Super Snipe in Pearlescent Almond Green, complimented by reupholstered light tan leather interior and contrasting green carpets. Taken n the 19/06/2010 at 14:08:08Hrs using a Nikon Coolpix P100 camera in Bodmin & Wenford Railway station

Applied some Photoshop curves to flatten midtone shades and gave pelican a pearlescent look.

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1095 ngày tỏa nắng

1095 ngày bên cạnh SW

Cũng gần đc 365 ngày mình làm SW :)

5 Người đã là 1 fần của cuộc sống của mỗi SW

Cảm ơn đã xuất hiện trên cuộc đời

Dù mình quá nhỏ bé nhưng cũng chỉ muốn hòa vào Pearlescent Blue kia

Cùng nhau chờ đợi 4th :)

Bây giờ các a đã thành 'sunbae' của nhiều nhóm khác rồi đó !

SHINee k thể thiếu SHAWOLs

và SHAWOLs cũng k thể thiếu SHINee <3

"Cho dù giờ đây chúng ta không ở dưới cùng một bầu trời, nhưng đừng quên rằng trái tim của chúng tôi luôn hòa nhịp cùng các bạn"♥- Taemin :)

Những hoạt động của SHINee diễn ra như chúng em đang quay một bộ phim vậy."- Minho :)

* add person nếu bạn cũng là SW :)

fav đi :)

A decorative water feature in Penlee Park Penzance.

Ripples in a shallow brook near Lesingey Round.

Quality prints, greeting cards, puzzles and many lovely products can be purchased at >>https://kaye-menner.pixels.com/featured/bubbles-on-silk-by-kaye-menner-kaye-menner.html

Bubbles or spheres with a pearlescent sheen rest gently on luxurious drapes of pastel-colored silk in pale pink, light blue and soft yellow. The fabric folds of silk create a sense of softness, enhancing the dreamy and serene ambiance.

The bubbles or spheres vary slightly in size and hue, and their translucent nature allows the colors of the underlying fabric to subtly show through.

I set out to create a pretty image of softness with pastel colors that I feel would make a lovely abstract print or look lovely on many of the fine art america products, especially a duvet cover, pillow, etc.

THE FINE ART AMERICA LOGO / MY WATERMARK WILL NOT APPEAR ON PURCHASED PRINTS OR PRODUCTS.

Thrilled with the NLC display last Monday morning over our hometown of Bromsgrove over towards the Lickey Hills ;0)

A series of pearlescent resin beads with clock/watch parts enacesd in the resin.

Cavendish Mews is a smart set of flats in Mayfair where flapper and modern woman, the Honourable Lettice Chetwynd has set up home after coming of age and gaining her allowance. To supplement her already generous allowance, and to break away from dependence upon her family, Lettice has established herself as a society interior designer, so her flat is decorated with a mixture of elegant antique Georgian pieces and modern Art Deco furnishings, using it as a showroom for what she can offer to her well heeled clients.

Friends of Lettice and Gerald, newlyweds Margot and Dickie Channon, have been gifted a Recency country “cottage residence” called ‘Chi an Treth’ (Cornish for ‘beach house’) as a wedding gift by the groom’s father, the Marquess of Taunton. Margot in her desire to turn ‘Chi an Treth’ from a dark Regency house to a more modern country house flooded with light, has instructed Lettice to dispose of some of the darker historical pieces of furniture from the house and replace them with newer, lighter pieces. This idea rather upset Lettice, who has a very strong sense of history. Fortunately, Gerald came up with the idea that she can repaint and re-purpose a few pieces, thus satisfying Margot’s desires for lighter and newer pieces, whilst also keeping the history of furnishings intact within ‘Chi an Treth’.

It is evening and Lettice is standing on a white drop sheet, considering a Regency demilune table* that she has painted creamy white before her. Whilst she contemplates, her old childhood chum, Gerald, also a member of the aristocracy who has tried to gain some independence from his family by designing gowns from a shop in Grosvenor Street, is draped languidly across one of her Art Deco tub arm chairs with a half drunk glass of champagne in one hand and a half finished jacket of fetching navy blue and white lying across his lap as he carefully stitches red piping along the Peter Pan collar**. Not uncommonly the two keep each other company as they work. For Lettice, it is companionable time spent with her dear friend, and for Gerald, whose finances are somewhat straitened, it saves him money using Lettice’s electricity and dining, quite literally, on her largesse.

