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Modification of a photo my sister Grace took. With her permission I'm posting it on my site with some changes. In this case all I did was add the sailor to the boat, but the original picture was so good this was totally not needed. I also enhanced the colors a little, and that's it. But leaving well enough alone is not something I like doing.
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© Copyright – StergenFish Photography ©. Photos are copyrighted. All rights reserved. Pictures can not be used without explicit permission by the creator.
The reproduction, publication, modification, transmission or exploitation of any work contained herein for any use outside Flickr, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved." Please email me at stergenfish@yahoo.com if you would like further information on obtaining copies of my work.
Portrait of a Mursi young mother (Ethiopia).
The Mursi people are an ethnic group in southwestern Ethiopia, known for their distinctive customs and traditions.
One of the most recognizable aspects of Mursi culture is the practice of wearing lip plates, a circular ornament that is inserted into a pierced hole in the lower lip.
This practice of body modification could be originated as a deliberate disfigurement, designed to make women and girls less attractive to slave traders.
Women of the Mursi tribe may have their lips cut at the age of 15 or 16. A small clay plate is then inserted into the lip.
Through the years, larger plates are inserted into the lip causing it to stretch.
Today the lip plate worn by Mursi women is best seen as an expression of social adulthood and reproductive potential.
Every woman crafts her plate by herself and takes pride in including some ornamentation.
In addition to lip plates, the Mursi people are known for their body painting and scarification. Body painting is often done using natural pigments derived from the earth, creating intricate patterns on the skin. Scarification involves creating raised scars or patterns on the skin through various methods, and it is often used for cultural and aesthetic purposes.
Tourism and external influences have impacted the Mursi way of life, raising questions about the preservation of their cultural heritage and the potential for exploitation. As with any cultural practices, it's crucial to engage with communities respectfully and ethically.
NFTs: linktr.ee/roberto_pazzi
66771 drags 66797 away from the signal just before Whitehouse Junction on 0Z97 Longport to Doncaster 29/03/21. 797 had been in Longport receiving mods for UK use.
Bit the bullet and bought the new LEGO Star Wars AAT Set, mostly for Ahsoka and the 332nd clone, but also somewhat for the build. Honestly, the tank in the set is absolutely terrible IMO, but after a few scaling modifications and turret redesign, I think it looks good! Lemme know what you think!
Did this thing. Sawed the elbow nugget in half, inserted a piece of copper pipe inside and done: the joint rotates!
Now I'll need to figure out what to do to the legs and Iria will be even better. Though, I might not do anything at all.
"Protector"
Région de Shinano (Préfecture de Nagano - Japon)
Website : www.fluidr.com/photos/pat21
www.flickriver.com/photos/pat21/sets/
"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
Editted from flic.kr/p/2guAb6h (TA feedback)
Markers arranged to create a consistent colour pallete around. Another highlighter set is placed in the middle to keep consistency.
Two modifications of the flat car for high-capacity containers, model 13-9744: the older 13-9744-01 and newer 13-9744-06 both built by Transmash (Engels, Russia, code 1247). Newer model has increased max load up to 73 t from 70 t in older. The main significant feature is what the four hinged supports were added betwen stationary ones on the ends that allowed cental placement of one short container.
AND NOW!!! DIRECT FROM "DAD'S SHED" - MODIFICATION NUMBER 73....!!!!
It looks like it worked, and was miles per hour full of fun. A Saturn V booster is now on the drawing boards.
Montage produced from negatives VC7327-27, VC7327-21 and VC7327-26 in my collection.
Please go here to see more photographs of the Family Car -
www.flickr.com/photos/69559277@N04/sets/72157628124351754...
Produced from the original negative in my collection.
My failed attempt at modifying the toy store into a bakery. I really wanted to use those old printed tiles, which I had from young... Oh well... back to square one.... :(
C’est en 1962 que Warhol fut fasciné par le procédé de reproduction photographique de la sérigraphie. Cette technique allait devenir le style par excellence de Warhol : simple, rapide, on pouvait également apporter d’infimes mais infinies modifications à la même photo matrice. Difficile à croire, mais c’est une pure coïncidence si Warhol choisit de représenter Marilyn Monroe dans un des premiers portraits, et aujourd’hui une de ses œuvres les plus connues. Elle mit fin à ses jours le même mois, et son visage magnifique, ainsi que sa célébrité, semblait être un terreau fertile pour les œuvres répétitives de Warhol, et ressemblant à des images de bandes dessinées. Et il eut bien raison !
