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This is one of artist Dale Chihuly's glass art displays at the Desert Botanical Garden in Phoenix, Arizona. The exhibition at the Garden is named "Chihuly: The Nature of Glass" and Chihuly's work is displayed from November 22, 2008 to May 31, 2009. The Nature of Glass exhibit features new and unique works of glass artfully located throughout the Garden. Dale Chihuly is known for his innovative glass sculptures, and his work is immediately recognizable for its grand scale and vibrant colors. This is Chihuly's first exhibition in an outdoor desert environment.
“The artist permits and encourages photography of the artwork in this exhibition for educational and non-commercial use only.”
INFORMATION ON ARTIST DALE CHIHULY:
Dale Patrick Chihuly (b. September 20, 1941 in Tacoma, Washington, United States) is an American glass sculptor. Chihuly graduated from high school in Tacoma. Supported by his mother, after his brother George's death in a flight-training accident in Florida and his father's death of a heart attack, he enrolled at the College of the Puget Sound (now University of Puget Sound) in 1959.
In 1967, he received a Master of Science in sculpture from the University of Wisconsin-Madison, Chihuly lives and works in his 25,000 square foot (2300 m²) studio, nicknamed "The Boathouse" for its former use, on Lake Union. Since losing the vision in one of his eyes in a car accident in 1976, Chihuly (who wears an eyepatch) no longer has the depth perception necessary to handle the molten glass himself. Instead, he conceptualizes each project with paint and canvas and then employs a team of artists to do the work.
About his work: His fascination with abstract nature forms comes from his mother's garden in Tacoma, Washington. One of his sculptures would be prominently displayed on the sitcom Frasier, which is set in nearby Seattle. His love for the ocean and its creatures is also reflected in his art.
Over the past forty years, Chihuly's glass sculptures have explored color, design, and assemblage. Although his work varies in size and color, he is best known for his multipart blown masterpieces. Also interested in Irish culture, he has produced a sizeable volume of "Irish cylinders," which are more modest in conception than his blown glass works.
Some of Chihuly's works cover whole ceilings of casinos and hotels, while others are hand-sized abstract flowers. Chihuly uses intense colors to bring his work to life. He is also known for using neon and argon.
Chihuly uses nature as a setting for his pieces, and tries to create his pieces as though they are part of nature. He sometimes entwines his pieces around tree branches and trunks. He also suspends them in space and floats them in water. Although it is not widely known, some components of Chihuly's installations (for example, the stacked aqua-colored chunks that decorate the Tacoma "Bridge of Glass") are made of an acrylic-type material rather than glass.
Source: Wikipedia
INFORMATION ABOUT THE DESERT BOTANICAL GARDEN:
Nestled amid the red buttes of Papago Park, the Desert Botanical Garden hosts one of the world’s finest collections of desert plants. One of only 44 botanical gardens accredited by the American Association of Museums, this one-of-a-kind museum showcases 50 acres of beautiful outdoor exhibits. Home to 139 rare, threatened and endangered plant species from around the world, the Garden offers interesting and inspiring experiences to more than 300,000 visitors each year.
A charter member of the Museum Association of Arizona and National Center for Plant Conservation, the Garden is fully accredited with the American Association of Museums and American Association of Botanical Gardens and Arboreta. It continues to build on its 63-year legacy of environmental stewardship, and has become nationally and internationally renowned for its plant collections, research and educational programs.
Source: www.dbg.org/index.php/about
Here is my second photo of today :).
This is my other younger sister who is visiting this week.
I wanted to get a little more creative with my composition, and this is the result. I really like how it turned out :). Lately I have been a big fan of black and white photos as you can see XD.
Enjoy!
Strobist
Bare B800 camera right and behind subject.
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Well, we did it, we went camping. It was so nice when we got there. We got the tent set up had some beers and mom some wine. I went and got us some firewood so we could have a campfire that night. The campfire didn't happen because the rain came in. It was scary, with the lightening and then seconds later the thunder. That storm last a long time and by the time it was over, it was to dark to have a fire and make dinner over it. So we had a sandwich for dinner. The next day the we went fishing in this beautiful little lake but we didn't catch anything but the rocks on the bottom of the lake. After fishing I drove mom around the campground and then around Show Low. When we returned the Ranger told us that the storm the night before was the worst storm they had all summer. We got back to the tent and guess what....you got it, it started to rain. This time it rained for 7 hours straight. It did lighten up enough for me to start a quick campfire to grill our hot dogs but that didn't last long and back to the downpour. In the few days that we were gone, we go to know the inside of our tent very well. I told mom she had to go again because this wasn't what it was suppose to be. So, we will be heading off again one of these weekends.
Thanks to Kim Klassen for the use of your textures.
In viaggio da Macerata diretto a Perugia sono attratto da questo paesino visibile dalla strada. Piccola deviazione, una visita veloce per realizzare questi pochi scatti
Il nome del paese deriva dalla felice posizione geografica ed indica appunto un "Bel Forte" o "Bella Fortezza" che si affaccia sulla vallata del Fiume Chienti.
Il castello costruito nel XII secolo fece parte subito della giurisdizione di Camerino fino al 1255 quando si allea con Tolentino per consegnarsi a quest'ultima città nel 1256. Il passaggio ufficiale a Tolentino avviene sotto Enrico Ventimiglia nel 1260.
Nel 1435 Belforte viene annesso ai domini che già presentava in zona Francesco Sforza.
Successivamente la storia di Belforte del Chienti entra a far parte di quella dello Stato Pontificio prima e del nuovo stato italiano poi.
www.eurobricks.com/forum/index.php?/forums/topic/182444-f...
The darkness of the temple was all-encompassing. Their hololamps felt like comically weak attempts to fight back, as dim and small as they were. The huge, empty halls seemed to call out to them as they passed. More than once, Nathan thought he’d heard someone.
“What was that?” he’d asked Ozz, who stared at him with concern.
“Nothing, kid. Just like last time. Get a grip, would ya?”
Something glinted in Ozz’s light. He peered at it, trying to get a closer look.
Eefo, their guide, (and current victim of blackmail) led from the front.
“Come,” she said. “The deep archives are this way. If there are any records related to Balaam’s Heart, we will find them there.” Then she added, more bitterly, “We can only hope this excursion does not doom the known galaxy.”
Nathan frowned over at her. “Or maybe it’ll keep it safe. If we don’t find the Heart, Pyerce might. It’s worth the risk.”
“Woah, woah, woah!” Ozz exclaimed, and his excited cry echoed in the tunnel. He hurried over to what he’d found—a pile of artifacts, gleaming beneath the dust and sand. “These babies look valuable!”
Eefo and Nathan stood in the entrance of another hall, pausing to look back at him. Eefo couldn’t hide her disgust with his priorities.
“Artifacts for processing, not what you seek.”
“Yeah, not what we came here for,” Nathan said. “Come on, Ozz. Sooner we get out of here, the better.”
Of course, Nathan should never have said that, because that’s the exact kind of thing that leads to ironic catastrophe. And so it did.
The rumbling began quietly, but was deafening before they had a chance to react. The walls were trying to shake apart. The ground bucked underneath them. The tunnel was filled with the cacophony of shouting and the crashing of rock as they all dodged rubble dropping from overhead and dived for cover. What felt like forever was over in just a few seconds.
Nathan pushed himself off the ground and looked frantically for his friend.
“Ozz, Ozz!”
“Nerd?” came the weak reply, through a layer of fallen rock.
“Ozz!” Nathan shouted again, trying to pull away rubble. His efforts were in vain.
“I’m alright, kid! Just…in a different room. You got our bounty?”
Nathan felt a mixture of relief and annoyance surge through him, and he took several deep breaths. Eefo was getting to her feet nearby.
“You okay?” he asked. She replied with a thumbs up.
“Yeah, she’s okay,” he told Ozz. “Hey, we’re gonna make it out of this. Listen, try and go back the way we came, or find another path out. We’ll all join back up at the entrance, got it?”
“Sure, sure. Me, worried? About the dark? Nah. See ya in a bit, no problem.”
Nathan took a moment to rest after the stress of the cave-in. “He’ll be fine,” he told himself.
“Perhaps he will,” Eefo replied dryly. “Forgive me for my lack of concern.”
“Okay, Ozzie, okay. You’re gonna be okay,” Ozz whispered, casting his hololamp around the rubble to find a good path out. The way they’d come in was blocked, so he chose the next best doorway and started trudging along. “No worries, no worries. Think happy thoughts. You’ll get paid! Oh—“ he turned back and—at least something was going right—a few of the gleaming artifacts were strewn across the floor.
“Ooh-hoo-hoo-hoo!” Ozz hooted in glee, scooping up a few golden discs to stuff into his jacket. “Come to Ozzie! Now we just gotta find a way outta this pit, and Papa Ozzie can find a nice fence to hock to you to!”
He was glad Nathan wasn’t here to see him talk to treasure.
Now weighed down with future fortunes, Ozz trudged ahead into the dark tunnels and empty halls of the temple, all by his lonesome. He hummed to himself to ward off any fears. He really needed to start carrying a blaster. Nothing like a blaster to make you feel safe.
“Your pockets are heavy, thief.”
Ozz spun around, looking for the source of the voice. “Whosaidthat!” he cried, brandishing one of the discs.
“A denizen of this sacred place,” said the voice from nowhere.
“Oh…oh great, now I’m really going crazy. Amazing. Just ignore it, Ozzie, keep walkin’…”
“Ignoring a thing does not make it go away. Your name is Ozzie?”
“What? No, it’s…Ozzamandes. Hey, I’m not talkin’ to you. You’re just a voice in my head. Guy might look crazy talkin’ to himself like that.”
“I am not a manifestation of insanity, but of the force.”
“Ha, the force! Good one, brain.”
Suddenly, a creature appeared before him, a woman who seemed both there and not there at the same time, who shone with a ghostly blue glow. Ozz froze in place and stared at her, stunned.
She spoke with power and grace, and her face was severe. “A faith is a necessity for a creature, Ozzamandes. Woe to them who believes nothing. Woe to you, for I sense this void...within you.”
Shocked, Ozz’s grip went limp. A disc fell to the floor with a ‘clang’.
“Follow me,” Eefo said. “I will find us a way out of the tunnels.”
Nathan stopped in his tracks. “Wait a second. I want to get out too, but not before we find what we came for.”
Eefo’s face twitched. “Don’t you want to find your friend?”
“Yeah, but he’ll be fine, and ticked off at me if we leave this place with nothing to show for it. Can we still get to the archives after the cave-in?”
Eefo had been caught trying to wiggle out of showing him the archives, and she looked accordingly hateful.
“…Yes,” she spat. “Come, do not lose the way.”
As they walked, Nathan questioned her.
“The Scriptist’s madness, or whatever…he mentioned spirits. That’s just you, right? You’re gaslighting your mentor?”
“The spirits are real. The sabotage is mine, but the drain on his mind…the spirits are real. Dark things.”
This was not exactly the answer Nathan had wanted to hear while spelunking in a pitch-black tunnel.
“Oh, I see,” he said, shining his light behind him and hurrying to catch up.
“So what was your life like around here, huh? See any good holos?”
“As a Jedi scholar, I forbade myself from material pleasures, if that is what you ask.”
“Sheesh, aren’t you a bucket of fun.”
Ozz now continued his journey through the tunnels with the ghost woman at his side.
"You scoff. There is moral grandeur in this, no? The renunciation, the sacrifice this station requires? The self-exile, the remembrance of mortality, the committing of one's spirit to mystery and thought rather than toil?"
"Hah, I'd love to see you tell that to my pops. He loved toil."
"You use the past-tense. Your father is one with the force?"
"He's dead, if that's what you're askin'. We didn't see eye-to-eye, so wouldn't make much of a difference if he wersen't."
“But now you have another family? One of your own?”
“Hah! A family, nah. Just this kid mooching off my ship.”
“You have a child?”
Ozz shook his head, muttering to himself before replying. “No, no. Human’s name is Nathan, we’ve been working together for a few weeks. Can’t stand the guy, honestly. Always going on about safety and stuff. Takes himself too seriously. Got me fired once! For something I didn’t do, I’ll have you know.”
The woman smiled softly. “I sense care in your voice.”
“Pah! You’re hearin’ things too, then.”
“Love finds us in unlikely places. When it crosses our path, we are often slow to embrace it. We deny ourselves the comforts of familial care in order to protect our vulnerable, fragile egos.”
Ozz raised an eyebrow up at her and grimaced. “Geez, you get personal, lady. Bet you were a weirdo as a kid.”
They were stopped by sounds up ahead, strange howls and whispers that seemed to slither by in a tunnel before them. The woman flew in front of Ozz, her expression stern.
“What the keff was that!” Ozz cried, covering his head and looking around for danger.
