other predators and parasites lay their eggs within the cases as well. These tenants include other species of spiders as well as wasps. The young spiders hatch in the fall but overwinter in the egg case. These cases are very well constructed and we've seen them last not only through the winter, but through another year as well, before the weather eventually takes its toll and they are washed away.
Like many spiders, argiopes live only one year, expending all their energy into producing eggs (females) or sperm (males). They die once winter arrives.
Originally shot for COG Magazine, this shot appears in the Vol. 1 Photo Annual. Photographing cycling is something I enjoy more and more as time goes on, as it is a wonderful way to combine two things I love, and I am very thankful for the opportunity to be involved with the magazine and all of the wonderful people I've met through photography and cycling alike.
See What Can Be Seen When Viewed Large
All three of the following images were shot with a Sigma 50-500 at a distance of about 120 feet or approx 38 meters. Yes the camera was on a tripod !
If you want happiness for an hour - take a nap.
If you want happiness for a day - go fishing.
If you want happiness for a month - get married.
If you want happiness for a year - inherit a fortune.
If you want happiness for a lifetime - help someone else.
Chinese Proverb
It's such a special feeling ... to be in the right place at the very right time ... when you can try only once ...
The whole situation was like from paradise... Mala Strana hill is now packed with cherry blossom trees, creating extra terrestrial atmosphere! Between them you can see all the beauty of Prague, whole panorama!
I was cruising around the place when spotted that little princes! She had insane costume! Whole pink like the flowers on the surrounded trees. I felt I saw an angel.
so Mr. Flickr! Is it worth to be on Explore?
Damn it is !!
Acciones QPM: Establecer como borrador | Mover a la papelera | Forzar el borrado | Editar | Gestionar | Configuraciones QPM
Mmm, ¿y ese aroma? Huele a Colonia. Eso quiere decir que falta poco para que arranque la feria alemana, la Gamescom 2014. Sí, estamos a justamente una semana para que dé comienzo. Desde el 13 hasta el 17 de agosto, para ser más exactos. De ahí que ya sepamos todos sus nominados.
Trece categorías con alguna sorpresa y también con ausencias importantes. Ya sabemos, de todos modos, que las listas no contentan a todo el mundo por igual. ¿Qué tal si hacemos el repaso? Venga.
Mejor juego para consolas Playstation The Evil Within (Bethesda Softworks) Evolve (2K Games) Dying Light (Techland) Far Cry 4 (Ubisoft) La Tierra-Media: Sombras de Mordor (Warner Bros. Interactive Entertainment) Mejor juego para consolas Xbox The Evil Within (Bethesda Softworks) Evolve (2K Games) Assassin’s Creed Rogue (Ubisoft) Sunset Overdrive (Microsoft Studios) Ori and the Blind Forest (Microsoft Studios) Mejor juego para consolas Wii LEGO Batman 3: más allá de Gotham (Warner Bros. Interactive Entertainment) Splatoon (Nintendo) Super Smash Bros. for Wii U (Nintendo) Mejor juego de Rol Skylanders Trap Team (Activision) Risen 3: Titan Lords (Deep Silver) Kingdom Hearts 2.5 HD ReMIX (Square Enix) Mejor juego de Acción The Order: 1886 (Sony Computer Entertainment) Evolve (2K Games) Far Cry 4 (Ubisoft) Ori and the Blind Forest (Microsoft Studios) Super Smash Bros. for Wii U (Nintendo) Mejor juego de Simulación Theatrhythm Final Fantasy Curtain Call (Square Enix) World of Warships (Wargaming) Mejor juego de Deportes FIFA 15 (EA) Forza Horizon 2 (Microsoft Studios) PES 2015 (Konami) Mejor juego Familiar Skylanders Trap Team (Activision) Silence (Daedalic Entertainment) LittleBigPlanet 3 (Sony Computer Entertainment) LEGO Batman 3: más allá de Gotham (Warner Bros. Interactive Entertainment) Yoshi’s Woolly World (Nintendo) Mejor juego para PC Heroes of the Storm (Blizzard) The Evil Within (Bethesda Softworks) Borderlands: The Pre-Sequel (2K Games) Evolve (2K Games) La Tierra-Media: Sombras de Mordor (Warner Bros. Interactive Entertainment) Mejor juego para Móviles Darkblade (NetEase) Super Smash Bros. for 3DS (Nintendo) Theatrhythm Final Fantasy Curtain Call (Square Enix) Mejor juego Casual/Social/Online Orcs Must Die! Unchained (Gameforge) Dance Central Spotlight (Microsoft Studios) LittleBigPlanet 3 (Sony Computer Entertainment) SingStar (Sony Computer Entertainment) LEGO Batman 3: más allá de Gotham (Warner Bros. Interactive Entertainment) Mejor juego Online Multijugador Call of Duty: Advanced Warfare (Activision) Heroes of the Storm (Blizzard) FIFA 15 (EA) Evolve (2K Games) Forza Horizon 2 (Microsoft Studios) Mejor Hardware Virtualizer (Cyberith) Oculus Rift DK 2 (Oculus VR) Project Morpheus (Sony Computer Entertainment) Amiibo (Nintendo) SHIELD Tablet y SHIELD Wireless Controller (NVIDIA)
Más información | Gamescom 2014 En VidaExtra | Aquí tenéis los horarios de las conferencias de la Gamescom 2014
– La noticia Lista de nominados de la Gamescom 2014 fue publicada originalmente en Vidaextra por Jarkendia.
Acciones QPM: Establecer como borrador | Mover a la papelera | Forzar el borrado | Editar | Gestionar | Configuraciones QPM - www.diariototal.com/2014/10/05/lista-de-nominados-de-la-g...
http://www.diariototal.com/2014/10/05/lista-de-nominados-de-la-gamescom-2014/
tecnologia
#tecnologia
Click here to view larger size photo on black
Since the winter weather still does not cooperate, I decided to do some indoor macro-photography to test the powerful software Helicon Focus V.4.2.7 64 bits for MAC.
The traditional problem associated with objects of very small sizes (like this girl earring which is 10mm long) is that the depth of field obtained at these magnifications is very shallow. In the example above the depth of field given by the Micro Nikkor 55mm f/2.8 lens mounted on bellows was approximately 2mm. It means that to cover the full 10mm of the earring, I needed at least 6 photos with the zone of focus varrying from the front to the back. I did it manually using Camera on rails and live view to get pin point accurate focus between shots.
After taking a total of 8 pictures to ensure overlap of depth of fields between two shots, I assembled them in the software Helicon Focus.
The resulting photo shows the object entirely in focus front to back, something impossible to get with a DSLR and normal lens. Only view cameras or Tilt and shift lenses are able to expand the zone of focus with that magnitude.
Of course, I could have maximized the depth of field in taking each shot at a smaller aperture (f8-f11) for example and 3-4 shots would have been sufficient to cover the entire depth of field needed. I just wanted to highlight the extreme capability of this software which I intend to use in the future not only for macro-photography but also for landscapes where maximum depth of field is needed. Also another way to get everything in focus would consist in taking the picture vertically over the object looking down. The plane of focus would have been parallel to the object and everything would be in focus then. However this gives a "flat picture" without the 3D perspective effect visible in the shot I took at a low angle.
Nikon D7000 with Nikkor Micro MF 55mm f/2.8. Taken on Tripod Gitzo G320 with Nikon Bellows PB-6 mounted on Manfrotto video Head 701-RC2. Use of Radio Frequency remote Phottix Cleon II connected on GPS connector output of Nikon D7000. Parameters for the photo were ISO 400, 1/5sec, f/2.8
Website
www.fundacion-granell.org/actualidad/index.php
english
Eugenio Fernández Granell (28 November 1912 – 24 October 2001) was an artist often described as the last Spanish Surrealist painter.
Early life in Spain
Born in A Coruña in the autonomous community of Galicia, Eugenio Fernández Granell started out as a political radical and a musician. In 1927 he set up the magazine SIR (Sociedad Infantil Revolucionaria) with his brother Mario, and in 1928 enrolled at the Escuela Superior de Música del Real Conservatorio in Madrid. Among his friends were Maruja Mallo, Joaquín Torres García, Alberto Sánchez and Ricardo Baroja. A member of the POUM (Workers’ Party for Marxist Unification) during the Civil War, he contributed actively to newspapers such as La Nueva Era, La Batalla and El Combatiente Rojo.
In 1939, he went into exile. After arriving in France, he was held in internment camps for several months, but was eventually able to escape to Paris. While in the French capital, he struck up friendships with Benjamin Péret and Wifredo Lam. His affiliation with Trotsky made him the enemy of fascists and Stalinists and steered him towards a life marked by changes of residence. As María Zambrano said, during the first half of the twentieth century, Spain was a “master of dispersal and wastefulness” as it forced many of its most outstanding artists and intellectuals into a painful flight to other countries. Granell was one of those exiles, residing in France, the Dominican Republic, Puerto Rico, Guatemala and New York. In the Dominican Republic, he was in the company of other Spanish exiles, including artists José Vela Zanetti and Josep Gausachs.
The Dominican Republic
When Granell arrived in the Dominican Republic in 1940, he had not yet discovered his talent for painting. Initially he worked as a violinist with the National Symphony Orchestra and a journalist for the newspaper La Nación. In 1941, he began painting in his free time and in 1942 he participated in an exhibit entitled Private Exhibit of Modern Spanish Painters. Granell had his first solo exhibition in 1943, exhibiting 44 Surrealist paintings. This was the first exhibition of Surrealist works held in the country. He had another solo exhibition in 1945 featuring 200 works. In 1946 he exhibited in Puerto Rico and Guatemala. Later that same year, he left the Dominican Republic due to problems that arose when he refused to sign a document supporting the dictator Trujillo.
Guatemala and Puerto Rico
In 1946, Granell left the Dominican Republic for Guatemala. Once there, he became an art professor, and continued his painting and writing. His stay in Guatemala was cut short when the revolution began. He then moved to Puerto Rico, where he became an art history professor.
New York
In 1955, Granell traveled to New York with his friend José Vela Zanetti, a fellow Spanish exile whom he met in the Dominican Republic. Once there, he met and developed a strong friendship with Marcel Duchamp. Between 1957 and 1985 Granell lived mainly on the Upper West Side of Manhattan, New York, and was Professor Emeritus of Spanish Literature at City University of New York (CUNY).