“You know it won’t paint itself Lettuce Leaf.” remarks Gerald as he looks up from his work, pulling up a long red thread between his fingers.

“Don’t call me that Gerald!” Lettice quips at her friend. “We aren’t children anymore. You know I don’t like it.”

“I’ll stop calling you Lettuce Leaf when you start to paint that table, rather than prevaricating and procrastinating.”

“Do you promise, Gerald?” Lettice asks, looking back at her friend over her shoulder.

“No,” Gerald admits as she begins to stitch again. “Of course I don’t.” He pauses and looks up at Lettice again. “But you have to paint that table, come what may. Margot has agreed that you could re-purpose any pieces of furniture from ‘Chi an Treth’ that you like.”

“Oh I don’t know, Gerald.” Lettice groans in reply as she runs her hand over the smooth pearlescent white surface. “What if I’ve made a mistake and just ruined a perfectly beautiful piece of furniture with some white house paint.”

“Nonsense, darling girl!” he scoffs in reply. “You’ll only ruin it, if you don’t paint it.”

“I wish you’d never talked me into the idea of hand painting Margot’s furniture, Gerald.”

“I’m beginning to wish the same myself,” Gerald mutters in reply as he observes his friend surrounded by her paints and palette gripped by stifling indecision.

The sight of his best friend biting her left thumbnail distractedly as she gazes painfully at the table fills Gerald with a mixture of pity and resolve. He roughly stabs his needle into a piece of completed piping on the collar, sighs and puts the jacket aside on the black japanned coffee table between his chair and Lettice’s usual seat. With a groan, he manoeuvres himself in his seat until he is in a position where he can get up easily from it. He meanders around the table and over to Lettice where he drapes an arm around her shoulder comfortingly. She leans into him and places her head against his collarbone.

“I don’t know why you are being such a silly goose and doubting yourself, Lettuce Leaf.” His remark is rewarded with a flapping sulky slap to his left hand as it hangs loosely by his side. He steps away slightly, dropping his arm from around her and grasps her upper arms with his hands. Crouching slightly so he can catch her downward glance beneath Lettice’s fringe he continues, “You have so much talent. You know you do. Look at all the fine interiors you have done so far. You convinced Mrs. Hatchett not to have floral chintz wallpaper.”

“Pity I couldn’t convince her not to have her soft furnishings upholstered in the stuff.” Lettice counters poutily.

“You gave Wanetta Ward a flat that every moving picture star either side of the Atlantic Ocean would kill to have.”

Lettice allows the briefest of smiles to grace her lips.

Gerald smiles and continues softly, “That’s your artistry at work. You know you have the skill. Even if you didn’t, you have your Aunt Eglantine and I telling you how bursting with artistic strength you are. Faint heart and all that, eh?” He glances over at the untouched table.

“Oh, very well Gerald. I’ll do it!”

“That’s my Lettuce Leaf!” Gerald sighs proudly as he embraces her. “Now, show me the design again.”

She picks up a piece of paper, slightly worried at the edges by constant fingering, and hands it to her friend.

“So you see,” she points. “I have a central footed urn from which I have snaking acanthus leaves sprouting to either side. It harks back to Regency designs.”

“But against a pale background, and with a lighter touch, it will suit Margot’s more modern tastes, whilst at the same time being truthful to ‘Chi an Treth’s’ origins.” Gerald says with a knowing look.

“Exactly.” Lettice sighs.

“Well then!” Gerald says matter-of-factly, holding the sheet back out to her. “Best get on with it!”

Whilst her friend wanders back to his perch on her Art Deco tub chair and takes up his sewing, Lettice starts to mix her oil paints. She squeezes a worm of base yellow from a silver tube, before uncapping a deep red. She adds a touch of it to the yellow and smiles with satisfaction as she darkens it. Taking up her tube of blue, she squeezes it onto her palette and carefully adds it a little at a time to the yellow to darken and desaturate it. Satisfied with her shade of ochre, she takes up a thick brush, dabs it in the paint and carefully starts to paint the central footed urn with definite strokes.

Sensing movement in the periphery of his vision, Gerald glances up momentarily to see his friend bent over the table, her palette locked through her crooked left thumb, her right arm moving in sweeping gestures as she starts to paint the tendrils of acanthus. He smiles triumphantly to himself, but allows himself no more celebration until the task is complete, and returns to his own work, remaining silent as he allows Lettice’s artistry to work its magic.

