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Materials: oil on canvas. Dimensions 44.5 x 55 cm. Inscriptions: gesigneerd linksonder: JvRuisdael. RKD 50247. Exhibition: Jacob van Ruisdael, Koninklijk Kabinet van Schilderijen Mauritshuis, Den Haag, 1981-10-01 – 1982-01-03, nr. 33. Source: www.flickr.com/photos/42251653@N03/3896289934/in/photostream
The electromagnetic field cannot be avoided because every space is occupied with the radiation. Now, the concerning factor is whether these fields affect our health or not. Most health care agencies say that EMF causes so many health issues, even cancer. Find the best protection for your home and health. The advent of 5G makes the situation even worse. You need to buy EMF shielding products for the protections. Buy EMF shielding meter to measure the level of electromagnetic fields. Besides this, you have other products to buy. An EMF filter is the option that removes the pollution from the environment. You can even buy EMF shielding skull cap, gloves, fabric, and more. FilterEMF is a place where quality shielding materials are available. You can send them your requirements and they come up with the right solutions. So, for buying EMF shielding products, visit FilterEMF.
Title: John Hancock
Artist/Maker: Edward Savage (American, 1761-1817), after John Singleton Copley (American, 1738-1815)
Place Made: Unknown
Date Made: 1785
Medium: oil on canvas
Measurements: Overall: 49 in x 40 in; 124.46 cm x 101.6 cm
Credit Line: Gift of Funds by Mrs. Orme Wilson in memory of The Honorable Orme Wilson (1885-1966), Diplomatic Officer 1920-1924, Foreign Service Officer 1924-1946
Collection: The Diplomatic Reception Rooms, U.S. Department of State, Washington, D.C.
Accession No: RR-1964.0033
Daemonelix burrow from the Miocene of Nebraska, USA (reproduction, public display, Field Museum of Natural History, Chicago, Illinois, USA).
Daemonelix burrows are commonly called “Devil’s corkscrews”. These distinctive, large, spiral burrows were made by an ancient species of terrestrial beaver. The spiraled portion of these trace fossils is usually about 1.5 to 2 meters tall. The base of the spiraled portion merges with a subhorizontal tube. The burrows are filled with siliciclastic sediments that are better cemented compared with surrounding materials.
Stratigraphy: paleosol in the Harrison Formation, upper Middle Miocene
Locality: Sioux County, northwestern Nebraska, USA
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Trace fossils are any indirect evidence of ancient life. They refer to features in rocks that do not represent parts of the body of a once-living organism. Traces include footprints, tracks, trails, burrows, borings, and bitemarks. Body fossils provide information about the morphology of ancient organisms, while trace fossils provide information about the behavior of ancient life forms. Interpreting trace fossils and determination of the identity of a trace maker can be straightforward (for example, a dinosaur footprint represents walking behavior) or not. Sediments that have trace fossils are said to be bioturbated. Burrowed textures in sedimentary rocks are referred to as bioturbation. Trace fossils have scientific names assigned to them, in the same style & manner as living organisms or body fossils.
Earth Designs Garden Design and Build were asked to created a landscape and propose garden design Holloway, North London. Here are the details on the project
The Batchelor Pad Garden in Holloway, North London
BRIEF:
Earth Designs were contacted by this client to enquire about a design for his urban garden in North London in the spring of 2008. At the time the client decided to contract another design company and we did not hear anything further for a year. The client subsequently contacted us to request a quote based on the design that he had commissioned from our competitor. We were able to undercut the quoted price by a significant margin and consequently the client was happy to contract the project.
SOLUTION:
The garden is a north facing with very limited access and is located to the rear of a five storey converted Victorian school building. Due to its location, all materials needed to be transferred by hand through the building, down a flight of stairs, through several doors and round several corners. The road adjacent to the property is very busy, making deliveries difficult and potential crane hire extremely expensive. However, Earth Designs have completed many gardens with limited access and so we have become have become adept at finding the best and least disruptive ways of transporting substantial amounts of materials and waste to and from a space. The design included a built-in hot tub which was to be a feature of the space. However, the specifications of the spa meant that it would be impossible transport through the property and therefore would need to be lifted by crane over the 5 storey property. This would have been cost preclusive, so we were able to advise the client on alternative hot tub selection and offer electrical installation and project management of the hot tub installation. The client also requested additional items beyond the contracted work, which we were happy to facilitate.
The garden itself was well designed, with raised rendered block beds to the rear of the garden and two chunky pergolas with shade sail covers providing privacy from the flats above. The garden was paved throughout with Indian grey sandstone in a random pattern.
TESTIMONIAL:
Earth Designs did a fantastic job with my garden and made what I thought was going to be a stressful process amazingly easy. They were flexible when I changed the brief after the project had got underway, and found creative solutions to any issues that arose during the build. I wouldn't hesitate to recommend them for the quality of their work, attention to detail, project management and value for money.
If you dig this and would like to find out more about this or any of other of our designs, please stop by our web-site and have a look at our work.
Earth Designs is a bespoke London Garden Design and build company specialising in classic, funky and urban contemporary garden design.
Our Landscape and Garden build teams cover London, Essex and parts of South East England, while garden designs are available nationwide.