Return to Spain
In 1985 Granell returned to Spain, where he was awarded numerous prizes and recognitions. In 1995 he opened the Fundación Granell in his home town Santiago de Compostela, Galicia, Spain. The only museum in the world entirely devoted to surrealism, it holds some 600 of his paintings along with works by Picabia, Duchamp, Man Ray and Breton. He died in Madrid in 2001.
Granell's work
Although springing from the depths of his subconscious like that of all the surrealists, Granell’s work is influenced by the places where he lived, particularly the exuberance of the Caribbean and the blend of Spanish and native cultures. Surrealism recognises no social function of art other than that of liberating the individual and society from the repression of reason, allowing the creator to express his instincts and dreams. In 1959, André Breton organized an exhibit called The Homage to Surrealism Exhibition to celebrate the Fortieth Anniversary of Surrealism which exhibited works by Salvador Dalí, Joan Miró, Enrique Tábara and Eugenio Granell.
There is absolutely no censorship in Granell’s work. Poetry blossoms, shrouding unrecognisable figures where trees, animals and people merge into hybrid beings that undergo constant metamorphosis. Works where the strong colours are framed insculptural compositions, in human figures on the verge of formal delirium, or in voluptuous compositions that appear to be a microscopic dimension of an unknown world. Playfulness, advocated by the surrealists as an expression of freedom, pervades the whole of this artist’s work. Granell’s dialogue and writing have always ironically mocked solemnity and reason itself. Such are his painting, his sculpture and his readymades: an extremely beautiful elegy to freedom and the purity of feelings.
The major books on Granell and his work, such as monographs and catalogues, are mostly in Spanish or Galician, but they are widely available in libraries throughout the world, including the United States. Granell also published a book of meditations and critical reflections on Picasso's Guernica, and this book is available in English as well as in Spanish and Galician (see "References" section).
Works by Granell are on display in major museums, including the Museum of Modern Art in New York and the Reina Sofía Museum in Madrid.
Português
pt.wikipedia.org/wiki/Eugenio_Granell
Eugenio Granell Fernández (Corunha, Galiza, 28 de novembro de 1912 — 24 de outubro de 2001) foi um artista espanhol, considerado por alguns como o último pintor espanhol surrealista.
Em 1927 ele criou a revista SIR (Sociedad Infantil Revolucionaria), com o seu irmão Mario, e em 1928 foi matriculado na Escola Superior de Música Conservatorio del Real, em Madri. Entre seus amigos estavam Maruja Mallo, Joaquín Torres García, Alberto Sánchez e Ricardo Baroja. Um membro da Poum (Partido dos Trabalhadores para a Unificação Marxista), durante a Guerra Civil, ele contribuiu ativamente para jornais, como La Nueva Era, La Batalla e El Combatiente Rojo.
Em 1939, ele foi exilado na França e posteriormente na República Dominicana. Sua afiliação com Trotsky fez dele o inimigo de fascistas e Stalinistas e orientou-o no sentido de uma vida marcada por mudanças de residência. María Zambrano como disse, durante a primeira metade do século XX, a Espanha era uma "mestra de dispersão e desperdício", uma vez que obrigou muitos de seus mais destacados artistas e intelectuais em um vôo doloroso para outros países. Granell foi um desses exilados desde a mais tenra idade. Esteve na França, República Dominicana,Porto Rico, Guatemala e Nova Iorque. Em 1955, viajou com Granell Zanetti Candle para Nova York e criou uma forte amizade com Marcel Duchamp. Entre 1957 e 1985, viveu principalmente no Upper West Side de Manhattan, Nova Iorque, e foi Professor Emérito de Literatura Espanhola na City University of New York (CUNY).
Em 1995 ele abriu a Fundación Granell na sua cidade de Santiago de Compostela, Galiza, Espanha. O único museu do mundo dedicado inteiramente ao surrealismo, que detém cerca de 600 dos seus quadros, juntamente com obras por Picabia, Duchamp e Man Ray.
A obra de Granell é influenciada pelos lugares onde viveu, em especial a exuberância das Caribe e da mistura de culturas espanholas e culturas nativas. Surrealismo não tem nenhuma função social da arte que não seja a de libertadora do indivíduo e da sociedade face à repressão da razão, permitindo que o criador de expressar o seu instinto e sonhos. Em 1959, André Breton organizou uma exposição denominada A Homenagem ao Surrealismo exposições para celebrar o quadragésimo aniversário do Surrealismo, que exibiu obras de Salvador Dalí, Joan Miró, Enrique Tábara e Eugenio Granell.
自從大二從老爸那裡接收第一台底片單眼時，
我就離不開拍照了。
對我來說，
拍照迷人的地方在於
底片幫我們把所有快樂/ 悲傷/模糊的時刻都保存下來了
照片永遠不會說謊。
於是
我最近開始思考著
我好想被什麼人需要
被那些喜歡我照片的人
被那些理解我眼中所見美好的人的需要著
我好想好想幫需要我的人拍出美麗的照片，
被心事困擾的眼神/淺色髮絲間的逆光/被微風吹動裙擺飄起的瞬間
我一直在思考著我能夠做些什麼事情，
讓這個世界的某個微小片段變得更美好。
我不是革命家/儘管我反核 我卻找不到阻止核電繼續運轉的辦法
我不會彈吉他/我無法像黃玠可以寫出一首美好的歌，
在這混亂的世界中帶給人們一絲希望與光
我還不是一位詩人 / 儘管我非常嚮往, 但我還無法寫出一首簡潔有力但震撼人心的美好詩句
但我喜歡拍照/我可以拍照
假如我的照片可以把某些人某些美好的時刻完整的保存下來
那是不是也是可以把心中的烏托邦傳遞給這個世界呢？
「和平與愛」「All we need is love.」
我只想藉由照片傳遞這個，
如此而已。
假如真的有需要我的人
其實我也同樣需要著你們
Het Bardo museum was vroeger een Moors paleis dat dienst deed als residentie voor de Tunesische beys. Het museum is huidig de bewaarplaats van de Tunesische archeologische schatten. De Romeinse mozaïeken van het museum zijn de belangrijkste in de wereld.
De eerste vorm van mozaïek, of mooi betegelde vloer, komt van de Feniciërs. Bij opgravingen in Carthago en Kerkouane werden vloeren met eenvoudige patronen, in wit mozaïek of uit fijngemalen terracotta met stukjes gekleurd marmer en glas, blootgelegd. De figuratieve mozaïeks uit het Bardo museum dateren van de 2de eeuw na C. en later en zijn gemaakt door Griekse handwerklieden. Ze versierden vaak openbare gebouwen, amfitheaters en badhuizen met mythologische thema's. Vanaf de 3de eeuw na C. werden ook de vloeren van particuliere huizen bekleed met taferelen uit de jacht, het toneel, de landbouw en de zee. Later ook met Christelijke taferelen. De mozaïekkunst kende nog een laatste heropleving in de 6de eeuw na C. door de Byzantijnen.
The Bardo National Museum (Le Musee National du Bardo) is a marvelous museum in Tunis, the capital of Tunisia. The museum has the world's largest collection of Roman mosaics, and is ranked alongside the Egyptian Museum in Cairo as the best museum in north Africa.
The idea to place a museum inside the 14th century Hafside Little Palace was taken in 1882, and six years later the museum opened its doors to the public. It tours Tunisian history, paying particular attention to the Punic, Roman, Christian and Arab periods.
The museum does not only focus on those eras, though. There is a substantial prehistoric collection, showing the area as it was before Roman and Punic intervention. However it is the Roman mosaics, most of which date back to between the 2nd and 3rd centuries BC, which are the museum's most awe-inspiring sights. Particular points of interest are The Triumph of Neptune, Virgil and the floor mosaics of the Sousse room. The labyrinthine hallways and rooms of the museum ensure its visitors will become lost in all of the precious artifacts, which also include a renowned mausoleum room.
WHSV TV3 report: www.facebook.com/l.php?u=http://ww2.whsv.com/global/video...
Cumberland Times-News: times-news.com/local/x154639317/Train-strikes-vehicle-in-...
It's amazing to watch the clockwork precision of how our local emergency services people work. They can handle anything that comes along expertly, and with cool heads. We are a very lucky community to have such dedicated professionals. All of them (fire, rescue, and police departments work together perfectly.
A freight train hit a car on the crossing at Winchester Avenue and South Fork Road. I understand there were children in this car who were unhurt, but the driver suffered some injuries. I'm not sure of the severity.
The car was pushed about 110 feet from the point of impact. There is a 25 MPH speed limit for trains within the town limits.
www.coys.co.uk/showrooms.php?itemID=5099
Registration Number: Belgian Registered
Chassis Number: 9306700153
Introduced in 1976 for competition in Group 4 GT, the Porsche 934 and its subsequent derivative the Porsche 935 represent the most successful and important of all sports-racing and GT cars produced during the exciting times of the mid to late 1970s. It was these fantastically advanced, yet typically reliable machines which took the motorsport reputation of Porsche, already at a very high level, to one of total world dominance. A position in sports car racing they are yet to relinquish.
One of only 31 built, this genuine matching 934 RSR Turbo is indeed an extremely rare specimen. Chassis 9306700153 is listed and described in Jürgen Barth's and Bernd Dobronz's book “Porsche - 934/935” on pages 61, 285 and 286 as being the 17th car built.
Its first owner; Jean Blaton bought this 934 from the Porsche works just prior to the Le Mans 24h race in 1976 and resprayed it from its original yellow livery (in which the car presents itself today) to white.
Starting at Le Mans in 1976 with the drivers Nick Faure and John Goss, the car did not finish the race due to problems with the turbocharger. Subsequently Blaton sold the car to well known NSU and Porsche tuner Jean-Pierre Gaban and on 23rd May 1978, Willy Braillard won the Grand Prix of Zolder against John Lagodny and Claude Bourgoignie, both competing in 935 Porsches.
J.P. Gaban kept the car until 1982 and Braillard twice scored 2nd places on 4th September 1977 as well as on 24th September 1977 in Zolder. Braillard was also successful in winning on 7th June 1978 on the 600kms of Spa. The car was then sold to the Vermeulen brothers who in turn sold it to long term owner Walter Pauwels, from him it came to its current owner who restored the car and rebuilt it back to its livery in yellow as delivered by the works back in 1976.
Today the car presents itself in superb condition and its engine and turbo charger was recently on a dyno, reading over 400hp at a boost pressure of only 0.8 Bar (over 500hp at 1.3 Bar). This is indeed one of the ultra rare (1 of 31 built) Porsche 934 RSR Turbos with documented period race history, FIA papers and race ready.