La photo sélectionnée de Warhol était une publicité tiré du film « Nigeria », dans lequel Marilyn avait précédemment joué en 1953. Il a créé de nombreuses œuvres pop art de Monroe en utilisant cette image, y compris « diptyque Marilyn » aujourd’hui considérée comme l'une des pièces les plus influentes en art moderne. Au lieu de dessiner ou de peindre son visage, Warhol a choisi une photo qu’il savait que tout le monde connaissait. Mais pourquoi Monroe ? Marilyn incarne la célébrité et la notion même de « sex-symbol ». Mettre en avant des personnes célèbres est devenu l'une des caractéristiques du mouvement pop art au cours des années 60 : il s’agit en fait d’un commentaire acerbe sur l'obsession des médias de masse avec le culte de la célébrité.
On pense également que par ce style de travail, Warhol se réfère à une société dans laquelle les gens peuvent être considérés comme un produit plutôt que comme une personne. De plus, la technique de sérigraphie utilisée par Warhol pour les portraits de Monroe aplatit encore plus la photo déjà en deux dimensions. Avec moins de nuances et en utilisant des couleurs vives, Warhol met en avant la planéité émotionnelle et montre subtilement le côté superficiel de cette femme. Un sex-symbol créé par la société ; une femme qui est tout ce que la société veut qu'elle soit. En se concentrant sur ses caractéristiques emblématiques, Warhol nous rappelle qu'il y existait une vraie femme derrière son image.
It was in 1962 that Warhol was fascinated by the process of photographic reproduction of screen printing. This technique would become Warhol’s style par excellence: simple, fast, you could also make tiny but infinite modifications to the same photo matrix. Hard to believe, but it is pure coincidence that Warhol chose to portray Marilyn Monroe in one of the first portraits, and today one of his best known works. She ended her own life that same month, and her magnificent face, as well as her celebrity, seemed to be fertile ground for Warhol's repetitive works, and resembling comic book images. And he was quite right!
The featured photo of Warhol was an advertisement from the movie "Nigeria", in which Marilyn had previously starred in 1953. He created many of Monroe's pop art works using this image, including "Marilyn diptych" now considered one of the most influential pieces in modern art. Instead of sketching or painting his face, Warhol chose a photo he knew everyone knew. But why Monroe? Marilyn embodies celebrity and the very notion of "sex symbol". Highlighting famous people became a hallmark of the pop art movement during the 1960s: it was in fact a scathing commentary on the mass media's obsession with the cult of celebrity.
It is also believed that by this style of working Warhol is referring to a society in which people can be seen as a product rather than a person. In addition, the screen printing technique used by Warhol for the portraits of Monroe flattens the already two-dimensional photo even more. With fewer undertones and using bright colors, Warhol brings out the emotional flatness and subtly shows the superficial side of this woman. A sex symbol created by society; a woman who is everything society wants her to be. Focusing on her iconic characteristics, Warhol reminds us that there was a real woman behind her image.
Thinking of you.
Taken using the ingame Group pose mode and the ReShade preset Stormshade with some of my own modifications.
Texas State Railroad Alco RS-3 at Palestine, Texas, June 25, 2015. TSR acquired the 7-spot from the Point Comfort & Northern RR at Lolita, Texas, on the Gulf Coast a number of years ago. It now adorns a modification of the beautiful Southern Pacific black widow paint scheme. The unit is used almost daily in freight and MofW service.
Teatro Municipal, Almagro, Ciudad Real, Castilla-La Mancha, España.
El Teatro Municipal – antes Teatro Principal – de Almagro es una acogedora y bellísima “bombonera” situada en un edificio neoclásico de finales del siglo XIX donde el público del Festival disfruta de los clásicos en el interior de un teatro a la italiana.