Please visit www.earthdesigns.co.uk to see our full portfolio. If you would like a garden designer in London or have an idea of what you want and are looking for a landscaper London to come and visit your garden, please get in touch.
Follow our Bespoke Garden Design and Build and Blog to see what we get up to week by week, our free design clinic as well as tips and products we recommend for your garden projects www.earthdesigns.co.uk/blog/.
Earth Designs is located in East London, but has built gardens in Essex , gardens in Hertfordshire Hertfordshire and all over the South East. Earth Designs was formed by Katrina Wells in Spring 2003 and has since gone from strength to strength to develop a considerable portfolio of garden projects. Katrina, who is our Senior Garden Designer, has travelled all over the UK designing gardens. However we can design worldwide either through our postal garden design service or by consultation with our senior garden designer. Recent worldwide projects have included garden designs in Romania. Katrina’s husband. Matt, heads up the build side of the company, creating a unique service for all our clients.
If you a not a UK resident, but would like an Earth Designs garden, Earth Designs has a worldwide design service through our Garden Design Postal Design Vouchers. If you are looking for an unique birthday present or original anniversary present and would like to buy one of our Garden Design Gift Vouchers for yourself or as a present please our sister site www.gardenpresents.co.uk. We do also design outside of the UK, please contact us for details.
Day 139
Group Material (began 1979 – 1995)
The AIDS Timeline, 1989
Group Material was a group of New York artists, linked by their frustration with the art market at the beginning of the 1980’s. They worked with different members over a period of 16 years,’ dedicated to social communication and political change’. The AIDS Timeline, a mixed-media installation within the museum, reconstructs the history of AIDS as seen within a web of cultural and political relations. According to Group Material, the timeline, “indicts the government’s inaction (on AIDS) and society’s complicity in that inaction.”
The High Street in Lymington - Ashley Lane off the High Street.
Old wall advert.
"Rand & Son General Drapery"
"Ladies & Childrens Outfitters"
"Speciality Dress Materials"
On what is now Lanes Restaurant & Bar.
El Ferrobus 591.301 tambien conocido como el Abuelo por ser el prototipo de esta serie, en el museo de Alcazar de San Juan. 19/10/08.
marketplace.secondlife.com/p/80-Off-LIMITED-QUANTITIESAri...
80% Off!! Few units on offer !!!
Promotion only in marketplace !!
PROMOTION VERY LIMITED
ORIGINAL MESH
TRY DEMO
Gardial Clogs:
INGREDIENTS:
1 Classic Clogs whit Belt and tacks.
1 Platform with 9-inch high heel.
1 Portion of good taste.
1 Portion of imagination
1 Portion of work and much good to do.
* We introduce all the ingredients in blender and the result we get is ...
These beautiful clogs for your feet, ideal to show at any time.
Enjoy them.
24 different options, all combinable with each other, make you have many options to customize your Shoe to your style
10 Fantasy options
12 Leather burnished options
Original Mesh
Highly Customizable HUD
New Materials
Requiered: Foot High or Ouch
1 -Maitreya
1 -Belleza
1 -eBODY 8.5
1 -Tonic -
1 -Slink -
1 -TMP - Ouch
1 -EVE
9 inches
-This Shoes are for the Slink, Maitreya, eBODY, Belleza, Tonic. TMP and EVE!! you will need those feet to wear them. Be sure you have the feet updated for a perfect fitting.
-These Shoes belong to an exclusive collection, designed entirely by Ariadna Garrigus and Ayrton Radikal
I collect....
"Any philatelic material that depicts a motorcycle, or part thereof, or name of manufacturer, where the make of motorcycle is recognizable as being of ITALIAN ORIGIN."
In this topic I collect.... "Stamps, mint and used, blocks, sheets, FDC, postally used covers, maximum cards, miniature-souvenir sheets, booklets, postal
stationery, cancellations, metermarks, proofs, stamp art work, artist signed items, poster stamps, errors, some postcards and other philatelic items"
If you have any items you think I might like please contact me at gavinnz@xtra.co.nz
If you are a motorcycle stamp collector then contact me as I have many items spare.
Gavin
Here are the 69 makes I have postal items for at November 2013....
AERMACCHI AGRATI ALIPRANDI APRILIA AQUILA ASTRA BENELLI BETA BIANCHI BIMOTA CAGIVA CAPRIONI CECCATO CIMATTI CM COMET CONTI DEVIL DONISELLI DUCATI FANTIC FERRARI (SF PROTOTYPE) FREJUS FRERA GALLONI GANNA GARELLI GHEZZI-BRIAN GILERA GLORIA G.R. IDROFLEX ISO ITALJET LAMBORGHINI (PROTOTYPE) LAMBRETTA LAVERDA LEGNANO MAGNI MAINO MALAGUTI MALANCA MAS MASERATI MILLER MINARELLI MI-VAL MONDIAL MORBIDELLI MORINI MOTOBI MOTO GUZZI MOTOM MV AGUSTA NCR OXYGEN PARILLA PIAGGIO PRINETTI & STUCCHI RUMI SERTUM SIMPLEX SWM TESTI TORPADO TURKHEIMER VESPA VILLA WOLSIT
Words to help like minded people find me.....