This represents a marvellous opportunity for a Porsche collector to purchase one of the most significant survivors from this important period or for a historic racer to return this car to the tracks. In this vein this is a car that is ideal for historic racing, both here on the continent and in the USA. In these events, it would surely dominate as it did so gloriously during the late 1970's.
Much Better Viewed Large On Black - Click Here
Over 15 years ago I visited San Antonio and toured the famous building, The Alamo. I took this photo outside the building with my old film camera, and today I scanned it and enhanced it in PhotoShop, applying the a sepia tone and the Redfield "Fractalius" filter.
THE BATTLE OF THE ALAMO:
The Battle of the Alamo (February 23 – March 6, 1836) is the most famous battle of the Texas Revolution. After a revolutionary army of Texian settlers and adventurers from the United States drove all Mexican troops out of Mexican Texas, Mexican President Antonio Lopez de Santa Anna led an invasion to regain control of the area. Mexican forces arrived in San Antonio de Bexar on February 23 and initiated a siege of the Texian forces garrisoned at the Alamo Mission.
In the early morning hours of March 6 the Mexican army launched an assault on the Alamo. The outnumbered Texians repulsed two attacks, but were unable to fend off a third. As Mexican soldiers scaled the walls, most of the Texian soldiers retreated into the long barracks or the chapel. Several small groups who were unable to reach these points attempted to escape and were killed outside the walls by the waiting Mexican cavalry. The Mexican soldiers fought room-to-room and soon had control over the Alamo.
Between five and seven Texians may have surrendered; if so, they were quickly executed on Santa Anna's orders. Most eyewitness accounts reported between 182 and 257 Texian dead, while most Alamo historians agree that 400–600 Mexicans were killed or wounded. Of the Texians who fought during the battle, only two survived: Joe, spared because he was a slave, and Brigido Guerrero, a Mexican Army deserter who convinced Mexican soldiers he had been imprisoned. Women and children, primarily family members of the Texian soldiers, were questioned by Santa Anna and then released.
On Santa Anna's orders, three of the survivors were sent to Gonzales to spread word of the Texian defeat. After hearing this news, Texian army commander Sam Houston ordered a retreat; this sparked the Runaway Scrape, a mass exodus of citizens and the Texas government towards the east (away from the Mexican army). News of the Alamo's fall prompted many Texas colonists to join Houston's army. On the afternoon of April 21 the Texian army attacked Santa Anna's forces in the Battle of San Jacinto. During the battle many Texians shouted "Remember the Alamo!" Santa Anna was captured and forced to order his troops out of Texas, ending Mexican control of the area, which subsequently became the Republic of Texas.
By March 24 a list of names of the Texians who died at the Alamo had begun to be compiled. The first history of the battle was published in 1843, but serious study of the battle did not begin until after the 1931 publication of Amelia W. Williams's dissertation attempting to identify all of the Texians who died at the Alamo. The first full-length, non-fiction book covering the battle was published in 1948. The battle was first depicted in film in the 1911 silent film The Immortal Alamo, and has since been featured in numerous movies, including one directed by John Wayne. The Alamo church building has been designated an official Texas state shrine, with the Daughters of the Republic of Texas acting as permanent caretakers.
Source: Wikipedia
No. 44011.
BMW 330i 4-door Sedan E90 (2005).
Escala 1/43.
Welly.
Made in China.
More info:
www.wellydiecast.com/product.php?cid=1&sid=6&bran...
www.hobbydb.com/catalog_items/bmw-330i-e90-20ef1517-c911-...
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BMW 3 Series (E90)
From Wikipedia, the free encyclopedia
"The BMW 3 Series (E90/E91/E92/E93) is the fifth generation compact executive car of the BMW 3 Series, which was produced from 2004 to 2013. The body styles of the range are:
. 4-door Sedan/Saloon (E90 Model Code)
. Estate/Wagon (E91 Model Code, marketed as "Touring")
. Coupé (E92 Model Code)
. Cabriolet (E93 Model Code)
Due to the separate model codes for each body style, the term "E9X" is sometimes used to describe this generation of the 3 Series.
The E90/E91 sedans and wagons began to be phased out following the introduction of their F30/F31 successors in 2012. However, the E92/E93 coupes and cabriolets remained in production until 2013, when they were replaced by the F32/F33 models.
The E92 335i coupe, introduced in 2006, was the first 3 Series model to be sold with a turbocharged petrol engine. The E9X family also saw the introduction of run-flat tyres to the 3 Series range. Consequently, cars with run-flats are not equipped with a spare tyre.
The E90/E92/E93 M3 is the only generation of M3 to be powered by a V8 engine. Released in 2007,[8] it uses BMW's S65 engine and was produced in sedan, coupe and cabriolet body styles."
(...)
Sedan (E90)
"The sedan model was the first model sold of the 5th generation BMW 3 series, being launched on March 5, 2005 (as a 2006 model year) with the 318i, 320i, 320si, 323i, 325i, 325xi, 330i, and 330xi models.
In later years, the following sedan models were added: 316i, 320d, 325d, 328i, 330d, 335i, 335xi, 335d and M3.
(...)
This would be the last 3 Series to offer a naturally aspirated engine with the N52B30 (used in the 328i) and the S65B40 (used in the M3)."
330i
Petrol Engine
2005-2007
N52B30
6-cylinder
190 kW (255 hp)
2007-2013
N52B30
6-cylinder
200 kW (268 hp)
(...)
"In September 2008, the facelift (LCI) versions of the Saloon and Estate were released for the 2009 model year. Compared to typically subtle BMW LCI changes, these changes were relatively extensive."
(...)
Source: en.wikipedia.org/wiki/BMW_3_Series_(E90)
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BMW 3 Series
From Wikipedia, the free encyclopedia
"The BMW 3 Series is a compact executive car manufactured by the German automaker BMW since May 1975.
It is the successor to the 02 Series and has been produced in six different generations.
The first generation of the 3 Series was only available as a 2-door sedan, however the model range has since expanded to include a 4-door sedan, 2-door convertible, 2-door coupé, 5-door station wagon, 5-door hatchback (Gran Turismo) and 3-door hatchback body styles.
Since 2013, the coupé and convertible models have been marketed as the 4 Series, therefore the 3 Series range no longer includes these body styles.
The 3 Series is BMW's best-selling model, accounting for around 30% of the BMW brand's annual total sales (excluding motorbikes). The BMW 3 Series has won numerous awards throughout its history.
The M version of the 3 series, M3, debuted with the E30 M3 in 1986."
(...)
- First generation (E21; 1975–1983)
- Second generation (E30; 1982–1994)
- Third generation (E36; 1990–2000)
- Fourth generation (E46; 1998–2006)
- Fifth generation (E90/E91/E92/E93; 2004–2013)
"The fifth generation 3 Series was produced in the sedan, wagon, coupé and cabriolet body styles. Due to the separate model codes for each body style, the term "E9X" is sometimes used to describe this generation of the 3 Series.
In 2006, the 335i became the first 3 Series model to be sold with a turbocharged petrol engine. The E90 also saw the introduction of run-flat tires to the 3 Series range. Consequently, cars with run-flats are not equipped with a spare tire.
The E90/E92/E93 M3 was powered by the BMW S65 v8 engine. It was released in 2007 and was produced in sedan, coupe and cabriolet body styles."
- Sixth generation (F30/F31/F34; 2011–present)
The 30-inch Apple Cinema HD Display delivers an amazing 2560 x 1600 pixel resolution. Designed specifically for the creative professional, this display provides more space for easier access to all the tools and palettes needed to edit, format and composite your work. Combine this display with a Mac Pro, MacBook Pro, or PowerMac G5 and there's no limit to what you can achieve.
The Cinema HD features an active-matrix liquid crystal display that produces flicker-free images that deliver twice the brightness, twice the sharpness and twice the contrast ratio of a typical CRT display. Unlike other flat panels, it's designed with a pure digital interface to deliver distortion-free images that never need adjusting. With over 4 million digital pixels, the display is uniquely suited for scientific and technical applications such as visualizing molecular structures or analyzing geological data.
Offering accurate, brilliant color performance, the Cinema HD delivers up to 16.7 million colors across a wide gamut allowing you to see subtle nuances between colors from soft pastels to rich jewel tones. A wide viewing angle ensures uniform color from edge to edge. Apple's ColorSync technology allows you to create custom profiles to maintain consistent color onscreen and in print. The result: You can confidently use this display in all your color-critical applications.
Housed in a new aluminum design, the display has a very thin bezel that enhances visual accuracy. Each display features two FireWire 400 ports and two USB 2.0 ports, making attachment of desktop peripherals, such as iSight, iPod, digital and still cameras, hard drives, printers and scanners, even more accessible and convenient. Taking advantage of the much thinner and lighter footprint of an LCD, the new displays support the VESA (Video Electronics Standards Association) mounting interface standard. Customers with the optional Cinema Display VESA Mount Adapter kit gain the flexibility to mount their display in locations most appropriate for their work environment.
The Cinema HD features a single cable design with elegant breakout for the USB 2.0, FireWire 400 and a pure digital connection using the industry standard Digital Video Interface (DVI) interface. The DVI connection allows for a direct pure-digital connection.
Features:
Unrivaled display performance
30-inch (viewable) active-matrix liquid crystal display provides breathtaking image quality and vivid, richly saturated color.
Support for 2560-by-1600 pixel resolution for display of high definition still and video imagery.
Wide-format design for simultaneous display of two full pages of text and graphics.
Industry standard DVI connector for direct attachment to Mac- and Windows-based desktops and notebooks
Incredibly wide (170 degree) horizontal and vertical viewing angle for maximum visibility and color performance.
Lightning-fast pixel response for full-motion digital video playback.
Support for 16.7 million saturated colors, for use in all graphics-intensive applications.
Simple setup and operation
Single cable with elegant breakout for connection to DVI, USB and FireWire ports
Built-in two-port USB 2.0 hub for easy connection of desktop peripheral devices.
Two FireWire 400 ports to support iSight and other desktop peripherals
Sleek, elegant design
Huge virtual workspace, very small footprint.