“Dark spirits. My counterparts. The other side.”
“Well geez, terrible roommates! You just all hang out in the temple together? Just a big spirit party, good and bad?”
“I do not wish it to be this way. Their presence is a desecration.”
“Okay, okay…why don’t you evict ‘em then? You’re all glowly, I bet you could get rid of ‘em.”
“It’s not a question of my power, but of my purpose. I pledged myself in life to study and knowledge, it is not my place to raise hands against evil, but to equip those who do. I put them out of mind, and avoid their distraction.”
“Hm, couldn’t you make, like, an exception?”
She rounded on him, her expression fierce, her eyes wide.
“Does my life sound like one of exceptions, Ozzamandes?”
Ozz shrunk back from the frightful display. “Well, no. No, that’s a good point. But…”
The look on her pale face told him not to continue, but he was never good at listening to warnings.
“Well, you don’t really have a life, anymore. You’re—sorry if I’m the first one to tell you this—but you’re dead, lady.”
“I know this. Don’t insult my intellect.”
“Well then, you did good! You held to your pledges! They were pledges for life, right?”
She looked thoughtful, her brow knit. She said nothing.
“Besides, weren’t you the one that told me…ignoring something doesn’t make it go away?”
The deep archives were once locked behind doors that required power to open, powers neither Nathan nor Eefo had. But time and war wears away all things, this time to Nathan’s benefit. The doors were long since destroyed, and their access unblocked.
It was a narrow hall. Rows and rows of old books, many of them destroyed, lined the shelves.
Eefo gestured forward. “Feast away, you fool.”
Nathan shot her a look. “Kind of unnecessary, but…thank you for bringing me here. Where do I start?”
“Balaam’s Heart? I recommend ‘B’.”
“Oh, it works like that? Huh, I expected something weirder,” he said, and he stepped forward to scan the massive stacks.
Eefo looked on the shelves—the sheer amount of terrible, dangerous knowledge—and at the young man now searching amongst the tomes. Fear clutched at her heart. Her mind went to the blaster under her robes.
“You speak sense. Most unexpected,” the ghostly woman said.
“Oh, nice,” Ozz grunted. “I’ll try not to be offended about how you said that.”
“My apologies. Perhaps, as a spirit, my purpose is something different than what I was bound to in life. Perhaps I must evolve, as my being has evolved. Perhaps I must oppose the dark things here, and purify this temple. Thank you, Ozzamandes, for speaking with me. It has been most enlightening.”
“Sure, sure, any time. Now, I gotta get outta here, any chance…?”
“We have been following that path for some time. I have been leading you to your friends while we talked. They are just ahead.”
Ozz blinked in surprise. “No kidding? You’re alright, lady.”
“Ozzamandes,” she said, and her voice became serious and heartfelt. “Do not deny your care for your friend. You would rob yourself of greater riches than those you carry in your coat.”
Ozz avoided her gaze, nodding vaguely. “Oh, uh, sure, sure. Yeah, thanks for the advice.”
“And Ozzamandes,” she said again.
“What?”
“Please leave behind the things you’ve pilfered from my temple, if you please.”
“Oh,” Ozz blushed, and he casually removed the golden discs from his pockets and dumped them on the floor as gently as he could. “Sure thing, of course.”
She smiled. “Thank you. Farewell, I hope we meet again.”
“Me too, ‘cept I got no plans to come back to this joint. But uh, I’ll see ya when I see ya.”
A fondly amused expression was the last thing on her face before she faded away, and he was left in the dark. A door stood in front of him.
Ozz smiled proudly. “’Most enlightening’…Old Ozzie, who woulda thought!”
Ozz entered the deep archives. The first thing he saw was Eefo, hand on her blaster, and an unaware Nathan. Something in his chest swelled up, and his eyebrows furrowed. She was gonna blast his partner? Not on her life.
“Hey, what’s the big idea?” he shouted, and Eefo spun in alarm. She hastily drew her blaster. “Nate, look out!”
Ozz threw himself into the Rodian researcher, knocking both of them to the floor. The blaster went off harmlessly, a bright red bolt striking an ancient tome and completing its transition to nothing more than a pile of ashes.
Nathan ducked and swiveled. He stared at the prone Eefo. A few seconds and he would’ve been toast.
“Woah, woah! Thanks Ozz!” He suddenly grasped that Ozz was here, and grinned widely. “Ozz! You made it!”
“Yeah, yeah,” Ozz said, dusting himself off. Eefo looked trapped. “Had some help. I’ll tell ya about it later. Geez, once a spy, always a spy, huh!”
Eefo glared at him defiantly. “You’ll bring ruin to the galaxy!” she said, her voice trembling.
She stood on shaking legs, and occasionally her eyes darted towards the shelves, wide with fear. She was like an animal, and Nathan felt, most of all, pity. He understood what was driving her.
Nathan grabbed Ozz's arm and pulled him aside. He whispered, "Hey, I'm trying to honor what you said on Yavin, I'm telling you before I do something crazy."
Ozz looked at him warily. "...Kid, whatever you're thinking, you better not risk our profit, here. We're in a golden spot with this!"
"No, I'm not okay with how we've done this. Catching spies is one thing, but blackmailing, threatening deserters to get what we want?" He shook his head firmly. "That's not how I want us to do things."
Ozz looked between his eyes, searching for a way to convince him otherwise. There was no chance. He had no choice but to back down.
"That's...another payout lost, kid. I hope you know what you're doing: we need credits! Finding your girl is gonna take credits, you understand?"
"I know, we'll figure it out! I'm sure we can pick up a side job or something, but...I want to let Eefo go free. She's not even a spy anymore."
Ozz threw up his hands. "Have it your way. But you're the least lucrative partner I've ever had."
"This pays off in other ways, Ozz.” He turned back to the Rodian, approaching her cautiously.
“Hey, I’m not mad that you wanted to shoot me, alright? It’s…well, it’s not okay, Eefo. But I get it.” He stepped forward, and she flinched. “I don’t want to hurt you,” he told her. “We’re going to let you go free. You don’t have to worry about us leaking anything, or telling anyone where you are, okay?”
Eefo raised a brow skeptically. She waited for him to continue.
“Now, I know you think what we’re doing is wrong. But…I wish you could trust me. My intentions are nothing but good, I swear. You’re right that this is dangerous stuff. The Empire is looking for it, and I can’t leave whether they find it or not up to chance. Please, you don’t have to agree, but…don’t shoot me?”
She met his gaze, and gradually seemed to calm. Her eyebrow still twinged in frustration, but she sighed, and the fight had left her.
“Yes. Alright.”
“Great,” Nathan nodded. “Ozz, help me find this book!”
Ozz was already by the stacks, and held up an old pile of slates bound together with rope. “Was it ‘Balaam’?”
“Yeah, why—“
“Here ya go.”
He passed the slates to Nathan. Sure enough, Balaam’s name was on them.
“No way,” Nathan said, staring. “Ozz, thank you!”
“No problem,” he shrugged, unaware of his partners efforts to do what he’d just done in one glance.
“We’ve got what we needed. Let’s go see sunlight again, huh?”
Eefo led them back through the tunnels until they found the staircase they’d originally descended. They were cheered to see the light flooding through the open archways of the temple doors. Cold wind filled their ears as they crossed the old atrium floor and ventured out into the open air.
They gasped in horror when they saw the sky.
An Imperial Light Cruiser lay in the upper atmosphere. A small, white shape was gliding down towards them; a shuttle.
“Aw, hell,” Ozz grunted, slumping hopelessly.
“No!” Eefo screamed. “No! They’re coming for the temple!”
Nathan blanched, and held Balaam’s slates tightly under his arm. “We’ve got to get out of here. We can’t fight that thing.”
“The temple is bad enough, but we must not lead them to the Searchers! The unencrypted archives, the research, they cannot be allowed to have it!”
His jaw firmly set, Nathan made a decision. “Ride back to the outpost, I’ll hold them here.”
“Kid,” Ozz said weakly. “What the keff are you gonna do?”
A plan was formulating in his mind. Nathan approached the small conductor Eefo had planted in the ground when they’d arrived.
“Eefo, show me how to work this thing. Then you both go, get to safety!”
“Hey, kid,” Ozz said, his tone full of worry in a way Nathan had never heard.
“Yeah?”
“We’re gonna come back for you. Just hold out, okay? Trust in the…the force, or whatever. You better be alive when I get here.”
“I’ll do my best,” Nathan shrugged. “Chances aren’t great.”
A grin broke on Ozz’s face. “Oy, bring back the optimism. You’re downright depressing, you know that?”
“I’ll bring back the optimism when we make some money, how about that.”
“Oh, so never.”
“Well, never say never!”
“Ha! There it is,” Ozz grinned. He patted Nathan on the side. “Take care, kid. Don’t do anything I wouldn’t do.”
“Geez, what’s gotten into you?”
“Oh, shut up. I dunno, had some time to think while I was in those tunnels. Anyway, enough dwaddling! Let’s get this show on the road!”
“Yeah, I’ll see you in a bit, Ozz.”
A few minutes later, Ozz and Eefo sped back towards camp, Balaam’s slates in hand.
Alone at the entrance to the temple, Nathan waited for the shuttle to touch down.
HDR image processed from 5 exposures with Photomatix Pro.
Captured close to one of the main entrances of the Forbidden Palace in Beijing about a week ago ...
Please don't use this image on any media without asking for permission.
© All rights reserved.
Gay & Lesbian Pride March 2010
It’s back in 2010, the event that stops traffic… On Sunday February 7th, the 15th annual Pride March takes over Fitzroy St, St Kilda in a blaze of colour, noise and movement!
Pride March 2010 is an open air celebration culminating in a Pride March down Fitzroy Street St Kilda and finishing with performances on the foreshore. Pride March is to express courage, solidarity, pride, diversity and a strong sense of community.
Gay & Lesbian Pride March
Down Fitzroy Street to Catani Gardens
Sunday 7 February 2010
Fitzroy St, St Kilda Victoria 3182 Australia.
Telephone: 03 9513 3054
Turning 30 in 2010, St Kilda Festival is one of Australia’s best known and Melbourne’s most loved events. It utilises St Kilda’s stunning foreshore and celebrates the cream of Australia’s musical talents.
Saturday 6 February is Yalukit Wilam Ngargee: People, Place Gathering, an outdoor Indigenous festival featuring music, dance, children’s activities and more that welcomes people to St Kilda for the week ahead, O’Donnell Gardens.
From 7-13 February experience Live N Local: St Kilda venues throw open their doors to host a variety of local bands, musicians, performers, artists and comedians in a series of one off and special events - everything you love about St Kilda and more.
Have an Egg for Easter!!
I am almost certain this is a Dogwood bloom!! The tree looked like full of little nests full of eggs!!! A shot from Bronx Botanical Garden that I visited on Thursday!!
Thanks for stopping by and commenting!!
Úbeda, Jaén (Spain).
ENGLISH
The main parish church of Santa María de los Reales Alcázares displays the most significant mixture of architectural styles, to be found in the city. The buildings historic and artistic patronage is complex and its solid external appearance is of a defensive fortification.
Built on an archaeological site where remains of bronze and Roman civilisations have been found, the Church rests of the foundations of the main mosque of Muslim Úbeda. According to tradition the Romans built a temple here dedicated to Diane. After the conquest of the town by Ferdinand II the Saint, in 1223, the Mosque was consecrated in the Catholic faith with the title High Parish Church of the Royal Alcazares and of Our Lady of the Ascension. In 1259 it achieved the rank of High Collegiate Church. In 1852 the Church's collegiate rank was withdrawn, reversing to the rank of High Parish Church. Being the principal temple of the city, it has preserved important archives and a multitude of treasures. The latter being donations and numerous priviledges bestowed by Popes, Kings and bishops.
Its external appearance blends Medieval and Classicist styles. Being built on to the ols walls of the fortress, Santa María church has been the main witness to the great changes and strife of Úbeda. Today it still offers a special attraction to the town which is due to its great historical character and the population's identification with its heritage.
Source: www.ubedainteresa.com/portal/
---------------------------
CASTELLANO
Asentada sobre un subsuelo arqueológico de la Edad del Bronce, y con mínimas diferencias ocupando el emplazamiento dé la antigua mezquita mayor de la ciudad, la tradición dice que en el mismo sitio los romanos tuvieron un templo dedicado a Diana.
Tras la conquista de la ciudad en 1233 por el rey cristiano Fernando III el Santo, la entonces mezquita fue transformada al culto católico bajo la advocación de Iglesia Mayor Parroquial de los Reales Alcázares y de Nuestra Señora de la Asunción. Desde 1259 fue titulada Iglesia Mayor Colegial y desde 1852 ostenta el título de Iglesia Mayor Parroquial.
