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This is an alternate version of this photo of the RBC Dexia tower taken a few seconds later and processed differently. This is a single exposure, not HDR.
Architects: Kohn Pedersen Fox (KPF) Associates Architects and Planners, based in New York; Bregman + Hamann Architects of Toronto; and Sweeny, Sterling, Finlayson & Co. Architects Inc. of Toronto.
This photo appears in a ranking of Best Cities for Design and Modern Architecture at ArchDaily.
22/52 - 52 Weeks for Dogs
Part of my 52 weeks project is to showcase Gyp with landmarks or interesting structures in our city. In this photo Gyp is sitting on a Window ledge about 10" wide, and about 4' off the ground!
This structure is the remaining wall of the orignal hospital in our city. The other hospital structure has now been turned into a gorgeous museum. It also leads to miles of walking trials, which all 3 dogs enjoyed after the photos today.
- - -
The coolest thing happened after this photo, I lifted Gyp down from the ledge, and before I had a chance to call her, she had ran over to a park bench where an elderly lady was enjoying the morning sun, and a cigarette. Gyp hopped right in beside her for a snuggle. I apologized, and the lady was so nice and was more than happy to share the bench with her. I don't think she wanted her to go, she even let me snap some photos of her.
see it on my blog: digit-fetchit-herdit.blogspot.com/
Tell me, what is half so sweet
As a baby's tiny feet,
Pink and dainty as can be,
Like a coral from the sea?
It is morning and she lies
Uttering her happy cries,
While her little hands reach out
For the feet that fly about.
Then I go to her and blow
Laughter out of every toe;
Hold her high and let her place
Tiny footprints on my face.
Little feet that do not know
Where the winding roadways go,
Little feet that never tire,
Feel the stones or trudge the mire,
Still too pink and still too small
To do anything but crawl,
Thinking all their wanderings fair,
Filled with wonders everywhere.
Little feet, so rich with charm,
May you never come to harm.
As I bend and proudly blow
Laughter out of every toe,
This pray, that God above
Shall protect you with His love,
And shall guide those little feet
Safely down life's broader street
~ Edgar Guest
Model: Marie.
Location: Imbibe, Albuquerque, NM. USA
© 2009 2015 Photo by Lloyd Thrap Photography for Halo Media Group
Lloyd-Thrap-Creative-Photography
All works subject to applicable copyright laws. This intellectual property MAY NOT BE DOWNLOADED except by normal viewing process of the browser. The intellectual property may not be copied to another computer, transmitted , published, reproduced, stored, manipulated, projected, or altered in any way, including without limitation any digitization or synthesizing of the images, alone or with any other material, by use of computer or other electronic means or any other method or means now or hereafter known, without the written permission of Lloyd Thrap and payment of a fee or arrangement thereof.
No images are within Public Domain. Use of any image as the basis for another photographic concept or illustration is a violation of copyright.
Hilo de la Fotohistoria en Pullip .es: THAT'S HOW I MET HIM (1 of 2) /
ASÍ LO CONOCÍ (1 de 2)
(Read in this order) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33.
PHOTOSTORY: In English / En Español
Morgana: Comiiiing! Une second!
/
Morgana: Ya vaaaaaa! Un momento!
COLLABORATION:
- Miercole's Morgana Collaboration
- Morgana y Valo en el Foro de Pullips: Pullip .es
SHERYL LINKS:
- Pullip .es: Las Fotohistorias de Sheryl
- Sheryl's Flickr: Photostories 2011 - Sketches 2011 / Photostories 2012 - Sketches 2012
I've been thinking about a Flickr friend of mine, Rob Feuille, who passed away this week after a Herculean bout with cancer. I didn't know Rob well, just through surfing his Flickr account and following his blog, but the tremendous sense of humour with which he led his battle and in turn saw the world, always left me with a sense of how indomitable the human spirit can be. Rob's services were yesterday and I hope he finds gentle passage into that next portal...go well...
If you are interested here are some links to Rob:
www.flickr.com/photos/robfuel/
This image is ladened triply, as it puts me in mind of the different battle my brother Jeff is facing, and in turn those struggles we, his 7 siblings, are encountering...and it was taken the day after I found out that my beloved Chocolate Labrador Seamus had passed away...
I find myself shrouded at once by the weight of the world, yet always searching for that crack of sublime light...it is not easy being human, yet there are always moments of wonder...
Stypandra glauca or "Nodding Blue Lily"
Story
On my way home from work today I decided to stop and investigate a stretch of dry eucalypt forest. After playing with a Lynx Spider I bumped into this jewel amongst the scraggy grass. The flower was about 1.5cm across? Thankyou Briarah for the identification!
Hand-held @ 1/180, f22. No crop.
The Gear
--> Nikon D90
--> Nikon AF 50MM F1.8D lens
--> PK-13 extension tube (so full manual exposure and focusing)
--> Nissin R50A Ring Lite (modified to fit into cokin filter holder - unless someone out there has a 53mm-->52mm step-down ring...)
--> pc-sync cable to hotshoe mounted SB-15 (no batteries, just to fire the ring lite)
There is no great big ending, no sunset in the sky
There is no string ensemble, and she doesn't even cry
And just as I begin to say that we should make another try
She reaches out across the table looks at me and quietly says good-bye
There is no big explosion, no tempest in the tea
The world does not stop turning round, there's no big tragedy
Sitting in a coffee shop with cheesecake and some apple pie
She reaches out across the table looks at me and quietly says good-bye
Good-bye, said so easily, Good-bye, said so quietly
Good-bye, good-bye, good-bye,
just two always strangers avoid each other's eyes
One still make believing, one still telling lies,
she tells me that I'm not to blame
But when I ask the reason why
She reaches out across the table looks at me and quietly says good-bye
Good-bye, said so easily. Good-bye, said so quietly
Good-bye, good-bye, good-bye
She reaches out across the table looks at me and quietly says good-bye
Good-bye (she quietly says) / sung by Frank Sinatra
________________________________________________
|| View On Black || Reflections on a black glass plate. The spiral mobile lies on the glass plate. || Photo - not processed ||
|| I-Ching - Hexagramm - 易經 || "Behind the door" or "Hexagramm" or "易經 ||
________________________________________________
Series: The orderly Chaos
________________________________________________
易經 = Book of Changes
________________________________________________
I Ching and the genetic code -
or how to heal the consciousness of the cell.
[ ... ] It wants to expand it discovered many similarities, which I represent in brief and yet some others.
1. Each genetic codon consists of 3 amino acid pairs.
A hexagram in the I Ching consists of 3 line pairs
The chaos research discovered that there is an order in the chaos. Life
developed after the so-called Period 3
2. A DNA molecule is inter alia of 4 nitrogen bases, the basic building blocks
the entire genetic code form. These are adenine, thymine, guanine
and cytosine.
The I Ching consists of the two polarities of Yin and Yang will be permanently
Change are understood and the changing yin and which
wandelndem yang.
In oriental medicine (acupuncture, acupressure) are the four elements
Metal (yang), earth (yin), fire (the changing yang) and water (the
changing yin), together with the wood element, the basis for the
Energy medicine and all other energetic healing methods.
3. Of the four nitrogen bases form the genetic code 2, a
fixed pair that is connected to 2 different ways.
It connects to adenine with thymine and cytosine with guanine.
Three pairs of genetic information result in a unit, whether or codon
Triplet called. These 3 couples can register for a total of 64 different
Codons or triplets (= units of information) interconnect. This
creates the diversity of human life, but also in animal and
plant life. The diversity of creation is based on these
Nitrogen bases.
When I Ching, there are the broken and the solid line on 4
are different ways to form a solid pair of linked
Three of these pairs form a hexagram. This results in the 64
Hexagrams of the I Ching, each with a wisdom and guidance for the
Life of the enlightened people in different situations.
Include Fire, water, earth, metal: Each of these basic elements is equivalent to 2
Channel pairs, a yin and a yang meridian. The Yin meridians show how
that energy applied to the people, the Yang meridians, as he
responds to the outside.
4. The genetic code is a double helix that we are in a
winding rope ladder can compare. The strands are from a 5
C sugar and phosphates, the rungs of this ladder of the nitrogen bases
the codons formed. This double helix is self-contained, has
is no definable beginning and no definable end. The beginning
and the end of a sequence of information is called off and
Stop codons appear.
The I Ching is also known as the Book of Changes. It describes
processes in human life, it as cyclical, always
recurring cycles recognizes that with the right attitude
and approach is not helpless. Again, there are
Hexagrams, the right of the beginning or the end or change
information of enterprises.
Among the four basic elements are used in Eastern medicine more than 5
Element of the wood element, which stands for vitality, and the
Protection system that allows the 5 elements, their shape and structure
and keep to keep them under different conditions of life, added. Man
they could thus also with the strands of the conductor and the basic elements
compare their shoots. Here too, the working of the life energy meridians
as cyclical, often embedded in a circuit. Those
the treatment and healing with the energy meridians or
Energy points aligned.
Of the hexagrams of the I Ching can be direct connections to the
Elements in Eastern medicine and acupuncture meridians to certain
(= Channel in which life energy flows) produce. [...]
___________________________________________________________________________
I Ging und genetischer Code –
oder wie man das Bewußtsein der Zelle heilen kann.
[…] Dabei entdeckte sie viele verschiedene Gemeinsamkeiten, die ich im Folgenden kurz darstellen und noch um einige andere erweitern möchte.
1. Jedes genetische Codon besteht aus 3 Aminosäure-Paaren.
Ein Hexagramm im I Ging besteht aus 3 Strichpaaren
Die Chaosforschung entdeckte, daß es im Chaos eine Ordnung gibt. Leben
entwickelt sich nach der so genannten Periode 3
2. Ein DNA-Molekül besteht u.a. aus 4 Stickstoffbasen, die die Grundbausteine
des gesamten genetischen Codes bilden. Dies sind Adenin, Thymin, Guanin
und Cytosin.
Das I Ging besteht aus den beiden Polaritäten Yin, und Yang die in ständigem
Wandel begriffen sind und dem sich wandelnden yin und dem sich
wandelndem yang.
In der östlichen Medizin (Akupunktur, Akupressur) bilden die 4 Elemente
Metall (yang), Erde (yin), Feuer (das sich wandelnde yang) und Wasser (das
sich wandelnde yin) zusammen mit dem Holz-Element die Basis für die
Energiemedizin und alle anderen energetischen Heilweisen.
3. Von den vier Stickstoffbasen des genetischen Codes bilden 2 jeweils ein
feststehendes Paar, das auf 2 verschiedene Weisen verbunden ist.
Es verbindet sich Adenin mit Thymin und Guanin mit Cytosin.
Drei Paare ergeben eine genetische Informationseinheit, auch Codon oder
Triplet genannt. Diese 3 Paare können sich zu insgesamt 64 verschiedenen
Codons oder Triplets (= Informationseinheiten) miteinander verbinden. Daraus
entsteht die Vielfalt des menschlichen Lebens, aber auch des tierischen und
pflanzlichen Lebens. Die Vielfalt der Schöpfung basiert auf diesen
Stickstoffbasen.
Beim I Ging gibt es die unterbrochene und die durchgezogene Linie, die auf 4
verschiedene Weisen zu einem festen Paar verknüpft werden
Drei dieser Paare ergeben ein Hexagramm. Dadurch entstehen die 64
Hexagramme des I Ging, die jeweils eine Weisheit und eine Anleitung für die
Lebensweise des erleuchteten Menschen in unterschiedlichen Lebenslagen
beinhalten.
Feuer; Wasser; Erde; Metall: Jedem dieser Grundelemente entsprechen 2
Meridianpaare, ein yin und ein yang Meridian. Die Yin Meridiane zeigen, wie
die jeweilige Energie auf den Menschen einwirkt, die Yang Meridiane, wie er
darauf nach außen reagiert.
4. Der genetische Code bildet eine Doppelhelix, die wir mit einer in sich
gewundenen Strickleiter vergleichen können. Die Stränge werden von einem 5
C Zucker und Phosphaten, die Sprossen dieser Leiter von den Stickstoffbasen
der Codons gebildet. Diese Doppelhelix ist jedoch in sich geschlossen, besitzt
also keinen definierbaren Anfang und kein definierbares Ende. Der Anfang
und das Ende einer Informationssequenz wird durch so genannte Start und
Stop Codons angezeigt.
Das I Ging wird auch als das Buch der Wandlungen bezeichnet. Es beschreibt
die Abläufe im menschlichen Leben, die es als zyklische, immer
wiederkehrende Kreisläufe erkennt, denen man mit der rechten Einstellung
und Herangehensweise nicht hilflos ausgeliefert ist. Auch hier gibt es
Hexagramme, die über den rechten Beginn oder den Abschluss bzw. Wandel
von Unternehmungen informieren.
Zu den 4 Grundelementen kommen in der östlichen Medizin noch als 5.
Element das Holz-Element, das für Lebendigkeit steht, sowie das
Schutzsystem, das den 5 Elementen ermöglicht ihre Form und Struktur zu
bewahren und unter verschiedenen Lebensbedingungen zu halten, hinzu. Man
könnte sie also auch mit den Strängen der Leiter und die Grundelemente mit
ihren Sprossen vergleichen. Auch hier wird das Wirken der Lebensenergiemeridiane
als zyklisch, in einem Kreislauf eingebettet angesehen. Danach ist
auch die Behandlung und Heilung mit den Energiemeridianen oder
Energiepunkten ausgerichtet.
Von den Hexagrammen des I Ging kann man direkte Verbindungen zu den
Elementen in der östlichen Medizin und damit zu bestimmten Akupunkturmeridianen
(= Bahnen in denen unsere Lebensenergie fließt) herstellen. […]
________________________________________________
Source: I Ching and the genetic Code
VIEW MY WEB SITE AND ONLINE SHOP HERE
The inspiration i believe for Lord of The Rings Forest of Fangorn.
here is its famous history !!!
Got Martin Smith of WFC to thank for this place as i arrived the sun burst through the heavy leaved canopy above "Bingo " i thought then it rained and amazing place !!!! Worth the £5 entry fee and i gotta go back soon once the ferns have grown a bit more and wild garlic plants .
Martin the sat nav worked well to finding this place .
Here is my first published work even though i did it as a freebie its great seeing your work on a web site !
www.thewhitehartvillageinn.com/index.html
Here is the flickr set
MERRY CHRISTMAS EVERYONE! :D
i hope you guys are having a fun and safe holiday, and that its filled with joy! and i hope you guys got what you wanted from santa;D
guesswhatigotanewcamera!:D
a canon powershot sx130 IS!
soooo,
it most definately needs a name.
i was thinking maybe terence:3
anyone have any suggestions? :D
sorry this isnt very photography-ish, i wanted to show you guys TERENCE:D
ive been experimenting with it for the past couple hours, and i gotta say im in loooove. <3
andddd, im starting to use a watermark now since im getting paranoid about people stealing my photos :\
please excuse that i was wearing my pajamas when i took this x)
have an amazing rest of the day! merry christmas everyone!!! <3
EXPLORED. uhmm kinda weird, but THANK YOU:D <3 heehe im flattered :')
[dropped]
-
if you join ill love you forever:D
Happiness.Is.You. / © All rights reserved
For the half-marathon (21.1 km) results, here are the local (Ottawa & area) participants -- sorted by cities and first name -- in the September 18, 2011, Canada Army Run held in Ottawa, Ontario. There were 6,397 runners in the 21.1 km race, an increase of about 900 runners compared to 2010.
Click here and enter the bib numbers (see below) for the full individual race results. Thank-you to Sportstats.
* Also, click here for race photos by Brightroom™, Inc.
.
Lists of local half-marathon race participants:
Part A. Ottawa, A-L (Click here.)