Narrow Bezel design to minimize visual impact of using dual displays
Unique hinge design for effortless adjustment
Support for VESA mounting solutions (Apple Cinema Display VESA Mount Adapter sold separately)
Technical specifications
Screen size (diagonal viewable image size)
Apple Cinema HD Display: 30 inches (29.7-inch viewable)
Screen type
Thin film transistor (TFT) active-matrix liquid crystal display (AMLCD)
Resolutions
2560 x 1600 pixels (optimum resolution)
2048 x 1280
1920 x 1200
1280 x 800
1024 x 640
Display colors (maximum)
16.7 million
Viewing angle (typical)
170° horizontal; 170° vertical
Brightness (typical)
30-inch Cinema HD Display: 400 cd/m2
Contrast ratio (typical)
700:1
Response time (typical)
16 ms
Pixel pitch
30-inch Cinema HD Display: 0.250 mm
Screen treatment
Antiglare hardcoat
User controls (hardware and software)
Display Power,
System sleep, wake
Brightness
Monitor tilt
Connectors and cables
Cable
DVI (Digital Visual Interface)
FireWire 400
USB 2.0
DC power (24 V)
Connectors
Two-port, self-powered USB 2.0 hub
Two FireWire 400 ports
Kensington security port
VESA mount adapter
Requires optional Cinema Display VESA Mount Adapter (M9649G/A)
Compatible with VESA FDMI (MIS-D, 100, C) compliant mounting solutions
Electrical requirements
Input voltage: 100-240 VAC 50-60Hz
Maximum power when operating: 150W
Energy saver mode: 3W or less
Environmental requirements
Operating temperature: 50° to 95° F (10° to 35° C)
Storage temperature: -40° to 116° F (-40° to 47° C)
Operating humidity: 20% to 80% noncondensing
Maximum operating altitude: 10,000 feet
Agency approvals
FCC Part 15 Class B
EN55022 Class B
EN55024
VCCI Class B
AS/NZS 3548 Class B
CNS 13438 Class B
ICES-003 Class B
ISO 13406 part 2
MPR II
IEC 60950
UL 60950
CSA 60950
EN60950
ENERGY STAR
TCO '03
Size and weight
30-inch Apple Cinema HD Display
Height: 21.3 inches (54.3 cm)
Width: 27.2 inches (68.8 cm)
Depth: 8.46 inches (21.5 cm)
Weight: 27.5 pounds (12.5 kg)
System Requirements
Mac Pro, all graphic options
MacBook Pro
Power Mac G5 (PCI-X) with ATI Radeon 9650 or better or NVIDIA GeForce 6800 GT DDL or better
Power Mac G5 (PCI Express), all graphics options
PowerBook G4 with dual-link DVI support
Windows PC and graphics card that supports DVI ports with dual-link digital bandwidth and VESA DDC standard for plug-and-play setup
Nikon D800E + 400 mm f/2.8 @ 400 mm - 1/250 sec at f/8.0, ISO 50
Manual mode @ 1/3 EV E.C - Pattern metering - no flash
Subject Distance: unknown
Stevens got 11 inches of snow the day before we went here. Apparently, the Skagit Valley also got a bunch of rain, remnants of which you can see here.
48°25'24" N 122°26'49" W, 9.8 ft
Skagit Valley
Mount Vernon, Washington, United States
Taken on 04.14.2013, uploaded on 04.17.2013.
©2013 Adam James Steenwyk. Please contact me at ajamess [at] gmail [dot] com if you would like to use this photo. Blog: www.f128.info
First try, first published and a first win in a comp :)
Now thats what you call a beginners luck!
Digital Camera Magazine - Sept Issue
Normally I don't bother sending my pics to any places but the reasons behind submitting my photo to this magazine was that I needed to have a photo published somewhere so that it would be favourable to pass the interview to join the photography course at TAFE. (TAFE = like a college)
Never thought I'd win anything so it's a huge surprise!
... and a little more on TAFE:
For anyone who wanted to enrol in photography course at TAFE, you have to present your portfolio and go through an interview where you'll get questions like "Do you work or have worked in photography industry?" or "Have you ever had your photo published?" which unfortunately I had answer "no" and had me wondering why I needed experience since I wanted to learn from the beginning.
Anyways, I found out the reason behind the strict student selection was due to limited seat as their photography course is so popular. On my initial application, I was not offered a spot but now with this, I may have a better luck at the next year's interview. :)
Thanks DC mag for the awesome Manfrotto tripod! It's an awesome trophy!
In de Poelestraat 30 was eeuwen lang het Concerthuis gevestigd, vermoedelijk ontstaan in een huis van een lid van de regentenfamilie De Sitter.
hdl.handle.net/21.12105/2bc222e8-a902-cc10-52ec-04ceac3d0217
hdl.handle.net/21.12105/eccdb959-3119-acd2-bae7-fb79c4d263f7
www.kng-groningen.nl/conchuis.htm
"Etta Palm (barones Aelders). Nederland's eerste féministe tijdens de Fransche Revolutie te Parijs", door Dr. W.J. Koppius; Ploegsma, Zeist 1929.
"Etta Palm. Een Hollandse Parisienne 1743 - 1799", door Mr. H. Hardenberg; Van Gorcum & Comp. N.V., Assen 1962.
Mr. Wolter Reinold de Sitter (1709-1780) zou in de Poelestraat geboren zijn: www.genealogieonline.nl/en/stamboom-ocken/I05258.php
Zie voor de familie De Sitter, de Drews en van Swinderen:
www.parlement.com/id/vg09llwlzczu/w_de_sitter
Buitenverblijven in Midlaren: www.flickr.com/photos/148859204@N07/36030249171/in/datepo...
"De Joodse gemeenschap in de stad Groningen, 1689-1796",
door E. Schut, Groninger Historische Reeks 12, Van Gorcum 1995, blz. 77 (Google Books).
"Een nieuw gebouwde Concertzaal in de Poelestraat", door Wija Frso, Stichting Monument & Materiaal: www.stichtingmenm.nl/images/hervondenstad/pdf/HS_2007/HS_...
Foto met bijschrift in het Nieuwsblad van het Noorden van 2-11-1929: resolver.kb.nl/resolve?urn=ddd:010675557:mpeg21:a0184
Agata de Sitter, Wed. Aalders, bood op 20-9-1753 ten Huyze van Monsr. Langefeld een Pakhuys en 2 Vrouwen Zit Plaatsen in de Martini Kerk te koop aan. Opregte Groninger Courant van 18-9-1753: resolver.kb.nl/resolve?urn=ddd:010258953:mpeg21:a0006
Jacobus Aalders bood een Extra Wit Papier Moolen met de Wooningen voor de Eygenaar en 10 Wooningen voor de Bedieners te koop aan. Opregte nieuwe Groninger Courant van
6-1-1747: resolver.kb.nl/resolve?urn=ddd:011022543:mpeg21:a0008
Verkoop op 24-11-1768 en 1-12-1768 "in 't Heere Wynhuis by branden der Keersen uitdoen", twee Behuyzingen en een Hof ten Noorden in de Poele Straat, deels bewoond door J.M. Goldsmit, met een Leenbank en bewoond geweest door Juffrouw de Weduwe Aalders. Zij is Agata Petronella de Sitter, weduwe van Jacob Aalders (Alderts). Hun dochter Etta Lubbina Johanna, geb. Poelestraat, ged. Martinikerk 3-5-1743, ovl. Den Haag 28-3-1799, was courtisane, spion en feminist in Parijs.
Op 17-7-1746 werd hun zoon Willem Peter de Sitter in de Martinikerk gedoopt. Opregte Groninger Courant van 25-11-1768: resolver.kb.nl/resolve?urn=ddd:010260423:mpeg21:a0006
Overlijdensbericht van Etta Lubina Johanna D'Aelders, Weduwe Palm, in de Haagsche Courant van 10-4-1799:
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Verkopingen in de Oude Bank van Leening. Opregte Groninger Courant van 6-6-1766, 13-3-1767 en 11-9-1767:
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Epharaim Symon van Praag met extra Fine Galanteryen heeft in de May Markt in de Roef gestaan en is verplaatst naar de Jooden Nedeldoeks Kraamen, en logeert in de Bank van Leening in de Poele Straat. Opregte Groninger Courant van 26-9-1752:
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De Heer Riedel woonde in de Geltering Straat. De eigenaar Dr. W. Swyghuisen bood het huis per 1-5-1762 te koop of te huur aan. Hij is Cantor Johan Philip Riedel, afkomstig uit Nassau Dillenburg, gehuwd met Margaretha Henrietta Bruinewold. Opregte Groninger Courant van 9-10-1761:
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De heer Tessarini, violist en componist, geeft op 13-12-1762 een concert ten huyse van den Heer Riedel in de Poele Straat. Opregte Groninger Courant van 10-12-1762:
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Concert van de Heer Distel, Luitenist van zyne Doorl. Hoogh. de Regerende Hertog van Saxen Gotha, ten Huize van Cantor Riedel. Opregte Groninger Courant van 16-12-1766:
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Concert van de Heer Bach van Berlyn bij Cantor Riedel. Opregte Groninger Courant van 6-1-1767:
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Concert van de Heer Esser ten huyze van Cantor Riedel. Opregte Groninger Courant van 22-4-1768:
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Concert van de Heer Marsiany ten huyze van de Heer Riedel. Opregte Groninger Courant van 17-10-1769:
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Concerten van Monsieur Ferrini en Monsr. Sibilla en Monsr. Andriolo, ten huyze van Cantor Riedel in de Poelen Straat. Opregte Groninger Courant van 20-3-1770 en 9-4-1771:
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Cantor Riedel en zyne Huisvrouw boden hun ruime en nieuws vertimmerde moderne Behuizing met 9 Vertrekken, waar van de meeste behangen....vrye uitvaart agter deeze Behuizing.....met of zonder Stal en Wagenhuis, staande in het wyde der Poelen Straat te koop aan. Opregte Groninger Courant van 12-6-1772:
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Verkoop van huis en hof, mobilia, muziek stukken en instrumenten van Cantor Riedel in de Poelen Straat. Groninger Courant van 15-7-1777, 26-8-1777, 10-10-1777 en 17-10-1777:
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Concert ten huize van Cantor Riedel. Groninger Courant van
15-4-1783: resolver.kb.nl/resolve?urn=ddd:010107101:mpeg21:a0009
Goederen van Cantor J.P. Riedel. Groninger courant van 25-3-1785: resolver.kb.nl/resolve?urn=ddd:010107347:mpeg21:a0005
Overlijdensbericht van Johan Philip Riedel, Veendam 15-10-1808, oud 81 jaar. Ommelander Courant van 18-10-1808: resolver.kb.nl/resolve?urn=ddd:010216220:mpeg21:p002
Zijn zoon Johannes Martinus Riedel, geb. Groningen 15-9-1760, ovl. Ommelanderwijk (Veendam) in het huis met nr. 226 op 26-4-1818, was kostschoolhouder.