Iglesia principal de la ciudad, durante siglos ha conservado un importante archivo y multitud de obras de arte y joyas, fruto de donaciones y de numerosos privilegios concedidos por reyes, papas y obispos.
Con una imagen exterior entre medieval y clasicista, adosada al primitivo muro del alcázar, Santa María ha sido la iglesia que históricamente más movimiento y ajetreo ha tenido de toda la ciudad, y aún hoy sigue ofreciendo para el ciudadano de Úbeda una atracción especial que le viene dada por su fuerte carácter histórico y el grado de identificación conseguido con la ciudad y sus habitantes, al albergar desde los meses de mayo a septiembre a la Stma. Virgen de Guadalupe, patrona de la ciudad.
Fuente: www.ubedainteresa.com/portal/
This picture is not HDR processed
Camera: Pentax K200D
Lens: Pentax 18-55mm F4-5,6
Filters:
-GND Cokin Filter P121S
-HOYA Filtre Polarisant 52mm
Tripod: VELBON CX 440
Tripod Head:--
Focal Length:18mm
Shutter Speed: 10 sec
Aperture: f13
ISO: 100
Lumbier, Navarra (Spain).
ENGLISH
The Foz de Lumbier is carved out of the limestone rock by the river Irati at the western end of the Leyre range of mountains, at the foot of the Navarrese Pyrenees. It is one of the most spectacular gorges in Navarre, a landscape created over millions of years by the waters of the river Irati, which have left their mark on this sanctuary of nature day by day. The gorge was declared a Nature Reserve in 1987.
Lumbier is a narrow and small gorge, just 1,300 metres long, but of spectacular beauty. Its vertical walls reach a maximum height of 150 metres and large birds of prey live in the cracks and ledges, with species such as griffon vultures whose flights will accompany you in your visit to the gorge. It is also a refuge for foxes, boar, badgers and owls, and is strewn with gall and kermes oaks and bushes such as thyme, lavender and gorse that hang from the cracks, vegetation that is transformed into woods of poplars, willows and ash trees at the entry and exit of the gorge.
In contrast to many other canyons, you can walk through Lumbier along an easy track that runs along the bottom of the cliffs for 2.6 kilometres. The route was created for the old Irati train (the first electric train in Spain) that linked Pamplona with Sangüesa between 1911 and 1955.
The signposted path runs along the river and crosses the rock through two tunnels (206 and 160 metres long) that do not have artificial light. Towards the end of the path the route goes around the rock and reaches the remains of the Puente del Diablo (Devil's Bridge), which was built in the 16th century with a raised arch 15 metres above the river. It was destroyed by the French in 1812 during the War of Independence, and owes its name to a legend that says that its builder asked the devil for help to finish it.
More info: www.visitnavarra.es/eng/organice-viaje/recurso/relacionad...
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CASTELLANO
La foz de Lumbier es un desfiladero excavado por el río Irati sobre la roca caliza en el extremo occidental de la sierra de Leire, al pie del Pirineo navarro. Es una de las gargantas más espectaculares de Navarra, un paisaje labrado a lo largo de millones de años por la acción del río Irati que, día a día, sigue marcando su huella en este santuario de la naturaleza, reserva natural desde 1987.
La de Lumbier es una hoz estrecha y pequeña, de 1.300 metros de longitud, y de una belleza espectacular. Sus paredes verticales alcanzan en su cota máxima 150 metros de altura, y en sus grietas, roturas y repisas viven grandes rapaces, entre los que abundan los buitres leonados, cuyo vuelo le acompañará en su visita al desfiladero. La foz, que también sirve de refugio para zorros, jabalíes, tejones y alimoches, está poblada de quejigos y coscojas, además de arbustos como tomillo, espliego y ollaga que se cuelan por las grietas, vegetación que se transforma en bosques de álamos, sauces y fresnos a la entrada y salida de la foz.
A diferencia de otras gargantas, la de Lumbier puede ser recorrida a través de un sencillo camino que discurre al pie de los acantilados, a lo largo de 2,6 kilómetros. El trazado fue realizado para el tren Irati, el primer tren eléctrico de España, que comunicó Pamplona con Sangüesa entre 1911 y 1955.
El camino está señalizado, discurre junto al río y atraviesa la roca a través de dos túneles, de 206 y 160 metros de longitud, que no poseen luz artificial. En la parte final del sendero, el camino bordea la roca y llega hasta los restos del Puente del Diablo, construido en el siglo XVI, con un arco elevado 15 metros sobre el río. Destruido por los franceses en 1812, durante la Guerra de la Independencia, debe su nombre a una leyenda según la cual su constructor pidió ayuda al diablo para levantar el puente.
Más info: www.visitnavarra.es/esp/organice-viaje/recurso.aspx?o=303...
Música: Ella y Él.
No mires hacia atrás, Pepa, disimula y sigue leyendo, pero creo que he visto a mi Ginés con otra mujer cinco filas más atrás de nosotras y le estaba haciendo toda clase de carantoñas.
Mira que me lo decía todo el mundo y no me lo quería creer, qué pedazo de sinvergüenza , me lleva diciendo toda la semana que el viaje a Madrid era para ver un aparato para el laboratorio.....pero no me dijo el capullo que el aparato que quería ver fuera un aparato reproductor femenino. Me estoy encendiendo Pepa!!!... Me esta hirviendo la sangre !!!Creo que me voy a levantar yy....!!!!....
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Bien podría estar basado en un hecho real....y es que historias de este tipo o de cualquier otro se repite en todas partes sin importar mucho el lugar dónde suceden ni la procedencia, ni el status social de las personas.
Y es que hay hombres -( y también mujeres ,claro está)- que son de naturaleza infiel y que no se conforman con una sola mujer....pero también hay otros que lo son por otros motivos y no por tener el acento inherente de D. Juan. Con ello no quiero excusar de ninguna manera la infidelidad pero se podía uno/a parar a pensar en las causas más frecuentes de estas infidelidades, a veces, es la falta de comunicación en la pareja, el no compartir aficiones o actividades conjuntas, la rutina, la falta de ilusión, la dejadez.....y muchísimas más cosas que de seguro much@s podrían tener en mente mientras leen estas líneas y son estas cosas las que permiten que se vaya llenando el vaso imaginario de la relación, con gotitas amargas de insatisfacción que vamos bebiendo día a día , siendo éstas un veneno para nuestra salud física y mental... y empieza el caos en la relación de pareja y es entonces cuando se busca , o sin querer se encuentra, otra bebida más dulce que te hace olvidar la amargura e infelicidad en la que crees que está abocada tu existencia.
Si pensáis que esto tiene moraleja que la aporte cualquier otro, yo voy a "abrocharme el cinturón", no vaya a ser que vengan baches por contar estas historias.
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Continuación de la Historia: la mujer de Ginés aguantó hasta que el avión tomó tierra y no le dijo nada a su marido hasta que volvió a casa.
Él , por supuesto, lo negó todo, y quiso incluso hacerle creer a su ,- hasta ese día-, ... ella creía ,...querida esposa que esa mujer era una loca que le perseguía, que se le había abalanzado ese día en el avión, que jamás había visto a esa mujer en su vida ni mucho menos había tenído relación íntima con ella....y sabéis qué? Ginés, por llamarle de alguna manera, había estado liado con esa mujer nada más y nada menos que cinco años.....pero le salió bien a Ginés y es que tiene una verborrea , un carisma, un don innato encantador ...y de contar historias y echar mentiras, ....que parece que haya nacido para el teatro...y no para estar metido en una oficina y mucho menos ser militar.
La tonta de ella le creyó. Eso sí, llevará cuernos mientras viva ,porque hay hombres que no cambiarán nunca ( que si, que si, y mujeres también!!)
María.-
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Annapurna trekking region of Nepal enjoy with magnificent view close to highest and impressive mountain range in the world. Day exploration in Pokhara and morning morning flight to Jomsom or drive to Besishisahar from Kathmandu begin of trek. High destination, Muktinath 3800m and in generally highest point of whole Annapurna is 5416m. Thorangla la is situated in Buddhist Monastery, an eternal flame, and Hindus Vishnu Tempe of Juwala Mai making it a pilgrimage site for both Hindus and Buddhists and Muktinath is on the way down from popular trekking it call Thorang la pass which is incredible view in Annapurna region. Whenever possible we will arrive at lodging mid-afternoon, which should leave plenty time for explore the local villages, enjoy the hot springs at Tatopani, continue to Ghorepani where there is forever the possibility of sunrise hike to Poon Hill for spectacular views of Dhaulagiri, Fishtail, Nilgiri and the Annapurna Himalaya range. Continue on to Birethanti finally between with the Baglung road where we will catch cab to Pokhara, next day drive or fly to Kathmandu.
region, although fairly effortless compare to some of other trek, takes you high along trails to Tengboche monastery Everest Solu Khumbu is the district south and west of Mount Everest. It is inhabited by sherpa, cultural group that has achieve fame because of the develop of its men on climbing expeditions. Khumbu is the name of the northern half of this region above Namche, includes highest mountain (Mt. Everest 8848m.) in the world. Khumbu is in part of Sagarmatha National Park. This is a short trek but very scenic trek offers really superb view of the world's highest peaks, including Mt. Everest, Mt. Lhotse, Mt. Thamserku, Mt. Amadablam and other many snowy peaks. Fly from Kathmandu to Lukla it is in the Khumbu region and trek up to Namche Bazzar, Tyangboche and into the Khumjung village, a very nice settlement of Sherpas people. This trek introduction to Everest and Sherpa culture with great mountain views, a very popular destination for first time trekkers in Nepal. Justifiably well-known world uppermost mountain (8848m.) and also for its Sherpa villages and monasteries. Few days trek from Lukla on the highland, takes you to the entry to Sagarmatha National Park and town of Namche Bazaar is entrance of Everest Trek. Environment of the towering Himalayas is a very delicate eco-system that is effortlessly put out of balance.
Langtang trekking region mixture of three beautiful trek taking us straight into some of the wildest and most pretty areas of Nepal. Starting from the lovely hill town of Syabrubensi our trek winds during gorgeous rhododendron and conifer forests throughout the Langtang National Park on the way to the higher slopes. Leads up to the high alpine yak pastures, glaciers and moraines around Kyanging. Along this route you will have an chance to cross the Ganja La Pass if possible from Langtang Valley. Trail enters the rhododendron (National flower of Nepal) forest and climbs up to alpine yak pastures at Ngegang (4404m). From Ngegang we make a climb of Ganja La Pass (5122m). We start southwest, sliding past Gekye Gompa to reach Tarkeghyang otherwise we take a detour and another unique features of trekking past, the holy lakes of Gosainkund (4300 m.) cross into Helambu via Laurebina to Ghopte (3430 m) and further to Trakegyang. Northern parts of the area mostly fall within the boundaries of Langtang National park.
Peak Climbing in Nepal is great view of Himalayas and most various geological regions in asia. Climbing of peaks in Nepal is restricted under the rules of Nepal Mountaineering Association. Details information and application for climbing permits are available through Acute Trekking. First peak climbing in Nepal by Tenzing Norgey Sherpa and Sir Edmund Hilary on May 29, 1953 to Mt. Everest. Trekking Agency in Nepal necessary member from Nepal Mountaineering Association. Our agency will arrange equipment, guides, high altitude porters, food and all necessary gears for climbing in Nepal. Although for some peaks, you need to contribute additional time, exertion owing to improved elevation and complexity. Climbing peaks is next step beyond simply trekking and basic mountaineering course over snow line with ice axe, crampons, ropes etc under administration and coaching from climbing guide, who have substantial mountaineering knowledge and for your climbing in mountain.
Everest Base Camp Trek well noon its spectacular mountain peaks and the devotion and openness of its inhabitants, the Everest region is one of the most popular destination for tourists in Nepal. While numerous of the routes through the mountains are difficult, there are plenty places to rest and enjoy a meal along the way. Additionally, don't worry about receiving lost. Just ask a local the way to the next village on your route, and they will direct you. Most Sherpas under the age of fifty can at least understand basic English, and many speak it fluently.
Annapurna Base Camp Trek is the major peaks of the western portion of the great Annapurna Himalaya, Annapurna South, Fang, Annapurna, Ganagapurna, Annapurna 3 and Machhapuchhare and including Annapurna first 8091 meters are arranged almost exactly in a circle about 10 miles in diameter with a deep glacier enclosed field at the center. From this glacier basin, known as the Annapurna base camp trek (Annapurna sanctuary trek), the Modi Khola way south in a narrow ravine fully 12 thousand ft. deep. Further south, the ravine opens up into a wide and fruitful valley, the domain of the Gurungs. The center and upper portions of Modi Khola offer some of the best short routes for trekking in Nepal and the valley is situated so that these treks can be easily joint with treks into the Kali Gandaki (Kali Gandaki is name of the river in Nepal) region to the west.