Part B. Ottawa, M-Z (Click here.)
Part C. Other Communities (Alexandria to Magog) (Click here.)
Part D. Other Communities (Maitland to Woodlawn) (see below)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Part D. (bib no., name, Maitland - Woodlawn)
3710….Dawn Kennedy….Maitland
5778….Penny Duffy….Maitland
974….Scott Clucas….Maitland
1622….Carrie Allan….Mallorytown
2769….Nicholas Thompson….Mallorytown
2905….Randy Frith….Mallorytown
1455….Andre Houde….Manotick
162….Brad Ysseldyk….Manotick
6642….Cat Oakley….Manotick
627….Dennis Blinn….Manotick
4075….Donna Bekkers-Boyd….Manotick
5378….Donna Johnston….Manotick
5390….Elisa Kurylowicz….Manotick
1933….Emily Donaldson….Manotick
6781….Fiona Valliere….Manotick
192….Fred Hasle….Manotick
2073….Guy Beaudoin….Manotick
2351….Karen Donaldson….Manotick
2349….Karen Peck….Manotick
7070….Marie Norris….Manotick
751….Mark Seaman….Manotick
2591….Martin Brochu….Manotick
3153….Susan Ibach….Manotick
3981….Colleen Macdonald….Martintown
813….Heather Purdy….Martintown
6555….Alysun Lillico….Masham
6865….Jennifer Selwyn….Masham
5135….Pierre Sauv….Masham
2278….John Hetherington….Mcdonald's Corners
2259….Jodi Brennan….Merrickville
2427….Krista Jensen….Merrickville
3837….Barb Beiersdorfer….Metcalfe
6691….Craig Killin….Metcalfe
6741….Diane Coupal….Metcalfe
6782….Fran Gaudet….Metcalfe
4955….Kazimierz Krzyzanowski….Metcalfe
714….Peter Klein….Metcalfe
136….Scott Robertson….Metcalfe
4765….Silver Buckler….Metcalfe
4824….Tamara Williams….Metcalfe
5916….Timothy Wyman….Metcalfe
3606….Doug Wilson….Morrisburg
2113….Isabella Jordan….Morrisburg
826….Kasey Bennett….Morrisburg
4723….Sarah Myers….Morrisburg
1324….Shari Keyes….Morrisburg
5059….Adam Sulis….Mountain
125….Raymond Sherrer….Mountain
6535….Ada Gorrie….Munster
6394….Norman Watt….Munster
490….Warren Hulme….Munster
6064….Angela Walsh….Navan
3579….Carole Charlebois….Navan
5479….Jean-Charles Renaud….Navan
533….Jo Lle Levac….Navan
6954….Kathy Goff….Navan
4395….Kendra Barton….Navan
5595….Krista Corneil….Navan
2634….Maureen Edwards….Navan
2720….Mike Rozon….Navan
3135….Steve Call….Navan
3255….Vicki Rozon….Navan
6070….Aaron Doering….Nepean
6071….Abrinna Doering….Nepean
6545….Alexei Pogrebtsov….Nepean
5196….Alison Canavan….Nepean
6559….Amy Fan….Nepean
3455….Andrea Charron….Nepean
696….Andrew Johnston….Nepean
7394….Bernadette Bernard….Nepean
7444….Beverly Fortier….Nepean
6148….Camellia Asbreuk….Nepean
7449….Cameron Palmer….Nepean
1604….Cameron Passmore….Nepean
74….Carly Teckles….Nepean
3543….Caroline Bachynski….Nepean
3557….Carolyn Perkins….Nepean
6157….Catherine Martens….Nepean
611….Chantelle Woods….Nepean
5299….Chelsey Garde….Nepean
1648….Cheryl Laite-Whitman….Nepean
900….Chris Fitzgerald….Nepean
5305….Chris Loschmann….Nepean
3938….Chris Raymond….Nepean
6674….Christopher Hill….Nepean
1313….Claudio Sicoli….Nepean
6681….Colleen Bird….Nepean
5106….Corrina Morehouse….Nepean
1742….Craig Lynch….Nepean
1750….Csaba Tarro….Nepean
3381….Cynthia Field-Rose….Nepean
1760….Dan Atwood….Nepean
5983….Dan Lacasse….Nepean
6181….Dan Whitman….Nepean
841….Darryl Sitland….Nepean
5349….Dave Spence….Nepean
1833….David Daze….Nepean
1824….David Harvie….Nepean
6718….David Reid….Nepean
4029….David Summerbell….Nepean
1849….Denis Therrien….Nepean
6742….Diane Ferguson….Nepean
1865….Diane Mensah….Nepean
6752….Donna Mckibbon….Nepean
6754….Doug Simpson….Nepean
5388….Elaine Robertson….Nepean
6208….Elizabeth Keighley….Nepean
4102….Ellen Dickson….Nepean
4950….Erik Youngson….Nepean
959….Face Wallace….Nepean
6086….Fallon Carrier….Nepean
4132….Francine Lapointe….Nepean
82….Gary Guymer….Nepean
1008….Gary Miles….Nepean
3367….Gary Thomas….Nepean
3485….George Heron….Nepean
5006….Gerry Blathwayt….Nepean
505….Gerry Lanigan….Nepean
5432….Gloria Schwartz….Nepean
2058….Greg Billyard….Nepean
4174….Heather Miller….Nepean
4176….Helen Jazzar….Nepean
2091….Henry Hum….Nepean
3655….Hieu Nguyen….Nepean
4183….Ian Taylor….Nepean
7497….Isabelle Gendron….Nepean
6829….Jack Kwan….Nepean
4199….Jaleel Moidu….Nepean
2143….Jamie Macdonald….Nepean
2158….Janice Janczyn….Nepean
3406….Janice Richard….Nepean
6844….Jason Feist….Nepean
4239….Jeff Pakeman….Nepean
2215….Jeff Slavin….Nepean
5494….Jennifer Ann Sweet….Nepean
3460….Jennifer Mcdonell….Nepean
4266….Jennifer Wills….Nepean
4952….Jennilee Gavina….Nepean
6077….Joanne Doucet….Nepean
6062….Jo-Anne Janigan….Nepean
2263….Joe Tegano….Nepean
4307….John Farrell….Nepean
5517….John Gardam….Nepean
1216….John Hall….Nepean
4315….John Neima….Nepean
4327….Jordan Harju….Nepean
877….Joseph Emas….Nepean
6009….Judy Tubman-Reid….Nepean
6287….Julia Coe….Nepean
6917….Juliane Hua….Nepean
7513….Julie Brunette-Guay….Nepean
6927….Julie White….Nepean
2343….Kanako Inuyama….Nepean
5552….Karen Beutel….Nepean
4354….Karen Mullen….Nepean
5560….Karin Hay….Nepean
5079….Karleen Heer….Nepean
6507….Katherine Wadge….Nepean
6952….Kathryn Hill….Nepean
6957….Katie Squires….Nepean
4389….Kelly Bell….Nepean
5058….Kelly Macgregor….Nepean
5579….Kelly Miersma….Nepean
7517….Kendra Pammett….Nepean
6310….Kenneth Hennessey….Nepean
16252….Kevin Helleman….Nepean
2431….Kristel Gauthier….Nepean
5600….Kudzayi Dondo….Nepean
5604….Laura Bogaert….Nepean
7004….Laura Clark….Nepean
1256….Laura Mclellan….Nepean
943….Leslie Doering….Nepean
1363….Lillian Hayward….Nepean
3465….Linda Billyard….Nepean
5155….Linda Koenders….Nepean
6337….Lisa Marie Bambrick….Nepean
7651….Louise Beasley….Nepean
234….Marc Rancourt….Nepean
6351….Margaret-Ann Kellett….Nepean
7066….Maria Marcantonio….Nepean
2540….Marie Noreau….Nepean
5679….Mark White….Nepean
823….Martin Jobin….Nepean
5685….Mary Gardam….Nepean
2616….Matt Peake….Nepean
2626….Matthew Henry….Nepean
2625….Matthew Mcclare….Nepean
3720….Maureen Corrigan….Nepean
2635….Maurenia Bunny Lynds….Nepean
2648….Melanie Nason-Green….Nepean
775….Melanie White….Nepean
4558….Michael Aranoff….Nepean
2677….Michael Mitchell….Nepean
2718….Mike Daniel….Nepean
1025….Mike Horne….Nepean
4575….Mike Jazzar….Nepean
2721….Mike Maclean….Nepean
5085….Miranda Dulmage….Nepean
6386….Mirna Ramirez-Hennessey….Nepean
1004….Monika Morrison….Nepean
5745….Ngoni Dondo….Nepean
2770….Nick Titcombe….Nepean
7564….Nina Marello….Nepean
4617….Ning Huang….Nepean
7567….Pat Charman….Nepean
583….Patrick Murnaghan….Nepean
2803….Patrick Owens….Nepean
5768….Patrick Walsh….Nepean
7181….Patti-Lynn Dougan….Nepean
7182….Paul Bush….Nepean
5775….Pauline St-Pierre….Nepean
4648….Pete Veurtjes….Nepean
7191….Peter Bayne….Nepean
2864….Peter Foley….Nepean
2860….Peter Page….Nepean
2896….Rachael Ingham….Nepean
2897….Rachel Ettinger….Nepean
6042….Renee Leahy….Nepean
5803….Rhonda Scharf….Nepean
7217….Richard Thomas….Nepean
2935….Rita Petrocco….Nepean
2967….Rob Gauthier….Nepean
277….Rob Muir….Nepean
5049….Roslyn Dacey….Nepean
3001….Russ Mullen….Nepean
3007….Ryan Charbonneau….Nepean
704….Ryan Ellement….Nepean
7235….Ryan Holmes….Nepean
7236….Ryan Squires….Nepean
3018….Samuel Galante….Nepean
3034….Sarah Jayne Blair….Nepean
4726….Sarah Matthews….Nepean
6520….Shakila Khan….Nepean
3509….Shannon Matheson….Nepean
7674….Sharon Karidis….Nepean
6438….Shaun Burridge….Nepean
4749….Shaun Hassanali….Nepean
3074….Shawn Delay….Nepean
6081….Shelley Doering….Nepean
1268….Sheyla Dussault….Nepean
7296….Stephanie Dunne….Nepean
4798….Stephen Fryer….Nepean
5889….Stephen Lee….Nepean
3154….Susan Ross….Nepean
3169….Tamara Evers-Tate….Nepean
4996….Tania Falls….Nepean
6095….Tannia Shamas….Nepean
4827….Tanya Mykytyshyn….Nepean
7610….Terry Guay….Nepean
3191….Tiffanie Tri….Nepean
1272….Tim Sandwell….Nepean
7343….Tina Ryan….Nepean
925….Tony Blake….Nepean
5921….Tracey Aker….Nepean
7355….Tracy Murray….Nepean
4868….Tuan Nguyen….Nepean
6475….Tyson Mcwha….Nepean
7361….Vance White….Nepean
7614….Wayne Charman….Nepean
3281….Wesley Kotala….Nepean
4044….Debra Hughes….North Gower
6202….Donna Duffett….North Gower
4972….Joanne Mcfall Smith….North Gower
5568….Kathleen Kerr….North Gower
6962….Keith Colwell….North Gower
7523….Linda Stewart….North Gower
861….Natalie Smith….North Gower
6444….Sherry Camm….North Gower
3686….Adam Menzies….Orleans
6539….Alain Brule….Orleans
5183….Alan Howard….Orleans
150….Alan-John Sigouin….Orleans
3757….Alexander Templeton….Orleans
6543….Alexandra Gaudes….Orleans
1260….Alfred Jacque….Orleans
5194….Alice Debroy….Orleans
3770….Allen Cameron….Orleans
1462….Andr Normandin….Orleans
1463….Andrea Kinack….Orleans
1486….Andrew Duggan….Orleans
6567….Andrew Rose….Orleans
3811….Angie Ermel….Orleans
3380….Anita Taylor….Orleans
3394….Anke Berndt….Orleans
5043….Anne Mccarthy….Orleans
1506….Annie Lefebvre….Orleans
6597….Barry Lightowlers….Orleans
718….Benoit Lecuyer….Orleans
1535….Benoit Lefebvre….Orleans
5249….Bob Barker….Orleans
688….Brent Kelly….Orleans
796….Brent Smyth….Orleans
3416….Brian Wiens….Orleans
1592….Bruce Barteaux….Orleans
6626….Camille Poirier….Orleans
764….Carmen Saumure….Orleans
1614….Carole Gagnon….Orleans
6636….Carole Gaudes….Orleans
6006….Casey Martin….Orleans
1626….Catherine Goulet….Orleans
3912….Cedric Aspirault….Orleans
7452….Chantale Raby….Orleans
3457….Charles Momy….Orleans
1643….Charles Reddick….Orleans
721….Charles Sincennes….Orleans
3672….Chris Morrison….Orleans
3956….Christina Walker….Orleans
5319….Christine Baird….Orleans
5316….Christine Langeder….Orleans
3959….Christine Nault….Orleans
1685….Christine Piche….Orleans
1702….Christopher Hannah….Orleans
3969….Christopher Shelley….Orleans
1723….Coco Comtois….Orleans
3647….Colleen Boicey….Orleans
1733….Connie Copeland….Orleans
3475….Cynthia Taylor….Orleans
7464….D Michelle Watters….Orleans
7632….Daniel Gagnon….Orleans
3577….Daniel Morency….Orleans
1778….Daniel Thompson….Orleans
5342….Danielle Dunleavy….Orleans
5116….Danielle Poisson….Orleans
429….Dave Harding….Orleans
4017….Dave Lowe….Orleans
1807….Dave Trumpower….Orleans
1810….David Benay….Orleans
645….David Cameron….Orleans
686….David Leeder….Orleans
733….David Tischhauser….Orleans
6720….David Young….Orleans
3484….Deborah Baldwin….Orleans
4053….Dennis Lloyd….Orleans
4057….Diana Mactier….Orleans
6743….Diane Gauthier….Orleans
3519….Diane Levesque….Orleans
1871….Dominic Lessard….Orleans
5376….Dominique Bedard….Orleans
963….Don Lavictoire….Orleans
5385….Duran Felix….Orleans
6758….Eann Hodges….Orleans
6759….Edith Chartrand….Orleans
4109….Eric Carriere….Orleans
5121….Eric Christensen….Orleans
5404….Eric Jules Chiasson….Orleans
5410….Erin Marissen….Orleans
3372….Ernie Yip….Orleans
4125….Faye Magne….Orleans
6218….Francois Trudel….Orleans
6787….Frank Barrett….Orleans
6788….Fred Saikaly….Orleans
193….Fred Whichelo….Orleans
5421….Garrett Thoms….Orleans
6224….Gary Housch….Orleans
4149….Genevieve Laferriere….Orleans
2027….Gilles Beauchesne….Orleans
6228….Ginette Jolin….Orleans
6067….Glenda Davies….Orleans
2057….Greg Beliveau….Orleans
6234….Heather Mcintosh….Orleans
2089….Helene Fortier….Orleans
200….Henrick Lafleche….Orleans
1247….Hinesh Chauhan….Orleans
4186….Irene Roy….Orleans
5450….Iris Felix….Orleans
2139….James Carere….Orleans
1019….James Waite….Orleans
748….Jean Lavictoire….Orleans
4226….Jean Magne….Orleans
2190….Jean-Denis Caron….Orleans
6254….Jean-Marc Vinette….Orleans
7406….Jean-Noel Gilbert….Orleans
613….Jean-Pierre Contant….Orleans
94….Jeff Danforth….Orleans
7413….Jennifer Caldbick….Orleans
3733….Jennifer Chauhan….Orleans
938….Jennifer Schenkel….Orleans
7642….Jennifer Schmidt….Orleans
4259….Jennifer Van Meer….Orleans
4284….Jim Paquette….Orleans
4291….Jim Turner….Orleans
6883….Jo Nuttall….Orleans
5165….Joanne Henry….Orleans
6894….Jo-Anne Matheson….Orleans
6278….John Harper….Orleans
2283….John Madower….Orleans
4308….John Tennant….Orleans
2300….Jonathan Cyr….Orleans
224….Jonathan Favre….Orleans
4322….Jonathan Theriault….Orleans
4326….Jordan Devine….Orleans
5525….Jordan Thoms….Orleans
5528….Josee Deleseleuc….Orleans
6909….Josee Pothier….Orleans
3614….Judy Thomson….Orleans
5542….Julie Albert….Orleans
2340….Justin Kyle Evan Orr….Orleans
6936….Karen Minna….Orleans
3342….Katherine Cummins….Orleans
723….Kathleen Danforth….Orleans
