View allAll Photos Tagged multi
The night Vision Mode
is crisp sharp
and colorful
Uses ISO 100
so there mus be a multi exposure mode
cause dim light scenery
mesmerizing result
●
all three photos are snappy handheld
-
All are SOOC, only frame outside added
S10
ALL VERSIONS
FeaturesLED flash, auto-HDR, panorama
SELFIE CAMERA
Single10 MP, f/1.9, 26mm (wide), 1/3", 1.22µm, Dual Pixel PDAF
FeaturesDual video call, Auto-HDR
Video2160p@30fps, 1080p@30fps
MAIN CAMERA Triple
12 MP, f/1.5-2.4, 26mm (wide),
1/2.55", 1.4µm, Dual Pixel PDAF, OIS
12 MP, f/2.4, 52mm (telephoto), 1/3.6", 1.0µm, AF,
OIS, 2x optical zoom
16 MP, f/2.2, 12mm (ultrawide), 1/3.1", 1.0µm, Super Steady video
SM-G973F/DSSM-G973USM-G973W
Versions:
SM-G973F/DS (Global);
SM-G973U (USA);
SM-G973W (Canada);
SM-G9730 (China)
Colors are
Prism White, Prism Black, Prism Green, Prism Blue, Canary Yellow, Flamingo Pink, Cardinal Red, Smoke Blue
Models
SM-G973F, SM-G973U, SM-G973W, SM-G973U1, SM-G9730, SM-G973N, SM-G973X
Radio FM radio (USA & Canada only)
Display Contrast ratio: Infinite (nominal), 4.498 (sunlight)
Camera Photo / Video
Loudspeaker Stereo Voice 82dB / Noise 74dB / Ring 85dB
Audio quality Noise -92.2dB / Crosstalk -92.7dB
Battery life
Endurance rating 79h
...
secrets?
www.gsmarena.com/samsung_galaxy_s10-reviews-9536.php
Disclaimer. We can not guarantee that the information on this page is 100% correct.
...
Released 2019, March
157g, 7.8mm thickness
Samsung Galaxy S20 Ultra 5G
Exp. release 2020, March 6
222g, 8.8mm thickness
MAIN CAMERA Quad (Dual Pixel auto focus method missing)
by settings
108 MP, f/1.8, 26mm (wide), 1/1.33", 0.8µm, PDAF, OIS
Periscope 48 MP, f/3.5, 103mm (telephoto), 1/2.0", 0.8µm, PDAF, OIS, 10x hybrid optical zoom
12 MP, f/2.2, 13mm (ultrawide), 1.4µm, Super Steady video
0.3 MP, TOF 3D, f/1.0, (depth)
www.gsmarena.com/samsung_galaxy_s20_ultra_5g-10040.php
SELFIE CAMERADual
40 MP, f/2.2, 26mm (wide), 0.7µm, PDAF
Features Dual video call, Auto-HDR
Video 2160p@30/60fps, 1080p@30fps
-
Battery life
Endurance rating 87h , depends on display settings
My verdict via specs only
(may be new software updates emulate S10 lowlight capacities via binding pixels 9:1 or 4:1)
S10 versus S20 Ultra
S10 is low light optimized - 12 MP main camera 1.4µm
S10 which can capture approximately xy% more light per pixel
S20 Ultra is landscape optimized - 108 MP main camera - only 0.8µm pixel size
Selfie camera the same relations in pixel size and low light performance
S10 - Single10 MP, f/1.9, 26mm (wide), 1/3", 1.22µm, Dual Pixel PDAF
s20 Ultra
Dual 40 MP, f/2.2, 26mm (wide), 0.7µm, PDAF
:
You’ll typically get better low-light images with larger pixel sizes, but a higher megapixel count may be more appealing if you shoot mostly during daytime.
There are two main forms: optical image stabilization (OIS), and electronic image stabilization (EIS).
Samsung uses EIS.
www.techspot.com/guides/850-smartphone-camera-hardware/pa...
Many moons ago... when I transitioned from one virtual environment to another... I started looking around SL/Flickr groups to see what people were taking pictures of in SL... The pictures of two flickr/SL artists stopped me in my tracks and inspired me to also take pictures... one was Miss Rawnie Lane... and the other was my friend Wakapa (Zero-to-Zero). There were other very fine artists but these two were the first to make me want to share my art.
Both still inspire much awe from all who view their pictures both here in Flickr and inworld at some gallery. Well... recently... maybe not so recently... Rawnie started awarding people little banners to show that some of their pictures deserved more then just a fave... and I got one from her and she once again inspired me to create and giveout my own version of a multifav award. I even sent her an email to ask if she minded... and she absolutely didn't...