Upper Mustang Trekking name Make an escapade beginning from world deepest gorge Kaligandaki valley into world's highest area of Lo-Mangthang valley that passes through an almost tree-less barren landscape, a steep stony trail up and down hill and panorama views of high Annapurna Himalaya including Nilgiri, Annapurna, Dhaulagiri and numerous other peaks. The trek passes through high peaks, passes, glaciers, and alpine valleys. The thousands years of seclusion has kept the society, lifestyle and heritage remain unaffected for centuries and to this date.
Helicopter Tour in Nepal having high mountains and wonderful landscape of countryside but is effortlessly reachable by land transport, is known as helicopter tours country. Helicopter services industry in Nepal is now well well-known with many types and categories of helicopters for the fly to different of Nepal. The pilots are very knowledgeable expert with 1000 of flying hours knowledge in Nepal. We have service for helicopter is outstanding reputations and established records for reliable emergency and rescue flight too. Here we would like to offer some of amazing helicopter tour in Himalaya country of Nepal. Further more details information about Nepal tour itinerary for helicopter tour in different part of Nepal contact us without hesitation.
Kathmandu Pokhra Tour is an exclusive tour package specially designed for all level travelers. Kathmandu Pokhara tour package is effortless tour alternative for Nepal visitors. This tour package vacation the historically significant and ethnically rich capital (Kathmandu ) of Nepal and the most stunning city of world by the nature, Pokhara. Mountain museum and world peace stupa are another charming of Pokhara tour. Pokhara is the center of escapade tourism in Nepal. Package tour to Kathmandu Pokhara is design to discover highlighted areas of Kathmandu and Pokhara valley. Nepal is the country which is socially and geographically different that’s why we powerfully recommend you discover Nepal to visit once in life time. It is hard to explore all Nepal in one Nepal tours trip in this way we design this trip to show you the highlights of Nepal especially in Kathmandu and Pokhara.
Adventure trekking in the southern part of the asia continent there lays a tiny rectangular kingdom squeezed between two hugely populated countries, China to the north and India to the south, this country is Nepal a world of its own. Adventure trekking is a type of tourism, involving exploration or travel to remote, exotic and possibly hostile areas. Adventure trekking in Nepal is rapidly growing in popularity, as tourists seek different kinds of vacations. The land of contrast is presumably the exact way to define the scenery of Nepal for you will find maximum world highest peaks high high up above the clouds determined for the gods above. Straight, active and attractive learning experience adventure trekking in Nepal that engross the whole person and have real adventure. Mt. Everest, Kanchenjunga, Daulagiri, and Annapurna and many more are there for the offering for mountain-lovers, adventurers and travelers.
Trekking in Nepal - Nepal Trekking - Tea House Trekking - Lodge Trekking - Kathmandu Pokhara Tour - High Pass Trekking - Luxury Trekking in Nepal - Luxury Tour in Nepal - Helicopter Tour in Nepal - Nepal Helicopter Tour - Annapurna Trekking - Annapurna Base Camp Trek - Annapurna Sanctuary Trek - Annapurna Panirama Trekking - Ghorepani Trekking - Jomsom Muktinath Trekking - Annapurna Circuit Trekking - Annapurna Round Trekking - Tilicho Mesokanto Trekking - Tilicho Lake Mesokanto Pass Trekking - Upper Mustang Trekking - Everest Trekking - Everest Base Camp Trek - Everest Panorama Trekking - Gokyo Trekking - Gokyo Everest Trekking - Renjola Pass Trekking - Kongmala Pass Trekking - Three Pass Trekking - Jiri Everest Trekking - Langtang Trekking - Langtang Valley Trekking - Gosaikunda Trekking - Helambu Trekking - Tamang Heritage Trekking - Chisapani Nagarkot Trekking - Kathmandu Valley Cultural Trekking - Langtang Gosaikunda Helambu Trekking - Ganjala Pass Trekking - Peak Climbing in Nepal - Nepal Peak Climbing - High Pass Trekking - Nepal For All Season - Package Tour in Nepal - Island Peak Climbing - Mera Peak Climbing - Pisang Peak Climbing - Adventure Trekking - Adventures Trekking - Mustang Trekking - Upper Mustang Trek - Lower Mustang Trekking - Seasonal Package Trekking Tours in Nepal - Annapurna Trekking Region - Annapurna Base Camp Trek - Everest Trekking Region - Gokyo Trekking - Langtang Trekking Region - Tea House Trek or Lodge Trek - Three Pass Trekking or Everest High Pass Trekking
For "Flickr island game 6:round 1"
I got home from work,did my 365 and hadnt even thought to
check and see if i had been selected to play in the new game.
then i saw that i had to have a shot up in about 14 hours.
Akkk. I started on what i thought was a cool idea,and
after setting up lights,changing clothes, and working out the bugs ...
i completely changed course and went with this idea.
had nothing at all to do with the original idea.
i guess my brain really wants to be in the Halloween mode,
and i keep distracting it with everything else.
*interesting tidbit. ok maybe not.
in my line of work,i break mirrors almost on a daily basis.
I have accumulated an insane amount of BAD LUCK years
that i am glad i wont be around to witness.
(weee... explored!)
Esta foto es muy parecida a una que subí anteriormente, y que os la recordaré en el primer comentario, en dicha foto, es más que nada para usarla como fondo de escritorio, y esta que os pongo es un encuadre similar pero esta vez en vertical, y cada vez que hago más fotos verticales sobre el mar, las rocas. Etc., mejor es el resultado, muchas veces le pregunto a mis amigos, que porqué no hacen fotos verticales, y la respuesta es porque no se ve bien en el ordenador, con el tiempo me he dado cuenta que las fotos verticales para sacarlas en papel también quedad muy bien, después de esta reflexión os explicaré el procesado:
Nota: El procesado como siempre, un doble revelado a partir de un mismo RAW, una foto para el cielo y otra para el reflejo, siempre estoy hablando con objetos inteligentes, cuando más o menos he tenido el resultado a mi gusto, he seleccionado la parte del cielo, le he creado una, máscara de capa, he desenfocado las máscara con un desenfoque gaussiano con unos parámetros a gusto del consumidor para unir las dos fotos.
Una vez terminado con el cielo, me he ido al reflejo, aplicando unos ajustes muy similares a los del cielo para que parezca aún más real, después procesado por zonas en la parte del reflejo para obtener más textura aún si cabe, y aplicando sus respectivos desenfoques, cuando más o menos he tenido la foto a mi gusto, he acoplado todo en una foto, luego he duplicado otra vez, le he aplicado un desenfoque gaussiano con un valor de 8 pixeles, y me he ido a capas y le he cambiado el modo de fusión a luz suave, y le he bajado la opacidad a un 20% más o menos, para eliminar un poco la mini aparición de ruido por la parte más oscura.
Cámara: D40
Modo De Exposición: Manual + Trípode
ISO: 200
Velocidad: 0.3
Focal: 19.0 mm
F/ 22.0
Filtro: PL
Objetivo: 18.0-55.0 mm F/ 3.5 -5.6
Procesado: Light room 2
Camera Raw 4.3
Photoshop Cs 3
Santa Fe de Montseny - Fogars de Montclús, Barcelona (Spain).
10ª salida del grupo SortidaZ, y primera a la que me apunto. Un día muy agradable, gozando de la naturaleza en muy buena compañía.
Ya sé que no es la única imagen así de la "sortida", pero era inevitable mirar hacia arriba entre estos hayas tan altos y rectos. En esta época del año ya han perdido casi todo su follaje. En primavera y verano puede resultar casi imposible ver el cielo desde este mismo punto.
ENGLISH
The European Beech or Common Beech (Fagus sylvatica) is a deciduous tree belonging to the beech family Fagaceae.
It is a large tree, capable of reaching heights of up to 49 m (160 ft) tall [2] and 3m (10 ft) trunk diameter, though more typically 25-35 m (80-115 ft) tall and up to 1.5 m (5 ft) trunk diameter. A 10-year-old sapling will stand about 4 m (13 ft) tall. It has a typical lifespan of 150 to 200 years, though sometimes up to 300 years. The appearance varies according to its habitat; in forest conditions, it tends to have a long, slender light-gray trunk with a narrow crown and erect branches, in isolation with good side light the trunk is short with a large and widely spreading crown with very long branches.
More info: en.wikipedia.org/wiki/European_Beech
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CASTELLANO
El haya (Fagus sylvatica L.) es un árbol caducifolio perteneciente a la familia de las fagáceas.
Esta especie tiene un porte robusto y de gran talla, alcanzando los 35 ó 40 m con un tronco recto, que lo hace muy valioso, y una copa ovalada en su tercio superior. Si el árbol crece aislado (no en espesura) cambia radicalmente, se abre muy pronto, siendo algo irregular, ramificándose desde abajo y variando mucho la copa.
Conserva la corteza prácticamente lisa durante toda su vida, de un gris ceniciento o blanquecino.Los ramillos tienen un crecimiento singular en zig-zag. Las hojas son simples, alternas en los tallos jóvenes, en los adultos salen en fascículos sobre pequeños braquiblastos, y caedizas. Son de peciolo corto y, el limbo es de forma ovalada, con el borde ondulado, en principio algo festoneado y prolongándose en un vello sedoso muy característico. Tienen los nervios laterales bien marcados y paralelos (penninervia), son de un color verde muy vivo por el haz volviéndose más oscuras en la madurez, y se disponen siempre en posición muy horizontal captando la mayor cantidad de luz posible. Ello hace que sus bosques tengan un aspecto un tanto sombrío, casi propio de cuento de hadas, no permitiendo crecer en el suelo a apenas ninguna otra planta.
Más info: es.wikipedia.org/wiki/Hayedo
To see the real detail of this image I recommend you click on the "All
Sizes" button above and view the original size image. As mentioned in the
previous image, the Monarch Butterflies are seen here clustering together in
a large group. They come to small coves where the trees grow near the coast
to stay warm during the winter months. If the temperature is below 60F
degrees you are likely to find clusters of over one thousand butterflies at
Santa Cruz's Bridges State Park. It's truly one of the most impressive and
beautiful events you will see in the insect world.
-Darv
© Darvin Atkeson
California Photographer
i took like 60 different shots for today. i love the way this turned out.
shannon is not here cause shes pet sitting. 7 dogs, 2 cats, 5 miniature horses and a llama. no i'm not kidding.
this week is gonna be all about reading the script for the show im designing at the begining of Sept. y'all gotta stay on me to get it done!
365 - 7.26.09
wow, this looks awful small. okay, you must view large. seriously. it's plain embarrassing small.
also, i'm terribly sorry that i haven't had time to look through everyone's new uploads in a couple days :( i promise i will catch up on that this weekend, if not before.
this is old, super old, sorry you are probably tired of all these canal pictures.
anyway, i uploaded it since i had no new photos and i was tagged by audrey hutchinson (: so here goes, ten things about me...
1. i go through phases of music...i will pick two or three songs and literally ONLY listen to them for the next month. right now...it's two songs from the coraline soundtrack. don't make fun of me :'( haha.
2. i LOVE root beer dumdums (as in the lollipops)
3. i was obsessed with neopets for like 5 years...and i still go on every once in awhile. heh
4. i have a cat named ember, who is actually a vampire and i have ten million scars on my arms to prove it.
5. i haven't worn a pair of flaired jeans in practically a year, i live for skinny jeans. especially colored skinny jeans, i have a ridiculous amount of them.
6. i studied college-level ancient Greek for three weeks this summer (yessir, i'm a nerd. i went to CTY camp) and the best thing i learned from it was the ability to write secret notes to myself in transliterated greek (SO HELPFUL).
7. i loveeee snow and the sound it makes when it falls.
8. once i ate nothing but eggo waffles for two days straight.
9. i have three brothers, whom i frequently want to toss out the window.
10. i love band geeks.
Please View On Black and/or View On White
Size: 1.25" - 2.0"
The Snowberry Clearwing Moth is a small hummingbird moth which more closely resembles a large bumblebee rather than a hummingbird.
Like other hummingbird moths, this one flies during daylight. A similar, but larger, sphinx moth is the (Hemaris thysbe) Hummingbird Clearwing Moth.
Adults mimic bumblebees and are quite variable, both geographically and seasonally. The wings are basically clear, with dark brown to brownish-orange veins, bases and edges. The thorax is golden-brown to dark greenish-brown. The abdomen tends to be dark (black) with 1-2 yellow segments just before the terminal end. These yellow segments are in much sharper contrast to the rest of the abdomen than in somewhat similar species. Also note the relatively narrow dark outer margin of the hindwing. Most fresh specimens also have some blue "fur" tufts highlighting the first black band on the abdomen.