Motorcycle stamps Motorcycle stamp Motorbike stamp Motor Cycle stamp Vespa Stamp
Moto Francobollo poster stamps Motor bike stamps moto busta
collezionista di francobolli del motociclo
"Qualsiasi materiale filatelico che raffigura un motociclo, o parte di esso, o nome del produttore, dove la marca di moto è riconoscibile come di origine italiana".
In questo argomento raccogliere... "Francobolli, menta e usati, blocchi, lastre, FDC, postally usati coperture, carte massime, miniatura-foglietti, libretti, postale
Cancelleria, cancellazioni, metermarks, prove, opera d'arte di timbro, artista firmato articoli, poster francobolli, errori, alcune cartoline e altri articoli filatelici "
Saman Moniri, ChE PhD Student, prepares a sample material with a spiral structure in the MC2 Lab in the North Campus Research Center on North Campus of the University of Michigan in Ann Arbor, MI on January 22, 2020.
MSE Assistant Professor Ashwin Shahani’s group is working to map out the process of creating spiral structures in materials. This could lead to a wide range of new applications in optical and mechanical applications.
Photo: Joseph Xu/Michigan Engineering, Communications & Marketing
0610 Catedral Metropolitana de la Ciudad de México
La Catedral Metropolitana de la Ciudad de México es el gran templo católico ubicado en la Plaza de la Constitución, en el centro histórico de la Ciudad de México. Las medidas aproximadas de este templo son 59 metros de ancho por 110 de largo y una altura de 60 metros hasta la cúpula. Es también una de las principales obras del arte mexicano, y se considera entre las más sobresalientes de todo el arte hispanoamericano. Construida con cantera gris, cuenta con cinco naves y 16 capillas laterales. Está dedicada a la Asunción de la Virgen María y es la iglesia principal de la Arquidiócesis Primada de México.
Historia de una construcción [editar]
En el tiempo de la ciudad de Tenochtitlán el área en donde se encuentra la actual catedral estuvo ocupada por un pequeño templo dedicado a Xipe[1] o quizá por el templo de Quetzalcóatl, un templo dedicado al sol y otras edificaciones menores.[2]
Tres años después de concluida la conquista, Hernán Cortés mandó construir una iglesia en el lugar aprovechando material de los templos aztecas. Esta iglesia fue convertida en catedral por Carlos V y el papa Clemente VII según la bula del 9 de septiembre de 1530 y nombrada metropolitana por Paulo III en 1547.[3] Pronto quedó clara su insuficiencia y por mandato de Felipe II se derribó en 1552. Los trabajos de construcción de la nueva no comenzaron sino hasta 1571 cuando el virrey Martín Enríquez de Almansa y el arzobispo Pedro Moya de Contreras colocaron la primera piedra de su sucesora, la actual catedral...
La suma del costo de la obra hasta la dedicación de 1657 fue de 1.759.000 pesos. Dicho costo fue cubierto en buena parte por los reyes Felipe II, Felipe III, Felipe IV y Carlos II.[3]
Luego, hubo un concurso para designar al arquitecto que terminaría la fachada. El proyecto ganador de dicho concurso fue el neoclásico presentado por el veracruzano José Damián Ortiz de Castro, que se antepuso a los de José Joaquín de Torres (barroco) e Isidro Vicente de Balbás. Ortiz de Castro procedería a terminar las torres, parte de la cúpula y obras al interior. La muerte de Ortiz de Castro dejaría las obras en suspenso un breve tiempo. En 1793 el arquitecto valenciano Manuel Tolsá recibe el encargo de finalizar las obras de construcción de la Catedral, que no concluyen sino hasta 1813.[4]
Sucesos de la Catedral [editar]
A lo largo del tiempo la catedral ha perdido parte de su acervo artístico. Se tiene constancia de algunas de las obras perdidas: lámparas de plata de gran tamaño, candelabros, blandones y figuras del mismo metal, la custodia de Borda (88 marcos de peso en oro; con 10 perlas, cubierta al frente por 5872 diamantes y al dorso por 2653 esmeraldas, 544 rubíes y 28 zafiros), un pectoral de oro con reliquias, otro con topacios y brillantes y con anillos de accesorio, alfombras, cojines, colgaduras y muchos tesoros más de características similares.[5]
El edificio [editar]
La fachada [editar]
Fe, Esperanza y Caridad. Esculturas de Tolsá
Fe, Esperanza y Caridad. Esculturas de Tolsá
La fachada se observan tres relieves en mármol blanco. El central representa la Asunción de la Virgen María. El que se tiene del lado izquierdo muestra la entrega de las llaves del Cielo a San Pedro; el que se tiene a mano derecha, la Barca de la Iglesia. Sobre el reloj se encuentran tres figuras representativas de las virtudes teologales: la Fe, la Esperanza y la Caridad. La Fe sostiene una cruz, la Esperanza un ancla y la Caridad sujeta a dos niños. El reloj y las esculturas se deben a Tolsá, así como las balaustradas y florones que coronan todo el conjunto.
El altar del Perdón [editar]
Altar del Perdón
Altar del Perdón
El retablo es obra de Jerónimo de Balbás (1735). A principios de 1967 hubo un incendio en la catedral que dañó el altar. Gracias a la restauración practicada se puede admirar el día de hoy una gran obra de arte colonial. Se llama así porque ahí piden perdón los fieles.Esta es una de las obras más grandes del autor tiene un estilo churrigueresco el cual es muy detallado, todo el acabado de esta obra esta cubierto con hoja de oro.
