View allAll Photos Tagged pearlescent
Wow! Thank you all for the lovely comments.
It was inspired by a gallery piece I saw in West Palm Beach over the holiday. It was a vessel by Toots Zynsky made from thousands of threads of glass which were fused and slumped.
This was an experiment, but it has great potential . . . .if only I could stay focused.
For those who asked, it is a reinforced armature with a steel pin. I'm thrilled with the way it turned out. It is heavily pearlescent, which doesn't show in the photos.
This funky art necklace is a wearable work of art! The centerpiece of this groovy necklace is an intricately-detailed abstract Day of the Dead skull. The skull was originally a colored pencil drawing that you can see here in my photostream. The skull was printed using archival inks onto 100% cotton percale. The funky skull print was then securely hand-sewn onto a layer of black felt, and was then ringed with red embroidery floss and attached to a layer of hush green felt, which was ringed with pink and red metallic embroidery floss. The pendant was stuffed with poly-fil to make it puffy and 3-dimensional. The hush green felt was then securely hand-sewn onto melon pink felt, which was then ringed with sunflower yellow embroidery floss. The center of the melon pink felt was embroidered with a ring of pearlescent white glass beads. Finally, a last layer of garnet felt was added, securely handsewn to the pink felt with bright red embroidery thread. The overall design for this wearable work of art was the tribal folk art aesthetic of various indigenous cultures, such as Indian, Mexican, and Tibetan.
© Thaneeya McArdle - Please do not use this image without permission.
This is a fidget toy, the hexagonal sections shown are individual pieces of plastic and move independently. It can be turned into a cone pointing up, or down. The hexagonal shapes can also be turned creating various shapes (see the link below).
They come in various colours and some are even pearlescent, the colours change in the light as they move when played with.
www.temu.com/goods.html?_bg_fs=1&goods_id=60109977367...
125 Pictures in 2025, theme # 74 Play Of Light
Absolutely thrilled to again capture NLC over our hometown of Bromsgrove. Even though we live in a LP area, we were able to photograph these magnificent rare and beautiful clouds.
They are the highest clouds in Earth's atmosphere, located in the mesosphere at altitudes of around 76 to 85 kilometres (47 to 53 mi). They are normally too faint to be seen, and are visible only when illuminated by sunlight from below the horizon while the lower layers of the atmosphere are in the Earth's shadow.
L'ALTRO LATO DELLA CONCHIGLIA
L'ostrica portoghese (Crassostrea Angulata) ha una conchiglia grosso modo triangolare, con una lunghezza massima di 10-15 cm. La conchiglia è composta da due valvole unite da un legamento a cerniera. L'esterno della conchiglia è generalmente ruvido e irregolare, con creste e scanalature prominenti. L'interno della conchiglia è liscio e perlescente, con una profonda depressione a forma di coppa che accoglie il corpo morbido dell'animale.
Note tratte dal sito:
en.wikipedia.org/wiki/Portuguese_oyster
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THE OTHER SIDE OF THE SHELL
The Portuguese oyster (Crassostrea Angulata) has a roughly triangular shell, with a maximum length of 10-15 cm. The shell is composed of two valves joined by a hinge ligament. The exterior of the shell is generally rough and irregular, with prominent ridges and grooves. The inside of the shell is smooth and pearlescent, with a deep cup-shaped depression that accommodates the animal's soft body.
CANON EOS 6D Mark II con ob. CANON EF 100 mm f./2,8 L Macro IS USM
The Stylidium vinosum flowers mid October in a restricted area. It is a plant requiring more research.
The flowers are white with red markings, throat yellow with 3 pearlescent squares. The back of the petals is red-wine coloured. Has a long flower tube covered with glandular hairs.
The leaf rosette has individual leaves with a white edge and a small white hair at the end.
Photos: Fred
Ok OTK or are those thigh high boots? also jeans, and a striped top, pearlescent pink vest and gray infinity scarf
What could be more Filipiniana than capiz shell decor? Simple yet elegant, I find myself always admiring their pearlescent appeal. The capiz shell as we know it comes from the outer shell of a certain marine mollusk that are abundant in the Philippine coasts. They're most popularly used for lamps and lighting because of its semi-transparent quality and is very flattering with light.
I found these lamps around the museum. Not sure if they are antique or old but they do blend well with the surroundings. Photo taken at the Baclayon Church Museum in Bohol, Philippines.