This moth hovers over flowers in full sunlight, producing a buzzing sound with its wings, similar to that of a hummingbird.
There are usually two broods annually from March-September depending upon latitude. The moth is seen along forest edges, in meadows, gardens and brushy fields. Adults like to nectar at lantana, dwarf bush honeysuckle, snowberry, orange hawkweed, thistles, lilac and Canada violet.
Caterpillars pass through five instars and are pale green on the back and darker green on the sides, with numerous white flecks in the final instar. The anal horn is bright yellow at base and blue-black at the tip. There are longitudinal brown stripes on the underside. The legs are almost white and barred with dark brown. There is a double row of yellow granules on the first segment which projects over head. The spiracles along side of body are very evident, being ringed in pale blue.
Larval host plants include Snowberry (Symphoricarpos), honeysuckle (Lonicera), Coralberry, viburnums, Blue Dogbane (Apocynum) and dwarf bush honeysuckle (Diervilla lonicera).
Pupation is in a very flimsy cocoon at ground surface. The inch long pupa is brown.In the fall, when larvae are ready to pupate, they take on an orange to burgundy hue.
TAXONOMY:
Family: Sphingidae, Latreille, 1802
Subfamily: Macroglossinae, Harris, 1839
Tribe: Dilophonotini, Burmeister, 1878
Genus: Hemaris (Dalman, 1816) ...........
Species: diffinis (Boisduval, 1836)
I now have two books of my work available...
The Feeding of the Birds... The photography of Allan Ellerby Book Preview
Click Here
Also available is the more comprehensive...
After the success of their Albatross and Camel aircraft, Llwyngwril Systems were commissioned by the Arctic Research & Survey Establishment to build a long-range search and rescue aeroplane. Unfortunately the serious spaceship designers were busy with a giant SHIP and so the job was passed across the car park to the vehicle design team's shed. The result was the Narwhal SAR floatplane.
The vehicle designers were so excited about being given a serious brief that they rushed into creating the aircraft. In order the get a long range, the Narwhal had a rotund fuselage, capable of carrying thousands of litres of fuel. There was also a bay in the bottom of the aircraft, with space for a large search radar and a life-raft, which could be dropped to victims in the sea.
Unfortunately the team were so engrossed in fitting all of the features into the fuselage (including a cockpit for the pilot), they forgot to include an engine. The lack of an engine was discovered at the Narwhal's first test flight, when the aeroplane failed to take off.
Having invested a lot of time and effort in creating the aeroplane, the design team decided that they couldn't be bother to start from scratch. Instead they just stuck a large turboprop engine on the front and came up with a suitably polar name: "Narwhal".
Fourth Wall
Influences on this model include this picture that I found in this Google image search and the lifeboats carried by some RAF Coastal Command aircraft during WW II, some of which can be seen this Flickr gallery. I wouldn't have thought of building sci-fi aeroplanes if hadn't seen the superb work of Jon Hall.
xeno-canto.org/asia/species.php?species_nr2=9480.00
A male bird of paradise
The Raggiana Bird of Paradise, Paradisaea raggiana also known as Count Raggi's Bird of Paradise is a large bird in the bird of paradise family Paradisaeidae.
It is distributed widely in southern and north eastern New Guinea, where its name is kumul.
It is 34cm-long, maroon-brown with greyish-blue bill, yellow iris and greyish-brown feet. The male has a yellow crown, dark emerald-green throat and yellow collar between the throat and its blackish upper breast feathers. It is adorned with a pair of long black tail wires and large flank plumes. The female is a comparatively drab maroonish-brown-colored bird. The ornamental flank plumes vary from red to orange in color, depending on subspecies. The nominate subspecies, P. r. raggiana has the deepest red plumes, while subspecies P. r. augustavictoriae also known as the Empress of Germany's Bird of Paradise of northeast New Guinea has apricot-orange plumes.
en.wikipedia.org/wiki/Raggiana_Bird_of_Paradise
De paradijsvogel heeft vele kunstenaars geïnspireerd. Het is een zeer bijzondere vogel door zijn opvallend kleurrijk verenkleed. Hier lees je veel interessante feiten over deze prachtige verschijning in het oerwoud van Nieuw Guinea.
De paradijsvogel behoort zonder meer tot de mooiste vogels ter wereld. Van de 43 soorten komen er 38 voor in Nieuw Guinea. De paradijsvogel is de nationale vogel van Papua Nieuw-Guinea(PNG). Paradijsvogels hebben een uitzonderlijk lange staart. Ook groeien er lange gekleurde draden uit hun verenkleed. Sommige paradijsvogels hebben een eigenaardige verenkroon op hun hoofd.
uit:
dier-en-natuur.infonu.nl/vogels/5776-paradijsvogel-de-moo...
174.129.90.252/groups/paradisaeidae/pool/interesting/
belasaves.3vd.com.br/index.php/component/content/article/...
© All Rights Reserved
No Usage Allowed in Any Form Without the Written Consent of Serena Livingston
This Timber Wolf was trying to ensure that he got a piece of the beaver meat. The Alpha Male of the pack had already tossed this poor fellow into the snow more than once......claiming the good meat of his choice..........leaving only leftovers to be picked through by the rest of the pack.
I did tone down the blood in the photo using Lightroom 2.......was a little too bright and gorey. So if your a little squeamish about blood....sorry about that. But it was a great look at Nature at it's wildest.
The oldest stone built mosque in China located in Quanzhou city in the Fujian province in 1009 AD. The patch of grass to the right is the edge one of many graveyards in the city housing the thousands of immigrant Arabian Muslims to the city/ region since the time of Prophet Muhammad. These Muslims married and 'integrated' creating a new Chinese Muslim culture.
The mosque is a testament to the local community where interfaith relations have continued to be strong. A few hundred feet down the road behind me is, for example one of the largest Buddhist temples in town, equally elaborate in design.
The colouring on this the outer stone wall which faces a busy road is very different to that of the preceding photo of the inner stone wall, on account of the pollution.
my power animal is the orca : )
The Orca is found in all seas from the Arctic to the Antarctic. The familiar black and white coloring of the Orca is significant. From a spiritual point of view it represents lessons of a soul nature regarding polarity. Orcas assist us in acquiring balance within a world of opposites.
From a physical point of view it is a strategy of camouflage. Seen from above their dark back blends in with the darker water below them, while from below, their whiter bellies blend in with the sunlit waters above. This symbolizes the ability to move through life seen or unseen depending on the situation. Learning the art of camouflage is advantageous for those with this medicine. Proper action and reaction, observation and expression are all linked to this art.
The orca swims in formation either in a line or in rows. This indicates good organizational skills and the ability to work cooperatively with others.
Each pod has its own distinctive dialect which allow members of the same pod to recognize one another even if they get separated. Those with this medicine are able to instantly identify members of their original soul group. Although personalities may differ a strong sense of family is known. Life lessons as well as spiritual aspirations are similar. Reuniting with members of the same soul group can trigger a sense of great joy or it can awaken heart felt grief as memories surface about a previous loss. Those with this totem should remember that once a reunion has been established, emotional support for one another will always be available.
Orca medicine people are very creative although they can have a tendency to keep their creativity hidden or allow their creativity to rule their lives. Those with this totem should pay attention to the way in which the orca appears to them. If it is seen breaching out of the water it is asking you to surface from the depths of your inner reflection and express yourself outwardly in a grounded and creative way.
If seen injured or beached it could indicate a need to take care of your health. Orcas often get parasites, bacterial and fungal infections. Hodgkin's disease has been recorded in killer whales. From an emotional perspective this disease is linked to low self esteem and the fear of being accepted. The orca holds the teachings of fearlessness, beauty, power and balance. It can awaken these same qualities within you. All you need to do is ask."
"L'invitation au voyage"
Charles Baudelaire
Mon enfant, ma soeur,
Songe à la douceur
D'aller là-bas vivre ensemble !
Aimer à loisir,
Aimer et mourir
Au pays qui te ressemble !
Les soleils mouillés
De ces ciels brouillés
Pour mon esprit ont les charmes
Si mystérieux
De tes traîtres yeux,
Brillant à travers leurs larmes.
Là, tout n'est qu'ordre et beauté,
Luxe, calme et volupté.
Des meubles luisants,
Polis par les ans,
Décoreraient notre chambre ;
Les plus rares fleurs
Mêlant leurs odeurs
Aux vagues senteurs de l'ambre,
Les riches plafonds,
Les miroirs profonds,
La splendeur orientale,
Tout y parlerait
À l'âme en secret
Sa douce langue natale.
Là, tout n'est qu'ordre et beauté,
Luxe, calme et volupté.
Vois sur ces canaux
Dormir ces vaisseaux
Dont l'humeur est vagabonde ;
C'est pour assouvir
Ton moindre désir
Qu'ils viennent du bout du monde.
- Les soleils couchants
Revêtent les champs,
Les canaux, la ville entière,
D'hyacinthe et d'or ;
Le monde s'endort
Dans une chaude lumière.
Là, tout n'est qu'ordre et beauté,
Luxe, calme et volupté.
© Brian Callahan 2009 All rights reserved.
The Fisher Building (1928) is an ornate skyscraper in the New Center area of Detroit, Michigan, United States constructed of limestone, granite, and marble. Financed by the Fisher family with proceeds from the sale of Fisher Body to General Motors, the structure was designed to house office and retail space. The building was designated a National Historic Landmark on June 29, 1989. The building also contains the 2,089 seat Fisher Theatre.
Standing on the corner of West Grand Boulevard and Second Avenue in Detroit, Michigan, the Art Deco skyscraper lies in the heart of the New Center area of Detroit. The office building rises 30-stories with a roof height of 428 feet (130 m), a top floor height of 339 feet (103 m), and the spire reaching 444 feet (135 m). The building has 21 elevators. Designed by Albert Kahn and Associates with Joseph Nathaniel French as chief architect, it has been called Detroit's largest art object. and is widely considered Kahn's greatest achievement. The year of its construction, the Fisher building was honored by the Architectural League of New York as the year's most beautiful commercial structure. The opulent three-story barrel vaulted lobby is constructed with forty different kinds of marble, decorated by Hungarian artist Géza Maróti, and is highly regarded by architects. The sculpture on the exterior of the building was supplied by several sculptors including Maroti, Corrado Parducci, Anthony De Lorenzo and Ulysses Ricci.
8-28-10:
CollegeMonthlyOct.1974-JoeCardiello-Illo
www.facebook.com/photo.php?pid=918258&id=1652840888&a...
Special thanks to Kenneth R Anderson
Joe Ciardiello
1990s
Directory tear sheet, 8.375" x 11"
I saw Joe's work for the first time Sept. 1974 when he did a caricature for Doug G. and Noë G's fledgling mag. Joe hadn't fully developed his own style yet, and his illustration struck me as a so-so Alan Cober or Jack Unruh knock-off. Boy, was I wrong, or boy, has he developed. This sample comes from about 20 years later, with a very NYC subject for Joe. His style is now instantly recognizable, and he does regular spots for The New York Times Sunday Book Review. He's terrific.
But within weeks, College Monthly folded, Joe's November issue art never ran, and he (and we) didn't get paid. Perhaps this belated appreciation will serve as minor recompense.
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Add a caption
Joe Ciardiello 1990s Directory tear sheet, 8.375" x 11" I saw Joe's work for the first time Sept. 1974 when he did a caricature for Doug G. and Noë G's fledgling mag. Joe hadn't fully developed his own style yet, and his illustration struck me as a so-so Alan Cober or Jack Unruh knock-off. Boy, was I wrong, or boy, has he developed. This sample comes from about 20 years later, with a very NYC subject for Joe. His style is now instantly recognizable, and he does regular spots for The New York Times Sunday Book Review. He's terrific. But within weeks, College Monthly folded, Joe's November issue art never ran, and he (and we) didn't get paid. Perhaps this belated appreciation will serve as minor recompense. === www.joeciardiello.com ===
In this photo: Doug Garr (photos), Noe Gold (photos | remove tag), Joe Ciardiello
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Joe Ciardiello Thanks Kenneth. Better late than never.
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Patrick Jb Flynn Whom among us isn’t influenced by our predecessors? It’s a little thing called history, a subject that most Americans fail miserably. I always saw Joe’s art as an amalgam of the best illustrators of that time, Milton Glazer, fused with Cober, Unruh, and the inimitable James Spanfeller.
4 hours ago · LikeUnlike ·
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Kenneth R Anderson @JC - I'm honored by your attention to my fb gallery.
@PJF - indeed. What I relate to now isn't even a style thing, per se. JC seems to draw naturally from his heart, a soulful quality I always admired in James McMullen's work.