El coro [editar]
La sillería del coro está fabricada en una excelente talla de tapincerán. Tiene dos niveles de sitiales: el alto para canónigos y el bajo para seíses y sochantres. En la parte superior, tiene figuras talladas en medio relieve, de obispos y santos.
La sillería del coro es fruto del arte de Juan de Rojas (1695). También fue dañada en el incendio de 1967.
Al centro del coro, entre la la reja y la sillería, está un fascistol de caoba, adornado con figuras de marfil, una de las cuales, es un crucifijo que corona toda la obra. Se usa para sostener los libros de canto, y está conformado por tres cuerpos.
La portada del coro y la crujía (el corredor cerrado que va desde es coro hasta presbiterio) fueron hechas con el diseño del pintor Nicolás Rodríguez Juárez bajo la supervisión del sangley Quiauló. La bella reja del coro es de tumbaga y calain, y fueron estrenadas en 1730. Se fabricó en la ciudad de Macao, China,[4] y sustituyó a una anterior esculpida en maderas.
Cúpula [editar]
Se terminó con adaptaciones al proyecto de Ortiz de Castro. En el interior también se representó la Asunción de la Virgen (Rafael Ximeno y Planes, 1810). La cúpula que existe hoy en día, es obra de Manuel Tolsá, y de tambor octogonal, levantada al centro del crucero, sobre cuatro columnas y rematada por una linternilla. Las actuales ventanas son de Matias Goeritz. En el incendio de 1967, ocasionado por un corto circuito en el Altar del Perdón la pintura de la Asunción se consumió.
Las capillas [editar]
Nave central de la Catedral Metropolitana, con vista del Altar de los Reyes al fondo.
Nave central de la Catedral Metropolitana, con vista del Altar de los Reyes al fondo.
Altar de los Reyes [editar]
Artículo principal: Altar de los Reyes
El Altar de los Reyes, se encuentra en el ábside del templo, detrás del Altar Mayor. Es obra del insigne Jerónimo de Balbás, autor del Altar del Perdón de esta misma catedral, y del Altar Mayor de la Catedral de Sevilla, entre otras.
Este bello altar, que se puede considerar un monumento dentro de otro monumento, es la obra cumbre del estilo churrigueresco mexicano o barroco estípite, y se considera la obra maestra de su destacado autor. Mide 25 metros de altura, 13 de ancho, y 7 metros de fondo; se eleva al fondo de Catedral ocupando el ábside.
Es una talla formada por tres calles verticales, dos laterales y una al centro, adornada con los cuadros La Asunción de la Vírgen, y La Adoración de los Reyes, del pintor Juan Rodríguez Juárez. Éste último, es el que da nombre al altar, además de una serie de esculturas de bulto de reyes y reinas canonizados (santificados), que posan a lo largo y ancho del altar.
Fue realizado en maderas preciosas policromados, en una exuberante composición de pilastras y columnas, follaje, guirnaldas y querubines. El conjunto está estofado, revestido con hoja o lámina de oro, lo cual le confiere majestuosidad a la obra. Está cerrado por una doble bóveda, y en lo más alto del conjunto, se haya una representación de Dios Padre, presidiendo el magno conjunto.
Las capillas laterales [editar]
Capilla de Nuestra Señora de las Angustias de Granada [editar]
Capilla de San Isidro [editar]
Capilla de la Inmaculada Concepción [editar]
Capilla de Nuestra Señora de Guadalupe [editar]
Capilla de Nuestra Señora La Antigua [editar]
Está consagrada a la advocación mariana del mismo nombre, y en el retablo principal, neoclásico, obra de Juan de Rojas (1718), hay una copia de la imagen de la Virgen de la Antigua cuyo original se encuentra en la Catedral de Sevilla. Esta imagen de influencia bizantina era muy venerada por la población española de la ciudad de México durante el período colonial.
Bajo la imagen de la virgen hay una magnífica escultura sevillana del Niño Jesús, original de la primera mitad del siglo XVII y atribuida a Juan Martínez Montañés. Es conocida popularmente como El niño cautivo, debido a que permaneció en Argel junto a Francisco Sandoval de Zapata, racionero de la catedral, quien fue hecho prisionero por piratas del norte de África en 1622, cuando llevaba la escultura hacia México.
Capilla de San Pedro [editar]
La capilla de San Pedro custodia otros dos retablos. El primero y principal está dedicado a honrar la vida del santo apóstol y fue edificado hacia 1670. En él se observan ya los lineamientos del barroco temprano en los que aún se observan elementos manieristas como los relieves de lacería, las ménsulas y los pinjantes. El retablo está formado por tres cuerpos, el último de los cuales se integra al espacio arquitectónico dejando al centro el vano de la ventana. El retablo se merece una mención especial por su decoración general en la que sobresalen los variados motivos vegetales e inanimados propios del barroco. En cuanto a las pinturas de este retablo, no se ha podido saber a ciencia cierta quiénes fueron los autores, se trata de obras cuto tema es la vida de San Pedro, y en un pasaje se recuerda el martirio del apóstol que pidió ser crucificado de cabeza “por no ser digno de morir como su maestro”.