3464….Kathy Wiens….Orleans
4376….Katrina Tusikov….Orleans
4391….Kelly Hudson….Orleans
228….Ken Lindsay….Orleans
720….Kevin Beaudette….Orleans
615….Kevin Piccott….Orleans
2404….Kevin Smallshaw….Orleans
3567….Kristina Perrier….Orleans
5599….Krystle Hedderson….Orleans
6317….Lance Valcour….Orleans
7009….Laura Regnier….Orleans
2450….Leah Reinberger….Orleans
7381….Linda Leblanc….Orleans
2465….Lindsay Gwyer….Orleans
5624….Line Paquette….Orleans
3391….Lissa Allaire….Orleans
6338….Liz Benoit….Orleans
7041….Lois Simms-Baldwin….Orleans
2485….Louise Hamelin….Orleans
4467….Louise Soloski….Orleans
3398….Lucie Mainguy….Orleans
819….Lyne Orser….Orleans
724….Lynn Galarneau….Orleans
2503….Lynn Lowe….Orleans
5702….M Lanie Mertens….Orleans
4478….Magda Lebouthillier….Orleans
783….Malcolm Parsons….Orleans
6349….Marc Vunak….Orleans
3588….Marc-Andre Blanke….Orleans
2547….Marie-France Senecal….Orleans
6355….Marie-Helene Gagnon….Orleans
1300….Marie-Josee Homsy….Orleans
1157….Marie-Josee Legault….Orleans
1203….Marieve Lavigne….Orleans
2573….Mark Curtis….Orleans
1085….Marshall Clark….Orleans
2583….Martha Rangel….Orleans
2609….Mat Valcour….Orleans
2628….Matthew Gaudet….Orleans
2624….Matthew Upton….Orleans
2622….Matthew Walthert….Orleans
631….Max Lebreton….Orleans
977….Melanie Trumpower….Orleans
7115….Michael Brown….Orleans
2680….Michael Pambrun….Orleans
5717….Michel Pearson….Orleans
5099….Michelle Cote….Orleans
7131….Michelle Momy….Orleans
1347….Michelle Ward….Orleans
2733….Mike Mccormick….Orleans
5145….Miranda Guiney….Orleans
835….Moira Carriere….Orleans
7665….Nadine Paradis….Orleans
3496….Nadine Tischhauser….Orleans
3674….Nancy Camacho….Orleans
7149….Nancy Neilson….Orleans
4592….Nancy Perron….Orleans
3403….Nancy Roberge….Orleans
7161….Nathalie Gougeon….Orleans
7163….Nathan Lightowlers….Orleans
2776….Nicole Gagnon….Orleans
3578….Patricia Mallouk….Orleans
2808….Patrick Flanagan….Orleans
657….Paul Holmes….Orleans
991….Paul Menard….Orleans
2823….Paul Smith….Orleans
2845….Paul Stewart….Orleans
706….Peter Belair….Orleans
2863….Peter Mclaughlin….Orleans
2866….Phil Cousineau….Orleans
2894….Prasanth Tella….Orleans
7198….Priya Chopra….Orleans
7201….Rachel Taylor….Orleans
4666….Raine Kampman….Orleans
2900….Raleigh Young….Orleans
1164….Ralph Hodgins….Orleans
2907….Ray Dupuis….Orleans
919….Richard Loewen….Orleans
2930….Richard Raymond….Orleans
2986….Robert Glen Stanley….Orleans
655….Robert Sauve….Orleans
2981….Robert Simard….Orleans
4698….Rory Mcintosh….Orleans
3439….Russ Kajganich….Orleans
981….Russ Stewart….Orleans
5154….Sandra Cook….Orleans
1204….Sandra Craig-Browne….Orleans
1228….Sandy Clark….Orleans
3688….Sandy Moger….Orleans
7253….Scot Bryant….Orleans
625….Serge Arseneault….Orleans
812….Shawnda Parsons….Orleans
872….Shayne Chamberlain….Orleans
3076….Shelagh Haynes….Orleans
7675….Sheri Vermette….Orleans
5873….Solange Berube….Orleans
4795….St Phanie Seguin….Orleans
1190….Stacey Grenier….Orleans
769….Stan Baldwin….Orleans
3102….Stephan Lemaire….Orleans
112….Stephane Montpetit….Orleans
7295….Stephanie Ducharme….Orleans
296….Stephen Lowe….Orleans
3124….Stephenie Cadieux….Orleans
4802….Steve Greenwood….Orleans
1281….Steve Lamontagne….Orleans
5961….Steven Lemay….Orleans
4814….Susan Cadieux….Orleans
6453….Susan Harper….Orleans
5034….Susan Poisson….Orleans
525….Suzanne Parent….Orleans
3498….Tanja Scharf….Orleans
1039….Tara Redmond….Orleans
3677….Teresa Janz….Orleans
624….Terry Brown….Orleans
1151….Terry Flynn….Orleans
7336….Theresa Momy….Orleans
5914….Tim Caines….Orleans
3212….Todd Reinberger….Orleans
5138….Todd Sloan….Orleans
3219….Tom Stocco….Orleans
7352….Tony Paoletti….Orleans
4859….Trevor Comeau….Orleans
7679….Trevor Gillis….Orleans
3241….Trevor Kirkland….Orleans
3243….Troy Therien….Orleans
4878….Vanessa Dunleavy….Orleans
5931….Vassil Andreev….Orleans
3256….Victor Manuel Padilla….Orleans
5941….Vivian Andreeva….Orleans
4994….Vivianne Gaudet….Orleans
3266….Walter Friesen….Orleans
3265….Walter Robinson….Orleans
7371….William Baldwin….Orleans
1275….Yvon Gagnier….Orleans
1532….Ben Moores….Osgoode
6151….Carla Richer….Osgoode
5118….Denise Hudson….Osgoode
4208….Jane Foster….Osgoode
4355….Karen Moores….Osgoode
6980….Kevin Wylie….Osgoode
4408….Kimberly Lavoie….Osgoode
7145….Nancy Bleses….Osgoode
1671….Christian Hackbusch….Oxford Mills
4340….Julie Shephard….Oxford Mills
5553….Karen Lever….Oxford Mills
4404….Kim Field….Oxford Mills
4434….Leia Richards….Oxford Mills
2909….Raymond Richards….Oxford Mills
3497….Shaun Dunne….Oxford Mills
1561….Brenda Duhaime….Pakenham
1809….Davey Mohan….Pakenham
7492….Helen Blair….Pakenham
2177….Jason Duhaime….Pakenham
5195….Alison Bear….Pembroke
5244….Bev Kidd….Pembroke
1549….Bojan Joksimovic….Pembroke
1633….Cathy Kyte….Pembroke
5326….Claude Tessier….Pembroke
368….Cory Gaudet….Pembroke
1802….Dave Leblanc….Pembroke
4031….David Coker….Pembroke
6198….Dominic Chenard….Pembroke
5380….Donna Biggs….Pembroke
1919….Elisabelle St-Hilaire….Pembroke
1922….Elizabeth Radley-Walters….Pembroke
5414….France Guy-Tessier….Pembroke
6794….Garry Hartlin….Pembroke
2002….Garry Smith….Pembroke
4157….Gilles Perreault….Pembroke
201….Henry Searle….Pembroke
2107….Ian Schoonbaert….Pembroke
4204….Jamie Coe….Pembroke
2159….Janice Clouthier….Pembroke
2169….Jason Vallis….Pembroke
1250….Jenna Woito….Pembroke
6869….Jennifer Tu….Pembroke
1383….Jessica Edmonds….Pembroke
4283….Jillian Marquardt….Pembroke
5147….John Menzies….Pembroke
2304….Jonathan Therrien….Pembroke
5539….Julie Smith….Pembroke
6297….Kathy Kennedy….Pembroke
2408….Kevin Colwill….Pembroke
4403….Kim Drake….Pembroke
6313….Kimberlee Chenard….Pembroke
2430….Krista Johnson….Pembroke
1221….Leanne Van Bavel….Pembroke
423….Luc Fleurant….Pembroke
4494….Marie-Christine Bois….Pembroke
2571….Mark Panfili….Pembroke
2604….Maryann Hebner….Pembroke
5691….Matt Haycock….Pembroke
5697….Meghan Pattinson….Pembroke
2645….Melanie Perreault….Pembroke
2653….Melissa Mantifel….Pembroke
2755….Nancy Dubois….Pembroke
5731….Nancy Neville….Pembroke
7162….Nathan Andre….Pembroke
4624….Pamela Sampson….Pembroke
2809….Patrick Tighe….Pembroke
1265….Rae Ann Woito….Pembroke
370….Robert Mckay….Pembroke
7230….Rocky Peplinski….Pembroke
3011….Ryan Wade….Pembroke
4708….Sabine Mersmann….Pembroke
5846….Sarah Trautrim….Pembroke
4747….Sharon Singleton….Pembroke
3075….Sheila Ryan….Pembroke
4826….Tammy Blackmore….Pembroke
7325….Tammy Peplinski….Pembroke
3228….Tracy Lyle….Pembroke
4863….Tricia Robinson….Pembroke
5927….Tyler Follett….Pembroke
7363….Vay Tu….Pembroke
5222….Andrew Hanlon….Perth
5257….Brenda Kirkwood….Perth
4177….Hilary Mcnamee….Perth
5572….Kathy Litalien….Perth
4390….Kelly Cormier….Perth
7598….Kim Spence….Perth
7545….Melba Mooney….Perth
4661….R Martin….Perth
5808….Rita Jackson….Perth
772….Sue Matte….Perth
144….Aaron Luhning….Petawawa
3742….Aaron Prosper….Petawawa
1396….Adam Davis….Petawawa
5199….Ally Duncan….Petawawa
3780….Amanda Dalton….Petawawa
367….Andrew Chan….Petawawa
873….Andrew Charchuk….Petawawa
1476….Andrew Slate….Petawawa
3320….Angela Wintonyk….Petawawa
1514….Ariel Fox….Petawawa
7442….Ashley Harrison….Petawawa
1528….Barry Malboeuf….Petawawa
3844….Becky Whelan….Petawawa
1533….Ben Irvine….Petawawa
3855….Blair Bolivar….Petawawa
595….Brodie Doyle….Petawawa
3873….Brooke Wallace….Petawawa
1593….Bruce Bell….Petawawa
6146….Bryan Willox….Petawawa
6655….Charmaine Chubb….Petawawa
1662….Chris Middleton….Petawawa
797….Christine Mackechnie….Petawawa
3973….Cindy Hamel….Petawawa
1720….Clement Paradis….Petawawa
1744….Craig Higgins….Petawawa
6523….Dana Beattie….Petawawa
1770….Danick Tremblay….Petawawa
5339….Daniel Brissette….Petawawa
883….Darryl Cathcart….Petawawa
914….Dave Trainor….Petawawa
4026….David Beatty….Petawawa
1241….David Grebstad….Petawawa
350….David Wilson….Petawawa
5368….Denis Tasse….Petawawa
573….Dennene Huntley….Petawawa
1856….Derek Church….Petawawa
1900….Dustin Newman….Petawawa
5400….Eric Brisebois….Petawawa
5405….Erika Sykora….Petawawa
1956….Errol Kokbas….Petawawa
369….Eve Boyce….Petawawa
6216….Fedora Lombardo….Petawawa
1994….Frederic Jacques Riva….Petawawa
28….George Mintah….Petawawa
7638….Greg Beattie….Petawawa
363….Heather Reibin….Petawawa
5444….Iain Clark….Petawawa
2115….Isabelle Colwell-Plasse….Petawawa
6828….Jack Durnford….Petawawa
6243….Jacqualine Black….Petawawa
2126….James Leslie….Petawawa
3560….Jaret Held….Petawawa
6849….Jeanette Carter….Petawawa
210….Jean-Philippe Carbonneau….Petawawa
4245….Jeffrey Code….Petawawa
6864….Jennifer Robinson….Petawawa
2235….Jeremie Saumure-Kyer….Petawawa
2248….Jessica Mcrobbie….Petawawa
4286….Jim Vienneau….Petawawa
5507….Joann Tyrie….Petawawa
4297….Joanne Mallet….Petawawa
1253….Joe Milligan….Petawawa
2295….John Lougheed….Petawawa
364….John Michael Natynczyk….Petawawa
138….Jonathan Barteaux….Petawawa
4328….Joseph Ring….Petawawa
2316….Joshua Wintonyk….Petawawa
6289….Julie Smith….Petawawa
2342….Kaitlyn Chute….Petawawa
6291….Kara Lang….Petawawa
6964….Kelley Massicotte….Petawawa
6307….Kelly Brissette….Petawawa
2385….Kelsey Robertson….Petawawa
5582….Kendra Johnsen….Petawawa
2400….Kevin Donak….Petawawa
2402….Kevin Martel….Petawawa
2423….Kori Klein….Petawawa
7006….Laura Gauley….Petawawa
4977….Leah Macarthur….Petawawa
7028….Lindi Andrews….Petawawa
2462….Lindsay Miller….Petawawa
6336….Lisa Ouellette….Petawawa
2535….Maria Wiseman….Petawawa
4531….Matthew Clarke….Petawawa
2644….Melanie Gravel….Petawawa
4547….Melissa Vienneau….Petawawa
3437….Melissa Walcott….Petawawa
5712….Michael Burgess….Petawawa
2658….Michael Miller….Petawawa
2674….Michael Norquay….Petawawa
2693….Micheal Laplante….Petawawa
2708….Michelle Armitage….Petawawa
5720….Michelle Brisebois….Petawawa
7133….Mike Gauley….Petawawa
2724….Mike Plaunt….Petawawa
7553….Monica Hewitt….Petawawa
424….Nancy Brown….Petawawa
736….Neil Wooden….Petawawa
2775….Nicolas Pilon….Petawawa
921….Nicole Mctimoney….Petawawa
6400….Patricia Beh….Petawawa
2817….Patrik Schiess….Petawawa
34121….Paulette Vass….Petawawa
2869….Phil Colwell-Plasse….Petawawa
267….Randall Binnie….Petawawa
7574….Ray Smith….Petawawa
7209….Rebecca Lynde….Petawawa
4677….Richard Tarrant….Petawawa
365….Robin French….Petawawa
3017….Samantha Moreau….Petawawa
7238….Samantha Ryder….Petawawa
5839….Sandra Faught….Petawawa
4730….Sarah Beare….Petawawa
3047….Sean Trenholm….Petawawa
4971….Selena Neily….Petawawa
6435….Serge Decoeur….Petawawa
4737….Sergio Tomasi….Petawawa
7591….Shannon Clark….Petawawa
3077….Sheldon Rice….Petawawa
3085….Shona Humphrey….Petawawa
3321….Stephanie Abdon….Petawawa
5021….Steve Tasnadi….Petawawa
16265….Stuart Hartnell….Petawawa
3158….Suzanne Leclerc….Petawawa
3179….Taryn Johal….Petawawa
16258….Thomas Demandt….Petawawa
5913….Tiffeny Holdom….Petawawa
1273….Tracey Whitman….Petawawa
5020….Tracy Gorman….Petawawa
798….Trevor Brennan….Petawawa
5001….Vickie Ouellette….Petawawa
5950….William Ingrey….Petawawa
7374….Ysabel Poirier….Petawawa
7376….Yvonne Andrews….Petawawa
1193….Debbie Elie….Plantagenet
1978….Francois Barbarie….Plantagenet
7577….Robert Lapointe….Plantagenet
1128….S Bastien Elie….Plantagenet
7384….Tony Larabie….Plantagenet
6585….Anouk Arbour….Pontiac
1557….Bradley Sloan….Prescott
3961….Christine Houston….Prescott
6167….Christine Sloan….Prescott
1138….Claudine Dirksen-Fenard….Prescott
4059….Diana Lee Deschamps….Prescott
6256….Jennifer Murdock….Prescott
4342….Julie Rogers….Prescott
5594….Krista Salmon….Prescott
1318….Mark Dirksen….Prescott
7516….Katherine Armitage….Quyon
5737….Nathalie Gervais….Quyon
3818….Anna Daber….Renfrew
5297….Charlene Nolan….Renfrew
4905….Daryl Fieibg….Renfrew
11218….Deborah Fiebig….Renfrew
5041….Hughie Nolan….Renfrew
4347….Kaitlyn Arbuthnot….Renfrew
6976….Kevin Johnston….Renfrew
16293….Bill Williams….Richmond
6613….Brenda Thomas….Richmond
3310….Chris Douglas….Richmond
1038….Dan Todd….Richmond
5117….Deena Desson….Richmond
5394….Elizabeth Mcintyre….Richmond
6533….Erick Muis….Richmond
5473….Jason Irwin….Richmond
6285….Joyce Irwin….Richmond
2912….Rebecca Reid….Richmond
6002….Robin Annas….Richmond