Seen in Explore! May 18, 2009
I paid quite a bit for these but they are in such great nick and are all complete amazingly. I actually prefer these to the pearlescent ones I've got!
1998 Cleveland Auto Show. XP2000 is a five-passenger car with a pearlescent silver-gold exterior color. It also has a full-size five-liter V-8. The heart of XP2000 is a conceptual network of advanced computers that tailors the car to the needs and desires of the individual driver and allows it to use the Intelligent Vehicle Highway Systems planned for the next century.
And more! I see barnacles (acorn & volcano), a couple of tegulas, shell-hash being used as sunscreen by the anemones...
I'm not sure what kind of anemones they are. By size they could be Giant Greens, but, well, they aren't very green! The pearlescent colors you see weren't partic obvious on site. The country rock below the pool is plain old Cambria Slab greywacke, the dominant rock on the bluffs near Cambria.
en.wikipedia.org/wiki/Mopalia_muscosa The one to the right is a bit less than 2 inches long.
The pearlescent luster of their shells is pretty cool, and only obvious once I had the photos up on the "big screen".
The grey metallic-looking disk behind the pinkish cobble is a plate of blueschist, I think. Background rock is plain old Cambria Slab graywacke sandstone.
Poem.
The gossamer sunlit trails of a calm bay at sunrise.
The moored yachts, motionless, seemingly frozen on these bejewelled, mirrored waters.
The rising sun gleams in pearlescent brilliance.
The silhouetted domed hills of Loch Carron are a
grey and indigo backcloth to this
quicksilver and golden sea.
This is Plockton-
at any time- superb,
at dawn on a summer’s morning,
we have entered the golden gates of heaven!
1095 ngày tỏa nắng
1095 ngày bên cạnh SW
Cũng gần đc 365 ngày mình làm SW :)
5 Người đã là 1 fần của cuộc sống của mỗi SW
Cảm ơn đã xuất hiện trên cuộc đời
Dù mình quá nhỏ bé nhưng cũng chỉ muốn hòa vào Pearlescent Blue kia
Cùng nhau chờ đợi 4th :)
Bây giờ các a đã thành 'sunbae' của nhiều nhóm khác rồi đó !
SHINee k thể thiếu SHAWOLs
và SHAWOLs cũng k thể thiếu SHINee <3
"Cho dù giờ đây chúng ta không ở dưới cùng một bầu trời, nhưng đừng quên rằng trái tim của chúng tôi luôn hòa nhịp cùng các bạn"♥- Taemin :)
Những hoạt động của SHINee diễn ra như chúng em đang quay một bộ phim vậy."- Minho :)
* add person nếu bạn cũng là SW :)
fav đi :)
This is a large Pearlescent Onyx Sphere luminary displayed for sale at Kino Sports Complex. It is 24" in diameter. List price is $6,900
Tucson Convention Center is indoors; the exhibits are nicely curated. It is mostly retail type sales. In contrast, the Kino is mostly outside on the parking lots and fields at the sports complex There are some very large tents, about the size of a football field and some smaller 10x10 and 20x10 tents. Many of the gems, minerals, and displays are brought in by forklift on pallets. In the tents, the specimens are in large rectangular plastic containers. At TCC the vendors are retail and many of the gems sell by the gram. At Kino the vendors are retail and wholesale. Gems and minerals are sold by the pound or by the piece.
geologyscience.com/minerals/silicates-minerals/onyx/#goog...
Onyx is a type of chalcedony, which is a microcrystalline form of quartz. It is a banded variety of chalcedony that forms in concentric layers of different colors. Onyx typically has a black base with white or colored bands. The colored bands can range from shades of brown, red, orange, yellow, green, blue, and purple.
Onyx is found in various parts of the world, including Brazil, India, Madagascar, Mexico, Pakistan, and the United States. It has been used for thousands of years for decorative purposes, as well as for jewelry and other ornamental objects.
In ancient times, onyx was believed to have protective properties and was often used in talismans and amulets. It was also used in the creation of cameos and intaglios, which are engraved designs that are cut into the surface of the stone.
Today, onyx is still used for jewelry and decorative objects, and is valued for its unique beauty and distinctive banding. It is also used as a building material for floors, walls, and countertops, and is often used in high-end residential and commercial properties.
www.visittucson.org/tucson-gem-mineral-fossil-showcase/
Every year the world-renowned Tucson Gem, Mineral & Fossil Showcase is like a time portal, a trip around the world, and a treasure hunt all rolled into one. Every winter, more than 65,000 guests from around the globe descend upon Tucson, AZ, to buy, sell, trade, and bear witness to rare and enchanting gems, minerals, and fossils at more than 50 gem show locations across the city. If you're planning a winter visit to Tucson, you won't want to miss this three-week-long event filled with shows, related events, a free day at the gem & mineral museum, and much, much more!
