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hasselblad 500c/m Planar c80mm ｆｕｊｉ ｒｅｖｅｒｓａｌ ｆｉｌｍ
no photoretouch. It is not digital.
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RKO_3803. How extraordinary is it to watch these beautiful and colorful little birds doing their diving act!
This male Common Kingfisher achieved its goal and had a wonderful, though relatively small, meal!
It was a challenge (and objective) to get some nice shots of the diving Kingfisher and I guess I too achieved my objectives.
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A photographic movement in response to the emotional dramatic styles of photography in the 1920's; offered a return to unsentimental reality and a focus on the objective world, as opposed to the more abstract, romantic, or idealistic tendencies of photography.
Visional style through the exact representation of the subject, a clear and well defined image construction with particular attention to shapes and structures.
Germany: Albert Renger-Patszch.
America: Paul strand & Edward Weston.
Coronavirus is an objective problem, but it can be defeated. We have to follow virtuous behavior and avoid acting in a subjective way. We must temporarily give up a life of society, but the stakes are high. Perhaps, the virus will serve, if ever, to rebuild a collective and supportive fabric that we are slowly losing. Let's team up, without speculation, without geographical or political borders. Unity will make strength!
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and yet remain sufficiently detached to see it objectively. Like watching from the audience a play you already know by heart :-)
George Rodger
HPPT! No one is above the law!
sasanqua camellia, 'Green 94-035', j c raulston arboretum, ncsu, raleigh, north carolina
into the realm of the indefinable. The photographer as magician is acutely aware of the multiplicity of associations submerged in the appearance of the objective world.
Arthur Tress
HGGT! Ukraine Matters!
prunus, flowering cherry, 'JFS-KW 14', j c raulston arboretum, ncsu, raleigh, north carolina
unemotional objective reality
camera: Yashica MAT-124
film: Lomochrome "Metropolis" ISO 100-400,
experimental color film 120mm.
© Sigmund Løland. All Rights Reserved.
Looking back I should have used a tripod here, but I rode my motorbike this afternoon and I was just going to get something in our clubhouse.
Lesson learned: Never go on a trip without a tripod :-)
Inspired by: Albert Renger-Patzsch 1929 photo "Timber Yard"
-- the uncompromising reality of objects as they simply exist. The 'sculpture' of ordinary objects occupying space.
camera = Kodak-Rainbow Brownie No. 2C
built 1916
rotary shutter f14 - 1/50
100mm glass meniscus lens
film = Ilford delta 400
My attempt at the "Macro Mondays" theme "Treasured".
The Reichert "Neupolar 50 mm F 3.5" is a RMS objective for high magnification macro work and one of the rare lenses made in my home country Austria! It‘s relatively rare and therefore often somewhat expensive so I was glad to find one, and to me it feels like a little treasure I was able to find and return to it’s country of origin! I used its big brother, the 100 mm one to take this shot! Can't say when it was made exactly but it should be way over 50 years, realistically closer to 60 years old, so I'd say not bad for that age!
Shot with a Reichert "Neupolar 100 mm F 6.3" lens on a Canon EOS R5.
We all live with the objective of being happy
our lives are all different
and yet we play the same game ! !
The "objective" shot of a week in Utah also became the nemesis shot, that being the Gordon Creek Trestle. Took until 6:00 PM of the last day on the Utah to finally nail it down, with the lighting the way we really wanted it. Part of the challenge was getting to it on dirt roads, not all trains going over it, and the silent approach. Not only wasn't there much radio chatter, but trains dropped downhill here, and you wouldn't know it was near until it rounded that distant curve. But after several other shots at this bridge, I'm thinking this one finally nailed it as a fitting end to our week on the Utah Railway.
Dandelion seed head with dew.
More from the antique microscope extreme macro rig, using the Leitz Wetzlar low power objective from an 1870 microscope. And a dandelion.
While at Emerald Lake (see www.flickr.com/photos/115540984@N02/20328054333) and enjoying a beer I spotted a few loons in the distance, that kept my attention for a long time. I wanted to make a picture but everytime when I pointed my camera, they swam further, leaving me with suboptimal results. So I ordered another beer, forgot about them, and left after een hour or so. When crossing the bridge -25 meters further- however they were swimming both under my nose, and I hurriedly took my camera, and just got this only picture that shows the magnificence of this amazing bird. I cursed myself afterwards, missing the opportunities but i am still happy with this result.