6028….Ruth Saunders….Richmond
3050….Sean Lewis….Richmond
4909….Wendy Steele Wendy….Richmond
5355….David Stevens….Rideau Ferry
2630….Matthew Mayo….Rockcliffe
6101….Adam Joiner….Rockland
4958….Angie Del….Rockland
1541….Bernard Boivin….Rockland
3857….Bob Beaudry….Rockland
7448….Brandon Sharman….Rockland
6614….Brennan Cornell….Rockland
167….Carl Lacroix….Rockland
4009….Daniel Juneau….Rockland
4048….Denis Jette….Rockland
694….Devon Cass….Rockland
1968….Frances Patry….Rockland
2025….Gilles Brisebois….Rockland
2064….Guillaume Houle….Rockland
2085….Helene Matko….Rockland
7498….Jacinthe Loiselle….Rockland
5504….Joan Cleary….Rockland
4301….Jodie Davis….Rockland
6279….John Serviss….Rockland
5540….Julie Macdonald….Rockland
4460….Livia Wright….Rockland
7531….Louise Morel….Rockland
3343….M Lissa Lavictoire….Rockland
6347….Manon Salicco….Rockland
2517….Marc Patry….Rockland
2555….Mario Chartrand….Rockland
1071….Mike Dennehy….Rockland
7557….Nancy Crabbe….Rockland
4595….Nancy Violette-Fehr….Rockland
5741….Nathalie Joly….Rockland
2884….Pierre Dromaguet….Rockland
2973….Robert Brisebois….Rockland
5827….Roylana Larochelle….Rockland
7590….Selva Trebert-Sharman….Rockland
4916….Shane Lebeau….Rockland
4762….Sherry Beaudry….Rockland
652….Stephen Sunquist….Rockland
3184….Terry Wright….Rockland
3289….Yves Lefebvre….Rockland
1485….Andrew Goodwin….Russell
7383….Bailey Gilarowski….Russell
4930….Benjamin Stapper….Russell
1617….Caroline Maheux….Russell
4931….Christina Stapper….Russell
840….Daniel Bedard….Russell
1791….Daren Koch….Russell
6189….Dawn Mullin….Russell
186….Dominique Phaneuf….Russell
2240….Jesse Hall….Russell
6345….Lynda Kalapati….Russell
2588….Martin Herde….Russell
7561….Nathalie Smith….Russell
5743….Neil Franklin….Russell
142….Nick Saucier….Russell
7234….Ryan Baker….Russell
4932….Sarah Tessier….Russell
3338….Shawn Hoag….Russell
3125….Steve Mcfaul….Russell
5281….Carrie Needham….Smiths Falls
4416….Kristian Belot….Smiths Falls
4463….Lori James….Smiths Falls
7157….Natalie Lindsay….Smiths Falls
5149….Tammy Mulrooney….Smiths Falls
7341….Tim Kavaner….Spencerville
1162….Caroline Pollock….St. Albert
387….Geoff Rainey….St. Albert
439….Jenny Lacoursiere….St. Albert
4270….Jerry Scheidl….St. Albert
6516….Jon Mccully….St. Albert
2409….Kevin Barry….St. Albert
1371….Leah Posluns….St. Albert
7661….Michael Wallis….St. Albert
7153….Natacha Gour….St. Albert
3309….Scott Carlyle….St. Albert
16278….Scott Simpson….St. Albert
7326….Tara Coble….St. Albert
1399….Adrienne Scott….Stittsville
148….Alain Bellemare….Stittsville
5192….Alexandre Beaulieu….Stittsville
3378….Alison Carroll-Dawe….Stittsville
5198….Allison Sutherland….Stittsville
1439….Allyson Field….Stittsville
881….Brendan Alexander….Stittsville
127….Brian Lafleur….Stittsville
1625….Catherine Pomeroy….Stittsville
6643….Catherine Postma….Stittsville
6644….Catherine Robinson….Stittsville
1629….Cathie Radley….Stittsville
7398….Cathy Chalmers….Stittsville
5292….Cathy Chorniawy….Stittsville
1335….Cathy O'neil….Stittsville
5298….Chelsea Lambe….Stittsville
4957….Chris Banks….Stittsville
1652….Chris Leger….Stittsville
7458….Christine Stacey….Stittsville
1691….Christopher Thompson….Stittsville
7405….Claire Collis….Stittsville
3984….Conor Higgins….Stittsville
1757….Dale Costello….Stittsville
3351….Daniel Mossman….Stittsville
3626….David Tweedie….Stittsville
108….David Williams….Stittsville
5363….Debi Maniloff….Stittsville
3551….Denise Morin….Stittsville
6773….Eric Kahler….Stittsville
5419….Fred Odendaal….Stittsville
5422….Gary Bunny Banks….Stittsville
932….Gerry Larkin….Stittsville
7488….Ginger Plante….Stittsville
6808….Gregory Rusch….Stittsville
1140….Heather Caughey….Stittsville
2080….Heather Gilmour….Stittsville
4182….Ian Dunn….Stittsville
4959….Jackie Forman….Stittsville
2123….Jake Griffin….Stittsville
4202….James Moore….Stittsville
2144….Jamie Carriveau….Stittsville
3656….Janet Van Bakel….Stittsville
687….Jason Bergen….Stittsville
4220….Jason Rodger….Stittsville
1171….Jeanette Dionne….Stittsville
7641….Jeff Fritzsche….Stittsville
6257….Jennifer Holmes….Stittsville
5501….Jim Lambe….Stittsville
4300….Jodi Joy….Stittsville
4302….Joe Macmillan….Stittsville
1254….Jon Andrews….Stittsville
4335….Joycelyn Litke….Stittsville
5543….Julie Tapp….Stittsville
6940….Karen Whillans….Stittsville
4378….Keith Farrier….Stittsville
4397….Kent Macdonald….Stittsville
6972….Keri Fraser….Stittsville
4400….Kevin Higgins….Stittsville
4407….Kimberley Hetherington….Stittsville
4411….Krista Jackson….Stittsville
5608….Laura O'neil….Stittsville
1365….Laurel Andrews….Stittsville
4428….Lauri Lynch….Stittsville
2469….Lionel Dubois….Stittsville
526….Lisa Steele….Stittsville
1104….Lise Chabot….Stittsville
4461….Liz Williams….Stittsville
2482….Lorraine Chapman….Stittsville
2486….Louise Chayer Ayers….Stittsville
7068….Marie Bonang….Stittsville
2559….Mark Berezny….Stittsville
2569….Mark Rhodenizer….Stittsville
2606….Mary-Ellen Macphee….Stittsville
1200….Matthew Dionne….Stittsville
7106….Melanie Goodfellow….Stittsville
7113….Mercedes King….Stittsville
1292….Mesfin Mirotchie….Stittsville
7125….Michel Morin….Stittsville
3365….Michelle Hay….Stittsville
5721….Michelle Mcbride….Stittsville
2732….Mike Mcdonald….Stittsville
969….Nicholas Alexander….Stittsville
4636….Patrick Marsden….Stittsville
2856….Peter Hanschke….Stittsville
2857….Peter Schoch….Stittsville
654….Pierre Bergeron….Stittsville
622….Ralph Richardson….Stittsville
570….Ren Lessard….Stittsville
4679….Riley Dunn….Stittsville
7225….Robert Postma….Stittsville
4694….Ron Hoffe….Stittsville
4724….Sarah Higgins….Stittsville
4728….Sarah Mcwhinnie….Stittsville
7254….Scott Fenton….Stittsville
3419….Scott Miller….Stittsville
6432….Scott Rogers….Stittsville
16254….Sean Young….Stittsville
5857….Shari-Lynn Lawson….Stittsville
3071….Shawn Bedard….Stittsville
765….Shelley Baran….Stittsville
5868….Sheri Beaulieu….Stittsville
4766….Simon Hetherington….Stittsville
3119….Stephen Hunt….Stittsville
3193….Tim Radley….Stittsville
4849….Tom Endicott….Stittsville
923….Walter Hawes….Stittsville
7369….Wendy Fraser….Stittsville
7615….Wendy Hill….Stittsville
308….William Dymond….Stittsville
4707….Ryan Journeaux….Stoney Creek
7251….Sarah Boettcher….Stoney Creek
25….Antoine Gladu-Daoust….Thurso
2213….Jeff Avon….Val-des-Monts
319….Julie Lacroix….Val-des-Monts
6319….Laura Bradley….Val-des-Monts
3511….Meaghan Henry….Val-des-Monts
2700….Michel Saint-Denis….Val-des-Monts
6389….Nathalie Tremblay….Val-des-Monts
2927….Richard Blanchette….Val-des-Monts
4780….Stephan Dirnberger….Val-des-Monts
6461….Sylvie Lemay….Val-des-Monts
6072….Andrea Evans….Vanier
642….Kirk Duguid….Vanier
2801….Patrick Lebrun….Vanier
6591….Ashley Cowan….Vankleek Hill
1882….Dorcas Taylor….Vankleek Hill
6021….Arlene Dupuis….Vars
6678….Ciona Macsween….Vars
5375….Dominic Parisien….Vars
294….Stephane Perras….Vars
7609….Terrance Henry….Venosta
920….Christine Moyneur-Marleau….Wakefield
1219….Glenn Peters….Wakefield
6322….Laura Stafford….Wakefield
6339….Lois Gouthro….Wendover
7105….Melanie Carriere….Wendover
4060….Diane Graham-Lynn….Westport
4488….Margaret Thake….Westport
6596….Barbara Sandilands….Williamstown
5246….Bill Chambre….Williamstown
6203….Donna Magher….Williamstown
5809….Robbie Duval….Williamstown
5356….Dawn Erickson….Winchester
3653….Gillian Erickson….Winchester
820….Lindsay Holmes….Winchester
7224….Robert Lewis….Winchester
5093….Colin Geddis….Woodlawn
4113….Erica Harris….Woodlawn
6063….Jocelyne Barsalou….Woodlawn
1131….Kelly Geddis….Woodlawn
4447….Linda Hobbs….Woodlawn
The Viceregal Lodge, Obervatory Hill, Shimla, India, by Henry Irwin. Completed 1888; tower height increased later by Lord Curzon. Local grey sandstone and light blue limestone, with iron girders, beams, and trusses.
Built on a high 331-acre site, levelled for the purpose, this mock-Tudor or baronial-style building is visible from far down the hillside, and was intended as a proud symbol of Empire. Over the portico at the main entrance is a coat of arms with inscriptions above it naming the architect (Irwin), the executive and assistant engineers (F. B. Hebbert and others) and the Earl of Dufferin as the current Viceroy. Dufferin was the first to occupy the new Lodge. The columned arches along the façade are echoed in the arches of alternating widths supporting the verandas. Just visible to the left of the main entrance, on the first floor, is one of the unobtrusive external iron spiral staircases provided for the lowliest menial staff, the bathroom sweepers.
Inside, the main hall is panelled in teak. The unicorn originally carved over the impressive main fireplace has since been replaced by the Indian wheel of progress. The double-galleried corridor off to the left is lit by mullioned windows and a glass ceiling, and leads to the ballroom, now the library of the Institute of Advanced Studies. On the ground floor were also the dining hall, lounge and drawing room. On the upper floors were the Viceroy's office and rooms. To the right of the main hall is a splendid three-storey high teak staircase, the kind of feature, no doubt, that earned Irwin his eulogy in the Madras Mail, to the effect that his genius was displayed in his interiors. In the morning room and visitors' lounge on this side, finishing touches like a walnut ceiling with a Kashmiri design, lavish wall-coverings (some of which remain more or less intact), an original chandelier and so on, can still be seen. Maple & Co, London, were the western suppliers. A large picture of one of the Vicereines, Lady Elgin, hangs over the fireplace of the visitors' lounge.
For its day, the Lodge had state-of-the-art technology. It had its own steam generator, and was the first building in Shimla to employ electric lighting. Indeed, Lady Dufferin, the first Vicereine in residence, is said to have first used an electric light switch here. The original light panel is still in place (with an added fusebox). The Lodge also had running hot and cold water, together with a sophisticated system for collecting and storing bath and rainwater, including two tanks under the front lawn.
Outside in the landscaped grounds stands a tall tulip tree, a rarity in an area dominated by pines and deodars. It was planted during the stay of the Marquis of Lansdowne, the Viceroy who replaced Dufferin in 1888.
L'Arboç, Tarragona (Spain).
Wiki Loves Monuments Code: RI-51-0012083
Vertical panorama from 3 shots. Later readjusted white balance.
ENGLISH
The first news of the existence of the church of Sant Julià goes back to years 1136 and 1138. The conserved oldest part of the medieval church corresponds to the present chapel of Dolors (sorrows). The used equipment is of ashlars well fitted and cut. They are left also two lateral gothic chapels.
The present church of Sant Julià is a Renaissance building constructed between years 1631 and 1647, during the “War of Segadors (reapers)”. It is a church of a single nave, 40 by 12 meters, with six lateral chapels by side, semi-circular arch and barrel vault. The apse is pentagonal and the main vault is maintained by semicircular archs and is composed by five pointed vaults with nerves and decorated key. In the main facade it emphasizes the great baroque gate conformed by four columns that maintain friso. The bell tower, built before the church between 1622-1627, conserves the romanesque base and an inner chapel gothic covered with barrel vault.
In the chapel of Dolors (sorrows) there are an important franc-gothic painting set mural discovered during the restoration of the chapel made in 1968. The set occupies about 50 m² and has been dated around year 1300. It is conformed by three sections, the central is an allegorical representation of the tree of the Cross, and the lateral compositions are formed by scenes of the life of Jesus, Saint John Baptist and Saint John Evangelist.
In October 2007 it was declared "Cultural good of national interest" in the category of Historical Monument.