"Whether you’re looking for a $5 shimmering crystal necklace or a show-stopping $200,000 crystallized rock from an exotic location, the Tucson Gem, Mineral, & Fossil Shows have something for everyone.
Even the most commonplace fish, that many people only ever see on a plate, can look quite wonderful underwater. This baby snapper, pinkish with blue spots, was investigating an empty can - perhaps the smell or shape attracted it at Clifton Gardens
© Cynthia E. Wood
www.cynthiawoodphoto.com | FoundFolios | facebook | Blurb | Instagram @cynthiaewood
word or description you want">Celine Dion - So This Is Christmas
Sponsored by VAKI KVAKI
VAKI KVAKI - Pullover + Top ~ Milka
Legacy, Kupra, Maitreya, and Reborn
VAKI KVAKI LM: maps.secondlife.com/secondlife/Wildflower%20Mountain/54/5...
***
Black . Sand - Simple Festive Backdrop @ $60L Happy Weekend Sale
{what next} Christmas Stockings / Gold (Script to change tags) and December Potted Poinsettia
Fancy Decor - Pearlescent Tree
Dust Bunny - Christmas Presents
JIAN - Kitten Booties
Shi.s Poses - Ground Sit #4
I'll let you decide which is which. There is a shimmer to the petals.
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No. 129
Watercolors, pearlescents, multiliner
Status: Traded
After 5000 years lol, here's another picture of one of my avatars. Enjoy ❤
Wearing...!
◉ HEAD...
Utilizator Mars Head, Skin Mod by HARO, Dura B&G80 hair, Aii Pearlescent Devil Horns and Random Matter Wonho Mask.
◉ BODY...
Krankhaus Kuroo body, Breath IL Jacket, Guild Skinny Pants and Semller Cosmic sneakers.
Cavendish Mews is a smart set of flats in Mayfair where flapper and modern woman, the Honourable Lettice Chetwynd has set up home after coming of age and gaining her allowance. To supplement her already generous allowance, and to break away from dependence upon her family, Lettice has established herself as a society interior designer, so her flat is decorated with a mixture of elegant antique Georgian pieces and modern Art Deco furnishings, using it as a showroom for what she can offer to her well heeled clients.
Friends of Lettice and Gerald, newlyweds Margot and Dickie Channon, have been gifted a Recency country “cottage residence” called ‘Chi an Treth’ (Cornish for ‘beach house’) as a wedding gift by the groom’s father, the Marquess of Taunton. Margot in her desire to turn ‘Chi an Treth’ from a dark Regency house to a more modern country house flooded with light, has instructed Lettice to dispose of some of the darker historical pieces of furniture from the house and replace them with newer, lighter pieces. This idea rather upset Lettice, who has a very strong sense of history. Fortunately, Gerald came up with the idea that she can repaint and re-purpose a few pieces, thus satisfying Margot’s desires for lighter and newer pieces, whilst also keeping the history of furnishings intact within ‘Chi an Treth’.
It is evening and Lettice is standing on a white drop sheet, considering a Regency demilune table* that she has painted creamy white before her. Whilst she contemplates, her old childhood chum, Gerald, also a member of the aristocracy who has tried to gain some independence from his family by designing gowns from a shop in Grosvenor Street, is draped languidly across one of her Art Deco tub arm chairs with a half drunk glass of champagne in one hand and a half finished jacket of fetching navy blue and white lying across his lap as he carefully stitches red piping along the Peter Pan collar**. Not uncommonly the two keep each other company as they work. For Lettice, it is companionable time spent with her dear friend, and for Gerald, whose finances are somewhat straitened, it saves him money using Lettice’s electricity and dining, quite literally, on her largesse.
“You know it won’t paint itself Lettuce Leaf.” remarks Gerald as he looks up from his work, pulling up a long red thread between his fingers.
“Don’t call me that Gerald!” Lettice quips at her friend. “We aren’t children anymore. You know I don’t like it.”
“I’ll stop calling you Lettuce Leaf when you start to paint that table, rather than prevaricating and procrastinating.”
