View allAll Photos Tagged objectivity
Den of Imagination - Your Miniature Painting Service
We are a registered studio in Torun, Poland. We have been in line of work since 2008. Our still growing staff of painters and sculptors is ready to work on any project you can imagine!
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By far the most popular feature request I have had for Anxiety is the addition of a Global Hotkey. This was actually planned for the 1.0 release, but due to time constraints and Leopard-related difficulties I decided to postpone its inclusion. I'm pleased to say that this has been added and will be one of the things to look forward to in the next release. Hitting the hotkey results in the list window fading in (or out, depending on the window's visibility), just like the behavior of the menubar item.
In this picture you can see that there's also a preference in the General prefs section to change the global shortcut to something you'd prefer. It uses waffle software's ShortcutRecorder control, which allows you to use function keys, or whatever modifiers you'd like.
This functionality will become available in the next update of Anxiety, which you can check for using the Check For Updates menu item under the application menu. Otherwise, Anxiety will automatically check for updates upon launching.
Judy Lewis is the Co-founder And Executive Vice President Strategic Objectives 2008.
Strategic Objectives is an award winning and highly reputable pr agency in Toronto Ontario.
Deborah Weinstein is the other principal at Strategic Objectives PR.
The objective of 'Afrique en Marche' is to reintegrate the independence of disabled people in Rwanda. César lost his leg at the genocide and is making now his own protheses for people who need it. Al the protheses are second hand of Belgium. (www.afriqueenmarche.com)
Sorry for the horrendous background, just really wanted to post this before it collected dust on my desk
It looked fine to me. Perhaps the scale was off.
It seems the only thing wrong with this relief map of Little Bighorn was that the audio commentary wasn't working.
Visit my Custer set for more information.
Objective: Press Release @ The Star for Melbourne Cup 2010 & Fundraising for National Cancer Society Malaysia
Photographer: Amri G
Assisted By: Emil G
Celebrity: Dato' Yasmin Yusuf
Wardrobe Designer: Nila Palacios www.nilapalacios.com/
MUA: Rachel W
Location: Double Tree, Hilton KL
Special Thanks to Meem,Vanitha Krishnasamy & Jenni Lander
WARNING: ALL RIGHTS RESERVED. UNAUTHORIZED DUPLICATION IS A VIOLATION OF APPLICABLE LAWS.
Photo #3
Objective 3: Composition Techniques – Use the guide on the website
5. Leading Lines
In the photo the stairs are the leading lines. The stairs have a kind of moving up feel to them. They go from level to level. This adds some depth to it and your eye end up following the stairs up.
10. Diagonals
The diagonals of the photo are the railings and the stairs. With these diagonals in the photo it allows our eyes to move up just like we would if we were moving.
11. Space and/or Space to Move
The left side is where the space to move is. This shows how much space she has to walk up the stairs.
Objective 4: Lighting (side, back, soft, hard, fill)
Types of lighting and how they contribute to the image:
Sofft lighting.
Objective 5: Post Production (resize, contrast, sharpening, and others you have done)
Corrections/adjustments made:
Lighting adjustments were made for this photo.
Objective 6: Critique
Analyse your photograph for strengths and areas for improvement (consider composition, lighting, exposure, overall feel, etc.)
Strength: The strength of the photo is the stairs and railing its self.
Area for growth: The area of growth for the photo is Brynn.
Objective 7: Photographic Styles (ex. portrait, landscape, etc.) – Explain why the settings and composition are appropriate for the style of photography. (How did you create the shot?)
Type/style of photography:
The camera mode (P, Tv, Av, M): Av
f stop used: 5.6
shutter speed used: 1/25
ISO used: 1600
Exposure compensation:
Focal length: 18.0mm
...the old McGildowney coal pier at Fairhead. The site of an ironwork structure which formed a pier was the point of depature form millions of tonnes of coal in th 18th and 18th centuries. However the straits of Moyle are treacherous and it was here that the SS Glentow sank in a storm. Not far away at Fair head the SS Santa Maria was torpedoed by a U Boat.
To start out her day, Golden Girl Lizzy meets the rest of the team for morning workouts.
This is an objective shot because it is the audience’s point of view while looking at Lizzy.
Fujifilm Iso 200, Pentax Asahi SP500, 58mm Helios objective.