The Catalan Revolt (known in Catalan as the Guerra dels Segadors or Reapers' War) affected a large part of Catalonia between the years of 1640 and 1659. It had an enduring effect in the Treaty of the Pyrenees, which ceded the county of Roussillon and the northern half of the county of Cerdanya to France (see French Cerdagne), thereby splitting the Catalan population.
The war had its roots in the discomfort generated in Catalan society by the presence of Castilian troops during the wars between France and Spain as part of the Thirty Years' War. Catalan peasants were forced to quarter Castilian troops and responded on Corpus Christi day with an uprising known as 'Bloody Corpus' (Catalan Corpus de Sang), under the slogans "Long live the faith of Christ!", our lord", "Long live the land, death to bad government". This 'Bloody Corpus' of 1640, which began with the death of a reaper and led to the somewhat mysterious death of the Count of Santa Coloma, viceroy of Catalonia, marked the beginning of the conflict. The irregular militia were known as 'Miquelets'.
Pau Claris, head of the Generalitat of Catalonia, turned the social unrest of the Catalans into a political cause and proclaimed a Catalan Republic. The Generalitat obtained an important military victory in the battle of Montjuïc (January 26, 1641). A little later, the death of Pau Claris created a difficult local and international situation, which resulted in the proclamation of Louis XIII of France as count of Barcelona and sovereign of Catalonia, Lluís I de Barcelona.
The conflict extended beyond the Peace of Westphalia, which concluded the Thirty Years' War in 1648, with the confrontation between two sovereigns and two Generalitats, one based in Barcelona, under the control of Spain and the other in Perpinyà (Perpignan), under the occupation of France. In 1652 the French authorities renounced Catalonia, but held control of Roussillon, thereby leading to the signing of the Treaty of the Pyrenees in 1659.
More info: www.boe.es/g/es/bases_datos/doc.php?coleccion=indilex&..., en.wikipedia.org/wiki/Catalan_Revolt
------------------------
CASTELLANO
La primera noticia de la existencia de la iglesia de Sant Julià se remonta a los años 1136 y 1138. La parte más antigua conservada de la iglesia medieval corresponde a la actual capilla dels Dolors. El aparejo empleado es de sillares bien encuadrados y cortados. Quedan también dos capillas laterales góticas.
La iglesia actual de Sant Julià es un edificio renacentista construido entre los años 1631 y 1647, durante la "Guerra dels Segadors". Es una iglesia de una sola nave, de 40 por 12 metros, con seis capillas laterales por banda, con arco de medio punto y bóveda de cañón. El ábside es pentagonal y la bóveda principal está sostenida por arcos semicirculares y está compuesta por cinco vueltas de ojiva con nervios y clave decorada. En la fachada principal destaca la gran portada barroca conformada por cuatro columnas que sostienen un friso. El campanario, levantado antes que la iglesia entre 1622-1627, conserva la base románica y una capilla interior gótica cubierta con bóveda de cañón.
En la capilla dels Dolors se encuentra un importante conjunto de pintura mural franco-gótica descubierto durante la restauración de la capilla realizada en el año 1968. El conjunto ocupa unos 50 m² y ha sido datado alrededor del año 1300. Está conformado por tres secciones, la central es una representación alegórica del árbol de la Cruz, y las composiciones laterales están formadas por escenas de la vida de Jesús, de San Juan Bautista y de San Juan Evangelista.
En octubre del 2007 fue declarado "Bien cultural de interés nacional" en la categoría de Monumento Histórico.
La Sublevación de Cataluña (o "Guerra dels Segadors") afectó a gran parte de Cataluña entre los años 1640 y 1659. Tuvo como efecto más duradero la firma de la Paz de los Pirineos entre la monarquía hispánica y el rey de Francia, pasando el condado del Rosellón y la mitad del de la Cerdaña, hasta aquel momento partes integrantes del principado de Cataluña, uno de los territorios de la monarquía hispánica, a soberanía francesa.
La guerra comienza a raíz del malestar que generaba en la sociedad catalana la presencia de tropas, fundamentalmente castellanas, durante las guerras entre Francia y España, enmarcadas dentro de la Guerra de los Treinta Años (1618 - 1648). Los hechos del Corpus de Sangre de 1640, desencadenados por el amotinamiento de un grupo de unos 400 o 500 segadores que entraron en Barcelona y que conducirían a la muerte del conde de Santa Coloma, noble catalán y virrey de Cataluña, marcan el inicio del conflicto.
Más info: www.boe.es/g/es/bases_datos/doc.php?coleccion=indilex&..., es.wikipedia.org/wiki/Sublevaci%c3%b3n_de_Catalu%c3%b1a_(...
Then we were inside her car.
Passenger seats, second row.
The lights blinded as they flew past, but we were silent.
Then we kissed.
They were little kisses, escaped little bits of air in between our lips.
The dark enveloped our touch, and I lost my mind. As she kept breathing, the car receded in flame, and we were floating.
Like little specks of dust into the ether.
They wouldn't be noticeable to anyone who walks to quickly, but when you paused,
I bet you could see us.
Holding hands, and just feeling each others hearts fade in and out.
I wanted to die remembering this taste, her and me and feeling free.
The skyline shifted as we turned corners, and we descended.
The car came to a slow, and I pulled away, and looked into the eyes of the one I could stay three inches from for a lifetime.
Her and I, well you haven't seen much before us.
Photos taken at the Grounds for Sculpture on JANUARY 6th, 2010 in
Hamilton, New Jersey USA
Photos of a male house finch - carpodacus mexicanus- up in a tree.
© All Rights Reserved - No Usage Allowed in Any Form Without the Written Consent of Frozen in Time photos by Marianne.Unauthorized use or reproduction for any reason is prohibited.
House Finch (carpodacus mexicanus)-is a medium-sized finch.
Adults have a long brown tail and are a brown or dull-brown color across the back with some shading into deep grey on the wing feathers. Breast and belly feathers may be streaked. In most cases, adult males have a reddish color to their heads, necks and shoulders. This color sometimes extends to the stomach and down the back, between the wings. The male coloration varies in intensity with the seasons and is derived from the berries and fruits in its diet. As a result, the colors range from pale, straw yellow, to bright orange, to deep, intense red. Adult females have brown upperparts and streaked underparts.
These birds are mainly permanent residents; some eastern birds migrate south. Their breeding habitat is urban and semi-open areas from southern Canada to Mexico.
House Finches forage on the ground or in vegetation. They primarily eat grains, seeds and berries, being voracious consumers of weed seeds such as nettle and dandelion; included are incidental small insects, such as aphids and plant lice. They are frequent visitors to feeders throughout the year, particularly if stocked with sunflower seeds or Nyjer/thistle seed, and will congregate at hanging Nyjer sock feeders. They are considered a pest in fruit orchards.
Nests are made in cavities, including openings in buildings, and also on various kinds of vegetation, sometimes nests abandoned by other birds will be used. Nests may be re-used for subsequent broods or in following years. The nest is built by the female, sometimes in as little as two days. It is well made of twigs and debris, forming a cup shape, usually 1.5m to 2m above the ground.
Eggs are laid from February through August, two or more broods per year with 2 to 6 eggs per brood. The eggs are a pale, bluish-green with few black spots and a smooth, somewhat glossy surface. The female incubates the eggs for 12 to 14 days and the young leave the nest about 11 to 19 days after hatching. Dandelion seeds are among the preferred seeds fed to the young.
During courtship, the male may present the female with choice bits of food and, if she imitates the posture of a hungry chick, he may actually feed her. The male may also feed the female during the breeding and incubation period.
House Finches are one of the few birds that are aggressive enough to keep House Sparrows out of their birdhouse and evict them.
Originally only a resident of Mexico and the southwestern United States, they were introduced to eastern North America in the 1940s. The birds were being sold illegally in New York while marketed as the "Hollywood Finch." Many vendors and owners released the birds into the wild in order to avoid prosecution. The released birds spread rapidly and, in some unforested areas, have displaced the native Purple Finch. In 1870, they were introduced into Hawaii.
Information was taken from this web site:
www.v100-online.de/index.php?nav=1403515&lang=1&i...
Lebenslauf
__.__.1974 Auslieferung an DR - Deutsche Reichsbahn "110 746-5"
06.12.1974 Abnahme
09.12.1974 Indienststellung
22.05.1986 Umbau in "112 746-3" [Bw Cottbus]
01.01.1992 Umzeichnung in "202 746-4"
01.01.1994 => DB AG - Deutsche Bahn AG, GB Traktion "202 746-4"
01.01.1998 => DB AG - Deutsche Bahn AG, GB Nahverkehr "202 746-4"
01.07.1999 => DB Regio AG "202 746-4"
14.12.2000 z-Stellung
15.01.2001 Ausmusterung [Bh Cottbus]
12.01.2001 an SFZ - Schienenfahrzeugzentrum Stendal "202 746-4"
15.04.2002 an duisport rail GmbH, Duisburg "202 001-4" [1. Besetzung]
__.02.2004 an ALS - ALSTOM Lokomotiven Service GmbH, Stendal "202 001-4"
__.06.2004 - __.07.2004Vermietung an RAR - Rent-a-Rail Eisenbahn-Service AG, Ellwangen "202 001-4"
__.10.2004 - __.10.2004Vermietung an PRESS - Eisenbahn-Bau- und Betriebsgesellschaft Pressnitztalbahn mbH, Jöhstadt "202 001-4"
28.10.2004 - 04.11.2004Vermietung an HGB - Hessische Güterbahn GmbH, Buseck "202 001-4"
06.11.2004 - __.11.2004Vermietung an NbE - Nordbayerische Eisenbahngesellschaft mbH, Aschaffenburg "202 001-4"
02.12.2004 - 21.12.2004Vermietung an DB Regio AG - Regio Mittelfranken, Nürnberg "202 001-4"
__.12.2004 - 07.02.2005Vermietung an SWT - Stahlwerk Thüringen GmbH, Unterwellenborn "202 001-4"
04.03.2005 - 07.03.2005Vermietung an HGB - Hessische Güterbahn GmbH, Buseck "202 001-4"
14.03.2005 - 27.05.2005Vermietung an RAR - Rent-a-Rail Eisenbahn-Service AG, Ellwangen "202 001-4"
17.07.2005 - __.08.2005Vermietung an MWB - Mittelweserbahn GmbH, Bruchhausen-Vilsen "202 001-4"
21.08.2005 - __.11.2005Vermietung an LEG - Leipziger Eisenbahnverkehrsgesellschaft mbH, Leipzig "202 001-4"
__.12.2005 - __.12.2005Vermietung an ILM - Ilmebahn GmbH, Einbeck "202 001-4"
22.02.2006 - 05.04.2006Vermietung an DB Regio AG - S-Bahn München "202 001-4"
05.04.2006 - 14.06.2006Vermietung an RAR - Rent-a-Rail Eisenbahn-Service AG, Ellwangen "202 001-4"
19.06.2006 - __.__.2006Vermietung an A.V.G. Mirko Mokry e. K., Aschersleben "202 001-4"
__.__.2006 - __.08.2006Vermietung an hvle - Havelländische Eisenbahn AG, Berlin-Spandau "202 001-4"
__.08.2006 - __.09.2006Vermietung an SLG - Spitzke Logistik GmbH, Großbeeren "202 001-4"
24.10.2006 - 16.11.2006Vermietung an PRESS - Eisenbahn-Bau- und Betriebsgesellschaft Pressnitztalbahn mbH, Jöhstadt "202 001-4"
16.11.2006 - 01.12.2006Vermietung an D&D Eisenbahngesellschaft mbH, Hagenow "202 001-4"
__.12.2006 - __.__.200xVermietung an IL - InfraLeuna GmbH, Leuna "202 001-4"
01.09.2007 an PRESS - Eisenbahn-Bau- und Betriebsgesellschaft Pressnitztalbahn mbH, Jöhstadt "293 026-1"
[NVR-Nummer: 98 80 3202 746-4 D-PRESS]
11.03.2008 - __.07.2008Vermietung an SWEG Südwestdeutsche Verkehrs-Aktiengesellschaft, Lahr (Schwarzwald) "293 026-1" [Ersatzlok für die in HU befindliche SWEG V102]
31.08.2018 an ALS - ALSTOM Lokomotiven Service GmbH, Stendal "293 026-1"
[NVR-Nummer: 98 80 3202 746-4 D-ALS]
__.05.2020 Umzeichnung in "202 746-4"
[NVR-Nummer: 98 80 3202 746-4 D-ALS]
__.__.2020 - __.__.2020Vermietung an Rail Cargo Carrier - Germany GmbH, Köln "202 746-4"
__.12.2020 - __.__.202xVermietung an HBC Hanseatisches Bahn Contor GmbH, Hamburg "202 746-4" [Ersatzlok für 1002 033]
__.01.2021 - __.02.2021Vermietung an MHG - Magdeburger Hafen GmbH, Magdeburg "202 746-4"
01.03.2021 - __.__.2021Vermietung an EHB Eisenbahn- und Hafenbetriebsgesellschaft Region Osnabrück mbH, Osnabrück "202 746-4"
__.__.2021 - __.__.202xVermietung an Stadler Pankow GmbH, Berlin "202 746-4" [Einsatz im Service- und Inbetriebnahmezentrum Velten]
__.__.2023 - __.05.2023Vermietung an Oiltanking Deutschland GmbH & Co. KG, Hamburg "202 746-4" [Einsatz im Tanklager Gera]
__.__.2023 Taufe [Name: "Tangermünde"]
__.01.2024 - Vermietung an SLG - Spitzke Logistik GmbH, Großbeeren "202 746-4"
Strobist Info:
SB24 with Homemade Grid Camera Right High....Give Spotlight Effect
Nikon D300
Tokina 12-24mm
Pocket Wizards Plus II's
I have been a HUGE fan of this man's work for a very longtime. I have played at many of the theatres he has designed. He is a Theater Designer and has worked on some of the most recognized theatres in the WORLD. It was an honor to get to spend a few hours with him and get to see him work! He showed me ALL the work he has done in his lifetime, I got to sit with him at his desk where he creates and designs these masterpieces!!!!!! I kept having to stop and just take it all in, when you have followed a person's work, and then get to actually sit and see them work, it is breathtaking. He is an ARTIST in every sense of the world. He knew he wanted to design theatres at the tender age of 4, when his mom took him to see a show. The lights, colors, textures, patterns, dancers, actors, etc all left a lifetime impression on him that lasts till this very day! He has miniature 1/8 scale models of all of his work, the intricate details that he puts into his models is beyond AMAZING!!! I feel truly inspired, blessed, and privileged to be one of the few people that have taken his portrait. He has invited me over to do more and also he let me know I can use his studio to do photoshoots anytime I want to. His studio in itself is a work of art, I will be sharing more pics of his studio and models in the days to come. I hope you enjoy this picture as much as I do.
Hector
P.S. My Hard Drive crashed yesterday, which is a bummer, but all is not lost. I was able to retrieve ALL of my Raw files, however lost ALL of my post processed pics. I only was able to retrieve my web resolution shots. So I have A LOT of work to do, but it is ok. I get to wake up and do what I LOVE to do everyday!
Info:
Exposure: 1/250 Sec.
Aperture: f/ 1.4
ISO-Speed: 100
Focal Length: 30mm
Lens: SIGMA 30mm 1.4 DC HSM
If you have any improvement suggestions, tell me!
One of the gates, leading to one of the doors, at one of the entrances, to All Souls College, Oxford.
Israel delays aid trucks from Egypt to Gaza "France sent technical equipment to help Gazans draw water from the ground. The Swiss sent blankets and plastic tarps. Mercy Corps, a relief agency, sent 12 truckloads of food. And on Tuesday all of it, including dozens of other trucks carrying sugar, rice, flour, juice and baby formula, sat in the hot sun here going nowhere."