Desde su inauguración en 1865 se convirtió en el núcleo de la vida cultural de Almagro, dando lugar a la puesta en escena de obras teatrales, zarzuelas, conciertos musicales e incluso albergando las primeras proyecciones de cine ante el asombro de neófitos espectadores. Durante la primera mitad del siglo XX fue utilizado como cine y a finales de los años 60 su estado era tristemente lamentable. Incorporado al Programa de Rehabilitación de Teatros Españoles del XIX, el arquitecto Miguel Fisac se encargó de su restauración en 1988 con modificaciones y mejoras que culminaron en 2006, siendo desde entonces, uno de los escenarios más queridos y emblemáticos del Festival.
Su romántica fachada está organizada en dos plantas que no tienen correspondencia en altura con el desarrollo interior. El patio de butacas, con un aforo para 244 espectadores, tiene forma de herradura y se posa en una estructura en tres plantas. A los palcos del primer piso se accede por escaleras laterales que desembocan en una sala de descanso localizada sobre el vestíbulo de entrada, mientras que en la segunda planta el público se distribuye en una grada, desde la que se pueden contemplar las pinturas del techo – no originales – que representan a las musas de las artes escénicas: Talía, diosa de la comedia; Melpómene, diosa de la tragedia; Tersicore, diosa de la Danza y la Música y Polimnia, diosa de la Poesía Lírica.
The Municipal Theatre – formerly the Principal Theatre – in Almagro is a cosy and beautiful “bonbonniere” housed in a neoclassical building from the end of the 19th century, where the Festival audience can enjoy the classics inside an Italian-style theatre.
Since its inauguration in 1865, it has become the centre of Almagro’s cultural life, hosting plays, zarzuelas, musical concerts and even hosting the first film screenings to the amazement of neophyte spectators. During the first half of the 20th century, it was used as a cinema and by the end of the 1960s its condition was sadly lamentable. Incorporated into the Rehabilitation Programme for 19th Century Spanish Theatres, the architect Miguel Fisac was in charge of its restoration in 1988 with modifications and improvements that culminated in 2006, and since then, it has been one of the most beloved and emblematic stages of the Festival.
Its romantic façade is organised on two floors that do not correspond in height to the interior development. The stalls, with a capacity for 244 spectators, are horseshoe-shaped and are situated on a three-storey structure. The boxes on the first floor are accessed by side stairs that lead to a rest room located above the entrance hall, while on the second floor the public is distributed in a stand, from which they can contemplate the ceiling paintings – not original – that represent the muses of the performing arts: Thalia, goddess of comedy; Melpomene, goddess of tragedy; Thersicore, goddess of Dance and Music and Polyhymnia, goddess of Lyric Poetry.
Couching.
Modifications épilogues divers rapports objections actions différentes intentions auteur informé soumettant des scénarios travaux obsédés,
błędy przywódcy abstrakcje kręte zaułki zaciemnione siły podejrzane pułapki projekty wizje konsekwencje ułatwienie eksperymentów,
éilimh ina dhiaidh sin laethanta reatha bealaí aisteacha comhaontuithe aireach róil riachtanacha athruithe léiriúcháin theicniúla aireagáin neamhghnáth,
вычурные глаза вогнутые лунатики анаморфотные зеркала растягивающие эффекты ветхие улицы искажения линии неожиданные изгибы пути невзгод,
finestre oblique ombre angoli straordinari bizzarri esaltazioni personaggi antidiluviani organici selvaggi metafore esempi sentimenti misteriosi,
歪曲を圧倒するドアの叫び複雑さのダイナミックな謎めいた用語アニメーションオブジェクト犯罪者の無感覚の理解通り自然主義的なスタイル相互幻覚ギザギザの幽霊三次元計画.
Steve.D.Hammond.
DCI. Guemes Channel.
"Based on the Valiant class (YT-802) of US Navy Yard tugboats, the YT-813 will be one of four* (now six) updated variations built by Dakota Creek Industries. Designed by Robert Allan Ltd., these 90 foot tugs will be used by the US Navy to perform ship-handling duties for the full range of US Navy surface warships, barges and submarines."
dakotacreek.com/project/yt-808-navy-harbor-tugs/
*Navy exercises options for two more escort tugs.