Lettice picks up a tube of russet paint, squeezing a small amount onto her paint covered palette. Discarding the tube on the floor, where its thud is deadened by the drop sheet, she grasps her tube of ebony and dabs the smallest amount next to the russet, before gently mixing a little of the black into the red, deepening it. She sets aside her thicker brush, depositing it into a Victorian jug containing linseed oil and takes up a smaller brush which she uses to make a pattern around the top and down the front of the urn. The droplets look like rubies imbedded in the golden ochre of the pot. Squeezing some white onto her palette, she adds some of the black she hasn’t used to it and mixes up a pale grey.

Unaware that she is being discreetly observed from across the room by her friend, Lettice picks up her tube of ultramarine, she pushes out a small pool of shiny blue paint and carefully mixes it, little by little with the grey until she has a bluish dove grey. Taking up her finer brush again, she paints sinewy strokes between the ochre tendrils to which she then adds more stylised acanthus leaves.

Finally, with a sigh, Lettice discards her bush onto her paint palette. It lands with a clatter against three others she has been using. “There!” she says with a satisfied huff.

“Done, darling?” Gerald asks casually, without looking up from his careful stitching of the red piping around the white collar of the jacket, carefully containing his excitement and apprehension.

“I think so.” Lettice says with a lilt of relief in her voice.

“May I see it, then?”

“Of course, Gerald!” Lettice exclaims. “I want you to be the very first to see it!”

Gerald swivels himself again, and carefully putting the jacket aside, he walks over to where Lettice stands, and he shuffles alongside her. The pair stand in silence for a short while, the Art Deco clock ticking on the mantlepiece the only noise emanating throughout the room.

“Well?” Lettice asks pensively, her hand raising to her lips. “What do you think?”

For a moment Gerald can’t answer. Arching his eyebrow over his left eye he shakes his head slightly and says with a proud smile turning up the corners of his mouth, “I think it’s beautiful.”

“Really?”

“Really, darling,” he responds almost in a whisper of awe. “And, I think Margot is going to love it.”

*Co-opting the French word for “half moon,” the demilune table is an accent table featuring an elegant, rounded front and a flat back. A demilune's flat back allows it to sit flush against a wall, making it a striking substitution for a standard console table or credenza.

**A Peter Pan collar is a style of clothing collar, flat in design with rounded corners. It is named after the collar of Maude Adams's costume in her 1905 role as Peter Pan, although similar styles had been worn before this date. Peter Pan collars were particularly fashionable during the 1920s and 1930s.

For anyone who follows my photostream, you will know that I collect and photograph 1:12 size miniatures, so although it may not necessarily look like it, but this artistic scene is in fact made up of 1:12 size artisan miniatures from my collection, including pieces from my own childhood.

Fun things to look for in this tableau include:

The Georgian style demilune table, central to our story is an artisan miniature from Lady Mile Miniatures in the United Kingdom. Painted white and then aged, it has been hand painted with a Georgian style design on its surface.

The Limoges style jug, paints, paint brushes and paint palette on the table and footstool were all acquired from Melody Jane Doll House Suppliers in the United Kingdom.

Lettice’s drawing room is furnished with beautiful J.B.M. miniatures. To the left of the photograph is a Chippendale cabinet which has been hand decorated with chinoiserie designs. It also features very ornate metalwork hinges and locks. To the right of the photograph you can see a chair made of black japanned wood which has been hand painted with chinoiserie designs down the arms of the chair. The chair set has a rattan seat, which has also been hand woven.

The Chinese folding screen in the background I bought at an antiques and junk market when I was about ten. I was with my grandparents and a friend of the family and their three children, who were around my age. They all bought toys to bring home and play with, and I bought a Chinese folding screen to add to my miniatures collection in my curio cabinet at home! It shows you what a unique child I was.