“Do you promise, Gerald?” Lettice asks, looking back at her friend over her shoulder.
“No,” Gerald admits as she begins to stitch again. “Of course I don’t.” He pauses and looks up at Lettice again. “But you have to paint that table, come what may. Margot has agreed that you could re-purpose any pieces of furniture from ‘Chi an Treth’ that you like.”
“Oh I don’t know, Gerald.” Lettice groans in reply as she runs her hand over the smooth pearlescent white surface. “What if I’ve made a mistake and just ruined a perfectly beautiful piece of furniture with some white house paint.”
“Nonsense, darling girl!” he scoffs in reply. “You’ll only ruin it, if you don’t paint it.”
“I wish you’d never talked me into the idea of hand painting Margot’s furniture, Gerald.”
“I’m beginning to wish the same myself,” Gerald mutters in reply as he observes his friend surrounded by her paints and palette gripped by stifling indecision.
The sight of his best friend biting her left thumbnail distractedly as she gazes painfully at the table fills Gerald with a mixture of pity and resolve. He roughly stabs his needle into a piece of completed piping on the collar, sighs and puts the jacket aside on the black japanned coffee table between his chair and Lettice’s usual seat. With a groan, he manoeuvres himself in his seat until he is in a position where he can get up easily from it. He meanders around the table and over to Lettice where he drapes an arm around her shoulder comfortingly. She leans into him and places her head against his collarbone.
“I don’t know why you are being such a silly goose and doubting yourself, Lettuce Leaf.” His remark is rewarded with a flapping sulky slap to his left hand as it hangs loosely by his side. He steps away slightly, dropping his arm from around her and grasps her upper arms with his hands. Crouching slightly so he can catch her downward glance beneath Lettice’s fringe he continues, “You have so much talent. You know you do. Look at all the fine interiors you have done so far. You convinced Mrs. Hatchett not to have floral chintz wallpaper.”
“Pity I couldn’t convince her not to have her soft furnishings upholstered in the stuff.” Lettice counters poutily.
“You gave Wanetta Ward a flat that every moving picture star either side of the Atlantic Ocean would kill to have.”
Lettice allows the briefest of smiles to grace her lips.
Gerald smiles and continues softly, “That’s your artistry at work. You know you have the skill. Even if you didn’t, you have your Aunt Eglantine and I telling you how bursting with artistic strength you are. Faint heart and all that, eh?” He glances over at the untouched table.
“Oh, very well Gerald. I’ll do it!”
“That’s my Lettuce Leaf!” Gerald sighs proudly as he embraces her. “Now, show me the design again.”
She picks up a piece of paper, slightly worried at the edges by constant fingering, and hands it to her friend.
“So you see,” she points. “I have a central footed urn from which I have snaking acanthus leaves sprouting to either side. It harks back to Regency designs.”
“But against a pale background, and with a lighter touch, it will suit Margot’s more modern tastes, whilst at the same time being truthful to ‘Chi an Treth’s’ origins.” Gerald says with a knowing look.
“Exactly.” Lettice sighs.
“Well then!” Gerald says matter-of-factly, holding the sheet back out to her. “Best get on with it!”
Whilst her friend wanders back to his perch on her Art Deco tub chair and takes up his sewing, Lettice starts to mix her oil paints. She squeezes a worm of base yellow from a silver tube, before uncapping a deep red. She adds a touch of it to the yellow and smiles with satisfaction as she darkens it. Taking up her tube of blue, she squeezes it onto her palette and carefully adds it a little at a time to the yellow to darken and desaturate it. Satisfied with her shade of ochre, she takes up a thick brush, dabs it in the paint and carefully starts to paint the central footed urn with definite strokes.
Sensing movement in the periphery of his vision, Gerald glances up momentarily to see his friend bent over the table, her palette locked through her crooked left thumb, her right arm moving in sweeping gestures as she starts to paint the tendrils of acanthus. He smiles triumphantly to himself, but allows himself no more celebration until the task is complete, and returns to his own work, remaining silent as he allows Lettice’s artistry to work its magic.
Lettice picks up a tube of russet paint, squeezing a small amount onto her paint covered palette. Discarding the tube on the floor, where its thud is deadened by the drop sheet, she grasps her tube of ebony and dabs the smallest amount next to the russet, before gently mixing a little of the black into the red, deepening it. She sets aside her thicker brush, depositing it into a Victorian jug containing linseed oil and takes up a smaller brush which she uses to make a pattern around the top and down the front of the urn. The droplets look like rubies imbedded in the golden ochre of the pot. Squeezing some white onto her palette, she adds some of the black she hasn’t used to it and mixes up a pale grey.