3 hours ago · LikeUnlike · 1 personPatrick Jb Flynn likes this. ·
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Noe Gold
@PJF, Spanfeller also graced the pages of this magazine due no doubt to the involvement of his AC accolytes. Kudos to you Ken for enshrining this.
www.flickr.com/photos/doctor_noe/4360653626/in/set-721576...
This is a parody ...published by College Monthly October 1974.
© 2010 noemedia.
© 1974. All rights reserved under international conventions. No material may be reproduced without written permission of the publisher.
Cover photo by Basil Pao
With retouching by Rainbow Graphics, body by Doug, hand by Noë of New York. T-shirt by Harry Gross; photo by UPI, lighting by Chris Callis, and body English by Tom King.
And check out this blog entry at ...
doctornoemedia.blogspot.com/2010/02/catcher-in-bourbon-pa...
A better view - View On Black
When the winter started to finally go away this year, I had to buy a new set of summer wheels and tires for the MINI. I wasn’t too excited to drain my bank account but having a dedicated summer and winter wheel/tire set is the safest way to handle the roads, especially when driving “spiritedly”. Of course, I added a few other suspension components as well ;-)
I’m really bummed about not having a working flash transmitter & receiver lately. It really has been limiting my creativity. I guess that’s what one can expect when they buy cheapo Cactus triggers instead of something like Cybersyncs or Pocket Wizards. Luckily, the Mt. Clemens General Hospital parking garage just happens to have some very good lighting. I parked myself on the fourth floor and hoped no one would run me over as I set up my tripod. A couple of minutes into rearranging the car and composition and WHAMMO, I got this great shot of the MINI!
Featured in Flickr Explore June 2, 2010
Wat is straô?
Straô is een jaarlijks terugkerend evenement op een aantal zaterdagen in het voorjaar, waarbij de voeten van de paarden in de zee worden 'gewassen'. De dorpen aan de westkant van Schouwen-Duiveland hebben allemaal hun eigen straô-viering.
Straô-rieen is een historisch feest en gaat ver terug in de tijd. In vroegere tijden stonden de werkpaarden de gehele winter op stal. Zodra de winter tegen het einde liep, ging men met de paarden de zee in om de voeten te wassen. Hoewel de werkpaarden van vandaag nog uitsluitend als hobby worden gehouden en zeker niet meer een hele winter op stal staan, wordt de gewoonte nog steeds in stand gehouden.
what is Straô
Straô is an annual event on a number of Saturdays in the spring, where the feet of the horses in the sea 'washed'. The villages on the west side of Schouwen-Duiveland have their own straô celebration.
Straô is a historic celebration and goes far back in time. In ancient times were the workhorses throughout the winter in the barn. Once the winter by the end went, they went with the horses to the sea in order to wash there feet. Although the workhorses of today be held solely as a hobby and certainly not a whole winter on stable, the habit still maintained.
Thanks for your visit and comments, I appreciate that very much!
Don't use this image without my explicit permission. © all rights reserved.
Regards, Bram (BraCom)
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- feel free to contact me if you are interested in a certain image :) THANK YOU <3
bighugelabs.com/scout.php?mode=history&id=3234012812
[...] Nonviolence is the answer to the crucial political and moral questions of our time; the need for mankind to overcome oppression and violence without resorting to oppression and violence. Mankind must evolve for all human conflict a method which rejects revenge, aggression, and retaliation. The foundation of such a method is love [...]
-- Quote by Martin Luther King Jr. (1929 - 1968), December 11, 1964
Nikon D70, Tokina 28-70 f/2.8, 44mm - f/8 - 1/3200s - Flash Metz CT-3 in manual
Rome, Italy (August, 2008)
This photo was inspired by one on my contacts alliefelt, because I really liked the celestial quality that these shots potentially have. So on the return from some film and street work with Helga last week, I passed by these leaves with fresh water from the recently abated rains. Unfortunately, I was lacking the 50mm and had to settle on the kit lens on an overcast day in low light.
In keeping with the 'otherworldly / celestial' concept, I recalled the myth of Chih Nu, the Chinese goddess of weaving, who worked sunlight and shadow into the wondrous tapestries of the constellations. Chih Nu was the divine daughter of the August Personage of Jade, and for him she always spun seamless robes of brocade and clouds. As a reward, her father married her to the Heavenly Cowherd whom she came to love so dearly that she neglected her spinning. Her father became so angry that he separated them by casting one to the right of the Heavenly River (Milky Way) and one to the left. Chih Nu and the Cowherd were allowed to see each other only once a year on the seventh day of the seventh month. Also, Chih Nu made her wedding dress from cloth woven of starlight and dewdrops. The two mythological deities are represented by the stars Altair and Vega deep in the Milky Way.
Aperture occupies virtually whole of interior face (left hand image).
1: recurved pointed umbo (rostrum) overhanging concave interior.
2: asymmetrical “ears” to either side of rostrum resemble scallop.
3: outer layer (periostracum) forms broad border beyond inner layer.
4: fractured calcareous inner-layer held in place by periostracum.
5: close-set concentric striae and a few indistinct radiating lines.
6: embayment on right side of shell.
Full SPECIES DESCRIPTION BELOW
PDF available at www.researchgate.net/publication/353918067_Aplysia_puncta...
Sets of OTHER SPECIES: www.flickr.com/photos/56388191@N08/collections/
Aplysia punctata (Cuvier, 1803) Account revised August 2021
Current taxonomy: World Register of Marine Species (WoRMS) www.marinespecies.org/aphia.php?p=taxdetails&id=138758
Synonyms: Aplysia rosea Rathke, 1799; Aplysia hybrida J. Sowerby, 1806.
Meaning of name: Aplysia = that which cannot be washed; punctata = spotted.
Vernacular of just this species: Spotted sea hare (English); Môrwlithen glustiog (Welsh); Aplysie ponctuée (French); gemeiner Seehase (German); Pikasti morski zajček (Slovenian); Liebre de mar manchada (Spanish);
Vernacular of any Aplysia species: Sea hare (English); Lièvre de mer (French); zeehaas (Dutch); søhare (Danish); sjöhare (Swedish); Lepre marina (Italian);
GLOSSARY below.
Shell description
A. punctata has a rudimentary vestigial shell. Its height (longest dimension) is up to 40 mm, occasionally more; about 30% of the animal’s length. It is saucer-shape with a recurved, pointed umbo (rostrum) overhanging the concave interior, and there is an embayment on the right. It somewhat resembles a pectinid with asymmetrical “ears” either side of the rostrum.
The adult shell retains no trace of the spiral coiling of the veliger stage. It consists of two layers of conchiolin. The outer layer is the periostracum. The inner layer is transparent, imperceptibly calcified and limp on young specimens (fig. 1 flic.kr/p/DJpXbt ), and on older specimens is a translucent, thin, fragile, semi-calcareous layer, often fractured into pieces held in place by the periostracum (fig. 2 flic.kr/p/DSES2X ). The periostracum layer extends to form a broad flexible border beyond the inner layer. The exterior is amber-coloured with a sculpture of growth lines, close-set concentric striae and a few indistinct radiating lines. The aperture occupies virtually the whole of the ventral/interior face. On a living animal, the shell is concealed by the mantle (fig. 23 flic.kr/p/2oJVAzt ), except within a round foramen (fig. 3 flic.kr/p/CVh5eX ). There is no operculum.
Body description
The full-grown body length is about 70 mm and the usual maximum is 120 mm, exceptionally 200 mm (fig. 14 flic.kr/p/DQm3GL & fig. 15 flic.kr/p/Dqyc3s ). It has a large head and neck (fig. 4 flic.kr/p/DjbKoD ). The snout has a centrally divided oral veil which is usually loosely rolled into forward-orientated oral tentacles and curled flaps in front of the mouth (fig. 5 flic.kr/p/CVh2bn ). The appearance varies with the degree of rolling; sometimes flaps hang down from the oral tentacles (fig. 6 flic.kr/p/DJpNXK ). The snout is separated ventrally from the foot by a gutter (ffig. 5 flic.kr/p/CVh2bn ). The cephalic tentacles are also enrolled, but the edges are fused on the basal half; they resemble a hare's ears (fig. 5 flic.kr/p/CVh2bn ). Anterolaterally of each cephalic tentacle base there is a blue-black eye on a slightly raised mound of translucent unpigmented epithelium resembling a whitish iris (fig. 5 flic.kr/p/CVh2bn ).
Two large parapodia arise from the approximate mid-point of the body and extend to about 25% body length from the posterior where they unite (fig. 7 flic.kr/p/DJpNgz ). An external seminal groove runs from a common genital aperture, close to the anterior of the right parapodium, along the neck to the opening to the penial sheath near the base of the right oral tentacle (fig. 8 flic.kr/p/DJpM2a ). Raised walls along the sides of the seminal groove meet firmly at their edges, but do not fuse, to form a tube lined with cilia that propel the contents. The penis is spatulate with curled up edges and has an external seminal groove. It is engorged and extended from the everted penial sheath during copulation (fig. 9 flic.kr/p/DSEGJ8 & fig. 10 flic.kr/p/CVacmN ).
The parapodia can be held erect (fig. 11 flic.kr/p/DJpGJc ), semi-prone revealing enclosed anatomical features (fig. 3 flic.kr/p/CVh5eX & fig. 21 flic.kr/p/2nBEfgq ), or folded down to conceal features (fig. 12 flic.kr/p/DSEC4X ).
Colours and patterns on the external surfaces of body vary greatly between individuals www.nudibranch.org/Scottish %20Nudibranchs/aplysia-punctata.html (J. Anderson) , but usually there is a general progression in ground colour during growth from rose-red when small and feeding on red algae such as Delesseria, through brown or blackish-brown when on Laminaria to olive-brown when large and on Fucus (Eales, 1921). Many have fine spots of a darker shade of the ground colour arranged in elongate blotches, varying in prominence, which often form a reticulated pattern. In addition, some have white blotches. The edge of the parapodium often has a thin white rim, sometimes accompanied by black and/or reddish bands (fig. 13 flic.kr/p/DjbzG4 ), and the tips of the tentacles and edges of foot may have similar colours. The dorsal face of the parapodium, usually held concealed against the body, is unpigmented greyish white, apart from its border.
The mantle, enclosed by the parapodia, covers the shell apart from a large round foramen, and, at the posterior-right, forms an erect funnel with the anus near its base (fig. 3 flic.kr/p/CVh5eX ). The shell covers the viscera and the anal funnel fits against the embayment on its right-posterior edge (fig. 1). The anal funnel often protrudes when the parapodia are closed, but it is able to withdraw. The gill (fig. 21 flic.kr/p/2nBEfgq & fig. 22 flic.kr/p/2nBGFnR ) is a thick set, plume-like structure of loose connective tissue and muscle fibre covered by a partly ciliated epithelium (Eales, 1921, plate I). It has thickened lobes in place of the thin filaments of typical ctenidia. It is located in the narrow mantle-cavity on the right of the parapodial enclosure (fig. 3 flic.kr/p/CVh5eX ). It is affixed at its anterior end close to a yellow osphradium. The gill is usually concealed under the shell but may be erected above it if the oxygen level is sensed by the osphradium to be low. An unpigmented opaline gland is in the floor of the mantle cavity near the anterior-right of the parapodial enclosure and just to the posterior of the common genital opening (fig. 4 flic.kr/p/DjbKoD & fig. 21 flic.kr/p/2nBEfgq ). The anterior of the foot is almost rectangular and sometimes expands into a circular outline (fig. 13 flic.kr/p/DjbzG4 ). The posterior of the foot is bluntly pointed. The pale, unpigmented, narrow sole (fig. 5 flic.kr/p/CVh2bn ) is sometimes hidden by the edges curling together (fig. 11 flic.kr/p/DJpGJc ) and it may form into a rounded sucker at the anterior (fig. 13 flic.kr/p/DjbzG4 ), but rarely at the posterior (Thompson, 1976). There is no discernible subdivision of sole into regions (Eales, 1921).
Key identification features
Aplysia punctata
1. Parapodia unite at their posterior, c. 25% body length from posterior of body; see fig.3 in Grigg (1949) (fig. 7 flic.kr/p/DJpNgz ). It swims rarely, if at all, and clumsily if it does.
2. Foramen (fig. 3 flic.kr/p/CVh5eX ), a round hole in the mantle that exposes the shell, is larger, relative to the animal's size, than the foramen on A. depilans or A. fasciata.
3. Full-grown length about 70 mm, usual maximum 120 mm.
4. Foot occasionally expands into rounded sucker (fig. 13 flic.kr/p/DjbzG4 ) at anterior but rarely, if ever, at posterior. The sole is whitish.
5. Occurs all round Britain except parts of southern North Sea and north east Irish Sea.
Similar species
Aplysia depilans Gmelin, 1791
1. Parapodia unite at their posterior close to the posterior of the animal (fig.3 in Grigg, 1949) (fig. 16 flic.kr/p/DSEwU8 ). It is unlikely that it ever swims.