From 11 june till the 25th of July, I traveled in Canada. Starting in Brighton Ontario, where my sister lives at the border of an amazing part of lake Ontario, I flew to Vancouver, and Vancouver island where I took the boat at Port Hardy to take part 1 of the Inside passage, to Prince Rupert in BC. Two days later I took part 2 to Skagway in Alaska. When coming from Skagway Alaska, you can take the train to Carcross. it is a very scenic train ride that halts at Bennet lake.
And then to Whitehorse and further on by car to Kluane National park in the Yukon district. Whitehorse is situated at the border of the Yukon. Frow there I flew back to Vancouver, rented a car, and traveled three weeks in the BC- and Alberta Rockies, visiting the famous, and less famous Nature parks like Banff and Jasper. Last few days back to Brighton Ontario to enjoy lake Ontario once more, before going home. A picture of my itinerary can be found on Facebook (www.facebook.com/photo.php?fbid=10152940536581759&set...).
4000 pictures later, it is quite a task to show the right stuff, although the stunning scenery guarantees at least a few great shots to share. Objective will be to make a book (for myself mainly), and that might take a while.
I hope you will enjoy the impression of my travel, one that equals earlier journeys to Alaska and south America, this journey was the first in the digital era, and equally intensive because of all the hiking activities every day on and on. I loved every minute of it.
'New Objectivity' A movement in the 1920's to record and unmask the world around us with a close, impersonal, and restrained gaze.
The same ideology which presented with the 'New Topographics' of the 1970's.
Europe, Aegean, Greece, Lesvos, Agia Paraskevi, Museum of Industrial Olive-Oil Production, Production hall.
Let's delve into the archives to visit a particularily intersting industrial museum: Lesvos' Museum of Industrial Olive-Oil Production.
From the website of the museum: "The Museum of Industrial Olive-Oil Production of Lesvos presents the industrial phase of olive-oil production in Greece. It focuses on the changes brought about by the introduction of mechanical motion on the process of olive-oil production and approaches the contribution of the region's inhabitants to the production process with sensitivity.
Its objective is to showcase Lesbos' industrial heritage in the sector of olive-oil production and incorporate it into the broader architectural, social and cultural context of the period. The Museum is housed in the old communal olive press of Aghia Paraskevi on the island of Lesvos. The buildings and the mechanical equipment have been restored in an exemplary fashion. Thus, you can observe how the equipment functions and how the factory evolved from steam power to diesel engine operation. At the same time, you will acquaint yourselves with daily life at the «People's Machine». "
As can be seen on the left of the frame is the vintage way of transfer of energy from the first phase of industrialization: a central steam engine that drives the production machinery via shafts and belts.
This number 51 of the Lesbos album.
The objective this night was to get a specific shot of a specific aircraft under a full moon with a clean background before another, larger aircraft is - potentially - moved next to it later this year. Unfortunately some angry clouds made the moon disappear, but it led to me getting a different shot of a different aircraft.
I'm not complaining.
The "matter of factness" which surrounds us at all times can be quite poetic.
This made for a very nice monochrome Topographics image, but I couldn’t turn away from the banana yellow on that Mediterranean blue sky.
I have been wanting to get a shot of this lovely hidden Mill for a while now. So I planned a quick trip up yesterday to catch it before the rain set in. The forecast was for a cloudy start, but rain getting to the Borrowdale Valley for 9am. So without the prospect of a decent sunrise in the Lakes, I set off around 6am. I was cursing all the way up the M6 as the sky was absolutely fabulous, with gorgeous red clouds in the East as I travelled North.
Anyway, I consoled myself that the objective for this morning was not a sunrise, but to get a decent shot of the Old Graphite Mill. There was quite a lot of mist in the Northern Lakes and it was pretty cold for September (2 degrees as I parked up). The mist lingered on the Fell behind the Mill, but this was the last shot I took before the rain started at 9am and the mist had completely gone.
This is a hidden gem of a location and there was just enough water to give the scene some interest and the autumnal colours were beginning to emerge too. I didn't see another soul around here either, which is the benefit of an early start.
One of my attempts at the "Macro Mondays" theme "Photographic Equipment"
HSS!
Shot with a "Supal 50 mm F 1.3" (projection) lens on a Canon EOS R5.
The city is cutting the wildflowers at the Delores Fenwick Nature Center in Pearland, Texas, while photographers are sighting the rookery in Spring nesting season.