To Rawnie and to Wakapa... thanks for pointing me into a good direction. And please never stop what you do here. Flickr would become a much darker place without your art.
Peace.
If you haven't tried taking street scenes, you're in for a real treat. Activity! Faces! Drama! Humor!
More to come....
© Copyright mrizal@72 2011 | All rights reserved.
Do not use, copy or edit any of my materials without my written permission.
Would appreciate not having large/animated multi invite codes.
Angkor Thom means "the great city" in Khmer. The 12th-century royal Buddhist city is especially famed for its grand Bayon Temple, but has several other sights of interest as well.
The city of Angkor Thom was founded by Angkor's greatest king, Jayavarman VII (reigned 1181-1219), who came to power following the defeat of the former Khmer capital by the Chams. At its height, Angkor Thom may have governed a population of one million people in the surrounding area.
Angkor Thom was built in a nearly perfect square, the sides of which run north to south and east to west. It was surrounded by a square wall (jayagiri) 8m high and 12km in length and further protected by a 100m-wide moat (now dry), said to have contained ferocious crocodiles.
A gate opens exactly in the middle of each wall, from which a bridge extends over the moat to the area outside the royal city. The original royal palace at Angkor Thom, built in the 10th and 11th centuries, was probably built of wood and no longer stands.
Metra F40PH-2 No. 152, still wearing its Seventies-inspired RTA lettering and colors, stops with train 37 at the College Avenue station, between the Glen Ellyn and Wheaton stops on the Chicago & North Western/West Line on 29 June 1989.
PLEASE, no multi invitations (none is better) in your comments. Thanks.
Dominating the skyline is the 37m (120ft) high Cot Co or Flag Tower, first erected in 1809. Cot Co achieved international renown on the morning of 31 January 1968, when communist forces seized the Citadel and ran their yellow-starred banner up its tall mast. For the next 25 days the Viet Cong flag fluttered defiantly as US Marines and South Vietnamese soldiers fought house-to-house to retake the city. During this brutal struggle Hue was battered by heavy machine guns, rockets, bombs, napalm, artillery fire and even naval bombardment, causing immense destruction. Further damage ensued following the collapse of the south, as symbols of Vietnam's royal past were left to decay by the victorious communists--a policy which changed sharply in 1990, as the potential for tourism was realised. In 1993 UNESCO declared Hue a World Heritage Site, and currently restoration and conservation work continues. Hue, Vietnam
« If you appreciate my work and would like to support me becoming an independent photographer, become a Patreon supporter at www.patreon.com/alexdehaas, or buy me a coffee at www.buymeacoffee.com/alexdehaas :) »
Here is another bicycle rack that I have never seen a bicycle parked in. On the one hand, empty bicycle racks miss their intended utilitarian capacity. Ont the other hand, empty bicycle racks make for wonderful photo subjects.
In particular, the shadows of many bicycle racks, including this one in Montebello Park, St. Catharines, Ontario are geometrically compelling. Today, a seed pod from a nearby maple tree has re-purposed the concrete pad of the rack as the future home for a new tree.
I wonder if anyone will lock a bike to the tree in the coming years.
This is a real rose from the Netherlands. The color is created by injecting colored dye into the the stem. The rose then "moves" each color into the rose pedals.
Multi purpose offshore vessel built 2014 by Rossetti Marino,Ravenna Italy
I.M.O. 9643867
Call sign 2FUDA
Gross tons 2202t
Deadweight 3081t
Length/beam 74.5M X 16.05M
Flag U.K.
Registered London
Owned/managed by Gulf Offshore [Aberdeen]
PLEASE, no multi invitations in your comments. DO NOT FEEL YOU HAVE TO COMMENT.Thanks.
In the summer of 2003, Jordanian archaeologists removed the retaining wall in front of the Khazneh and excavated down 13 to 16 feet (4 –5 m). To their surprise, they found two previously unknown tombs directly below the Khazneh. Access to these tombs had been by steps on one side and an inclined plane on the other. As of 2004, you can see a partial glimpse of one of the tombs below.. Petra, Jordan
Lomo Metropolis 400, Super-Multi-Coated MACRO-Takumar/6x7 1:4/135, Wascana Park, Regina, Saskatchewan.