Elisabeth Margaretha Paulina Riedel, geb. Nassau Dillenburg, Duitsland, ovl. Veendam (Kerkstraat) 17-2-1841, oud 103 jaar en 9 maanden, is een dochter van Johannes Martinus Riedel en Christina Elizabeth Beel (ouders gewoond hebbende en overleden te Nassau Dillenburg).
Concert van J.C.D. Roeder in de Concertzaal in de Poelen Straat bij Monfr. Muller. Groninger Courant van 21-2-1794:
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Het verbouwde Concerthuis, vroeger bewoond door de kok Muller en thans door Adam Ekkart, kastelein, koopman, geb. Groningen, ovl. Groningen 11-2-1833, oud 75 jaar, zoon van Simon Georg Ekkart, en Agatha Maria Baugnich.
Groninger Courant van 16-8-1805: resolver.kb.nl/resolve?urn=ddd:010159671:mpeg21:a0008
Gezocht een Kok en Castelein. Groninger courant van 8-6-1810: resolver.kb.nl/resolve?urn=ddd:010170762:mpeg21:a0010
Bal, onder Directie van den Heer J.A. Heuser in 't Concerthuis in de Poele-straat.......De Entrée voor een Heer met of zonder Dames, is Elf stuivers. Feuille d'affiches, annonces et avis divers de Groningue = Advertentieblad, bekendmakingen en onderscheidene berigten van Groningen van 22-5-1812:
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Het Concerthuis wordt te huur aangeboden in de Groninger Courant van 22-11-1814:
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In mei 1825 was de bovenwoning van het Concerthuis te huur, bewoond door luitenant-generaal Theophile Briatte, ovl. Utrecht 10-5-1844, oud 68 jaar, echtgenoot van
Campegia Wilhelmina Gockinga, ovl. Martenshoek (Hoogezand) 20-8-1832, oud 51 jaar, resp. zoon van J.B. Briatte en Susanna Julie Chamband, en dochter van Campegius Hermannus Gockinga, lid Staten-Generaal der Verenigde Nederlanden, lid Tweede Kamer der Staten-Generaal, en van Allegonda Maria van Sijsen:
www.parlement.com/id/vg09llsp1hwy/c_h_gockinga
Groninger Courant van 5-4-1825:
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Verkoop en vertimmeren van het Concerthuis. Groninger Courant van 30-6-1840:
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Het Genootschap ter bevordering der Natuurkundige Wetenschappen te Groningen koopt het Concerthuis. Groninger Courant van 27-11-1840: resolver.kb.nl/resolve?urn=ddd:010770976:mpeg21:a0018
Het Concerthuis werd verbouwd om het Koninklijk Natuurkundig Genootschap te huisvesten:
"Het vijftigjarig bestaan van het Genootschap ter bevordering der Natuurkundige Wetenschappen te Groningen, gevierd op de 26 Februariij 1851"; A.L. Scholtens 1851 (Google Books).
"Het vijf-en-zeventigjarig bestaan van het Natuurkundig Genootschap te Groningen, feestelijk herdacht op vrijdag en zaterdag den 25 en 26 Februarij 1876"; R.J. Schierbeek 1876.
"Het vijfentwintigjarig bestaan van het Natuur- en Scheikundig Genootschap te Groningen, plegtig gevierd op den 1 Maart 1826, Door Th. van Swinderen, Secretaris van voornoemd Genootschap"; J. Oomkens 1826. Prof. mr. Theodorus van Swinderen overleed in Groningen op 11-1-1851, oud 66 jaar.
Plegtige inwijding van de nieuw ingerigte gehoorzaal. Groninger Courant van 8-10-1841:
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Overlast van paarden en koetsen in de omgeving van het Concerthuis. Groninger Courant van 18-11-1842: resolver.kb.nl/resolve?urn=ddd:010779688:mpeg21:a0001
Reglement van Politie c.a. Groninger Courant van 6-8-1856:
resolver.kb.nl/resolve?urn=ddd:010779688:mpeg21:a0001
"Plan voor bioscoop in Concerthuis". Nieuwsblad van het Noorden van 8-6-1967: resolver.kb.nl/resolve?urn=ddd:010870200:mpeg21:a0233
"Concerthuis wordt bioscoop". Nieuwsblad van het Noorden
van 27-6-1967: resolver.kb.nl/resolve?urn=ddd:010870216:mpeg21:a0189
Verbouwing van het Concerthuis in 1967. "Bioscoop Concerthuis start met De getemde feeks”:
hdl.handle.net/21.12105/13e83f56-a8ad-4330-0091-60b2c0e2f72a
Nieuwsblad van het Noorden van 21-11-1967 en 24-10-1968:
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"Concerthuis volledig getransformeerd Weer 6 bioscopen in stad". Nieuwsblad van het Noorden van 21-12-1967:
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"Einde voor cultuur in Concerthuis": RTVOOG 26 okt. 2011 op YouTube:
www.youtube.com/watch?v=9kWxG34fVd4
Eltjo Kniphuisen heeft zijn winkel verplaatst van Tussen de beide Markten naar het "wyde van de Poelen Straat, daar de drie Roozen weer uithangen". Groninger courant van 13-7-1779:
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In 1875 liep er nog een kudde schapen door de Poelestraat. Een schaap sprong toen door een spiegelruit van juwelier B. Oving.
Provinciale Noordbrabantsche en 's Hertogenbossche courant
28-8-1875: resolver.kb.nl/resolve?urn=MMSADB01:000009425:mpeg21:a0029
Het Logement "De Oude Munster" (later Hotel "Friesland") in de Kleine Pelsterstraat 4, was in 1822 in het Reglement van Politie aangewezen als Schutstal voor vee dat zonder vergunning werd geweid op Stads of andere openbare gronden. Het Logement "De Nieuwe Munster" in de Herestraat 72, bekend als Hotel "Frigge", lag vlakbij: www.flickr.com/photos/148859204@N07/34601955931/
Groninger Courant van 29-11-1822 en 1-5-1849:
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Juwelier Bruins Oving, ovl. Groningen 2-7-1959, oud 77 jaar zat in de Poelestraat C 122.
Provinciale Drentsche en Asser Courant van 8-11-1881:
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Zijn broer Hermannus Ellen Oving, ovl. Groningen 22-12-1954, oud 78 jaar, zat in de Poelestraat NZ D6, later Poelestraat 2, bij de hoek met de Grote Markt. In 1860 vroeg hij vergunning voor het plaatsen van een winkelpui.
Provinciale Drentsche en Asser Courant van 23-4-1861:
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Zij zijn zonen van juwelier Bruins Oving (1841-1922), kleinzonen van goud- en zilversmid Hermannus Ellens Oving (1810-1890), en achterkleinzonen van goud- en zilversmid Jan Hermanus Oving, ovl. Groningen 15-1-1848, oud 74 jaar.
Portretten:
hdl.handle.net/21.12105/1dfe3934-638d-3a9b-ccb4-dc55b0264c68
hdl.handle.net/21.12105/b9431acc-5b50-8688-4613-ca882ae7cf81
hdl.handle.net/21.12105/e76c2aea-c9ba-e7fb-6b90-6b25337926c5
Groninger Courant van 9-5-1837:
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Provinciale Drentsche en Asser Courant van 24-8-1925:
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Afbeeldingen juwelier Oving:
hdl.handle.net/21.12105/b80282da-d593-4c90-e83f-3355b3ac4230
hdl.handle.net/21.12105/c81cfce3-ebcd-b625-f78b-832600567b56
hdl.handle.net/21.12105/c126560a-affb-2823-c9b5-f3020fa739b6
hdl.handle.net/21.12105/5e752f9b-9473-a2db-06c7-8eb580dc04b8
hdl.handle.net/21.12105/4b8a99dd-2674-780a-8de6-30c5256ba337
hdl.handle.net/21.12105/92bcc2a1-9de0-1914-0a0f-7d15242eeb68
"Vrij in vuur en puin". Nieuwsblad van het Noorden van 4-4-1980: resolver.kb.nl/resolve?urn=ddd:011018992:mpeg21:a0346
Na de oorlog zat juwelier H.E. Oving tijdelijk in de Oude Ebbingestraat 61 (Ebbingehuis). In 1955 verhuisde de winkel weer terug naar de Grote Markt. Nieuwsblad van het Noorden van 26-11-1955 en 9-12-1955:
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hdl.handle.net/21.12105/74206fdf-8989-781e-dabb-487b064503ad
"Juwelier Oving in andere handen". Nieuwsblad van het Noorden van 25-10-1974:
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"Begeer, Van Kempen en Vos zou al verkocht zijn. Juwelier Oosterhof neemt Groninger zaken over". Nieuwsblad van het Noorden van 11-2-1977:
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"Historie Oostwand wordt weggebikt", door Frank von Hebel in het Dagblad van het Noorden van 18-3-2017, blz. 16.
Op 12-5-1875 vroeg Jacobus Bartholomeus Petrus Joannes Dado, winkelier in modeartikelen, geb. Groningen 24-6-1835, ovl. Groningen 12-5-1905, zoon van koopman Joannes Petrus Dado en Maria Dominica Bartels, dochter van winkelier/knoopmaker Lambertus Bartels, vergunning voor het verbouwen van de panden Grote Markt C 10-11/Poelestraat. Joannes Petrus Dado, geb.
Cavergno in Zwitserland, overleed in Groningen op 28-2-1843, oud 41 jaar. Deze familie zat al in 1860 met een zaak in de Poelestraat C 11. Op 11-4-1866 vroeg dhr. Dado vergunning voor het bouwen van een winkelpui in de Herestraat F 222, onder architectuur van Nicolaas Willem Lit (1833-1907), de architect van het pakhuis op de hoek van de Poelestraat en het Schuitendiep: www.flickr.com/photos/148859204@N07/32824414883/
De winkel werd in 1884 voortgezet door de Gebr. Holtmann.