"All our lunchmeat, it's all going to go bad," said Abdullah "We have trucks we loaded up five days ago still sitting here, waiting." said said Hany.
At the United Nations, John Holmes, an emergency relief coordinator, said the scale of the destruction meant that far more than the current movement of aid was needed urgently. "Enough will always be allowed in for people to exist, but not enough for the conditions for people to live,"
Las Médulas, León (Spain).
ENGLISH
Las Médulas, located near the town of Ponferrada in the region of El Bierzo (León province, Castile and León, Spain), used to be the most important gold mine in the Roman Empire. Las Médulas Cultural Landscape is listed by the UNESCO as one of the World Heritage Sites.
The spectacular landscape of Las Médulas resulted from the Ruina Montium, a Roman mining technique described by Pliny the Elder in 77 AD consisted of undermining the mountain with large quantities of water supplied by at least seven long aqueducts tapping the rivers in the nearby mountains. The same aqueducts were used to wash the extensive gold deposits, a precursor of Californian hydraulic mining. The area Hispania Tarraconensis had been invaded in 25 BC by the emperor Augustus, so the mining was initiated some time after the region had been subdued.
To bring the necessary water from the Sierra de La Cabrera mountains to Las Médulas, a system of at least seven parallel aqueducts more than a hundred kilometers long in total were constructed, with some parts still well preserved in precipitous locations, and including some rock-cut inscriptions.
More info: en.wikipedia.org/wiki/Las_M%c3%a9dulas
-------------------------
CASTELLANO
Las Médulas, situado en las inmediaciones del pueblo homónimo, en la comarca de El Bierzo, provincia de León, Comunidad Autónoma de Castilla y León, España, es un entorno paisajístico formado por los restos de una antigua explotación minera de oro de la época romana, cuando la zona pertenecía a la provincia de Gallaecia. El enorme trabajo de ingeniería realizado para la extracción del mineral supuso una gran destrucción del medio ambiente, pero dio como resultado un paisaje grandioso y espectacular de arenas rojizas, perfectamente integrado con la vegetación de castaños y robles, que fue declarado Patrimonio de la Humanidad por la Unesco en 1997.
Las Médulas fue en su origen una explotación romana de oro a cielo abierto, aunque los pueblos indígenas prerromanos ya habían explotado el yacimiento, lavando los lodos y las arenas. Seguramente los romanos empezaron a trabajar en la zona en la época del emperador Octavio Augusto, quien dirigió personalmente la mayor parte de las acciones que entre los años 26 y 19 a. C. conquistaron definitivamente los pueblos del norte de la península Ibérica.
Cabe destacar la acción del monte Medulio, donde se verifica el holocausto de cántabros y astures, que prefieren darse muerte antes que entregarse. No obstante, la ubicación del monte Medulio es todavía objeto de discusión.
Más info: es.wikipedia.org/wiki/Las_M%c3%a9dulas_(Le%c3%b3n)
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We had some some of the best light of the year on the central coast tonight. As I left the house and hit the highway, I couldn't take my eyes off the fantastic clouds and golden beams of light. Just beautiful. And I was running late. I should have already been shooting this stuff, but I just floored the pedal and headed for Davenport as quick as I could. I knew exactly where I wanted to go--down to the Davenport pier at beach level as these clouds were what I'd always envisioned behind the pier, but had never gotten before. When I got up there, I was shocked at how far to the north
the sun was setting--too far out of frame for what I had in mind. Right then I decided if I went down to the beach, I'd be missing whatever color this sunset would offer. So I stayed on the bluffs and shot it from all directions. It was all slightly disappointing, as these little adventures often are for me when I fail to get the shot I wanted.
But you often end up with interesting stuff anyway. And I kind of liked this shot, with the cliff walls and cloud banks framing the pier right and left, top and bottom.
Best View On Black
The Summer Palace or Yihe yuan (traditional Chinese: 頤和園; simplified Chinese: 颐和园; pinyin: Yíhé Yuán; literally "Gardens of Nurtured Harmony") is a palace in Beijing, China. The Summer Palace is mainly dominated by Longevity Hill (60 meters high) and the Kunming Lake. It covers an expanse of 2.9 square kilometers, three quarters of which is water. The central Kunming Lake covering 2.2 square kilometers was entirely man made and the excavated soil was used to build Longevity Hill. In its compact 70,000 square meters of building space, one finds a variety of palaces, gardens, and other classical-style architectural structures.
The Summer Palace started out life as the Garden of Clear Ripples (traditional Chinese: 清漪園; simplified Chinese: 清漪园; pinyin: Qīngyī Yuán) in 1750 (Reign Year 15 of Emperor Qianlong). Artisans reproduced the garden architecture styles of various palaces in China. Kunming Lake was created by extending an existing body of water to imitate the West Lake in Hangzhou. The palace complex suffered two major attacks--during the Anglo-French allied invasion of 1860 (with the Old Summer Palace also ransacked at the same time), and during the Boxer Rebellion, in an attack by the eight allied powers in 1900. The garden survived and was rebuilt in 1886 and 1902. In 1888, it was given the current name, Yihe Yuan. It served as a summer resort for Empress Dowager Cixi, who diverted 30 million taels of silver, said to be originally designated for the Chinese navy (Beiyang Fleet), into the reconstruction and enlargement of the Summer Palace.
In December 1998, UNESCO included the Summer Palace on its World Heritage List. It declared the Summer Palace "a masterpiece of Chinese landscape garden design. The natural landscape of hills and open water is combined with artificial features such as pavilions, halls, palaces, temples and bridges to form a harmonious ensemble of outstanding aesthetic value." It is a popular tourist destination but also serves as a recreational park. - Wiki
IL MIO SITO: www.mauronizzi.it
IL MIO VIDEO SULLA "VAL D' ORCIA": www.youtube.com/watch?v=lEAQfiR50AI
Accommodations in the Amazon aren't that plentiful. Our choice was Ariau Towers. For those familiar with the Survivor TV Show, this was the hotel the film crew stayed in during the taping of Survivor: The Amazon. The hotel looked like it had seen better days, but then again the conditions are rather harsh. It's hard to describe how much the area floods, hence everything being built on stilts. Some of the more famous guests have included Bill Gates, Jimmy Carter, Susan Sarandon, Alanis Morissette, etc... This picture is the interior of one of the towers. Our room was the one on the left.
With all that said, probably one of the things I will remember most from this location was our guide. He told us of how they would paddle on the river two hours one-way to the nearest school each day. He was currently in the midst of teaching himself his fifth language. His determination to better himself was inspiring.
Enjoy the weekend.
Thanks for looking!
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Comments and constructive criticism always appreciated.
2{Fifty Two} Bad Santa!
This shot came about while I was in the shower… it’s where all my best ideas come from. I had been pondering what to do for this week’s photo and I knew I wanted a Christmas theme. I had been tossing around the idea of Santa being a criminal, nay, the best criminal. Who would suspect Santa?
----------
Walking through your living room on Christmas Eve.
You: Hey Santa, what’s happening?
Santa, who is crawling into your house through a fire place with a very large loot bag and begins stuffing your belongings into it.
Santa: You know, same ol’ same ol’.
And you keep on going because it’s Santa, and why would Santa want to steal your things?
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I think “The Grinch Who Stole Christmas” must have had some influence on this idea.
So I wanted to have a scene with a tree and I fireplace and I would be dressed all in black with a balaclava and a Santa hat, but since all I had was a balaclava and a hat, I had to change my idea. So the idea of what would Santa’s mug shot look like was born. I left the mask on for a couple reasons, I don’t look anything like Santa and I thought it would be funny for Santa to try and hide his identity in a hat and to have his beard flowing out the bottom.
The nameplate style was based on Tupac Shakur’s mug shot and the text and height bars were done in post. I'm not really 6'4" or 275 lbs. I wanted santa to be tall, but I must have put him on a diet. I don't think it is accurate.
Strobist:
2 SB-24 in Sleazy box on either side pointed at background at 45 degrees
2 SB-28 gobo’d on either side of subject behind at 45 degrees
1 580 EXII in shoot through umbrella slightly off axis camera right high 45 degrees
Setup shotHERE.
on black. --please view!:D
summer- plain and simple.
so how were you guys' weekend?? mine was pretty good, i saw "the karate kid" with my friend.. it was pretty good i guess, but i thought it shouldve been PG-13. xD i liked it when the bully got ninja kicked in the face. (:
i really wish it was sunny when i took this.. but its been uber hot and humid and icky the past few days, and its starting to rain now anyways. :\ booooo.
i hope you guys have an AMAZING rest of the week!:D
im sorry ive been a lousy no good contact- i shall get to your streams right now!:D
A view of downtown Vancouver seen from Burnaby Mountain Park in Burnaby near Vancouver, British Columbia, Canada.
About this photo: One of my favourite places to hang around with my camera around sunset is Burnaby Mountain Park near Vancouver which is about 10-15 minutes driving for me. It had rained in the morning and in the afternoon the sun was trying to come out. I went up to Burnaby Mountain with high hopes of a good sunset, but there was a layer of low clouds that didn't make it happen. It was still a nice sunset, but nothing to write home about. The nicest views were after the sun had gone down and the city lights appeared. This was taken with my 75-300mm zoomlens. I zoomed in quite a bit lens to get a close up of downtown Vancouver...in the distance you can see Mount Arrowsmith which is located on Vancouver Island.
~Camera Settings:
*Camera Model: Sony ILCA-77M2
*Focal Length: 160mm
*F-Number: F16
*Exposure Time: 15 sec.
*ISO Speed: ISO-80
*Exposure Program: Shutter Priority (S)
*Exposure Compensation (E/V): -0.3 step
Thank you for dropping by!
Ann :)
Some information on Burnaby Mountain: Burnaby is a city which belongs to the Greater Vancouver area and is about 10-15 minutes from downtown Vancouver. Burnaby Mountain is one of the beautiful places to visit in Burnaby and is located near the Simon Fraser University. The views over the mountains, the Burrard Inlet, downtown Vancouver and Indian arm from up here make it such a great place. This is a fairly popular destination popular visitors and locals alike. The green hillside offers room to throw a frisbee or send a kite soaring. There is a network of trails which offer a variety of hiking, walking and jogging options. There is also a playground tucked away in the upper hillside.
The Centennial Pavilion area features the Rose Garden, with its vibrant colours in season and a great variety of roses. Nearby is the acclaimed Horizons restaurant and two majestic totem poles, a reminder of the community's proud native heritage. Towering over the distant city are the tall Kamui Mintara (Playground of the Gods) sculptures. The Kamui Mintara is more than a dozen carved poles created by Japanese sculptors Nuburi Toko and his son, Shusei. These impressive sculptures commemorate the goodwill between Burnaby and its sister city, Kushiro, Japan.
Burnaby Mountain is a great place to enjoy in any season as there are always the beautiful views over the city, the mountains, the Burrard Inlet and Indian Arm (a coastal fjord of about 18km/11.25mi long).
In the old school at St Fagans in 2007, a group of welsh primary school children had to dress and have a day at school exactly as they would have done just before WW1 (less any necessary caning).
Watching them trying to cope with nibbed pens and inkwells was quite good fun, as was listening to the sound of absolute silence in the classroom, and iron discipline dispensed by the (very attractive) schoolmistress, also in period costume.
I had to take this shot without the benefit of a tripod, at a 1/2 second exposure, handheld, so plenty of intensly "arty" blur from the old Ikonta's 105mm f/4.5 Novar lens.
I quite like the result though.
Zeiss Ikonta 521/2 6x9
Novar 105mm f/4.5
Hilo de la Fotohistoria en Pullip .es: DATING AT CINEMA (2 of 5): The movie /
CITA EN EL CINE (2 de 5): La Peli
(Read in this order) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95, 96, 97, 98, 99, 100, 101, 102, 103, 104, 105, 106, 107, 108, 109, 110, 111, 112, 113, 114, 115, 116, 117, 118, 119, 120, 121, 122, 123, 124, 125, 126, 127, 128, 129, 130, 131, 132, 133, 134, 135, 136, 137, 138, 139, 140, 141, 142, 143, 144, 145, 146, 147, 148, 149, 150, 151, 152, 153, 154, 155, 156, 157, 158, 159, 160, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174, 175, 176, 177, 178, 179, 180, 181, 182, 183, 184, 185, 186, 187, 188, 189, 190, 191, 192, 193, 194, 195, 196, 197, 198, 199, 200, 201, 202, 203, 204, 205, 206, 207, 208, 209, 210, 211, 212, 213, 214, 215, 216, 217, 218, 219, 220, 221, 222, 223, 224, 225, 226, 227, 228, 229, 230, 231, 232, 233, 234, 235, 236, 237, 238, 239, 240, 241, 242, 243, 244, 245, 246, 247, 248, 249, 250, 251, 252, 253, 254, 255, 256, 257, 258, 259, 260, 261, 262, 263, 264, 265, 266, 267, 268, 269, 270, 271, 272, 273, 274, 275, 276, 277, 278, 279, 280, 281, 282, 283, 284, 285, 286.
FOTOSTORY: In English / En Español
Dom: #^__^#
Akari: #^__^#
/
Dom: #^__^#
Akari: #^__^#
COLLABORATION:
- Dom y Akari en el Foro de Pullips: Pullip .es
- Cinema's diorama by Minao. Sweets shop's diorama by Sheryl and Minao Collaboration.
- Little interpretation of Mad_Pullip's Emily as a MUSE fan.
SHERYL LINKS:
- Pullip .es: Las Fotohistorias de Sheryl
- Sheryl's Flickr: Photostories 2011 - Sketches 2011 / Photostories 2012 - Sketches 2012
These rather large beauties are right on our property line so my neighbor and I share them and share credit for their beauty
The road to happiness lies in two simple principles: find what it is that interests you and that you can do well, and when you find it put your whole soul into it - every bit of energy and ambition and natural ability you have.
John D. Rockefeller III
Hilo de la Fotohistoria en Pullip .es: DATING AT CINEMA (2 of 5): The movie /
CITA EN EL CINE (2 de 5): La Peli
(Read in this order) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95, 96, 97, 98, 99, 100, 101, 102, 103, 104, 105, 106, 107, 108, 109, 110, 111, 112, 113, 114, 115, 116, 117, 118, 119, 120, 121, 122, 123, 124, 125, 126, 127, 128, 129, 130, 131, 132, 133, 134, 135, 136, 137, 138, 139, 140, 141, 142, 143, 144, 145, 146, 147, 148, 149, 150, 151, 152, 153, 154, 155, 156, 157, 158, 159, 160, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174, 175, 176, 177, 178, 179, 180, 181, 182, 183, 184, 185, 186, 187, 188, 189, 190, 191, 192, 193, 194, 195, 196, 197, 198, 199, 200, 201, 202, 203, 204, 205, 206, 207, 208, 209, 210, 211, 212, 213, 214, 215, 216, 217, 218, 219, 220, 221, 222, 223, 224, 225, 226, 227, 228, 229, 230, 231, 232, 233, 234, 235, 236, 237, 238, 239, 240, 241, 242, 243, 244, 245, 246, 247, 248, 249, 250, 251, 252, 253, 254, 255, 256, 257, 258, 259, 260, 261, 262, 263, 264, 265, 266, 267, 268, 269, 270, 271, 272, 273, 274, 275, 276, 277, 278, 279, 280, 281, 282, 283, 284, 285, 286.
FOTOSTORY: In English / En Español
Akari: Movie trailers just began ^^
/
Akari: Ya empiezan los trailers ^^
COLLABORATION:
- Dom y Akari en el Foro de Pullips: Pullip .es
- Cinema's diorama by Minao. Sweets shop's diorama by Sheryl and Minao Collaboration.