Unaware that she is being discreetly observed from across the room by her friend, Lettice picks up her tube of ultramarine, she pushes out a small pool of shiny blue paint and carefully mixes it, little by little with the grey until she has a bluish dove grey. Taking up her finer brush again, she paints sinewy strokes between the ochre tendrils to which she then adds more stylised acanthus leaves.
Finally, with a sigh, Lettice discards her bush onto her paint palette. It lands with a clatter against three others she has been using. “There!” she says with a satisfied huff.
“Done, darling?” Gerald asks casually, without looking up from his careful stitching of the red piping around the white collar of the jacket, carefully containing his excitement and apprehension.
“I think so.” Lettice says with a lilt of relief in her voice.
“May I see it, then?”
“Of course, Gerald!” Lettice exclaims. “I want you to be the very first to see it!”
Gerald swivels himself again, and carefully putting the jacket aside, he walks over to where Lettice stands, and he shuffles alongside her. The pair stand in silence for a short while, the Art Deco clock ticking on the mantlepiece the only noise emanating throughout the room.
“Well?” Lettice asks pensively, her hand raising to her lips. “What do you think?”
For a moment Gerald can’t answer. Arching his eyebrow over his left eye he shakes his head slightly and says with a proud smile turning up the corners of his mouth, “I think it’s beautiful.”
“Really?”
“Really, darling,” he responds almost in a whisper of awe. “And, I think Margot is going to love it.”
*Co-opting the French word for “half moon,” the demilune table is an accent table featuring an elegant, rounded front and a flat back. A demilune's flat back allows it to sit flush against a wall, making it a striking substitution for a standard console table or credenza.
**A Peter Pan collar is a style of clothing collar, flat in design with rounded corners. It is named after the collar of Maude Adams's costume in her 1905 role as Peter Pan, although similar styles had been worn before this date. Peter Pan collars were particularly fashionable during the 1920s and 1930s.
For anyone who follows my photostream, you will know that I collect and photograph 1:12 size miniatures, so although it may not necessarily look like it, but this artistic scene is in fact made up of 1:12 size artisan miniatures from my collection, including pieces from my own childhood.
Fun things to look for in this tableau include:
The Georgian style demilune table, central to our story is an artisan miniature from Lady Mile Miniatures in the United Kingdom. Painted white and then aged, it has been hand painted with a Georgian style design on its surface.
The Limoges style jug, paints, paint brushes and paint palette on the table and footstool were all acquired from Melody Jane Doll House Suppliers in the United Kingdom.
Lettice’s drawing room is furnished with beautiful J.B.M. miniatures. To the left of the photograph is a Chippendale cabinet which has been hand decorated with chinoiserie designs. It also features very ornate metalwork hinges and locks. To the right of the photograph you can see a chair made of black japanned wood which has been hand painted with chinoiserie designs down the arms of the chair. The chair set has a rattan seat, which has also been hand woven.
The Chinese folding screen in the background I bought at an antiques and junk market when I was about ten. I was with my grandparents and a friend of the family and their three children, who were around my age. They all bought toys to bring home and play with, and I bought a Chinese folding screen to add to my miniatures collection in my curio cabinet at home! It shows you what a unique child I was.
In front of the screen on a pedestal table stands a miniature cloisonné vase from the early Twentieth Century which I also bought when I was a child. It came from a curios shop. Cloisonné is an ancient technique for decorating metalwork objects. In recent centuries, vitreous enamel has been used, and inlays of cut gemstones, glass and other materials were also used during older periods. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments (cloisons in French) to the metal object by soldering or affixing silver or gold wires or thin strips placed on their edges. These remain visible in the finished piece, separating the different compartments of the enamel or inlays, which are often of several colours. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then needs to be fired in a kiln. The Japanese produced large quantities from the mid Nineteenth Century, of very high technical quality cloisonné. In Japan cloisonné enamels are known as shippō-yaki (七宝焼). Early centres of cloisonné were Nagoya during the Owari Domain. Companies of renown were the Ando Cloisonné Company. Later centres of renown were Edo and Kyoto. In Kyoto Namikawa became one of the leading companies of Japanese cloisonné.
The drop sheet to protect Lettice’s Mayfair drawing room floor is really the corner of an ordinary bed sheet.