Algemeen Handelsblad van 13-12-1883:
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Nieuwsblad van het Noorden van 21-4-1895:
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In 1955 verhuisde de modewinkel J. Boterweg van de Grote Markt 33, hoek Poelestraat, naar de Grote Markt, hoek Ebbingestraat, naast Vroom en Dreesman. Jelle Boterweg, geb. Harlingen 22-6-1869, overleed in Groningen op 30-6-1931. De zaak werd voortgezet door de wed. E. Boterman-Molenaar, onder de handelsnaam Firma J. Boterweg (in 1912 Firma Boterweg & Melles). Nieuwsblad van het Noorden van 1-8-1931: resolver.kb.nl/resolve?urn=ddd:010675165:mpeg21:a0229
hdl.handle.net/21.12105/6e8a7db3-a8e0-d6e2-94e9-d7208eb8440a
Het pand aan de Grote Markt 33 werd gesloopt:
hdl.handle.net/21.12105/4b8a99dd-2674-780a-8de6-30c5256ba337
hdl.handle.net/21.12105/b80282da-d593-4c90-e83f-3355b3ac4230
"Hé, is Boterweg zomaar weg?". Nieuwsblad van het Noorden van 19-7-1955:
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"In Groningen wordt gebouwd!". Leeuwarder courant: hoofdblad van Friesland van 22-10-1955:
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"Oostwand kan breder en groter. Gemeente koopt hoekpand Poelestraat", door Menno Hoexum. Dagblad van het Noorden, Groningen stad, 5-6-2013, blz. 18.
web.archive.org/web/20161029120759/http://www.panoramio.c...
web.archive.org/web/20161027002042/http://www.panoramio.c...
web.archive.org/web/20161025113435/http://www.panoramio.c...
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web.archive.org/web/20161024194306/http://www.panoramio.c...
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web.archive.org/web/20161024212624/http://www.panoramio.c...
web.archive.org/web/20161015173008/http://www.panoramio.c...
hdl.handle.net/21.12105/65a43fab-4a5d-047b-3054-9cdea3886bb0
www.nlarchitects.nl/ucslideshow/207
gemeente.groningen.nl/ro/grote-markt/planbeschrijving
gemeente.groningen.nl/grotemarkt/beeldkwaliteitsplan/beel...
gemeente.groningen.nl/winkelen/gemeente-koopt-pand-op-hoe...
"De herbouw van de Grote Markt" (ingezonden), in het Nieuwsblad van het Noorden van 7-6-1952 en 11-6-1952:
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"Ir. Vegter kan geen Raadhuis bouwen" (ingezonden), in het Nieuwsblad van het Noorden van 6-6-1953:
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hdl.handle.net/21.12105/15f56b06-3e2d-a737-7584-0e398bfae0a3
hdl.handle.net/21.12105/b3ea67db-143f-3204-fe03-5b1f66c9ca13
hdl.handle.net/21.12105/8f0f8660-3501-040c-d910-42806f4c4eb9
Hoek Oosterstraat-Poelestraat:
hdl.handle.net/21.12105/82732ca7-7447-ee95-581e-bd968a390da9
hdl.handle.net/21.12105/629ab32f-0e95-37f9-3c68-f90b7e8ea5e6
hdl.handle.net/21.12105/eea96be7-13dd-9c71-c74a-edf0f0c7476d
Hoek Grote Markt-Poelestraat:
hdl.handle.net/21.12105/4b8a99dd-2674-780a-8de6-30c5256ba337
hdl.handle.net/21.12105/155c53c4-2214-02c6-2b74-1e4dfcbfc04d
hdl.handle.net/21.12105/b80282da-d593-4c90-e83f-3355b3ac4230
Het hoekpand Oosterstraat 2/Poelestraat 1 (Kad. H 1231 en H 3414) is in 1898 ontworpen door architect A.Th. van Elmpt (1866-1953), in opdracht van Adolf Witte, drogist, geb. Groningen 1-3-1830, ovl. Groningen 7-10-1916, en van Johann Carl Christoph Schlichter, geb. Meppen, ovl. Groningen 18-8-1924, oud 59 jaar, echtgenoot van Hinderika Maria Schattenberg, geb. Groningen 6-10-1860, ovl. Groningen 23-11-1902, dochter van schoenmaker Egbert Schattenberg (1821-1892).
Het naastgelegen pand in de Poelestraat 3 is ook door Van Elmpt ontworpen, in opdracht van J.C.C. Schlichter. De winkel droeg de naam "Schattenberg's Schoenen- en Laarzenmagazijn"; meer dan 50 jaar gevestigd te Groningen.
Ook het hoekpand Oosterstraat-Carolieweg is van architect Van Elmpt:
www.staatingroningen.nl/bedrijf/87/elmpt-ath-van
zoeken.hetnieuweinstituut.nl/nl/personen/detail/c51a9b0c-...
web.archive.org/web/20161025113435/http://www.panoramio.c...
Egbert Schattenberg vroeg op 26-8-1875 vergunning voor het aanbrengen van een winkelpui aan het pand Poelestraat D 133 (Groninger Archieven).
Op 11-7-1872 werden de twee woningen Poelestraat D 122 en D 123, hoek Peperstaat, te koop aangeboden, van oudsher in gebruik als Affaire in Pelterijen en als Schoenmakersaffaire, en bewoond (geweest) door wijlen Th. Doesburg, bontwerker, en E. Schattenberg, schoenmaker (Leeuwarder Courant en het Algemeen Handelsblad).
In de periode 1858-1866 vroeg J. Houttuin bouwvergunningen aan voor het perceel Poelestraat D 133 (Groninger Arrchieven).
Nieuwsblad van het Noorden van 20-12-1904: resolver.kb.nl/resolve?urn=ddd:010891001:mpeg21:a0072
Leeuwarder Courant van 5-7-1872:
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Algemeen Handelsblad van 21-12-1872: resolver.kb.nl/resolve?urn=ddd:010101689:mpeg21:a0029
De winkelpui van het pand Poelestraat 5 (D 131) is in 1902 ontworpen door architect P.M.A. Huurman (1863-1944), in opdracht van de Handelsvennootschap v/h R. Muller (J.B. Vogt):
www.staatingroningen.nl/bedrijf/90/huurman-pma
zoeken.hetnieuweinstituut.nl/nl/personen/detail/048e7a21-...
Tot 1925 zat "De Roode Winkel (J.B. Vogt)" in de Poelestraat 5-7. Nieuwsblad van het Noorden van 8-6-1925:
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Johann Bernard Vogt, geb. Ramsloh (Dld), ovl. Groningen 12-4-1880, oud 50 jaar, zat in 1869 al in de Poelestraat D 131 en 132.
Op 31-5-1869 vroeg hij vergunning voor "werk aan voorgevel en stoep" Poelestraat D 132 (D 131 is Poelestraat 5).
Op 19-8-1925 vond de aanbesteding plaats van het "opnieuw indeelen van de gebouwen Poelestraat 5 en 7", onder architectuur van Evert van Linge, en in opdracht van Albert Woest, vleeschhouwer te Groningen. Nieuwsblad van het Noorden van 15-8-1925:
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Architect Evert van Linge: www.staatingroningen.nl/bedrijf/88/linge-evert-van
Archief bij Het Nieuwe Instituut:
zoeken.hetnieuweinstituut.nl/nl/
Het pand Oosterstraat 4 (Kad. H 248) is in 1899 ontworpen door architect Wilhelmus Petrus Ros, geb. Groningen 14-6-1869, ovl. Groningen 17-11-1934, in opdracht van Cornelis Paanakker, geb. Loon op Zand, ovl. Groningen 14-3-1902, oud 46 jaar.
In 1842 had H. Depaifve Ainé een Fabrijk van Stroohoeden, in het Groot en Klein en was hij Magazijnhouder van Gevlochten Stroo, in de Poelestraat 10 en 38, met Stroohoeden, Italiaansche en Agrementstroohoeden.
Mej. F. van Slogteren verkocht Stroohoeden e.d., in de Poelesstraat D 121, op den hoek van de Peperstraat.
Groninger Courant van 25-3-1842, 24-3-1843, 20-5-1845, 1-5-1849 en 22-3-1853 (verkoop inboedel):
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In maart 1853 droeg Mej. F. van Slogteren de Dameshoeden- en Mutsenaffaire in de Poelestraat D 121, in het wijde van de Poelestraat, op den hoek van de Peperstraat, over aan Mej. Trientje van der Veen, geb. Aduard 30-12-1821, ovl. Groningen 20-2-1877, weduwe van Bernardus Pekelaar, sigarenfabrikant, geb. Thesinge 22-3-1826, ovl. Groningen 1-10-1852. Groninger Courant van 4-3-1853 en 3-5-1853: resolver.kb.nl/resolve?urn=ddd:010772965:mpeg21:a0006
resolver.kb.nl/resolve?urn=ddd:010772982:mpeg21:a0007
Zij is te relateren aan "mutzemaakster" (1814) Follegien/Tolligin/Tollegyn van Slogteren, ovl. Millingen 15-7-1841, oud 54 jaar, dochter van wafelbakker Martinus van Slogteren en Sara Jans Kreima/Krijns, echtgenote van kleermaker en rijksambtenaar, Jacob Chevalier, geb. Rotterdam, ovl. Groningen 14-8-1874, oud 81 jaar, zoon van sergeant-majoor en tolgaarder Denijs Chevalier, ovl. Arnhem 28-2-1839, oud 76 jaar, en Rijke Wenteler.
Zie ook Eisse Abrahams van Slogteren, wolkammer in de Nieuwe Ebbinge-straat, en echtgenote Sara van Bruggen, ovl. Groningen 19-9-1828, oud 46 jaar. Ommelander Courant
van 20-4-1810: resolver.kb.nl/resolve?urn=ddd:010216367:mpeg21:a0007
Op 9-11-1824 overleed zijn vader Abraham van Slogteren, oud 88 jaar en vier maanden, echtgenoot van Anna Gardee, zoon van Eise Hindriks van Slogteren, stelmaker, en van Cornelissien Hulsebosch. Groninger Courant van 12-11-1824: resolver.kb.nl/resolve?urn=ddd:010774386:mpeg21:a0015
Abraham van Slogteren bood zijn Behuisinge c.a., Pakhuis met 2 Zolders, en 2 Korenzolders over het geheele Huis, en een Stal voor 4 Paarden en 4 Beesten te koop aan, gelegen aan de Oostkant van der Aa, met uytvaart op de Laane. Opregte Groninger Courant van 16-5-1766:
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Abraham van Slogteren en Vrouw boden op 18-1-1779 Hunne wel ter Neering staande Behuizinge aan de W. zyd in de N. Ebbinge Straat en een Woonkamer met een Stalle, staande in de Pluimers Gang aan 't Schuitendiep, te koop aan ten Huize van G.J. Dubbelboer, Kastelein in het Blauwe Peert. Groninger courant van 1-1-1779: resolver.kb.nl/resolve?urn=ddd:010106607:mpeg21:a0008
Predikant Johannes van Slogteren, geb. Groningen Oostzijde van de A, ged. Groningen 12-2-1766, ovl. Amsterdam 7-8-1841, oud 75 jaar, is een zoon van Abraham van Slogteren en Anna Gardee.