Capilla del Santo Cristo y de las Reliquias [editar]
Se contruyó entre 1610 y 1615 dedicada al Santo Cristo de los Conquistadores. También recibe el nombre de Capilla de reliquias por las reliquias insignes guardadas en los retablos barrocos. Según algunos historiadores la imagen de Cristo crucificado conocida como el "Santo Cristo de los Conquistadores" (S. XVI O XVII) fue un regalo de Carlos V, otros sostienen que se trata de una obra realizada en estas tierras, lo cierto es que ya en la primera catedral recibía gran veneración.
Las pinturas y esculturas escenifican momentos de la pasión de Cristo uniendo a este tema la pasión o tormento de los santos y santas màrtires. La escultura del "Santo Entierro" es utilizado todos los años en la procesión del Viernes Santo. El retablo de la derecha tiene al centro una Virgen de Guadalupe, de José de Ibarra, ante la que se juró a Santa María de Guadalupe como la Patrona General y Universal de todos los reinos de la Nueva España el 4 de diciembre de 1746, y que conserva una reliquia del ayate de Juan Diego Cuauhtlatoatzin. Las reliquias de esta capilla se exponen anualmente el día de todos los santos y el día de los fieles difuntos (1 y 2 de noviembre). De acuerdo a la tradición, en esta capilla se custodian reliquias de, entre otros, San Vicente de Zaragoza, San Gelasio, San Vital de Milán y un pedazo de la Vera Cruz.
Capilla de San Felipe de Jesús [editar]
Aquí se encuentran los restos de Agustín de Iturbide. Asimismo, aquí se conserva el corazón de Anastasio Bustamante.
Capilla de Nuestra Señora de los Dolores [editar]
Capilla del Señor del Buen Despacho [editar]
Capilla de Nuestra Señora de la Soledad [editar]
La capilla dedicada a la Virgen de la Soledad fue abierta al culto en la segunda mitad del siglo XVII. Ella protege a los albañiles y obreros que participaron en la construcción de la catedral. El retablo principal está formado por dos cuerpos y un remate, en él se aprecian las columnas salomónicas de capitel corintio que separan las entrecalles. Es una virgen de la Soledad copia de una imagen española. El retablo puede ser ubicado en la década de 1670-1680 gracias a las pinturas con el tema de la Pasión de Cristo hechas por el pintor Pedro Ramírez.
Capilla de San José [editar]
Su retablo principal es barroco, procedente de la antigua Iglesia de Nuestra Señora de Montserrat y tiene en el centro la imagen de San José con el Niño, rodeado de santos, entre los que destaca Santa Brígida de Suecia. El retablo lateral es una composición de pinturas barrocas, que consiste en El triunfo de la Fe, La transfiguración, La circuncisión y La asunción.
Hay un antiguo Ecce homo sedente, llamado popularmente el Señor del cacao. Es una escultura mexicana de caña de maíz procedente de la primera catedral, y muy venerada por los indígenas durante la colonia, quienes a falta de monedas depositaban como ofrenda semillas de cacao, que en época prehispánica se consideraban valiosas piezas de cambio. En la actualidad es común que los niños depositen ofrendas en forma de caramelos.
Capilla de San Cosme y San Damián [editar]
Entre los retablos que decoran el interior de la Catedral Metropolitana, el principal está dedicado a honrar a los santos tutelares de la capilla, consta de dos cuerpos, el remate y tres entrecalles. Es uno de los retablos catedralicios del siglo XVII en los que se puede afirmar que tiene un acento manierista y como prueba de ellos están las columnas clasicistas estriadas. El retablo fue concebido para albergar pinturas, las cuales exaltan la vida de los santos médicos Cosme y Damián y se deben al pintor Sebastián López Dávalos. Este pintor también fue uno de los artistas que corroboraron el
Capilla de los Ángeles [editar]
Sirve de basamento a lo torre occidental, y fue concluida entre 1653 y 1660. Esta primera capilla fue destruida por un incendio en 1711, por lo que fue inmediatamente sustituida por la actual, finalizada en 1713. Cuenta con unos fastuosos retablos barrocos con esculturas estofadas y policromadas, obras de Manuel de Nava, que representan a los siete arcángeles.
Capilla de las Ánimas [editar]
La sacristía [editar]
En el interior de la sacristía se puede admirar enormes cuadros de los pintores novohispanos Cristóbal de Villalpando y Juan Correa. Los títulos de los cuadros son: El Triunfo De La Iglesia, La aparición de San Miguel (Villalpando), El Tránsito De La Virgen y La Entrada De Cristo A Jerusalén (Correa). Asimismo, hay una pintura atribuida al pintor español Bartolomé Esteban Murillo.
Las criptas [editar]
Cripta de los Arzobispos, con el monumento a Fray Juan de Zumárraga en primer plano. En la parte inferior del altar se aprecia una piedra prehispánica.
Cripta de los Arzobispos, con el monumento a Fray Juan de Zumárraga en primer plano. En la parte inferior del altar se aprecia una piedra prehispánica.