In front of the screen on a pedestal table stands a miniature cloisonné vase from the early Twentieth Century which I also bought when I was a child. It came from a curios shop. Cloisonné is an ancient technique for decorating metalwork objects. In recent centuries, vitreous enamel has been used, and inlays of cut gemstones, glass and other materials were also used during older periods. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments (cloisons in French) to the metal object by soldering or affixing silver or gold wires or thin strips placed on their edges. These remain visible in the finished piece, separating the different compartments of the enamel or inlays, which are often of several colours. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then needs to be fired in a kiln. The Japanese produced large quantities from the mid Nineteenth Century, of very high technical quality cloisonné. In Japan cloisonné enamels are known as shippō-yaki (七宝焼). Early centres of cloisonné were Nagoya during the Owari Domain. Companies of renown were the Ando Cloisonné Company. Later centres of renown were Edo and Kyoto. In Kyoto Namikawa became one of the leading companies of Japanese cloisonné.

The drop sheet to protect Lettice’s Mayfair drawing room floor is really the corner of an ordinary bed sheet.

Henna! But it's pearlescent so it doesn't photograph very well. >_<

More info at nonaptime.com

Tiffany Glass & Decorating Company, Punch Bowl with Three Ladles, 1900, glass, silver, gilding, copper, and wood, bowl 36.8 x 61 cm, ladle 6.4 x 8.9 x 25.4 cm (Virginia Museum of Fine Arts, Richmond)

Exhibited at the 1900 Paris World’s Fair (Louis Comfort Tiffany won a grand prize and received the French Legion of Honor); the bowl was owned by Henry O. Havemeyer and is made of hand-blown iridescent glass that recalls ancient Roman glass which can become pearlescent when buried. Tiffany termed this glass Favrile, after the Latin "fabrilis" (hand made).

stamped: APRIL 1900 / TIFFANY G. & D. CO. / NEW YORK / 1282

Cant wait till they open ♥

Fit mesh.. SLink... Classic... demo just in case it works with your mesh ♥

Opalescent

Iridescent

Pearlescent

Effervescent ♥

Come take a second!

TLC - The Liaison Collective

Dark Fantasies

maps.secondlife.com/secondlife/Remarkable/141/218/22

I really like the pearlescent, shell tones to this image, taken inside Newport Street Gallery, London.

Off to Berlin today for a few days of architectural photography. Never been before so really looking forward to exploring a new city. Will hopefully plenty of new images on my return!

Poem.

The gossamer sunlit trails of a calm bay at sunrise.

The moored yachts, motionless, seemingly frozen on these bejewelled, mirrored waters.

The rising sun gleams in pearlescent brilliance.

The silhouetted domed hills of Loch Carron are a

grey and indigo backcloth to this

quicksilver and golden sea.

This is Plockton-

at any time- superb,

at dawn on a summer’s morning,

we have entered the golden gates of heaven!

Nacreous clouds tonight at and after sunset. Fantastic to see, I've only seen them once before and hadn't a clue what I was looking at then. They are high altitude clouds that refract the last of the sun through ice crystals.

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Thanks so much for looking at my pictures and for your comments. I truly appreciate that. Much obliged.

It looks like a tiny planet but this Picture of the Week actually captures ESO’s La Silla Observatory using a photography technique called stereographic projection, whereby a flat image is projected onto a sphere.

La Silla, home to several of the instruments in the ESO family, was inaugurated in 1969. As well as being the first ESO observatory, it has also been at the forefront of many scientific and technological firsts. ESO’s pioneering 3.58-metre New Technology Telescope (NTT) was the first in the world to have a computer-controlled, or “active”, main mirror, leading the way for ESO’s Very Large Telescope (VLT), where all four 8-meter mirrors are active.The High Accuracy Radial velocity Planet Searcher (HARPS) instrument attached to the ESO 3.6-metre telescope is a hugely successful exoplanet hunter, discovering among other things the first ‘Earth-like’ planet in a star’s habitable zone.

Above “Planet La Silla” arches the pearlescent arm of our home galaxy, the Milky Way. It is the arid conditions of the Atacama Desert in Chile that allow such a view, as La Silla experiences over 300 cloudless nights per year.

Credit:

ESO/P. Horálek

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BLYTHE-A-DAY

A flickr Group

FEBRUARY 2023

"ACCESSORIZE YOURSELF"

DAY 27: "NAIL POLISH"

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Since all our girls have Licca bodies, none have "nail polish" ...

Carrington Cousteau, our Blythe girl P.A.M. (Princess a la MAYBELLINE) ... is here with her POLISHED NAILS TIARA!!

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ALSO featuring some special RHINESTONE shoes, by Kult of Kulta (a gift from Karin ... THANK YOU ... of course ... WE ALL LOVE THEM !!!)