- Little interpretation of Mad_Pullip's Emily as a MUSE fan.
SHERYL LINKS:
- Pullip .es: Las Fotohistorias de Sheryl
- Sheryl's Flickr: Photostories 2011 - Sketches 2011 / Photostories 2012 - Sketches 2012
A.C. CARS
HOME | INDEX | AUTOMOTIVE | BLUEBIRD | ELECTRIC CARS | E. CYCLES | SOLAR CARS
Established in 1908, AC is the oldest British car manufacturer that is still making vehicles today. The AC name came from the name of their first commercial 3-wheeler; The Autocarrier; that was designed and manufactured by John Weller. He previously had his own business in South London (UK) in 1903 making the Weller car but this was not a great success.
The 1914 AC Sociable
The Autocarrier was built as a small delivery van and became very succesful. It was also very fashionable the time for companies to have at least one Autocarrier as a delivery van. lIn 1908 a new a passenger version that was called the AC Sociable was introduced. The name came from the fact that the passenger and driver's seat were side by side and not in a tandem design as with many other 3-wheelers at the time and it was also the first time that the initials AC were used. The British Army also used AC Sociables due to their reliabilty and they were fitted with customized bodywork that acted as machine gun carriers.
During the First World War AC continued to produce vehicles as well as shells and fuses. By 1919 they were back in full car production again. The new Models were now produced with 10 and 12 hp engines and were later replaced by a six-cylinder 16hp model. For the next few years AC turned to producing 4-wheeled vehicles and did not produce another 3-wheeler until 1953 with the AC Petite. The Petite was powered by a 346cc single cylinder two-stroke Villiers engine and had an aluminium body fastened to a light steel frame. The cars however were not a great success. Despite their price of £400 the car looked like the government-sponsored invalid cars that AC also made and so the Petite were not widely accepted. Production continued until 1958, though AC continued to make invalid cars until the early 1970's when AC then concentrated on just 4-wheelers again.
The 1953 AC Petite
THE AC COBRA
A special chapter in the Cobra's history is it's racing career. Racing driver Carroll Shelby conceived the Cobra with the intention to win races with it to generate good publicity for the car and kindling sales. These days the popular myth is that the Cobra dominated GT racing in its days, but this is, like all myths, not completely true.
In the US the Cobra roadsters did particularly well in local races for practically a decade. There it took full advantage of its favorable power to weight ratio and its sprinting capacities on the relatively short tracks. In international production car races however it was less than successful. During the 1960s the time that open roadsters were competitive in top level racing had passed and high maximum speeds and therefore aerodynamics became more important. The cars to beat were all coupes with much better shapes to slice trough the air.
This became very clear during Shelby's first attempt at the Le Mans race with the Cobra in 1963. Two Mk II Cobras were entered, one prepared by Ed Hugus and one by AC Cars, both fitted with hardtops to reduce drag on the long Mulsanne straight. Only the right hand drive AC entry (resembling the car you see here) survived at the end and finished 7th, beaten by 6 Ferraris. The conclusion was that the roadster lacked top speed to win races on the longer international circuits.
The Cobra is a high powered, hand crafted aluminium bodied sports car of the 1960's . Its creation, production and ongoing development being the result of joint Anglo American co-operation between Carroll Shelby, AC Cars Limited and The Ford Motor Company. The AC/Shelby/Ford Cobra was a huge success. The combination of British craftsmanship, Ford Power and Carroll Shelby's foresight, determination and racing successes made the Cobra famous and today ranks among the most collectible and valuable of classic motor cars. Today's AC Cobra is still entirely hand made by the same traditional British coach-building methods used by AC Cars in the 1960's and utilising the same original Cobra tooling. Each part is painstakingly hand crafted to the highest possible standards from the aluminium outer body to the leather trimmed interior. The Cobra name and Trademark were sold to Ford Motor Company by Carroll Shelby in 1965 and AC Cars are the only Company in the world licenced by Ford to use the famed Cobra Trademark and name on their product.
AC COBRA ENGINE SPECS
Manufacturer
Ford
Configuration
V8
Capacity
4942 cc (302 cu in)
Bore
101.6 mm (4.0 in)
Stroke
76.2 mm (3.0 in)
Compression ratio
9.0:1
Valve gear
OHV
Aspiration
Electronic fuel injection
Power (DIN/rpm)
225 bhp @ 4200 rpm
Torque (DIN/rpm)
300 lb ft @ 3200 rpm
Power to weight ratio
200 bhp per ton
The AC Cobra
After the disappointing finish at Le Mans Ford and Shelby decided to concentrate their international racing efforts on the Lola based GT40 project. The GT40 still needed a lot of development and to fill the gap until the GT40 could be entered competitively Shelby agreed to a proposal by young designer Peter Brock to create an aerodynamic coupe body on the chassis of the Cobra 289. This option had occurred as a result of a recent change in FIA homologation rules for GT racing cars.
Now it had become possible to either change the body or the chassis of the car without making another 100 examples of it to qualify it as a GT car. The intention of this was to make slight enhancements possible for small manufacturers taking part in the series, like fitting wider tires or extra air intakes, but there were no exact boundaries defined. This made fitting the sleek GTO body on the 250 GT berlinetta chassis possible for Ferrari and Brock envisioned something similar for the Cobra 289.
A small development team was formed by Brock, racing driver and engineer Ken Miles and mechanic John Olsen and in September 1963 work on the Cobra coupe started. The objective was to wrap an aluminium body as tightly as possible around the Cobra's underpinnings to reduce frontal area, to make it cut through the air and yet to meet FIA regulations regarding windows, windshield, spare tire and so on.
AC Cobra Le Mans Replica 1964
Then a winning spree of almost 2 years started with a successful 1964 Le Mans race. Two Daytona coupes were entered and they were so quick that they left all competition behind and ran with the cars in the faster prototype class. Drivers Dan Gurney and Bob Bondurant took 4th overall and 1st in the GT class, defeating the magnificent Ferraris 250 GTO. More victories followed but after cancellation of the Italian Monza race the Cobra Daytona coupe just nearly missed the GT World Championship crown which was snapped up by Ferrari's 250 GTO.
Ferrari didn't compete in the 1965 GT World Championship, lacking a car to beat the mighty Cobra Daytonas. The Daytona coupes, entered by Alan Mann racing from Britain as Shelby was busy with the GT40 programme, then dominated on the international circuits, scoring victories in 8 of the 10 championship races. The 1965 Manufacturers Championship was easily won.
After the 1965 season Ford and Shelby lost all interest in the Cobra Daytona coupe, since they were moving on with the GT40 effort and didn't want in-house competition from the Daytona coupe. The coupes were left in England with Alan Mann but under a threat of a large tax fine (the cars never being officially imported) they were flown back to Shelby in the US who had a hard time selling them. It took a few years to get rid of them at prices of around 5000 US Dollars.
AC Cobra Daytona Coupe 1964
That last bit is hard to believe nowadays. The Daytona coupes are the most valuable of all original Cobras, each of them worth over a million US dollars, at least ten times as much as a Cobra roadster. And rightfully so, it's a beautiful beast looking like it is all coiled for a huge jump forward and it's packing an enormous punch. The Daytona coupes are largely responsible, certainly outside the US, for the Cobra's fabled racing heritage in which the "regular" Cobra roadsters played a minor part. In that respect it's a pity that there wasn't a street version developed of the Daytona coupe, sort of like a reinvented AC Aceca, at the right time it might have rendered the Cobra an image similar to that of Ferrari instead of being a specialty car.
Never the less, the Cobra became an icon. It may have its flaws, like being impractical, difficult to control (especially the 427) and lacking chassis rigidity, its uncompromising nature, appealing looks and unsurpassed dynamic sensations more than make up for that. There are far more enthusiasts than original Cobras, so expect a substantial price if you want to obtain one.
THE AC ACE
The new AC Ace model received rave reviews from the motoring press in 1995 but never entered full production. Its design is now being revised to meet safety and environmental regulations and offer even greater driving enjoyment.
AC Ace
The latest AC Ace has been designed and developed not only to meet the rigorous and exacting safety and emission requirements of the EEC and North America, but also to provide an aerodynamically stable, long-lasting vehicle that is both practical and remarkably easy to drive. Yet, at the same time, it has the exciting performance and handling characteristics of the almost forgotten golden age of powerful front-engined British sports cars. The massive construction of the stainless steel alloy monocoque-type chassis, together with the aluminium outer body panels, provide an immensely rigid and corrosion-resistant platform to mount the race-inspired suspension, ABS controlled ventilated power disc brakes and variable-ratio power-assisted steering. Sacrificial crash structures and hydraulic rams are incorporated into the front and rear of the monocoque, capable of progressively absorbing substantial impact without damage to the main chassis and cockpit areas whilst extensive door beams protect driver and passenger from side impact.
Wide-based unequal-length wishbones, gas-filled dampers (twin at the rear) and concentric coil springs impart the traditional firm feel of a powerful sports car without impairing ride quality or transmitting vibration and harshness into the cabin. Though front engined, a 50/50 front/rear weight distribution has been achieved to provide precise and balanced handling that both reassures and rewards the driver. The ACE's 5.0 litre EFI catalytic V8 engine, coupled either to the 5-speed manual or the optional 4-speed automatic transmission, allows effortless acceleration up to a top speed in excess of 140mph. At the same time, 28 Tclean' miles per imperial gallon can be achieved on unleaded fuel. British craftsmanship is evident the moment you sit behind the wheel.
Trimmed extensively in the finest Connolly hide, wool carpets and burr elm veneers, the interior imparts a feeling of luxury and natural warmth. Fully adjustable seats, adjustable steering column and air conditioning provide driver comfort whilst the fully retractable power hood provides an all-weather sports car for all climates. The joy of experiencing comfortable open-top motoring regardless of the season is, of course, the true purpose of the Ace. The Ace's unique and distinctive shape is the result of extensive wind tunnel testing resulting in excellent aerodynamics providing high speed stability. Of equal concern was the desire to reduce cockpit turbulence during Ttop-down' motoring. The Ace features a remarkable absence of the wearying and undesirable wind buffeting normally associated with open-top vehicles. In every sense, the AC ACE and the AC COBRA are both traditional British sports cars from Britain's oldest manufacturer designed predominantly for the American market to invigorate and satisfy those who take personal pride and derive pleasure from their open top motoring.
AC Ace
1901
John Weller, an engineer backed by John Portwine, a wealthy tradesman, set up a small engineering workshop in South London to build motor cars.
1903
A two-cylinder 10 hp model and a four-cylinder 20 hp model were displayed at the British Motor Show. Autocar June 6th reported, RWe foresee a brilliant future for the Weller car and its talented designerS.
1904
The firm, then known as Autocar & Accessories Limited, produced a commercial vehicle known as the Autocarrier. This was a 5.6 hp air cooled single cylinder tricycle built as a delivery vehicle P which proved successful.
1905
The Autocarrier found an immediate market and became a familiar sight. It was fashionable for firms such as Maple & Co, Dickens & Jones and Goodyear Tyre Co to have at least one as a delivery van. One concern ran a fleet of over 70.
1907
A passenger-carrying version of the Autocarrier was made, known as the Sociable. Its simple and practical design ensured its production until 1915. The abbreviation AC was used for the first time and in November a new company was formed, Autocarriers Limited, taking over Autocar & Accessories but with Weller and Portwine still as Directors.
1910
TMotor Cycling' August shows the Autocarrier adapted for military needs. The 25th London Cyclist Regiment was equipped with these vehicles. Maxim guns were mounted on special bodywork and other Autocarriers were adapted as ammunition transporters. The Autocarrier was chosen by the military authorities because of its reliability, lusty performance and special manOuvrability.
1911
Autocarriers Limited moved to larger premises at Thames Ditton in Surrey, at which time Weller designed AC's first production four-wheel car.
1914
During the First World War, AC's efforts were concerned with the manufacture of shells and fuses.
1918
Full production commenced with the two-seater, four-cylinder car which sold at #255. The cars were immediately successful in competition, particularly in hillclimbs and early trials such as the Land's End.
1921
Showrooms and offices in London's Regent Street were opened, and racing driver S. F. Edge joined the board of Directors. Weller and Portwine resigned. Edge became Chairman and AC Cars Limited was formed. The cars were sporting in character, possessed an amazing performance and were equipped with stylish bodies offered in a range of colours. Success in both competitive and ordinary motoring proved the AC slogan at the time: TThe First Light Six - and still the best'.
1922
Of all AC's competition achievements, they were especially proud of having covered one hundred miles in the hour, with a special AC record-breaker powered by their four-cylinder, four valve per cylinder engine. Mr J. A. Joyce drove the car at Brooklands in November and completely shattered all the light car records, the fastest lap being the last one at 104.85 mph.
1928
Seven models were now on offer, ranging from the Aceca two-seater coupe to a long wheelbase coachbuilt saloon. The output of the AC six-cylinder engine increased from 40 to 56 bhp. The AC Car Company was at this time one of Britain's largest automobile manufacturers.
1929
The World economic recession - AC Cars Limited, together with many others of the period, went into voluntary liquidation.
1930
William A. E. Hurlock and his brother, Charles F. Hurlock, purchased the AC Car Company. No new cars were produced but servicing facilities were maintained. Pressure from satisfied AC customers persuaded the new Directors that there was a future for limited production of hand-made cars for a specialist market. Throughout the Tthirties', the AC six-cylinder engine served faithfully in achieving tremendous results in events such as the RAC and Monte Carlo Rallies. With showrooms in Park Lane, London, the Company was prosperous and stable.
1931
The name Ace was used for the first time.
1933
Four new cars were entered in the RAC Rally, and all of them took prizes. A four-seater sports driven by Miss Kitty Brunel scored an outright win, Charles Hurlock took fourth place, William Hurlock sixth and Mrs G Daniel finished seventh and took first prize in the concours dTelegance.
1937
AC found export sales in North America.
1939
The outbreak of World War 2. All production facilities were turned over to the war effort for the manufacture of fire-fighting equipment, aircraft parts, radar vans, flame throwers, guns and sights.
1945
When war activities ceased, thoughts turned again to motor cars. Slowly, following much development and improvement, production grew.
1950
Five cars per week were produced of the Two Litre model, which was available in several body styles.
1953
The AC Ace, an open top two-seater sports car was produced and quickly gained a big following amongst sporting motorists. It was highly successful in British TClub' racing, being the type of fast, tough car that a private owner could race and rally and still use for everyday motoring. The AC Cobra evolved from the AC Ace .
1954
The Aceca Coupe was introduced at the London Motor Show and went into production the following year.
1957
Le Mans - Ace Bristol finished tenth overall. Efforts never concentrated solely on cars and the familiar blue invalid carriages were turned out by the hundreds at Thames Ditton, alongside the high powered sports cars.
1958
Le Mans - Special-bodied Ace Bristol finished eighth, a standard version ninth.
1961
Carroll Shelby, a Texan ex-race driver, entered negotiations with AC Cars and with the backing of The Ford Motor Company, proposed the installation of a large Ford vee eight engine in the current lightweight AC Ace. Built by AC Cars, the combination resulted in the AC Cobra, one of the fastest and most brutal sports cars ever produced.
1962
AC Cars production concentrated on manufacturing the AC Cobra. Each one was hand built at the factory in Thames Ditton.
1963
The AC Cobra caused a sensation by racing along the M1 motorway at 196 mph, leading to questions being raised in Parliament. Production of the AC Cobra was now 15 cars per week. The AC plant at Taggs Island, situated half a mile from the main AC Works, was fully occupied with the manufacture of motorised invalid carriages for the Ministry of Health. 1,200 invalid carriages were produced.