La catedral cuenta con criptas para los fieles que deseen adquirir, aunque actualmente se encuentra todavía en proceso de reparación y por lo tanto para ingresar, es necesario ser poseedor o visitante de un nicho en específico.
Debajo del Altar de los Reyes se encuentra la cripta principal que alberga los restos de los arzobispos que han sido titulares de la Arquidiócesis, desde Fray Juan de Zumárraga hasta el Cardenal Ernesto Corripio y Ahumada, cuyos restos fueron depositados en abril de 2008. En el centro de la cripta de los Arzobispos hay un cenotafio con la figura de Zumárraga y todos los demás arzobispos están colocados en nichos en las paredes. Debajo del monumento de Zumárraga hay una escultura azteca que representa una calavera. Otra escultura prehispánica geométrica fue incorporada en la parte inferior del altar.
Los campanarios [editar]
Las torres de la Catedral tienen una altura entre 64 y 67 metros. Cada una está rematada en forma de campana (Ortiz de Castro, 1788). La campana puede ser tomada como un símbolo de la comunicación entre Dios y el hombre. Entre las dos cuentan con espacio suficiente para albergar 56 campanas, aunque al día de hoy son treinta las que han sido colocadas. La mayor de ellas tiene el nombre de Santa María de Guadalupe y pesa alrededor de trece toneladas. La más antigua, Santa María de la Asunción (también conocida como Doña María), es de 1578. La más nueva es del año 2002 y fue colocada con motivo de la canonización de Juan Diego. Fue bendecida por el papa Juan Pablo II. Dentro de la parte superior de cada torre hay escaleras de madera de forma elipsoidal, de las cuales hay muy pocos ejemplos en el mundo. Estas escaleras helicoidales u ovaladas son, como se decia líneas arriba poco utilizadas pues el deterioro ocasionado por el tiempo y es evidente, por lo cual solo son usadas por los campaneros, entre los que destacan Rafael Parra Castañeda Campanero Mayor, o algunos voluntarios como Alejandro Campos Lamas, Decano de la Pastoral de Campaneros o Angel Miguel Donaciano Guía oficial del sitio. Empero, el enorme desgaste de escaleras y zonas del campanario se ha agudizado por la extensiva vista de turistas a un sitio no hecho para ello, por lo cual se recomienda no realizar la visita que se considera de alto riesgo.
El sagrario [editar]
De estilo barroco de estípite en su fachada y neoclásico al interior.
Su materia es de cantera gris y tezontle. Tiene dos portadas, una al sur y otra al oriente. Es de planta de cruz latina, y es la parroquia de la Catedral Metropolitana, anexa a ésta.
Sus portadas son de estilo barroco churrigueresco, con pilastras estípite y de forma triangular, obra singular de la arquitectura colonial.
Title: Peace Medal
Artist/Maker: Joseph Richardson, Jr. (1752-1831; working alone 1790-ca. 1801), James Smither, Jr. (Engraver, ca.1795-1802) (possible)
Place Made: United States: Pennsylvania: Philadelphia
Date Made: 1793
Medium: metal; silver
Measurements: Overall: 6 1/4 in x 4 15/16 in; 15.875 cm x 12.54125 cm
Credit Line: Gift of Mrs. Mark Bortman in memory of her husband
Collection: The Diplomatic Reception Rooms, U.S. Department of State, Washington, D.C.
Accession No: RR-1967.0037
PORTSMOUTH, Va. (June 17, 2014) – Construction of approximately 4,100 linear feet of shoreline protection along the western shore of Craney Island Dredged Material Management Area, or CIDMMA, is progressing smoothly as Corps contractor Coastal Design and Construction, Inc. completes construction of 11 riprap breakwaters to replace the existing (randomly placed) concrete rubble.
The concrete rubble, remnants of the old James River Bridge, did not provide adequate means of shoreline protection.
The U.S. Army Corps of Engineers, Norfolk District, is managing the project, which includes creating vegetated wetlands behind the breakwaters for habitat and added shoreline protection. Coastal Design and Construction, Inc., based in Gloucester, Va., is an 8a small business company.
The shoreline protection project is funded through a combination of Corps Operations and Maintenance and Sandy Flood Control and Coastal Emergency Funds.
CIDMMA is a 2,500-acre artificial confined dredged material disposal site. Plans for the site were developed in the early 1940s to provide a long-term disposal area for material dredged from the channels and ports in the Hampton Roads area. Hampton Roads, including the ports of Norfolk, Portsmouth, Chesapeake, Newport News, and Hampton, comprises Virginia’s largest port complex.
CIDMMA was recommended and approved by Congress under the River and Harbor Act of 1946. Actual construction of Craney Island was completed in 1957. Since that time, this site has received maintenance, private and permit-dredged material from numerous dredging projects in the Hampton Roads area. (U.S. Army photo/Gerald Rogers)
2014 BAILE DE MÁSCARAS, MASCARITAS Y MASCARONES = CARNAVAL DE MADRIDEJOS
OTROS CARNAVALES EN www.josemariamorenogarcia.es/carnaval
VIDEO pulsando este enlace www.youtube.com/playlist?list=PLhOGO1Wd2-So68IL-845WW2WbI...
Autor: José-María Moreno García. Fotógrafo humanista y documentalista. Cronista Oficial de la Villa de Madridejos.