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This creepy haute couture lizard for Halloween is Phelsuma, a OOAK Inamorata art doll with Nnaji head sculpt and Andro bust type in Charcoal resin.

Her highly editorial make up has a pearlescent green scale pattern running from her brow to the back of her head, red and gold lips, rust coloured eyes and wild eyeshadow covering her brow with multi coloured leaf gold. The look is finished with green sequins as bindi and below her eyes.

The translucent netting dress is a hand stitched with thick scaly clusters of red and green sequins and beads to accentuate feminine form. The netting boots with Classic Stiletto heels have a line of red sequins running down the back seam.

Both doll and the fashion are available in the shop now:

emiliacouture.com/2018/06/21/for-sale-4-new-ooak-dolls/

Elelphant grace

Poem.

The gossamer sunlit trails of a calm bay at sunrise.

The moored yachts, motionless, seemingly frozen on these bejewelled, mirrored waters.

The rising sun gleams in pearlescent brilliance.

The silhouetted domed hills of Loch Carron are a

grey and indigo backcloth to this

quicksilver and golden sea.

This is Plockton-

at any time- superb,

at dawn on a summer’s morning,

we have entered the golden gates of heaven!

A naked bird-king with Irish blues

rose up to be Y Dryw the Joiners son

He stacked the sea to green jade through tidal tongues

and fixed obsidian to nocturne's pitch-pine gum

He hewed his sylvan dwellers hearth

with a Stone cutters bile down a pit prop shaft.

Up, up into the daylight

She gave birth on Primrose Hill

For a Tall Jar full of Charcoal lilies and

golden pills, these were for the chorus sung

In the Sun, coming South to sit upon

Carn Coney Hill with Bumble Bee songs

Where one and one did become

A tree on the un-forested Mountain.

The Monjas Temple, Morelia City.

Couldn't decide which name to give this photo: 'Heaven Vault' or 'Heaven Sink'. The handwork up there is magnificent and beautiful. The light is something i really loved as well as the pearlescent coat. Also the top window looks like water; that's the main reason i decided to name it the other way.

--

Happy Holidays.

Regards.

Manufacturer: Rogue Automotive, Acro Motors

Nationality: United States of America

First assembled: TBA 2017

Birthplace: Lemont, IL

Engine: 5.4 L supercharged V8

HP: 685 BHP

0-60: 3.1 seconds

Top speed: 253.20 MPH

The Rogue Destroyer has been a smash hit, if anything due to how adaptable it is for a 2-seater sportscar. There's been entry-level 4 cylinder versions, a rally car, high-performance track monsters, and even a Ute. With a limited RHD GTS model the Destroyer has even seen success in Europe. At the 2016 Pebble Beach Concourse D'elegance, a rather ironic place for Rouge to be, they unveiled what they state is "the best Destroyer yet". It was the Rogue Destroyer Wolf. Rogue's new "Wolf" Nameplate hasn't been around long but 3 cars have already received the trademark white and black livery. The Wolf nameplate was made to combine Rogue's emphasis on pure hardcore automotive performance with fine luxury that would earn compliments from even the most posh Harrier models. One thing people pointed out was that the cars that earned the Wolf nameplate never had Rogue's other nameplate, the brutal, track-focused FCGT series. The first Wolf car from Rogue, the Assailant Wolf, even exists specifically because it will never have the FCGT nameplate. Since the Destroyer FCGT exists though, most thought the best car in Rogue's stable would never get the shiny new nameplate. yet here it was, it's Rogue-branded "Vice White" pearlescent paint glittering in the warm Californian sun. While the new Wolf adopts some aesthetics from the brutal FCGT model, don't think the Wolf is the kind of car to try and stab you once you step inside. Like previous Wolves before it, the interior of the Destroyer Wolf is a very pleasant place to be. Rogue contracted Swedish manufacturer and business partner Acro Motors to redesign the interior. The result is an American sportscar with a fine, luxurious European-style interior, complete with all the creature comforts a driver would need to feel like they've already arrived before even turning on the engine. And it only gets better once the key goes in the ignition. At the flip of a switch the Destroyer Wolf can go into luxury mode. In this mode the engine's power is downed, the exhaust is muffled to reduce noise, and the ride is softened to allow a smooth, cloud-like ride on even the roughest of roads. This ride is thanks to, among other factors, Rogues new Mag-ride suspension system, first seen in the original Assailant sedan, has been refined further for use in the Wolf series, and has found it's way in Destroyer. Don't think for a second the Destroyer Wolf is just a pretty, watered-down trim of the original beast. There's a very, very good reason it's called the Destroyer. The first model Destroyer, the GTS, came right out of the factory with a 5.4 L supercharged V8 producing a formidable 655 HP. That same V8 is seen in the Wolf, this time producing 685 HP. This gives the Wolf a 0-60 of 3.1 seconds, and a top speed breaking 250 MPH. Along with that speed comes great handling, another aspect the Destroyer has since become famous for. Despite all the added luxuries, only 100 Ibs were added onto the Destroyers original 3,150 Ibs weight thanks to both Rogue and Acro's painstaking engineering. And remember that luxury mode from earlier? With the turn of a knob, that can turn into race mode. In this mode various aero bits on the body perk up, the car lowers, the suspension stiffens, the exhaust opens up and the V8s supercharger is activated, unleashing all 685 horses for war. While the Destroyer Wolf is certainly bound to be an amazing performer, on paper the previous Destroyer FCGT will still be faster. Speed isn't what makes the Wolf better. What makes the Wolf better is it's ability to do both hardcore performance in the vein of it's FCGT brother, yet still provide the luxury the Wolf nameplate was created for. At $100,000 It'll certainly have the price to match the performance. Rumors persist that the Destroyer Wolf is the last variant of the Destroyer Rogue will make before sending it off to pasture for a new model. If so, what a high note for the Destroyer to go out on.