No edition done to this or any of my photographs unless it says so, not even cropped, from negative to flickr!
Objective camera view. Some of the lights were flickering on and off in the church and one of the members was trying to see what was going on how some lights were on and others were off. Lol!!
For non-scientific evaluating purposes I picked some old second hand M42 objectives from my drawers and screwed them on Pentax K20D and shot a few photos wide open.
Carl Zeiss Jena Pancolar 1.8/80 is somewhat cult object(ive) which cannot be found at flea markets. Mine came via Manual Focus Forum (see forum.mflenses.com/ for more info).
Frankly: this objective is here by accident. My original idea was to use 50mm ones here.
Under the Swastika
In the history of the Friends of the Kunsthalle too the seizure of power by the Nazis is a deep cut. The Nazi regime developed a practice of arts funding which was marked by the mandatory relationship of art and state.
The enforced conformity of friends meant the loss of independence and the orientation of the association's activities to the objectives of the National Socialist government. Decisive for this change of course, was the board meeting on 10 June 1933. The poet and art historian Wilhelm Niemeyer played the key role as the representative of the Militant League for German Culture (Kampfbund). The Kampfbund was a Nazi-oriented organization which represented a nationalist-racist concept of art. Although Niemeyer since 1927 no longer belonged to the board of the association, he participated against the resistance of Gustav Pauli and the other board members at the meeting to introduce a list of the Executive Board drawn up by the Kampfbund.
As a result of the meeting Pauli on the same day sent a list of candidates for the election of the new board of the Friends to the Kampfbund. This was his last official act for the Friends of the Kunsthalle. The new board then was no longer elected but appointed by the First Mayor Carl Vincent Krogmann and was completely re-assembled, with two exceptions.
New chairman became Hermann Maetzig who also headed the official business at the Kunsthalle from the beginning of October, Pauli in late September 1933 as director of the Kunsthalle was sent into retirement. On the part of the club members, there was no opposition against the replacement of the Board, they confirmed this one after a short debate on their general meeting on 31 October 1933.
The era Maetzig did not last long. Already in April 1934, he had to give up all offices for belonging to the Freemasons. His successor Wilhelm Freiherr Kleinschmit of Lengefeld remained until August 1937 executive director of the Kunsthalle and Chairman of Friends. In the action "degenerate art" to which the set up by Pauli collection of modern art in the summer of 1937 fell victim he did not participate. However, in the tenure of Kleinschmit fell the exclusion of Jewish club members. This marks the blackest chapters in the history of the club.
At the beginning of 1936, the Statute of friends was officially completed by an "Aryan paragraph". But already at the end of the fiscal year 1935, the Jewish members had been forced to leave the club. In September 1935, the new program of events was sent with a message of Kleinschmit. It was said there, the membership card will be issued only to those persons who signed a statement that they were "Aryans".
Alone in September and October 1935, 29 Jewish donors, so financially particularly committed members, had to leave the club. Among them are such famous names as Bleichröder, Budge or Warburg. In addition, there were also about 100 regular members who had been excluded. Against this background is hardly surprising that the number of members of the Friends in 1936 with 1,124 members reached a historic low.
The lecture program of friends during the Nazi period designed primarily Wilhelm Niemeyer, who was secretary of the association since August 1933. As already Pauli, he also succeeded to win a number of known German art historians. Speeches were held by university professors as Hans Jantzen, Hans Kauffmann or the befriended with Niemeyer, Wilhelm Pinder. Although the Kunsthalle was closed at the beginning of World War II to the public, the friends continued to offer lectures. Those ones, however, unlike as in the days of the Weimar Republic, as regards contents offered only little direct references to the collection fund of the Kunsthalle.
Unter dem Hakenkreuz
Auch in der Geschichte der Freunde der Kunsthalle stellt die Machtergreifung der Nationalsozialisten einen tiefen Einschnitt dar. Das NS-Regime entwickelte eine Praxis der Kunstförderung, die durch die zwangsweise Verbindung von Kunst und Staat gekennzeichnet war.