Una de las mejores formas de conocer la historia de un pueblo es a través de sus imágenes; en ellas se conserva no sólo su realidad tangible, calles, plazas, monumentos, sino también sus costumbres, fiestas, tradiciones, lenguaje, indumentaria, gestos y miradas, que nos dicen sin palabras como se vivía, cuales eran sus esperanzas y temores, qué había en su pasado, qué esperaban del futuro. Uno de los objetivos más ambiciosos es recuperar y catalogar todo el material gráfico existente en nuestra familia desde 1.915, para después ponerlo a disposición de vosotros, que la historia volviera a sus protagonistas, y los que aún siguen con nosotros pudieran disfrutar con ello. VISITA La colección "CIEN AÑOS DE FOTOGRAFÍA FAMILIA MORENO (1915-2015)" en www.josemariamorenogarcia.es y www.madridejos.net
SI ALGUIEN NO DESEA APARECER EN EL ÁLBUM POR FAVOR COMUNÍCALO A josemariamorenogarcia@gmail.com
DoITPoMS, University of Cambridge
The colours in the image are the result of birefringence and relate to the residual stress in the film. The colour is generally uniform (with some contrast where an additional thickness of film exists or where wrinkling has resulted in a different apparent thickness). This is indicative of both a uniform film thickness and of the uniformity of the drawing process used to make the film. In the region of the tear, however, the colours indicate strain-induced orientation: because the material is above the glass transition temperature of PE (-30 deg C) chain sliding occurs readily under and applied stress and the molecules become aligned along the tensile axis. The strain is permanent and does not relax when the stress is removed. However, if the material were annealed at ~100 deg C, it would relax towards its original configuration, and uniform colour would again be observed.
System
Low density polyethylene (LDPE)
Composition
Not specified
Reaction
Processing
This film is made by biaxially stretching heated material during the extrusion process.
Applications
Polyethylene is the most common polymer. Low density polyethylene (LDPE) is widely used as a film for packaging
Sample preparation
The packet has been torn open, to demonstrate residual chain alignement around the tear
Technique
Cross-polarised light microscopy
Contributor
J A Curran
Organisation
Department of Materials Science and Metallurgy, University of Cambridge
The informational material that I used was made from different papers, as can be seen here.
The book has about 160 pages, most made from IKEA advertisement, packaging and instructional material.
I colored the pages using wax crayons, watercolors, and a lot of elbow grease and heat.
A new Tennessee material I have found and as of yet have not named. This is a seam replacement of a layer of fossils that has been agatised, as I say for as lack of a more geologicaly correct term. Ranges from opaque to very translucent and contains lots of coral and bivalves. Variable material that quite often has pinholes in it when polished. There seems to be pockets of some sort of soft material, especially in some of the coral, that disolves as you polish and cut. When you do get a solid piece the detail of the fossil remnants is quite striking and it makes am interesting but not beautifull cutting material. I have never seen anything like it before and it is another stone I will be marketing in the near future. If you are a staff member at a university and desire a piece, send me an email and we will talk about it. I just want to make sure you really are what you say you are is all.
DoITPoMS, University of Cambridge
A hypoeutectoid alloy steel, normalised, producing a microstructure of allotriomorphic ferrite nucleated on the prior austenite grain boundaries, with the remainder pearlite.
System
Fe-C-X
Composition
Fe, C 0.5 (wt%)
Reaction
Processing
Normalised
Applications
Sample preparation
Nital
Technique
Reflected light microscopy
Contributor
Dr R F Cochrane
Organisation
Department of Materials, University of Leeds
Reference materials stored at the IAEA Analytical Laboratory, Seibersdorf, Austria
Copyright: IAEA Imagebank
Photo Credit: Dean Calma/IAEA
www.facebook.com/catedraleseiglesias
© Álbum 0124
By Catedrales e Iglesias
Arquidiócesis Primada de México
Rectoría San Hipólito y San Casiano
Calle Zarco No. 12
Col Guerrero
C.P. 06300
Delegación Cuauhtémoc
Tel: 5521-3889
Ciudad de México
Pbro: Jorge Vargas Santoyo Adscrito Pbro: Roger David Martínez Marín
Adscrito Pbro: José Rodolfo García Mireles
Vicario Pbro: Adolfo Villaseñor Meza
TEMPLO DE SAN HIPÓLITO Y CASIANO
Ciudad de México
Una fecha gloriosa en la vida de Tenochtitlan es el origen del Templo de San Hipólito y Casiano, a decir de los historiadores: "Fue tal la mortandad que en este lugar hicieron los aztecas a los españoles el primero de julio de 1520 llamada la "Noche Triste", que luego de la toma de la ciudad, resolvieron edificar una ermita denominada y dedicada a los mártires de aquella épica batalla".
Bernal Díaz del Castillo, el lugarteniente de Hernán Cortés, declara en sus memorias: "Una iglesia que nosotros hicimos luego de la destrucción de Tenochtitlan haciendo la donación en propiedad del solar que ocupara el cabildo, el 11 de agosto de 1524, debiendo advertir que en la primera acta del libro de cabildos con fecha 8 de marzo del mismo año, aparece citada la propiedad de Garrido, que poco después fue la ermita dedicada a San Hipólito, ya que la consumación de la conquista ocurrió el 13 de agosto".