.........

Featuring imegica with a new PBR mirror, Tres Blah and Fancy Decor:

imegica Mirat reflexMirror PBR

Mirat concreteVase

Cosmopolitan Event: maps.secondlife.com/secondlife/No%20Comment/131/61/22

imegica mainstore: maps.secondlife.com/secondlife/Parallel%20Universe/247/12...

imegica flickr: flic.kr/ps/3nxbd8

Tres Blah - Satin Slip

Tres Blah - Pearl Cardigan

C88: maps.secondlife.com/secondlife/8%208/65/177/1086

Tres Blah Mainstore: maps.secondlife.com/secondlife/Lula/132/188/25

Tres Blah Flickr: flic.kr/ps/BFjGb

Fancy Decor: Pearlescent PRE-DECORATED Tree

faMESHed Event: maps.secondlife.com/secondlife/FaMESHed/226/144/1001

Fancy Decor Mainstore: maps.secondlife.com/secondlife/Fancy%20Decor/155/179/23

Fancy Decor Flickr: flic.kr/ps/2XhJ5W

Finca Natural wreath - pale green

FINCA mainstore: maps.secondlife.com/secondlife//35/58/1744

FINCA flickr: flic.kr/ps/3VbUtF

Nutmeg boxed tree topper (I unlinked it from the box to hold in hand)

Access Event: maps.secondlife.com/secondlife/ACCESS/41/129/21

Nutmeg. Attic Bedroom Wardrobe

Nutmeg. Attic Bedroom Holiday Prints

Nutmeg. Attic Bedroom Single Bed

Nutmeg. December Living Room Blanket Pile

Nutmeg. December Living Room Sconce / 2

Nutmeg. December Eve Bowl Exclusive Item

Nutmeg. Low Light Nights Spruce Branch Bonus Item

Nutmeg Mainstore: maps.secondlife.com/secondlife/REKA%20NUTMEG/233/125/21

Nutmeg Flickr: flic.kr/ps/Yr6Sn

Muniick - Roebling Lounge Limestone Fireplace

. Doe . Krampus Hat : FLF Edition [modern]

Spoiled - Lollyta Heart Stockings

Your support is always very much appreciated! 😊

*Tentacio* Hentai nurse. Lingerie black RARE

*Tentacio* Hentai nurse. Headdress black

*Tentacio* Hentai nurse. Manacles blue

*Tentacio* Hentai nurse. Okobo black

BunnyDildo Collar red

hair:[taketomi]_Yurisa_Pearlescent

@+Hentai Fair 2016 +

pose:[addme.] Pose#046

blog

かわゆいなーすちゃんと一緒にｓｓ　ぐへふへへへ

子猫ちゃんｱﾘ(´･ω･)(´_ _)ｶﾞﾄ♪

I spent a delightful Saturday sunset with the Famous Flickr Five+ Group at Half Moon Bay in Black Rock where we ate delicious fish and hot chips from the Cerberus Beach House before wandering along the beach to the sandstone pillars for sunset.