2. Foramen is smaller, relative to animal's size, than foramen on A. punctata
3. Length frequently 120 mm or more, up to 300 mm.
4. Foot frequently expands at posterior into rounded sucker attached to substrate. Sole brown.
5. In Britain (2015), confined to south west England; breeds in Cornwall.
Aplysia fasciata Poiret, 1789
1. Parapodia do not unite at their posterior. See fig. 3, as A. limacina, in Grigg (1949); frequently swims gracefully, see flic.kr/p/da9ojG (R. Fernandez); www.youtube.com/watch?v=x051Lw6LMBw#t=26 (M. Pontes).
2. Tiny foramen, pore-like on raised papilla (Grigg, 1949), is far smaller, relative to animal's size, than foramen on A. punctata; often difficult to discern.
3. Length frequently about 200 mm, with weight nearly 2kg, but up to 400 mm (largest British gastropod).
4. Foot pointed at posterior.
5. Reliably recorded from Dorset, South Devon, Cornwall and Channel Islands; rare.
Aplysia parvula Mörch, 1863
This species was recorded for Britain (Bebbington & Brown, 1975) on the basis of morphological features of small A. punctata specimens. Eales (1921) reported that small red specimens grew and changed colour to typical A. punctata when fed on non-red algae in captivity, so she dismissed their identification as a distinct species. Recent DNA studies (Golestani et al. 2019) found that A. parvula is confined to the tropical western Atlantic, and no DNA evidence for it was found in specimens examined from the north eastern Atlantic or Mediterranean.
Habits and ecology
A. punctata lives in shallow unpolluted water and occasionally on shores at LWS where its algal food grows; including red algae, Ulva (fig. 4 flic.kr/p/DjbKoD ) and Fucus.
Respiration: There is no obvious inhalent siphon; Jeffreys (1869) suggested that inflow was via the foramen, but this seems unlikely. Water is probably taken in between the body and anterior of the parapodia to the narrow mantle cavity on the right containing the gill (fig. 3 flic.kr/p/CVh5eX ). The water passes over the osphradium near the anterior attached-end of the gill. The current is created by cilia on the gill and, probably, on other surfaces. The osphradium tests the water-quality; if it is oxygen deficient, the gill may erect itself clear of the overhanging shell for better access to oxygenated water (Eales, 1921). The exhalent current leaves the animal via the anal funnel, taking faeces with it (fig. 17 flic.kr/p/DJpAiX ).
Defence : A. punctata is usually well camouflaged because its colour is often similar to alga it is feeding on. When irritated, the opaline gland (fig. 4 flic.kr/p/DjbKoD ) can release via the anal funnel (fig. 17 flic.kr/p/DJpAiX ) an acrid, white, viscous secretion, mixed with purple dye from the ink gland, to repel and confuse attackers. There are a few uncertain reports of predation on adults, but crustacea eat the spawn.
Reproduction: Breeding is recorded in February-November in Britain, but is most usual in spring. A. punctata is a simultaneous hermaphrodite, but distant spacing and positioning of the male and female orifices (fig. 9 flic.kr/p/DSEGJ8 ) prevent mutual interchange of gametes between a side-to-side pair in the manner of nudibranchs. One, acting as male, climbs astride another from behind and with the anterior of its foot firmly grips the mantle and shell (through the foramen) of the lower acting female. The penis of the acting male, engorged by blood and extruded by eversion of the internal penis sheath, is inserted into the vaginal part of the other's common genital aperture (fig. 9 flic.kr/p/DSEGJ8 ). Semen from the acting-male passes from its common genital aperture, through the external seminal groove on its neck and head, edge of the penial sheath and penis into the acting-female (fig. 10 flic.kr/p/CVacmN ). Often a chain of mating individuals forms, enabling all, except those at each end of the chain, to act as male and female simultaneously (fig. 9 flic.kr/p/DSEGJ8 ).
A. punctata often extrude spawn during coupling, and it often passes from the common genital opening along the seminal groove, escaping through a wrinkle part-way along it or continuing to emerge (confusingly) at the penial aperture. The spawn is a long string of spherical egg-capsules (fig.18 flic.kr/p/DSEwrV & fig. 20 flic.kr/p/DGfnSL ). There are about 500 capsules in each cm of spawn-string (fig. 19 flic.kr/p/DjbsiX ), and each capsule contains 3 or 4 ova. Copulation/ovipositing lasts several hours or even days, and the string is extruded intermittently in sections, each of which curls and tangles with the others (Eales, 1921). Its colour changes with time, so sections of string issued at different times by a single individual may have different shades from each other with abrupt colour changes corresponding to pauses in laying (fig. 20 flic.kr/p/DGfnSL ). The final colour is brown before veliger larvae emerge into the plankton. A mating/ovipositing chain of individuals results in a tangled mass of spawn strings. A sample mass from the River Yealm, Devon, had an estimated 135 000 ova (Thompson, 1976). Veliger larvae metamorphose after 20-22 days in the plankton at 15ºC into rose-red crawlers, about 5 mm long, feeding on red algae in shallow water (Thompson, 1976).
Distribution and status
A. punctata occurs from northern Norway to the Mediterranean, but is scarce or absent from the continental coast of the southern North Sea and extends into the Baltic no further than the Kattegat, GBIF map www.gbif.org/species/5191252 . It is found in unpolluted water all round Britain and Ireland, except in the north-east Irish Sea. the North Sea from Flamborough Head to Kent and much of the east coast of Scotland where it is absent or scarce. U.K. map NBN species.nbnatlas.org/species/NBNSYS0000173903
Acknowledgements
This account would not have been possible without the assistance of Jim Anderson, Heather Buttivant, Charlotte Cumming, Jonathan Campbell, David Fenwick, Andy Horton, David Kipling, Paula Lightfoot, Penny Martin, Simon Taylor and the photographers whose images have been linked to the account; their names are given next to the links. I gratefully thank them all.
References and links
Bebbington, A. 1992. British Aplysia species. Porcupine Newsletter Vol.5 no 6: 131 – 133. pmnhs.co.uk/wp-content/uploads/2011/11/046-PNV5N6DEC92.pd...
Bebbington A, & Brown, GH. 1975. Aplysia parvula Guilding in Morch, an opisthobranch new to the British fauna. Journal of Conchology 28: 329–333.
Eales, N.B. 1921. Memoir 24 Aplysia. Proceedings and transactions of the Liverpool biological society. 35: 183 – 280.
archive.org/stream/proceedingstr35192021live#page/182/mod...
Forbes, E. & Hanley S. 1849-53. A history of the British mollusca and their shells. vol. 3 (1853), London, van Voorst. (As Aplysia hybrida); pp. 554-556. archive.org/stream/ahistorybritish05forbgoog#page/n568/mo...
Garstang, W. 1890. A complete list of the opisthobranchiate mollusca found at Plymouth; with further observations on their morphology, colours and natural history. J. mar. biol. Ass. U.K. 1(4): 399-457. plymsea.ac.uk/50/ .
Golestani, H., Crocetta, F., Padula, V., Camacho-garcía, Y., Langeneck, J., Poursanidis, D., Pola, M., Baki yokeş, M., Cervera, J.L., Jung, D., Gosliner, T.M., Araya J.F., Hooker, Y, Schrödl, M. and Valdés, Á. 2019. The little Aplysia coming of age: from one species to a complex of species complexes in Aplysia parvula (Mollusca: Gastropoda: Heterobranchia) Zoological Journal of the Linnean Society. 20, 1–52
www.researchgate.net/publication/353918067_Aplysia_puncta...
Grigg, U.M. 1949. The occurence of British Aplysia. J. mar. biol. Ass. U.K. 28(3): 795-805. plymsea.ac.uk/id/eprint/1391/ [has A. fasciata as A. limacina]
Høisæter, T. 2009. Distribution of marine, benthic, shell bearing gastropods along the Norwegian coast. Fauna norvegica 28: 5-106. www.ntnu.no/ojs/index.php/fauna_norvegica/article/view/563
Jeffreys, J.G. 1862-69. British conchology. vol. 5 (1869). London, van Voorst. pp.1-8 archive.org/stream/britishconcholog05jeff#page/n9/mode/2up .
McKay, D. & Smith, S.M. 1979. Marine mollusca of East Scotland. Royal Scottish Museum, Edinburgh.
Thompson, T.E. 1976. Biology of opisthobranch molluscs vol.1. London, Ray Society.
Current taxonomy: World Register of Marine Species (WoRMS) www.marinespecies.org/aphia.php?p=taxdetails&id=138758
Glossary
aperture = mouth of gastropod shell; outlet for head and foot.
anterolateral = situated in front and to the side of.
cephalic = (adj.) of or on the head.
cilia = (sing. cilium) microscopic linear extensions of membrane that move in rhythmic waves to create locomotion, or that move particles and liquids e.g. inhalent water currents. (Scanning electron microscope image at flic.kr/p/qQB5zj )
ciliated = (adj.) coated with cilia.
conchiolin = horny flexible protein that forms the periostracum and a matrix for the deposition of calcium carbonate to create other shell-layers.
ctenidium = comb-like molluscan gill; usually an axis with a row of filaments or lamellae on one or two sides.
ELWS = extreme low water spring tide (usually near March and September equinoxes).
epithelium = tissue forming outer layer of body surface and lining the alimentary canal and other hollow structures
everted = turned inside out and, like a sock.
foramen = natural, non-accidental, opening.
lobate = having or resembling lobes.
LWS = low water spring tide.
mantle = sheet of tissue that secretes the shell and forms a cavity for the gill in most marine molluscs. Confined to the shell-interior of most British shelled-gastropods, but also covers exterior on Aplysia.
opaline = acrid, white, viscous secretion used with purple ink by Aplysia to repel attackers.
operculum = plate of horny conchiolin, rarely calcareous, used to close shell aperture. Absent from Aplysia.
osphradium = organ for testing water quality, usually near the gill.
parapodia = (sing, parapodium) flap-like, lateral outgrowths of foot, usually held up against the sides of some sea slugs.
pectinid = member of the family Pectinidae (scallops).
periostracum = thin horny layer of chitinous material often coating shells.
plankton = animals and plants that drift in pelagic zone (main body of water).
plicate = corrugated so ridges and grooves alternate with each other on either side of axis.
rostrum = beak-like process on shell.
semen = fluid containing sperm.
seminal = relating to or containing semen.
striae = (sing. stria) usually parallel, slight, fine or narrow furrows, ridges, stripes, or streaks.
umbo = (pl. umbones) earliest part of the shell of a bivalve and some bivalve-like gastropod shells, such as in Aplysia punctata. It terminates in a beak which is best seen on an interior view.
veliger = shelled larva of marine gastropod or bivalve mollusc which swims by beating cilia of a velum (bilobed flap).
The 16th Avenue Tiled Steps project has been a neighborhood effort to create a beautiful mosaic running up the risers of the 163 steps located at 16th and Moraga in San Francisco.
Artists Aileen Barr and Colette Crutcher led the creation of the 163 mosaic panels that were applied to the step risers, over 300 neighbors joined us in making them, and over 220 neighbors sponsored handmade animal, bird and fish name tiles imbedded within the mosaic. The City permitting process was completed on August 18, 2004. KZ Tile, a major San Francisco tile setting company, generously agreed to set the mosaic panels into the risers and tile the step treads with rough, nonslip tile.
Le zèbre est-il blanc à rayures noires ou noir à rayures blanches, comme le demande une légende africaine ? Les zèbres sont avant tout reconnaissables aux bandes noires sur fond blanc de leur pelage. Si le zèbre de Burchell possède de vingt-cinq à trente raies, le zèbre de Grévy en compte environ quatre-vingts et le zèbre des montagnes quarante-trois.
Arriba: Puente grúa sobre las columnas del pórtico lindero a la futura estación Echeverría correspondiente a la prolongación de la línea B, una de las tantas obras de subte desfinanciada por el macrismo. Al frente del mismo (a la der), el viejo teatro 25 de Mayo remodelado y reinaugurado.
LAS PROMESAS DE MACRI Y LAS OBRAS
Dos megaobras mantienen este año un ritmo sostenido: Arroyo Maldonado y Teatro Colón. Pero la ampliación del subte camina a paso de hombre y son varios los proyectos que quedaron en compás de espera. El Gobierno porteño asegura que no se paralizó ninguna obra, aunque reconoce la existencia de demoras y dificultades. Hasta qué punto Macri cumplió sus promesas. Opinan los candidatos.
Foto: Propia (cualquier copia o reproducción requiere del previo permiso y/o consulta al autor).
Si querés la foto, primero consultame por correo a nicofoxfiles@hotmail.com
Texto: Por Enrique Colombano y Laura Di Marco para Noticias Urbanas.