De Wed. van Monsr. R. van Slogteren, woonende in de Oude Botteringe Straat, bood haar Hof met Vrugtdraagende Bomen en een Steenen Zomerhuys in 't Appel-Straatje in de Steeg, te koop aan Opregte Groninger Courant van 15-7-1750:
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Op 21-1-1842 bood Mejufvr. de Wedw. H.E. van Slogteren de Behuizing, S 106, met opene Plaats en vrijen Uitgang in de Donkersgang en onder en boven Pakhuis, Oostzijde in de Gelkingestraat, te koop aan. Zij is vermoedelijk Betje Egberts Buirema van Eexta (Scheemda), ovl. Groningen 29-12-1860, oud 73 jaar, weduwe van Hinderk Eisse van Slogteren, verwer/glazemaker, ovl. Groningen 9-8-1839, 52 jaar, zoon van Eisse van Slogteren, verwer/glazemaker, en van Allegonda Bekkering. Groninger Courant van 21-1-1842: resolver.kb.nl/resolve?urn=ddd:010779608:mpeg21:a0015
Commies P. van Slogteren en Vrouw hadden in 1776 en 1781 een winkel "bestaande in Linnen, Vers en gerookt Spek en Kaas & c., in de Heerestraat waar het witte Hoofd uithangt.
Groninger Courant van 27-2-1776 en 25-12-1781:
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Groninger Courant van 7-11-1783:
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Verkoop van zijn huis in de Heerestraat, en dat van Hindrik van Slogteren en Vrouw, staande aan de Westkant van het Boterdiep nabij het Klokhuisje. Groninger Courant van 22-1-1782: resolver.kb.nl/resolve?urn=ddd:010106956:mpeg21:a0009
In 1783 woont hij in het Ooster Poorten Gasthuis en verkoopt hij Coevorder Linnen.
De Wed. van Monsr. J. Slogteren verkocht op 22-12-1768 ten huyze van Monsr. J. Pot in de Gulden Straat in de Soppige Peer, haar deftige Huis ten oosten in de oude Botteringe Straat, zijnde een voorname Keersemakerye met Gereedschappen en Winkel Goederen. Opregte Groninger Courant van 20-12-1768: resolver.kb.nl/resolve?urn=ddd:010260430:mpeg21:a0008
Im going to be very nervous this wednesday as i get to meet Sebastian Boyesen.
www.bbc.co.uk/iplayer/episode/b00szzhv/Angel_of_the_Valleys/
While i was at The Miner today was talking to a local who's Husbands father and his brother died in the disaster
Sorry for the poor quality low resolution uploads as you may have gathered this is my first commission for a book on the mining disaster.
This image is copyrighted to David Smith; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at daismiff39@hotmail.com for express permission to use any of my photographs.
Tragedy at Six Bells
By David John Withers, Brynmawr
My father worked in the colliery all his life and I sort of followed him into the pit. I went to work in Six Bells Colliery at 17 years of age.
When I first went on the 0.18 coal face as a collier's helper I was introduced to my 'batty' Reggie Poe who showed me the tools we were using and two chalk marks 15 yards apart on the coal face. This was our working place, 15 yards long by 4-foot-6 deep by 5 feet high. I thought 'bloody hell' - it seemed a huge amount of coal to shift.
Although the other coal faces in our district were more modern with hydraulic roof supports, we were still using the older friction posts and linked bars. I've still got the scars where one of the bars came down on me!
We had quite a few problems with gas on the 0.18 coal face and the dust was killing. At times the conveyor would start up and you couldn't see each other until the dust settled down.
As boys we often refused to go onto the face because of the amounts of dust there - being youngsters we stuck together even when the officials threatened to send us home. It wasn't much of a threat as I was only earning about £6 odd!
I had been working about two years when the explosion happened. I was working on the 0.18 face at Six Bells on the 'turning shift' and arrived at the colliery on the bus to see the place in turmoil and heard that an explosion had happened. As the explosion had occurred at our place of work, we offered to go down and help as we knew the place, but the Rescue Brigade had it under control and wouldn't let us go down.
It's hard to say my feelings about it all. We knew there was gas there and they said a spark had set it off. I had mostly enjoyed the colliery up to then. I remember four of the men who died - I used to give them snuff with powdered bark mixed in as a joke - there was a good spirit amongst the men at the pit.
Once the explosion had happened it put me off. I finished and I put my notice in soon after. I was too young to lose my life in the colliery. If I had been working the day shift that week it would have been me. The explosion opened my eyes to the dangers and I went into the construction industry instead - I was always good with my hands. The pit made me grow up.
The deaths of 45 men killed 50 years ago in a colliery explosion have been remembered with a service at the site.
A gas explosion ripped through the Six Bells colliery near Abertillery, Blaenau Gwent at 10.45am on 28 June 1960.
The Archbishop of Canterbury, Dr Rowan Williams, led a service of remembrance at the site.
He also unveiled a memorial to the tragedy, a 20m high sculpture of a miner by Sebastian Boyesen.
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One of the participants at a model call run by Lithuania's leading modeling agency in Vilnius, Lithuania.
On a cold, wet and windy afternoon in downtown Vilnius I took shelter in a hotel only to discover that the first floor mezzanaine was being used by a modeling agency to find new talent. I managed to take a number of portraits before being asked to leave. If you've seen the movie Wedding Crashers, what happened was very similar except at a mdoeling event :p
Beauty is a characteristic of a person, place, object or idea that provides a perceptual experience of pleasure, meaning or satisfaction. As a cultural creation, beauty has been extremely commercialized - something which is what expect she managed to achieve!
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Raphidiophrys es una ameba sol y como todas ellas su cuerpo blando y esférico se extiende desde su mismo centro en unos finísimos tentáculos, axopodios, que son a la vez, manos y pies, redes y trampas con los que flotan, se desplazan, atrapan e inmovilizan a sus presas y las acercan a su interior. Con frecuencia los heliozoos viven entre las algas y plantas acuáticas y se alimentan tanto de los más diminutos microorganismos fotosintéticos como de pequeños protozoos e incluso algunos de los más grandes se atreven con rotíferos y pueden con crustáceos, gigantes entre los minúsculos, como las pulgas de agua.
El cuerpo de todos los heliozoos es una masa viva y blanda de poca consistencia, que se podría extender en el agua dando lugar a mil formas como lo hace el cuerpo de las amebas desnudas y por eso, la mayoría de los heliozoos se visten, casi siempre con trajes de sílice, cada uno a su manera, pero siempre de forma sorprendente, útil y hermosa.
Elegante y hermoso es el vestido de amplios ventanales de cuarzo de Clathrulina elegans en el que los brazos y el cuerpo tienen desahogo para poder moverse libremente.
De burbujas de cristal está fabricado el de la sorprendente y dorada Pompholyxophrys punicea que parece ir en traje de fiesta.
Grandes burbujas de tejido elástico son las que recubren el cuerpo gigante de Actinosphaerium, haciendo de este traje un escudo elástico y ceñido, en el que quedan atrapadas las presas que fueron demasiado curiosas o despistadas y tropezaron con él.
Espinoso y liviano es el ropaje de Acanthocystis que disuade a quien quiera acercarse mucho a él y también espinosos suelen ser los trajes de Raphidiophrys, que a veces cubren los finos brazos abrigándolos en un buen trecho como en Raphidiophrys symmetrica.
El traje con el que se viste hoy Raphidiophrys intermedia es algo distinto y está hecho con una malla de cuarzo formada por varias capas, con él, Raphidiophrys se puede mover con facilidad y sin mucho peligro entre las marañas de selvas de algas por las que discurre su vida.
Este es tan solo un pequeño muestrario de una moda que no caduca y que siempre sorprende por su belleza.
Raphidiophrys intermedia vive en aguas limpias y frescas y procede de un pequeño arroyo situado en las inmediaciones de la ermita del Cristo junto a la población zamorana de Muelas del Pan en las inmediaciones del embalse de Ricobayo.
Con nuestra gratitud para Pilar Gil por la publicación en Qúo, a Antonio Martínez Ron ...y también Paul/
Puedes tener otra infomación en la exposición LA VIDA OCULTA DEL AGUA
Y en este catálogo
También en la galería de Fotolog
Y nuestro granito de arena por la Paz
Photo by Laurie Finch
See the article at www.eriegaynews.com/news/article.php?recordid=201110pride...
Erie Pride Parade & Rally a Great Time!
by Michael Mahler
On Saturday, August 27, about 230 people participated in the Erie Pride Parade & Rally. This year’s Pride events were organized by the Pride Planning committee, which is an informal coalition of groups and individuals.
Parade
About 100 people marched in the parade from the Zone Dance Club to Perry Square. John Daly King was the Grand Marshal for the parade, in a convertible driven by Caitlyn. Also in the parade were beloved local gay icons Jesse and Ricardo, who rode their tandem bike.
Parade units included
Lake Erie Belly Dance
Doctor Who contingent
PFLAG Erie/Crawford County
Erie Gay News
Lake Erie Derby Dames
LBT Women
Latonia Theatre
PFLAG Butler
Erie Sisters
Unitarian Universalist Congregation of Erie
Community United Church
OUT (Pittsburgh newspaper)
There were also many people marching as individuals, as well as a float carrying current and former Miss Eries.
Rally
The rally in Perry Square begins at 2 PM and will include speakers and performers. Please check in at the registration table when you arrive in Perry Square. The rally will include a variety of vendors and information booths.
Speakers and performers included:
Greg Rabb, Openly gay Jamestown City Council President and Councilman at Large
Misty Kall, Miss Erie 2011
Rich McCarty of Equality PA, Greater Erie Alliance for Equality and Community United Church
Chris Wolfe, Erie Idol finalist 2011
Tammie Johnson, 2 term President of ACLU-NWPA
Brian T, singer, also with Pittsburgh Out TV
Jason Landau Goodman, founding Executive Director of the Pennsylvania Student Equality Coalition. The first and only youth-led statewide LGBTQ organization in the nation
Michelle Michaels, Former Miss Erie and Coordinator for FACE Show at Zone
Fiona Hensley, Chair of the Student Network Across Pennsylvania, SNAP, Regional Chair of the Erie-West region for SNAP and President of Queers and Allies at Allegheny College in Meadville, PA.