There were lots of beautiful treasures swept up onto the beach and clinging to the rocks in the shallows including colourful and dark starfish, sea snails, kelp and patterned shells.

Half Moon Bay is a beautiful beach located in the Melbourne suburb of Black Rock, about twenty-two kilometers south-east of Mebourne's centre.

In the bay the iconic shipwreck of the HMVS Cerberus sits just above the waterline. A naval vessel that predates Australian Federation in 1901, this ship is both living history and testament to Australia's maritime tradition.

Since its decommissioning shortly after the Great War, the HMVS Cerberus has served as a breakwater.

In addition to the bay and the HMVS Cerberus, there are also the wonderful sandstone cliffs of Red Bluff. Viewed at sunset their many colours are on full show and you could be forgiven for thinking momentarily that you were in Utah.

Done in Ai, Finalized in Photoshop and Photoscape X

Elariah Virellune was not born — she was woven. In the dawn before time whispered its first syllables, the Dream-Tide shimmered through the cosmos and left behind its most radiant echo: Elariah.

Her skin is soft stardust and ocean foam, aglow with cosmic light — a tapestry of twilight blues, purples, and the occasional flare of rose-gold shimmer that drifts across her like a living nebula. Her eyes are galactic wells: vast, hypnotic, and filled with swirling magic — not merely windows to the soul, but galaxies bound by purpose.

Twisting from her temples are iridescent, crystalline horns, like spiraled reef-crowns blessed by the gods of light and tide. Her hair flows endlessly, a cascade of pearlescent strands threaded with pearls, starlight motes, and whispers of forgotten dreams.

Elariah is the last known Syla’nari, an ancient celestial bloodline tasked with preserving the harmony between sleeping realms and the waking world. She speaks not with sound, but through resonance — thoughts that bloom like music in the minds of those who can still dream.

Though divine in bearing, she is not infallible. Elariah feels the shift before it arrives. Something darker now tugs at the edge of dreams — and she alone must cross the veil to stop it.

her face is part of teesha moores collage sheet, the background paper is a shimmery white though u cant c it its pearlescent 2.

During the last Full Moon I got up around 4:00 A.M. to try to capture the moon as it was setting over the Pacific. Now I know why the full moon of November is called the FROST MOON. :o) I was freezing out there, in the dark, in 31 degree weather!! [That shot will need some work.....bright full moon, dark sky, some twinkling lights.....wildly varying exposures needed for such a dynamic range. I haven't processed it yet.]

Since I was up already, and my strong jolt of coffee had started to take effect, I decided to see what ELSE I could find along the coast. After the full moon set, the sky started to turn glorious as the sun was rising. I drove to the closest inlet I could find and hurried to park when I saw the fantastic colors that were painting the water in a way I haven't seen since I lived in the tropics. The luminescent and pearlescent shades of pastel coming from the sky were shimmering softly on the water. But the contrast between the darker land and luminous sky were so great that, unless I was going for a silhouette, I would never be able to capture what my eye could actually see.

So I set up the tripod and took several exposures, thinking this might be the perfect image to use my new Photomatix software on. I manually bracketed about 9 or 10 different exposures, keeping the same ISO of 200. However, when I got home and combined two images using Photomatix's HDR and Tonemapping options, I didn't like any of the results I was getting. They just felt too much like an illustration to me, oversaturated, and didn't represent what I had enjoyed seeing.

So I went ahead and chose the shot with the best overall exposure for the sky and water, and using Layers, put the shot with the good land exposure (but overexposed sky and water) over that first one. Then I erased all sections of the overexposed shot except for the land. Finally, a bit of shadow/highlight work, a touch of contrast, and sharpening. And this is what emerged...........What I saw this morning after watching the moonset!! =)

Los Angeles, CA

Short pearlescent pink leather jacket and thigh high lace up boots

Working on this shot had me spinning (pun intended)....finally achieved the perfect angle with natural sunlight on the delicate web.