2nd in a series of marbles. I really like how light is reflected through the colored spheres, especially when there is more than one color represented. Original watercolor size 12x16 on Arches 140lb cold press; photo from reference on WetCanvas
FOR paintings that are for sale, visit www.paintedpaperbyholly.blogspot.com
If the multi-dog picture isn't accepted, I have an "alternate" to use. This weekend we were away from home again, this time all the way out in Blue Springs, Missouri! We competed at the USDAA Central Regional championships, and hat alot of fun, although our Q rate wasn't good. We met up with our friends from Texas, who are featured here! Right to left is: Venture, Kai, Fever, Bang, Motion, and hiding behind Moshanz is Zap. All minus Venture and Bang competed this weekend and all kicked butt. Such a fun weekend! I did take photos with my real camera, but I am EXHAUSTED again so I didn't go through them and edit them yet. I will upload them over the next few weeks as well as some older photos from the past few months. Hang tight!
an interesting find in the internet recently was this multi tool made by ganzo, a chinese brand. so far i'm impressed with the build quality although a bit on the heavy side compared to the leatherman
Happy Sunday! The weather is not that great by me, so I am uploading something light and pretty to take me away from this rain. ^.^ Hope you enjoy it as well!
"creative abstract multi-exposure abstract photo creativity by nolan rhodes-'the-eye-of-the-moment'"
After the war, film production picked up again, not only all over Asia but also in Singapore where both Chinese and Malay films were made. In 1947, 'Seruan Medeka', an effort by Film Melayu Art Productions, proved to be mildly successful. This prompted the Shaws to reopen their pre-war studio at No.8, Jalan Ampas (above) to produce Malay movies. Under the banner of 'Malay Film Production Limited' (MFP), the Shaws aimed to dominate the Malay film market with quality productions. This move ushered in the period known as 'The Golden Age of Malay Cinema' during which over 300 films were produced.
At first, the Shaws used Chinese directors to make Malay movies. They were replaced by Indians because Malays tended to prefer Indian directorial style. Malays also favoured Indian films because they could relate to both plot and culture. The 'Bollywood' song and dance style in Malay movies were enjoyed not only by Malays but also many Singaporean Chinese. Shaws' stable of Indian directors for the next two decades read like a who's-who of Malay cinema - B.S. Rajhans, S.Ramanathan, L. Krishnan, KRS Shastry, Phani Majumdar, Kidar Sharma, Dhiresh Ghosh, K.M. Basker and B.N. Rao.
In 1947, MFP's first film 'Singapura Di-Waktu Malam' starring Siput Sarawak proved an instant success. It was directed by the same man who made Singapore's first feature hit in 1933 - B.S. Rajhans.
B.S. Rajhans quickly followed his success with a string of hits over the next four years. They included Chempaka (1947), Pisau Berachun (1948) and Cinta (1948). In Cinta, he gave the part of the villain to a young unknown whom he discovered at a music festival in Bukit Mertajam. This 19-year old playback singer who provided the vocals for the lead actor Roomai Noor was to become a legend in his own time. He was P. Ramlee.
In his early years at Jalan Ampas, P.Ramlee was enthusiastic about mastering all aspects of film production. No task proved too menial for him, and he worked even as clapper boy and assistant cameraman. From the start, his remarkable talents were recognised by the Shaws.
In 1950, P.Ramlee graduated from playing 'villians' to 'hero' and became the first actor to sing in his own voice in the movie 'Bakti'. In this film, he acted opposite the beautiful Kasma Booty (right) and proved beyond doubt that he had all the qualities of a star who could not only act but sing.
By 1953, MFP faced competition from the newly formed Cathay-Keris, a studio formed by cinema owner Ho Ah Loke and Cathay Organisation's chairman Dato Loke Wan Tho. They offered lucrative financial contracts to attract experienced film crew and stars to their new studio on the East Coast. 'Buloh Perindu' (1953) was a Malay film made by them in colour.
In order to stay ahead, the Shaws made the 26-year-old P. Ramlee into director fresh from his hit starrer 'Hang Tuah' in 1955. By that time, P.Ramlee was already an accomplished songwriter and actor, but he was keen to prove that Malay directors were as capable as Indians in making high quality films.
The result was 'Penarik Beca' , an award-winning film which catapulted the Malay film industry to an international level. It won Best Picture and Best Song in a readers' poll of the prestigious "Utusan Filem and Sport" magazine.
For the next 20 years, the multi-talented Tan Sri P.Ramlee was to win multiple international awards (including film festivals in Hong Kong and Japan) for work which spanned over 70 films and 200 songs.
His films encompassed different genres, the reason for winning fans of all races and generations. Any P.Ramlee film was guaranteed to fill seats and he became king of the Malay box office. In 1963, Singapore became part of Malaysia. That same year, P.Ramlee made his last film at Jalan Ampas - Tiga Abdul - and then he went to Merdeka studios in KL.