Mauricio Macri ganó las elecciones porteñas prometiendo una avalancha de inversiones públicas, eficiencia y velocidad a una ciudad harta de la ineficiencia, la lentitud y la desinversión crónica. Se vendió a sí mismo, más que como un político, como un empresario eficaz, un ingeniero carente de las viejas mañas de la corporación política. Se vendió como alguien que venía de "afuera". Lo nuevo frente a lo viejo; los hechos frente a las palabras, sobre todo frente a las palabras de los "progres", que lo habían precedido en la gestión.
En pleno frenesí de su campaña llegó a prometer que construiría 10 kilómetros de subte por año, en una ciudad tan colapsada por el tránsito que cualquier paro de subtes la convierte en un tsunami en cuestión de minutos. Sin embargo, a un año y medio de gestión PRO, ¿cuántas de todas aquellas promesas esperanzadoras pudo concretar? ¿Cuál es realmente la obra pública de Macri y la inversión en infraestructura que está llevando adelante? ¿Cuánta plata dijo que iba a destinar a su gesta urbana, y cuánta destinó realmente? En una palabra, ¿cuánto de aquella eficiencia prometida ante las cámaras pudo llevar verdaderamente a la práctica? Como es lógico en estos casos, las percepciones varían, y sólo los números suelen darnos pistas más certeras.
Mientras el oficialismo jura que los 3.300 millones de pesos previstos para la obra pública de 2009 es el mayor porcentaje invertido en el rubro de los últimos años, y que PRO ha hecho más en un año y medio de gestión que los "progres" en muchas administraciones, la oposición responde, lapidaria, que Macri no ha hecho, directamente, obra pública, si por ella se entiende una inversión destinada a infraestructura de alto impacto. Por ejemplo, más subtes. Los legisladores del arco opositor le achacan al macrismo concentrarse en hacer cosas visibles –tales como el bacheo o la refacción de veredas–, pero no las que son más necesarias a largo plazo. Sospechan de transferencias de fondos estatales a las constructoras privadas y de conexiones non sanctas entre el oficialismo y las empresas vinculadas al grupo Macri. Le facturan que sólo inauguraron una escuela, en la Villa 21, y que, encima, es un predio que había sido previamente recuperado por los vecinos de la zona. Lanzan que del hospital prometido en Villa Lugano sólo hay una salita de primeros auxilios. Le cuestionan que este año los chicos porteños volverán a pasar frío en las escuelas por una impericia de gestión. Desde el Acuerdo Cívico y Social, el segundo candidato a legislador de Lilita, Juan pablo Arenaza, lo explica: "La Legislatura votó el año pasado una norma que le permitía a Macri destinar dinero a la mejora de la infraestructura en las escuelas, y de ese porcentaje sólo ejecutó un 40 por ciento; no queremos subtes, pero al menos que ponga gas en los colegios".
Finalmente, lanzan, de los 10 kilómetros de subte prometidos no pudo hacer ni uno solo. Macri –es sabido– acusa al Gobierno nacional y, de paso, a la escasa colaboración de Daniel Scioli en el fracaso de llevar adelante políticas con mirada metropolitana. Más aún, Gabriela Michetti, que lidera las encuestas porteñas, justificó su renuncia a la vicejefatura para pasar a la "pelea nacional" con el único objetivo de cambiar esas "injustas" reglas del juego, según los macristas.
Cristian Ritondo (PRO), presidente de la Comisión de Obras Públicas de la Legislatura, explica la situación con números en mano: "Nosotros esperábamos contar con 2.500 millones de dólares de financiamiento: 1.500 millones los iba a aportar el Banco Interamericano de Desarrollo (BID), 500 millones la Ciudad y 500 millones la Nación, porque se había hablado con el ex jefe de Gabinete, Alberto Fernández, sobre la posibilidad de trabajar juntos para el Bicentenario". La historia que sigue es conocida: el Gobierno nacional jamás consideró avalar el pedido de toma de deuda, la economía mundial entró en crisis y, por último, Fernández se fue mal del Gobierno. La realidad es que hoy las obras del subte "sobreviven" a paso de hormiga con el presupuesto asignado (116 millones de pesos), además de un 5 por ciento de lo que recauda Autopistas Urbanas S.A. (AUSA), que se destina a Subterráneos de Buenos Aires (Sbase) y que son apenas 12 millones de pesos más. Esto alcanza para mantener en funcionamiento las obras civiles, pero no para tender la red.
Este mes se debería haber inaugurado la estación de Corrientes y Pueyrredón de la línea H. No ocurrió. El Gobierno porteño sólo alcanzó a poner en funcionamiento las estaciones Puán y Carabobo de la línea A, que, encima, ya estaban terminadas desde fines de 2007.
Desde la oposición, el segundo candidato de Diálogo por la Ciudad, el ibarrista Mario Gygli, sale a cruzar a PRO: "Yo puedo demostrar, con números, que Macri miente cuando se victimiza. Él puede avanzar perfectamente con las obras de los subtes con presupuesto propio, sin pedirle plata a nadie, como lo hicimos nosotros en plena crisis de 2001, cuando construimos 11 kilómetros".
Desde el Frente para la Victoria, Francisco Tito Nenna va en la línea de Gygli cuando destaca que Buenos Aires tiene uno de los presupuestos más vigorosos del país. Y avanza: "Lo que hay es una transferencia de los recursos del Estado a empresas de construcción privadas, amigas del macrismo, que son las que se dedican a arreglar veredas y baches".
Para las obras de ampliación de la red de subtes, el macrismo había asignado inicialmente 447,5 millones de pesos, pero más adelante tuvo que recortar a 116 millones. Ya sea porque los demás fueron peores, porque lo actual no es tan malo como dice la oposición o porque la estrategia de la "acupuntura urbana" –y visible– da resultado, lo cierto es que, según las encuestas, los porteños, aunque no están del todo conformes, no le soltaron la mano a Macri. Más aún, los politólogos suelen decir que la estrategia de victimización "paga" en el caso de Macri: la gente, en general, le cree cuando culpa al Gobierno nacional. Una cosa es verdad: además del aval para el financiamiento de subtes, la Nación "cajoneó" el Fondo de Infraestructura Social (Foiso), una toma de deuda por 1.600 millones que Macri pensaba destinar a la obra social, como refacción de escuelas y hospitales.
REALIDADES Y PROMESAS
De todas las megaobras prometidas, lo cierto es que sólo dos marchan a ritmo este año: las refacciones del Teatro Colón, que terminarían en 2010 según promete el Gobierno porteño, y la del canal aliviador del Arroyo Maldonado, que permitirá evitar inundaciones en vastas zonas de la Ciudad.
Después, sí, se incluyeron obras de envergadura intermedia. Veamos: intervenciones en la Red Pluvial II –son 25 y el Gobierno porteño promete terminar la mitad este año– o las obras de la 9 de Julio Sur, a cargo de AUSA. Y finalmente, tenemos bacheo, lo más visible, la ampliación de calles, construcción de placitas, adoquinados, desadoquinados, peatonalización, muchos obreros vestidos de amarillo con la leyenda "Haciendo Buenos Aires", más bacheo, antenimiento. La famosa "acupuntura urbana". La megaobra del Teatro Colón es un tema aparte; le destinarán 106,5 millones, pero desde el Frente para la Victoria sugieren que en las demoras hay algo turbio. Nenna dirá concretamente: "Hay que estar atento porque pueden llevarnos a un proceso de privatización".
Cuando en noviembre del año pasado el ministro de Desarrollo Urbano, Daniel Chaín, fue a la Legislatura, a las reuniones previas a la aprobación del Presupuesto 2009, reconoció que este año el Gobierno porteño iba a tener que suspender obras previstas por 472 millones de pesos.
Desde el macrismo, el vocero del Ministerio de Desarrollo Urbano, Sergio Levit, es enfático cuando niega que se hayan parado obras y, en cambio, destaca los avances en la obra del Maldonado: "Es la obra más importante que se hace en Latinoamérica y la que tiene la más mayor tecnología". En verdad, lo que la administración PRO tiene para decir es que hacen lo que pueden con el dinero que tienen. Y hay muchas obras que se dejaron de lado, entre ellas la anunciada construcción de nuevos neuropsiquiátricos, el aliviador de la Cuenca Medrano-White y la megalicitación Oasis Urbanos, una construcción de espacios verdes en lugares estratégicos de la Ciudad, que fue reemplazada por un programa de licitaciones progresivas.
Desde la oposición dicen, en cambio, que Macri tiene serios problemas para encarar licitaciones de largo aliento. "No tiene cuadros capaces de llevar adelante y concluir un proceso licitatorio", dicen, palabras más o menos, desde Proyecto Sur, el FPV, el socialismo, el ibarrismo y el lilismo porteño. Precisamente, desde Proyecto Sur, el médico del hospital Argerich, Jorge Selzer, segundo candidato a legislador porteño detrás de Fabio Basteiro, lanza un último dardo al ingeniero PRO: "Debería planificarse el crecimiento
urbano y poner topes en la Ciudad, de lo contrario la polución y el consumo de energía van a ser insostenibles". El año pasado la Legislatura sancionó, luego de varios años de demora, el Plan Urbano Ambiental (PUA). La norma, ordenada
por la Constitución de la Ciudad, es la ley marco que garantiza los derechos urbanos de los porteños. De allí se desprende cómo se debe planear la Ciudad a partir de ejes como el transporte, los espacios públicos, la vivienda, la producción o el empleo. El PUA sugiere la discusión de una política interconectada y, también, la reformulación urgente del Código Urbanístico, que dice qué se puede construir y en dónde. Hoy el Código que se usa es del 77 y no responde al modelo de ciudad que propone el nuevo plan urbano. También redactar nuevos códigos de Habilitaciones y Espacio Púbico. Finalmente, ampliar la mirada a escala metropolitana, en lugar de centrarse sólo en la Ciudad, es otro de los desafíos.
A estas alturas, Macri ya debe haberse dado cuenta de que para achicar la distancia que media entre la campaña y el poder real deberá apelar sí o sí a la política. Porque con la ingeniería sola no le va alcanzar.
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I went out scouting for shooting locations with Sandy today for our food bank photos (we are going to have a seriously dark and twisted shot going up in the next month or so). While we were out Sandy taught me a new photography technique. It's called "Through the Viewfinder" (or TTV). You take a high quality dSLR with a macro lens and shoot through the viewfinder of an old camera. It gives a very cool effect. Kind of a soft, noisy, vintage sort of feel.
This is my first attempt at this kind of photography. I think it has potential though. Now I just need to get a good MACRO lens...
Thoughts?
If you've got some time, here is Sandy's stream:
www.flickr.com/photos/sandyphimester/
It's excellent! Sandy's been kind enough to teach me lighting and all sorts of other stuff.
54/365 - Carolina Drama - The Raconteurs
Today was another really tough day of hard work.
It started badly with the viewing of our work on the "Tea or Coffee" weekly theme with our studio teacher, and the work we did was not what he was thinking about.
We were too late at noon to grab the equipment we needed for the work of the afternoon so we had to eat something as quickly as possible and get back to the studio to finally take away a Mamiya RB67, a studio flash and a 120 Superia 400 ISO film.
We had less then 3 hours to go to town and shoot the film in order to make portraits on location of people working.
I was with Loic, Hugo and Florent with only 1 medium format camera for all of us... 4 different places to go to, including time to meet the guys, set up, find the good light, the good settings, to shoot, and to pack all things again... And be on time at school for the economic course, the "finish to kill" last course of the day until 7.15PM...
Luckily we met Simon who's already done his job and he lend to Loic and I his own RB67.
Loic had a appointment at Corezone shop but first we went to Hurley shop to shoot my film.
I've been there several times to take some testing portrait for shool, and the guys over there are really too nice and cool ! A huge thanks to them !
So this was a testing shot we did with the 7D to test the light before shooting with the Mamiya. Can't wait to see the analog results, this was a test for our studio course and my teacher will judge me on this work.
Also Loic did some cool shot with the Corezone shop's crew who are awesome !
Today I've chosen to quote lyrics from a Jack White's band The Raconteurs because it's a huge song and it's also on the original soundtrack of an awesome surf movie with Rob Machado.
I'm a huge fan of The Raconteurs and Jack White's music in fact.
Rob Machado is the guy on the picture behind Loic, it's an awesome surfer sponsored by Hurley that you should watch surfing !
Link to the trailer of the movie "The Drifter" with Carolina Drama - The Raconteurs music on the OST.
Light :
- 1 flash Elinchrom D-Lite4 with Portalite softbox at min power on the left of the sofa, fired with PC synch cable
Canon EOS 7D - Sigma 24-70mm f/2.8 DG macro EX
Sébastien Huruguen