#Enrage - underpants&socks - Colin

Dubai Event 📌

Dubai Event Flickr♥

Enrage Mainstore 📌

Enrage Flickr♥

Acrid. bed Game dream

Acrid Mainstore 📌

Acrid Flickr♥

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#OPOPOP ! Mesh Gas Mask VM HAYDEN V#1

OPOPOP Mainstore 📌

OPOPOP Flickr♥

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+ Pearlescent Devil Horns + {aii}

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((Mister Razzor)) Chang Face Tattoo for Lelutka EVO X

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panDEMONium ink - Wolves Tattoo

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Bento Head: LeLUTKA Gen Head

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Skin: STRAY DOG - ONO - LELUTKA EVOX

STRAY DOG ADD ON - ONO HAIRBASE - LELUTKA EVOX

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Mesh Body: [LEGACY] Meshbody (m)

Sweet Thing. Broodmother

**RE** Cora Harness

**RE** Cora Leg Harness

+ Pearlescent Devil Horns (High Poly) + {aii}

[M.O.R] bento demon tail

[M.O.R] bento demon wings

A very unique car.

Aston Martin DB9 by Mansory, wrapped in a very funky color by Dartz. It's some sort of fluorescent green with some sort of glittery parts (can't show on picture, very hard to get it right)! Shot today on the Champs Elysées

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•** My YouTube videos - only the best supercars !!

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Meet Queen Muffy, The Keeper of the Pearls.

Muffy loves, pearls, which symbolize wisdom and complete elegance. One Muffy's Great Grandmother Beatrice came upon a region filled with pearls, a garden of pearls, pond of pearls, pearls everywhere in all shapes, sizes and colors, soon this area became known as Pearlescent Grove.

Muffy's job is to protect the garden pearls with her magic wand filled with tons of magical pixie dust!

I found this adorable rabbit, actually 10 of them in different sizes, in bad condition, so I bought them, fixed them up, added more feathers, bow, millinery flowers, a wand of floral pearls, glitter star, handmade paper crown, tinsel and love!

a bevy of beauties...pearlescent clays and skinner blends

A casual pic at home......but who wears light coloured stockings nowadays? Sadly not many I fear. But I like these vintage M&S Pearlescent Lace Tops paired with beige suede court shoes.

Turbo Sarmaticus snail shells native to South Africa

Trying to get back into shoot from below after a brief hiatus. I love the pearlescent look of this liquid.

I thought I should give a little info on this unique little guy or gal.

This a nautilus which, according to Wikipedia, means "Sailor" in the Greek language. It is a part of the Mollusk family. The scientific name is: Nautilus pompilius. This animal lives in its spiral shell and can completely cover himself in its shell by closing the opening with their leathery hood that looks like a triangle here. Inside its shell, it is a smooth pearlescent blue-gray substance. It's very pretty.

They are found in the Indian Ocean and the Western and Central Pacific Ocean. They are also found around Indonesia... and; did I visit there to get this shot? I wish! Actually, this is from my visit to the Pacific Aquarium in Long Beach, CA.

I tried photographing them several times but because they are kept in the dark, it is difficult to get a good shot. This is the first one that I took that I liked. I would still like to get the whole animal with its shell next time. Until then... here is my first Nautilus shot.

It's a bit late now, but I'm continuing my 4th of July American car upload streak with a bunch of Ford GT's I saw hanging out with the rainbow P1. American flag is a nice touch too.

A bit of an experiment - brand new shiny Pentax K-1 and ancient Hoya 100-300mm f/5 lens at full extent and f/8. Seems to have worked.

I do love that pearlescent iridescence in the clouds.

Poem.

Cruises from here.

Views to the Nevis Range

twenty miles distant.

Spring daffodils speckle the banks.

Mountain slopes.

A pearlescent string of sumptuous silver lochs

mark Harry Potter’s route to the fictional Hogwart’s School.

Loch Shiel stands in as the secret “Black Lake.”

Pine forests.

Glenfinnan Monument marks the spot where

the Jacobite Standard was raised in 1745.

Holiday lodges.

Quaint railway halt.

Glens to remote and wild Knoydart.

Sweeping, meandering loch

with the Glenfinnan peaks to the north

and flat, boggy Claish Moss, at its southern end, near Moidart.

On the glorious “Road to the Isles.”

So much lavish and varied scenery to savour.

We are blessed indeed!

Very high altitude clouds, the ice crystals refract the sunlight to give a pearlescent effect (Nacreous = Mother of Pearl)