Diva D’Vyne
Games
The Dunk a Drag Queen game was very popular! We look forward to making this an annual tradition
Donors
Many businesses and organizations gave generously to help support Pride this year. These included
AdultMart
Allegheny College Bookstore
BeautiControl
Blue Heron Inn
Body Language
Chicory Hill Herbs
Coca-Cola/Erie
Country Fair
Craze Night Club
Crime Victim Center of Erie County
Douglas Kolcun
Drenched Fur
Earthshine Company
Eerie Horror Film Festival
emma's revolution
Erie Book Store
Erie County Democratic Party
Erie County Department of Health
Erie Playhouse
Erie Seawolves
Erie Sisters
Erie Spine and Wellness
Family United Counseling
Gaudenzia / SHOUT Outreach
Giant Eagle - Buffalo Road
Glass Growers
Good Health Rejuvenation
Greater Erie Alliance for Equality, Inc.
Hal Leonard Performing Arts Publishing Group
Hollywood Stories
Horomanski's DJ'ing Services
JR's Last Laugh
Kensington Books
La bella
Larese Floral Design
LBT Women
Lion's Den Adult Super Store
MLR Books
Pennsylvania Coaltion to End Homelessness
Pie in the Sky Cafe
Presque Isle Gallery Coffeehouse
Sam's Club
Shakira Nakelle's Mementos, Gifts & More
Silk Screen Unlimited
Smith's Hot Dogs
State Farm Insurance Agent Natalie Braddock
Tanglez Hair and Nail Studio
The Ringbearer
Tops Friendly Markets - W 38th St
Wegman's- Peach St
Wendy's of Erie
Zone Dance Club
Committee Members & Volunteers
Many people from the committee worked hard to make the day enjoyable for everyone! Committee members included
Season
Chris
Preston
Mark H
Erin Moll
Amy
Sue McCabe
Alex
Jeff H
John Daly King
Kerry
In addition to the committee members, volunteers included:
Kevin Schultz
Dok
Johauna
Wanda
Bob H
Eric Rogers
Maria S.
Deb Spilko
Brian
Info Tables & Vendors
Info tables included:
Adagio Health
American Civil Liberties Union (ACLU), NWPA Chapter
Community United Church
Crime Victim Center of Erie County
Equality Pennsylvania
Erie County Democratic Party
Erie County Human Relations Commission
Erie Gay News
Erie Sisters
Lake Erie Derby Dames
LBT Women
Pennsylvania Student Equality Coalition
PFLAG Erie/Crawford County
SafeNet Center
United Way of Erie County
Voices for Independence
Vendors included
BeautiControl
Book Merchant
Christopher's Novelty Gifts
Shakira Nakelle's Mementos, Gifts & More
Collecting Food
We collected 23 pounds of food for the Second Harvest Food Bank of NW PA.
Website
www.fundacion-granell.org/actualidad/index.php
english
Eugenio Fernández Granell (28 November 1912 – 24 October 2001) was an artist often described as the last Spanish Surrealist painter.
Early life in Spain
Born in A Coruña in the autonomous community of Galicia, Eugenio Fernández Granell started out as a political radical and a musician. In 1927 he set up the magazine SIR (Sociedad Infantil Revolucionaria) with his brother Mario, and in 1928 enrolled at the Escuela Superior de Música del Real Conservatorio in Madrid. Among his friends were Maruja Mallo, Joaquín Torres García, Alberto Sánchez and Ricardo Baroja. A member of the POUM (Workers’ Party for Marxist Unification) during the Civil War, he contributed actively to newspapers such as La Nueva Era, La Batalla and El Combatiente Rojo.
In 1939, he went into exile. After arriving in France, he was held in internment camps for several months, but was eventually able to escape to Paris. While in the French capital, he struck up friendships with Benjamin Péret and Wifredo Lam. His affiliation with Trotsky made him the enemy of fascists and Stalinists and steered him towards a life marked by changes of residence. As María Zambrano said, during the first half of the twentieth century, Spain was a “master of dispersal and wastefulness” as it forced many of its most outstanding artists and intellectuals into a painful flight to other countries. Granell was one of those exiles, residing in France, the Dominican Republic, Puerto Rico, Guatemala and New York. In the Dominican Republic, he was in the company of other Spanish exiles, including artists José Vela Zanetti and Josep Gausachs.
The Dominican Republic
When Granell arrived in the Dominican Republic in 1940, he had not yet discovered his talent for painting. Initially he worked as a violinist with the National Symphony Orchestra and a journalist for the newspaper La Nación. In 1941, he began painting in his free time and in 1942 he participated in an exhibit entitled Private Exhibit of Modern Spanish Painters. Granell had his first solo exhibition in 1943, exhibiting 44 Surrealist paintings. This was the first exhibition of Surrealist works held in the country. He had another solo exhibition in 1945 featuring 200 works. In 1946 he exhibited in Puerto Rico and Guatemala. Later that same year, he left the Dominican Republic due to problems that arose when he refused to sign a document supporting the dictator Trujillo.
Guatemala and Puerto Rico
In 1946, Granell left the Dominican Republic for Guatemala. Once there, he became an art professor, and continued his painting and writing. His stay in Guatemala was cut short when the revolution began. He then moved to Puerto Rico, where he became an art history professor.
New York
In 1955, Granell traveled to New York with his friend José Vela Zanetti, a fellow Spanish exile whom he met in the Dominican Republic. Once there, he met and developed a strong friendship with Marcel Duchamp. Between 1957 and 1985 Granell lived mainly on the Upper West Side of Manhattan, New York, and was Professor Emeritus of Spanish Literature at City University of New York (CUNY).
Return to Spain
In 1985 Granell returned to Spain, where he was awarded numerous prizes and recognitions. In 1995 he opened the Fundación Granell in his home town Santiago de Compostela, Galicia, Spain. The only museum in the world entirely devoted to surrealism, it holds some 600 of his paintings along with works by Picabia, Duchamp, Man Ray and Breton. He died in Madrid in 2001.
Granell's work
Although springing from the depths of his subconscious like that of all the surrealists, Granell’s work is influenced by the places where he lived, particularly the exuberance of the Caribbean and the blend of Spanish and native cultures. Surrealism recognises no social function of art other than that of liberating the individual and society from the repression of reason, allowing the creator to express his instincts and dreams. In 1959, André Breton organized an exhibit called The Homage to Surrealism Exhibition to celebrate the Fortieth Anniversary of Surrealism which exhibited works by Salvador Dalí, Joan Miró, Enrique Tábara and Eugenio Granell.
There is absolutely no censorship in Granell’s work. Poetry blossoms, shrouding unrecognisable figures where trees, animals and people merge into hybrid beings that undergo constant metamorphosis. Works where the strong colours are framed insculptural compositions, in human figures on the verge of formal delirium, or in voluptuous compositions that appear to be a microscopic dimension of an unknown world. Playfulness, advocated by the surrealists as an expression of freedom, pervades the whole of this artist’s work. Granell’s dialogue and writing have always ironically mocked solemnity and reason itself. Such are his painting, his sculpture and his readymades: an extremely beautiful elegy to freedom and the purity of feelings.
The major books on Granell and his work, such as monographs and catalogues, are mostly in Spanish or Galician, but they are widely available in libraries throughout the world, including the United States. Granell also published a book of meditations and critical reflections on Picasso's Guernica, and this book is available in English as well as in Spanish and Galician (see "References" section).
Works by Granell are on display in major museums, including the Museum of Modern Art in New York and the Reina Sofía Museum in Madrid.
Português
pt.wikipedia.org/wiki/Eugenio_Granell
Eugenio Granell Fernández (Corunha, Galiza, 28 de novembro de 1912 — 24 de outubro de 2001) foi um artista espanhol, considerado por alguns como o último pintor espanhol surrealista.
Em 1927 ele criou a revista SIR (Sociedad Infantil Revolucionaria), com o seu irmão Mario, e em 1928 foi matriculado na Escola Superior de Música Conservatorio del Real, em Madri. Entre seus amigos estavam Maruja Mallo, Joaquín Torres García, Alberto Sánchez e Ricardo Baroja. Um membro da Poum (Partido dos Trabalhadores para a Unificação Marxista), durante a Guerra Civil, ele contribuiu ativamente para jornais, como La Nueva Era, La Batalla e El Combatiente Rojo.
Em 1939, ele foi exilado na França e posteriormente na República Dominicana. Sua afiliação com Trotsky fez dele o inimigo de fascistas e Stalinistas e orientou-o no sentido de uma vida marcada por mudanças de residência. María Zambrano como disse, durante a primeira metade do século XX, a Espanha era uma "mestra de dispersão e desperdício", uma vez que obrigou muitos de seus mais destacados artistas e intelectuais em um vôo doloroso para outros países. Granell foi um desses exilados desde a mais tenra idade. Esteve na França, República Dominicana,Porto Rico, Guatemala e Nova Iorque. Em 1955, viajou com Granell Zanetti Candle para Nova York e criou uma forte amizade com Marcel Duchamp. Entre 1957 e 1985, viveu principalmente no Upper West Side de Manhattan, Nova Iorque, e foi Professor Emérito de Literatura Espanhola na City University of New York (CUNY).
Em 1995 ele abriu a Fundación Granell na sua cidade de Santiago de Compostela, Galiza, Espanha. O único museu do mundo dedicado inteiramente ao surrealismo, que detém cerca de 600 dos seus quadros, juntamente com obras por Picabia, Duchamp e Man Ray.
A obra de Granell é influenciada pelos lugares onde viveu, em especial a exuberância das Caribe e da mistura de culturas espanholas e culturas nativas. Surrealismo não tem nenhuma função social da arte que não seja a de libertadora do indivíduo e da sociedade face à repressão da razão, permitindo que o criador de expressar o seu instinto e sonhos. Em 1959, André Breton organizou uma exposição denominada A Homenagem ao Surrealismo exposições para celebrar o quadragésimo aniversário do Surrealismo, que exibiu obras de Salvador Dalí, Joan Miró, Enrique Tábara e Eugenio Granell.