"Dakota Creek Industries Inc. has been awarded a $26,710,222 modification to a previously awarded Navy contract to exercise options for the detail design and construction (DD&C) of two yard tug 808-class harbor tugboats (YT 812 and YT 813)."
www.marinelog.com/shipyards/shipyard-news/navy-exercises-...
These are 2 modifications of the 'magic ball' origami corrugation
attributed to Shuzo Fujimoto and Sing Keund Ng.
If you remember the original corrugation, it won't lie flat triangles up (flic.kr/p/bYXH9b)
These one have modified pattern and they're quite flat. At least the right one. The left one tends to have more curvature...
There's an infinite class of such modifications, I'll publish more info later.
Left α = 45˚, β = 15˚
Right α = 45˚, β = 27.5˚
both α and β may be changed.
The 'magic ball tessellation' has α = 45˚, β = 45˚
A pretty early one with some questionable modern modifications, it must be pretty old as it had the large single round headlights. Just back from Kyiv, not really a spotting trip but I've got enough for a few uploads
"Craftsman"
Rue de la Verrerie à Dijon (France - Bourgogne - Côte d'Or)
Website : www.fluidr.com/photos/pat21
"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved
First Aberdeen operated Wright StreetDeck Electroliner SV25 OWR - 36669 - is pictured on Market Street with a service on route 11A towards Northfield.
This vehicle wears the new First Ultraviolet livery and is one of 24 buses of its type in the Aberdeen fleet. They joined alongside 12 repowered older StreetDecks to replace the Enviro400s which were heading back to Glasgow.
Date Taken: July 2nd, 2025
Device Used: iPhone 12 Pro Max
Date Uploaded: January 29th, 2026
Upload Number: 2183
Interested in seeing some bus videos? You'll find buses both real and virtual on my YouTube channel, as well as other cool bus-themed stuff too! - www.youtube.com/@ZZ9sTransport
© ZZ9's Transport Photography (ZZ9 Productions). All Rights Reserved. Modification, redistribution, reuploading and the like is prohibited without prior written permission from myself.
A3-21's plasma rifle from Fallout 3. This is the unique Plasma Rifle variant that you get from certain endings of The Replicated Man quest.
Materials: Brickarms Lewis Gun, scrap styrene, paper clips, guitar strings, and brass wire.
Shown here under a blacklight. The bits that should glow green, do. That glow-in-the-dark paint is really neat.
as you can see....I add some stuff to make them looks better
space batman : I add a little pad on it to make it looks more like the Lego Batman 3 version
Green Lantern : I put an green stud on his right hand and I pant the legs like....four sides and it looks pretty nice :)
Sinestro : same as the Green Lantern but the stud is in the left hand :)
I took a middle of the road approach to cleanup the blacksmith model and changed about 8 to 10 aspects. Can you find them all?
Note: missing dog isn't one of them. :)
_________________________
© All rights reserved world wide. Using without permission is illegal. None of these photographs or stories may be reproduced and/or used publicly in any way without the written permission. If you are interested in using my pictures, please contact me at taganiared@gmail.com
© cuma 2013. © Copyright – Marcelo Moreno©. Photos are copyrighted. All rights reserved. Pictures can not be used without explicit permission by the creator.
© cuma 2013. © Copyright – Marcelo Moreno©. Estas fotos tienen derechos de autor. Todos los derechos reservados. Las imágenes no pueden ser utilizadas sin autorización expresa del autor.
© Copyright – Marcelo Moreno©.
The reproduction, publication, modification, transmission or exploitation of any work contained herein for any use outside FlickR, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
Really loving this new dragon from Ninjago the Stormbringer. Gave it some of my own modifications :D Mod process is on youtube youtu.be/25tk0wNlqA0
Yeah, I know I said I wasn't going to post WH40K, but that's not a replica of a miniature. I had that chest built even before I made my Tau Broadside Battlesuit. It wasn't really accurate to those Centurions and I was going to scrap it, but then I thought it deserved its chance to be. This modification is meant to be faster and has some powerful reactor thing on the back... Not sure if there is any analogue of it among GW or FW stuff and I don't really care... After all I said it's custom.