Tiffany Glass & Decorating Company, Punch Bowl with Three Ladles, 1900, glass, silver, gilding, copper, and wood, bowl 36.8 x 61 cm, ladle 6.4 x 8.9 x 25.4 cm (Virginia Museum of Fine Arts, Richmond)
Exhibited at the 1900 Paris World’s Fair (Louis Comfort Tiffany won a grand prize and received the French Legion of Honor); the bowl was owned by Henry O. Havemeyer and is made of hand-blown iridescent glass that recalls ancient Roman glass which can become pearlescent when buried. Tiffany termed this glass Favrile, after the Latin "fabrilis" (hand made).
stamped: APRIL 1900 / TIFFANY G. & D. CO. / NEW YORK / 1282
Thrilled with the NLC display last Monday morning over our hometown of Bromsgrove over towards the Lickey Hills ;0)
It looks like a tiny planet but this Picture of the Week actually captures ESO’s La Silla Observatory using a photography technique called stereographic projection, whereby a flat image is projected onto a sphere.
La Silla, home to several of the instruments in the ESO family, was inaugurated in 1969. As well as being the first ESO observatory, it has also been at the forefront of many scientific and technological firsts. ESO’s pioneering 3.58-metre New Technology Telescope (NTT) was the first in the world to have a computer-controlled, or “active”, main mirror, leading the way for ESO’s Very Large Telescope (VLT), where all four 8-meter mirrors are active.The High Accuracy Radial velocity Planet Searcher (HARPS) instrument attached to the ESO 3.6-metre telescope is a hugely successful exoplanet hunter, discovering among other things the first ‘Earth-like’ planet in a star’s habitable zone.
Above “Planet La Silla” arches the pearlescent arm of our home galaxy, the Milky Way. It is the arid conditions of the Atacama Desert in Chile that allow such a view, as La Silla experiences over 300 cloudless nights per year.
Credit:
ESO/P. Horálek
A naked bird-king with Irish blues
rose up to be Y Dryw the Joiners son
He stacked the sea to green jade through tidal tongues
and fixed obsidian to nocturne's pitch-pine gum
He hewed his sylvan dwellers hearth
with a Stone cutters bile down a pit prop shaft.
Up, up into the daylight
She gave birth on Primrose Hill
For a Tall Jar full of Charcoal lilies and
golden pills, these were for the chorus sung
In the Sun, coming South to sit upon
Carn Coney Hill with Bumble Bee songs
Where one and one did become
A tree on the un-forested Mountain.
Cant wait till they open ♥
Fit mesh.. SLink... Classic... demo just in case it works with your mesh ♥
Opalescent
Iridescent
Pearlescent
Effervescent ♥
Come take a second!
TLC - The Liaison Collective
Dark Fantasies
I really like the pearlescent, shell tones to this image, taken inside Newport Street Gallery, London.
Off to Berlin today for a few days of architectural photography. Never been before so really looking forward to exploring a new city. Will hopefully plenty of new images on my return!
Poem.
The gossamer sunlit trails of a calm bay at sunrise.
The moored yachts, motionless, seemingly frozen on these bejewelled, mirrored waters.
The rising sun gleams in pearlescent brilliance.
The silhouetted domed hills of Loch Carron are a
grey and indigo backcloth to this
quicksilver and golden sea.
This is Plockton-
at any time- superb,
at dawn on a summer’s morning,
we have entered the golden gates of heaven!
Poem.
The gossamer sunlit trails of a calm bay at sunrise.
The moored yachts, motionless, seemingly frozen on these bejewelled, mirrored waters.
The rising sun gleams in pearlescent brilliance.
The silhouetted domed hills of Loch Carron are a
grey and indigo backcloth to this
quicksilver and golden sea.
This is Plockton-
at any time- superb,
at dawn on a summer’s morning,
we have entered the golden gates of heaven!
~
~
BLYTHE-A-DAY
A flickr Group
FEBRUARY 2023
"ACCESSORIZE YOURSELF"
DAY 27: "NAIL POLISH"
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Since all our girls have Licca bodies, none have "nail polish" ...
Carrington Cousteau, our Blythe girl P.A.M. (Princess a la MAYBELLINE) ... is here with her POLISHED NAILS TIARA!!
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ALSO featuring some special RHINESTONE shoes, by Kult of Kulta (a gift from Karin ... THANK YOU ... of course ... WE ALL LOVE THEM !!!)
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