1964
Following the motorway sprint, a 70 mph legal speed limit was introduced. Two AC Cobras were entered in the Le Mans 24 Hour Race, the AC entry was the first British car to finish. By now, the 427 AC Cobra had the distinction of being listed in the Guinness Book of Records as the fastest production car in the world, a title which it held for several years.
1965
The AC Cobra wins The Sports Car World Championship.
1967
AC Cars produced the 428, a seven-litre sporting model with a body design by Frua of Turin. 29 Convertible and 51 Fastback vehicles were produced up to 1973, when production ceased.
1970
During the 1970s and early 1980s AC developed and produced the ME3000, a totally new mid-engined two-seater sports car.
1985
The updated 5.0 litre AC Cobra is re-introduced into North America, using the original tooling and meeting 50 State EPA and DOT Federal Regulations.
1986
After some 56 years of ownership, the Hurlock family sold their controlling interest in AC Cars to the joint ownership of Autokraft Limited and the Ford Motor Company. William Hurlock's son Derek retired as Chairman. The AC Ace prototype is displayed at the Birmingham Motor Show.
1988
AC Cars moved into a new purpose-built factory of some 90,000 square feet sited within the historic Brooklands race track, scene of so many achievements by AC Cars during the 1920s. The AC Ace is redesigned for the 1990's sports car market.
1990
The RlightweightS version of the AC Cobra is introduced.
1991
The AC Ace pre-production vehicle is constructed by Autokraft. The body styling is by International Automotive Design (IAD) of Worthing. IAD continue to assist AC Cars in design engineering to meet full International Certification regulations.
1992
Brian Angliss personally acquires Ford's interest in AC Cars Limited. The AC Ace is developed into its final production form for 1993 launch. The AC Cobra Lightweight is re-engineered to meet 1993 EEC and 49 State North American Certification Standards. AC Cars returns to London Showrooms after an absence of 50 years.
1993
The AC Ace receives full EEC type approval and is launched at The London Motorshow.
1994
The AC Ace enters production.
1995
The AC Ace unveiled to North America at the Detroit Motorshow.
1996
One of the world's best known classic sports cars - the AC Cobra - has been saved. A new company - AC Car Group Ltd - has acquired the assets and business of the former AC Cars company, Britain's car maker with the longest record of continuous production.
Pinhole (Lensless / Without Lens) Photography to 3x4 Instant Film
Taken with a homemade 4x5 camera with pinhole.
Shoot to expired 3x4 Polaroid Color instant film.
Color and soft focus manipulation with Tiffen lens filters.
Final work with PS.
AUTHOR : IMRE BECSI
I prepared this picture in this year's lightworkshop (FÉNYMŰHELY) photo camp.
Location of shoot :
Village museum of Edelény,
Hungary,
Central-Europe
Latitude - 48°18'28.83"N
Longitude - 20°44'52.38"E
Time of shoot : 01.06.2008.
Detailed information :
PICTURE MADE WITH :
( Home-made assembled pinhole camera be composed of
few original photography equipments )
Camera body : IKEA plant pot
Film back : 450 (Pack film holder to 4x5 back)
Film back holder : Cambo Revolving Back Assembly
Grip : IKEA handle
Viewfinder : Mamiya 75 mm
Focus : 85 mm
Pinhole : 0.35 mm (from Lenox laser)
Diaphragm : 243
Shutter : Compal Polaroid MP4
Matte Box : Old bellows style Arriflex 3X4 (from my Eclair s16 movie camera set)
Tripod & Head : Velbon
Quick release plates : Manfrotto
Picture from the camera :
www.flickr.com/photos/jonespointfilm/2697851395/in/set-72...
The parameters of camera : (when I use 95x73 mm format instant film)
- Angle of view : 70°20'56"
- Light falloff at the corners [f/stops] : 1,2
- Resolution [lines/diagonal] : 684
Film : Polaroid 125i (Expired !)
Filter : Red Enhancing, Warm Soft FX 2, Wratten 85b ND6 (is all Tiffen)
Metered exposure : ? EV (Minolta Light Meter III with diffusor)
Calculated exposure : 1 min
( I use my reciprocity compensation value chart )
Dev. : 75 sec.
POST WORK : (27.08.2009.)
Scanner : Epson Perfection 3200 Photo (1200 dpi)
Scanner software : SilverFast SE
Final work : PS
Thanks for looking !
Comments very much welcome !
Important note:
This images are copyright protected. No reproduction in any way,
no copies, no editing, no publishing, no screenshots, no posting,
no blogging, no transmitting downloading or uploading
without my written permission!
Thank you !
Hilo de la Fotohistoria en Pullip .es: SHIN'S BASS SOLO (1 of 1) /
EL SOLO DE SHIN (1 de 1)
(Read in order, this is: SHOT/FOTO 29 of 48) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48.
FOTOHISTORY: In English / En Español
Ren: - whispering – It was a kind of welcome party because we just finished building our first dioramas, but that night you had a meeting with the producers.
/
Ren: - susurrando- Era una especie de Fiesta de inauguración porque acabamos de construir los primeros dioramas, pero ese día tu tenías reunión con los productores.
LINKS:
- FOTOHISTORIAS en casa de Sheryl en el Foro de Pullips: Pullip .es
- Hilo de las Fotohistorias de Shin y Yashiro en el Foro de Pullips: Pullip .es
- Hilo de la Relación entre Shin y Yashiro en la sección de Penpals de Pullip .es
- Ayrin and Sheryl PHOTOSTORIES at Flickr
Not completely happy with today's 365 photo... but that's okay. You can't win them all!
I suppose this is my attempt at getting in the spirit for Christmas (which I'm really not.)
I'm miss home and bucket loads of snow! Scotland is great, but there is no snow (and probably wont be for Christmas! Boooo) Though, there is no shortage of hot chocolate with baileys and curling up under warm blankets, so that is nice!
Song of the Day - St. Vincent (with Andrew Bird) - What Me Worry
(this video makes me react in unexplainable ways... it is probably what I would consider the best video on youtube... so PLEASE watch it! Oh, and also... I fucking LOVE the lyrics, and can relate to them in a big way)
"What me worry? I never do
I'm always amused and amusing you
Sans le fear of impending doom
Life is like banquet food: pleasure to peruse
Do I amuse you, dear? Would you think me queer
if while standing beside you I opted instead to disappear? Disappear
In no hurry I'll sing my tune
All my skies the hue of a ruddy bruise
In my finest threads couture I'll call up my favorite muse
for a drink - half full - or two
Have I abused you, dear? You have had it to here
You say, "Love is just a bloodmatch to see who
endures lash after last with panache"
In the spring I'll dust off my lute, stuff my suitcase full of blues
and stir the dust underneath the thrust of my clicking heels
C'est la vie
What me worry? I never do
Life is one charming ruse for us lucky few
Have I fooled you, dear?
The time is coming near when I'll give you my hand and I'll say,
"It's been grand, but... I'm out of here
I'm out of here" "
En 1690, le marquis de Louvois, Ministre de Guerre de Louis XIV, ordonne à l'intendant Bégon la construction d'un fort sur la pointe d'un rocher nommé « Le Chapus ». Construit face à la citadelle du Château d'Oléron, il permettait de croiser les tirs des canons et de verrouiller l'accès sud à la rade de Rochefort.
La réalisation des plans est confiée à François Ferry. L'ingénieur dessine un fort ovale, à deux étages de canons, relié à la côte par une chaussée de 400 mètres submersible à marée haute.
Ce projet ambitieux est remis en cause à la mort de Louvois. Vauban réduit le projet : seule la moitié de l'ovale est réalisée, donnant ce plan en fer à cheval doté d'un unique étage de batteries et d'un donjon central entouré d'une douve.
La construction débute en 1691 et s'achève en 1694. Il est le dernier ouvrage de fortification maritime commandé par Louis XIV.
Le 10 septembre 1944, après la libération de Marennes, les Allemands qui occupent encore Oléron tirent des obus sur le fort depuis l'île. Très endommagé, il est acheté par la commune de Bourcefranc en 1960 et restauré. Il ouvre au public en 1972. La caserne, le donjon et le magasin à poudre sont aujourd'hui des espaces muséographiques
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Hecho, Huesca (Spain).
ENGLISH
Valle de Hecho is a municipality located in the province of Huesca, Aragon, Spain. According to the 2004 census (INE), the municipality has a population of 984 inhabitants.
Source: en.wikipedia.org/wiki/Valle_de_Hecho
---------------------------
CASTELLANO
Valle de Hecho (Val d'Echo en aragonés) es un municipio del partido judicial de Jaca, provincia de Huesca. Pertenece a la comarca de la Jacetania.
La capital del municipio se encuentra en la población de Hecho (Echo en aragonés). Otras localidades pertenecientes al término municipal de Valle de Hecho son: Siresa (Ziresa en aragonés), Embún, Urdués y Santa Lucía. Hasta finales del siglo XX, el nombre del municipio era Hecho.
La vitalidad de las gentes del valle se muestra a través de la vida cotidianda y de sus constumbres. La fabla chesa, el folclore, la gastronomía, las fiestas... se miman y celebran para disfrute de vecinos, visitantes y amigos.
Es uno de los lugares en los que sigue en uso la lengua aragonesa, en la variante conocida como cheso, nombre tomado del gentilicio que se aplica a los habitantes del valle.
La música y los bailes tradicionales, junto con la rica indumentaria antigua, se exhiben gracias al Grupo Folclórico de la Val d'Echo, al palotiaú d'Embún y al grupo A Ronda d'Os Chotos d'Embún. Sus músicas traspasan las fronteras de Aragón pregonando constumbres y tradiciones ancestralesy el sentir de las gentes de hoy.
Más info: es.wikipedia.org/wiki/Valle_de_Hecho
Anger is a momentary madness, so control your passion or it will control you.
The one who cannot restrain their anger will wish undone, what their temper and irritation prompted them to do.
Secret 4:
Sometimes I just want to pick up the nearest object and slam it into something to get out all the pent-up anger I have, and do serious damage to the people around me, or myself.
And the nearest object happened to be a guitar ^_^ Hm... I wish it looked more like I'm swinging it with REAL anger and about to smash it for real...
Visit my blog for advice on how on how to take photographs of your children or submit a photo for inclusion in "Ken's Tips On Your Pics": www.kensharp.com/blog/category/kens-tips-on-your-pics-2/
© Ken Sharp. Please do not use or download without permission. If you have any queries please contact me: www.kensharp.com
The ships are named Göran and Gert hence the title on the photo.
S / S Göran was built in the old shipyard at Övermo and was completed in 1881, Göran was used to float timber. On June 16, 1916 a 20-year-old stoker was killed in a boiler explosion on Göran. The boat was salvaged, restored and used until the floating stopped 1970th.
S / S Göran byggdes i det gamla varvet vid Övermo och stod färdig år 1881, Göran användes för att flotta timmer. Den 16 juni 1916 förolyckades en 20-årig eldare efter en pannexplosion på Göran. Båten Bärgades, återställdes och användes tills flottningen upphörde 1970.
Prades, Tarragona (Spain).
“The Hispania” was a company of buses founded in Reus between 1905 and 1909 and that communicated the populations of the Priorat with Reus until year 2004. This one was the bus stop of Prades.
"La Hispania" era una compañía de autobuses fundada en Reus entre 1905 y 1909 y que comunicó las poblaciones del Priorat con Reus hasta el año 2004. Ésta era la parada de Prades.
ENGLISH
Located near the highest point of the Muntanyes de Prades range, of which region it is the capital, the ‘red town’ of Prades, which gets its name from the characteristic red stone of the area, is located in the middle of a plateau at an altitude of 940 m, in a densely forested part of the comarca (roughly equivalent to a county) of Baix Camp in the province of Tarragona.
In the surroundings there are traces of prehistoric settlement, some neolithic, and also of Iberian/Pre Roman times. There is as yet no clear historical record until the time of the Reconquista (the reconquest by Christian forces of territory formerly under Saracen control) in the 1150s. At that time, these mountains were of key strategic importance and served as a defence line against the Saracens who had settled in the area around Siurana. Once Lleida and Tortosa fell to the Christian forces, Siurana was besieged and finally conquered, the Saracens were banished and the territory then settled by the victors. The political centre of gravity of the range then moved from Siurana to Prades, which received its township charter in 1159.
It is important to remember the Counts of Prades were always prominent in matters of internal politics and in the campaigns of expansion across the Mediterranean, and that in the grandest age of the County, as direct descendants of the King, they ranked high amongst the Catalan nobility. Their aristocratic power lasted until Mendizabal’s land disentailment law of 1835 and the title of Count of Prades is still preserved in the line of the Dukes of Medinaceli.
During the War of Separation (also known as the war of the Segadors) in the 17th century, in which Catalonia fought against Spain, the county of Prades was an important war zone. As a result of that war, parts of the walls and the castle were destroyed.
More info: www.prades.es/angles/angles.htm
------------------------------
CASTELLANO
Situado cerca de la cima de Las Montañas de Prades, de las que ostenta la capitalidad, la villa vermella (rojiza) de Prades se encuentra en medio de un altiplano a 940 mts. de altitud en una zona de gran densidad boscosa de la comarca del Baix Camp en la provincia de Tarragona.
El entorno de Prades conserva indicios de poblamiento prehistórico, con restos de la época neolítica, que llegan hasta los asentamientos iberico--pre-romanos. No se tiene certeza de hechos históricos hasta la Reconquista durante la cual estas montañas constituyeron una pieza clave ya que sirvió como elemento de defensa a los serracenos que se habían establecido en el entorno de Siurana hasta que el Conde de Barcelona, Ramon Berenguer IV, a mediados del siglo XII, después de apoderarse de Lleida y Tortosa, estando Siurana totalmente sitiada, fue reducida y expulsó a los sarracenos y repobló la zona. El centro de gravedad política del macizo, en este momento, se desplazó de Siurana a Prades que el año 1159 recibió una Carta de Población.
Es importante remarcar que los condes de Prades estuvieron siempre presentes en los hechos de la política interior y en las campañas de expansión por el Mediterráneo y que en la época más esplendorosa del condado, como descendientes directos del rey, ostentaron categoría de primer orden entre la nobleza catalana. Su dominio señorial duró hasta la desamortización de Mendizábal en 1835 y el título de Conde de Prades aún se conserva en poder de los Medinaceli.
Durante la Guerra de Separación o de los Segadors (s. XVII), que enfrentó Cataluña con España, el condado de Prades fue un importante centro de operaciones bélicas. Como consecuencia de la guerra, fue destruida parte de la muralla y del castillo.
Más info: www.prades.es/espanol/espanol.htm
View Large On Black. Do It. Now.
Seriously. Check out my abs.
Molly shot this months ago and then somehow it got lost. She posted a similar shot but my leg wasn't fully extended and my tummy wasn't as rad....I'm not sure how that happened. But anyhow, if you're not already looking at her stuff, you should get an eye on it. I made her rummage through old photos searching for a funny one of me from a while back, and she should have that up soon. Laughs guaranteed for all.
While I'm pimping, if you haven't been watching him, Brendan is settled in Antarctica and pretty happy with his cold little life. He has absolutely kept his promise of Penguin Pictures. And Seals. And Whales. And Icebergs. And Sunsets. And Landscapes. And Seascapes. He doesn't post daily like most of us addicts, but when he does he usually has something that is astounding. I've accepted that National Geographic photos exist....but it's pretty amazing that some ordinary bloke is living a life where there are more penguins than people..
In other news, thanks for all the well-wishes for my dad. He is finally out of the hospital. Apparently he has pneumonia, and a dangerously slow heartbeat. They are talking about a pacemaker. Scary. But he seems to be out of the woods right now, so that's good. If I can figure out logistics, I'll be moving back to Portland in just over a month, so no more long-distance freakouts for me!