Die Gleichschaltung der Freunde bedeutete den Verlust der Selbstständigkeit und die Ausrichtung der Vereinsaktivitäten auf die Ziele der nationalsozialistischen Regierung. Entscheidend für diesen Kurswechsel wurde die Vorstandssitzung am 10. Juni 1933. Der Dichter und Kunsthistoriker Wilhelm Niemeyer spielte als Repräsentant des Kampfbundes für deutsche Kultur die maßgebliche Rolle. Der Kampfbund war eine NSDAP-nahe Organisation, die einen völkisch-rassistischen Kunstbegriff vertrat. Obwohl Niemeyer seit 1927 nicht mehr dem Vorstand des Vereins angehörte, nahm er gegen den Widerstand Gustav Paulis und der übrigen Vorstandsmitglieder an der Sitzung teil, um eine vom Kampfbund erstellte Vorstandsliste einzubringen.
Als Ergebnis der Sitzung schickte Pauli noch am selben Tag eine Vorschlagliste für die Wahl des neuen Vorstandes der Freunde an den Kampfbund. Dies war seine letzte Amtshandlung für die Freunde der Kunsthalle. Der neue Vorstand wurde dann nicht mehr gewählt, sondern vom Ersten Bürgermeister Carl Vincent Krogmann bestimmt und war bis auf zwei Ausnahmen völlig neu zusammengesetzt.
Neuer Vorsitzender wurde Hermann Maetzig, der ab Anfang Oktober auch die Amtsgeschäfte in der Kunsthalle leitete; Pauli wurde Ende September 1933 als Direktor der Kunsthalle in den Ruhestand versetzt. Von Seiten der Vereinsmitglieder gab es keinerlei Widerstände gegen die Neubesetzung des Vorstandes, sie bestätigten diesen nach kurzer Aussprache auf ihrer Mitgliederversammlung am 31. Oktober 1933.
Die Ära Maetzig währte nicht lange. Bereits im April 1934 musste er wegen seiner Zugehörigkeit zu den Freimaurern alle Ämter aufgeben. Sein Nachfolger Wilhelm Freiherr Kleinschmit von Lengefeld blieb bis August 1937 verantwortlicher Leiter der Kunsthalle und Vorsitzender der Freunde. An der Aktion „entartete Kunst“, der im Sommer 1937 die von Pauli aufgebaute Sammlung der Moderne zum Opfer fiel, war er allerdings nicht beteiligt. In Kleinschmits Amtszeit kam es jedoch zum Ausschluss der jüdischen Vereinsmitglieder. Dies markiert das schwärzeste Kapitel in der Geschichte des Vereins.
Zu Beginn des Jahres 1936 wurde die Satzung der Freunde offiziell um einen „Arierparagraphen“ ergänzt. Doch bereits am Ende des Geschäftsjahres 1935 hatten die jüdischen Mitglieder den Verein verlassen müssen. Im September 1935 wurde das neue Veranstaltungsprogramm mit einer Mitteilung Kleinschmits versandt. Dort hieß es, die Mitgliedskarte werde nur an solche Personen ausgestellt, die eine Erklärung unterschrieben, dass sie „ arischer Abstammung“ seien.
Allein 29 jüdische Stifter, also finanziell besonders engagierte Mitglieder, mussten im September und Oktober 1935 den Verein verlassen. Unter ihnen finden sich so berühmte Namen wie Bleichröder, Budge oder Warburg. Hinzu kamen noch ungefähr 100 ordentliche Mitglieder, die ausgeschlossen wurden. Vor diesem Hintergrund verwundert wenig, dass die Mitgliederzahl der Freunde im Jahr 1936 mit 1.124 Mitgliedern einen historischen Tiefststand erreichte.
Das Vortragsprogramm der Freunde während der NS-Zeit gestaltete in erster Linie Wilhelm Niemeyer, der seit August 1933 Schriftführer des Vereins war. Wie bereits Pauli gelang es auch ihm, eine Reihe bekannter deutscher Kunsthistoriker zu gewinnen. Es sprachen Universitätsprofessoren wie Hans Jantzen, Hans Kauffmann oder der mit Niemeyer befreundete Wilhelm Pinder. Obwohl die Kunsthalle mit Beginn des Zweiten Weltkrieges für das Publikum geschlossen wurde, boten die Freunde weiterhin Vorträge an. Diese wiesen allerdings – anders als zu Zeiten der Weimarer Republik – inhaltlich nur wenig direkte Bezüge zum Sammlungsbestand der Kunsthalle auf
freunde-der-kunsthalle.de/meta/ueber-uns/geschichte/unter...