La construcción de la iglesia inició en 1599 y concluyó a mediados del siglo XVII, exactamente junto al pozo donde se libró la más reñida y cruenta de las batallas que iniciaron por los rumbos de Tacuba y concluyeron cerca de la actual Plaza de la Constitución.
Hoy en día este lugar está en la avenida Hidalgo 103 esquina con la primera calle de Zarco. Después de terminado el templo, se alzó un hospital también dedicado a San Hipólito, ubicado en lo que fue el callejón del mismo nombre.
La iglesia es de una sola nave en forma de cruz latina; los muros fueron hechos de mampostería de piedra de tezontle, el piso es de mosaico y el techo de bóveda de platino.
El crucero en el interior del inmueble es originado por dos capillas laterales que forman los brazos de la cruz. La torre es de tres cuerpos y tiene mucho mérito artístico.
Originalmente, el altar mayor tenía una escultura de madera del Sagrado Corazón de Jesús; otra del Sagrado Corazón de María y por supuesto, una dedicada a San Hipólito. Era de mármol con tabernáculo y el sagrario de bronce esmaltado. A su alrededor había 18 candelabros de bronce; cuatro blandones del mismo material; dos nichos de cedro tallado y techo de emplumados.
A un costado se localizaba el Altar del Calvario, iluminado por 39 focos; con óleos de Francisco Sánchez con representaciones de Santa Margarita de Alacoque; 16 milagros de plata y uno de oro con 69 focos.
Este altar es de madera tallado de cedro con 1250 milagros de plata y 103 de oro. Se podía apreciar una imagen del Niño de la Paz, la Virgen de Lourdes, la Virgen de Guadalupe y la Purísima Concepción, así como 14 cuadros de lámina aludiendo al Víacrucis.
Fue declarado Monumento Nacional el 9 de febrero de 1931.
A lo largo de su existencia, el templo de San Hipólito ha tenido varias remodelaciones, la mayoría por cuenta del Instituto Nacional de Antropología e Historia (INAH), por lo que el nuevo altar mayor tuvo que ser modificado en 1972, debido a la construcción del metro Hidalgo.
En esta nueva imagen fue incluida una escultura de San José con el niño Jesús en brazos, e imágenes de San Casiano de Bulto y San Hipólito de Bulto, junto con cuatro candelabros de bronce.
De lado derecho está la Santísima Trinidad, junto con la Virgen María y San Antonio de Padua, mientras en el costado izquierdo se puede apreciar una escultura de la Virgen del Perpetuo Socorro y un crucifijo denominado "Santo Cristo de Agonía".
Además claro está, se encuentra la imagen más atractiva para los feligreses que cada 28 de mes colman el interior y el amplio atrio de esta iglesia, nos referimos a San Judas Tadeo.
Información tomada de
African Beads:
;The earliest Africans made beads as “fetishes”, charms, talisman and amulets for protection and adornments. The first materials were shell, stone, wood, bone, seeds, amber, ivory, teeth, clay, metals, etc. Beads were highly valuable and were also used as currency.
Trading could be done for food, livestock, etc. Beads evolve into a visual language that express rank, spirituality initiation, used to communicate culture value important to the people way of life. African people have had a special relationship with beads for thousands of years.
No other people on the planet used as many beads or in such abundance as African and the importance of the beads was not it shape, color, size or place of manufacture but the value that had been assign to it by privies generations
.Long before the first European return to Africa in the 1400’s century we were adorning ourselves with beads. Many of the beads are becoming increasingly rare and difficult to fine and some are no longer available, as worldwide demand for the beads increases.
" African Trade Beads":
this term typically applies to beads made predominately in European countries from the late 1400s through to the early 1900s, beads traded in Africa, Americas and other counties.
This "trade" period was from the mid 1800s through the early 1900s; millions of these beads were produced and traded in Africa. The Europeans dominated the African bead market.
The Beads were re- introduced to the American market in the late 1960s, by young peace core volunteer returning from Africa.
The beads became associated with the Hippie movement as symbols of love and peace. Today these beads are popular in contemporary jewelry and as collectable items .Millions are in private collections, bead and museums. All beads from the collection of MBAD/ABA African Bead Museum.
Amber Beads:
is worn in the hair of unmarried Fulani girl from herder families. Once married girls would wear large amber beads around their neck and in their hair for protection and style..
Amber was highly prized in some areas as a symbol of status and protection. A beautiful selection of old "Amber" from Mali, Morocco, Guinea and Mauritania are in this collection.
Showing the wide variety of shapes and colors all the beads are in excellent condition. Very old amber is difficult to find, increasingly valuable and highly collectable. Some of the beads were mended and most have been fitted with copper and brass to protect the preparation. All amber is from the collection of MBAD/ABA African Bead Museum.
Material: Fleeces
Color Option: Red, Yellow, White
Size: M/L/XL
www.buytrends.com/Products/chic-studded-v-neck-women-meta...
Important Note:
1. The size refers to clothing dimensions, NOT your body measurements.
2. Please check the measurement chart carefully. Because of different producing batches, there may be deviation of 2~3 cm.
3. Pictures are only samples for reference. Due to limitations in photography and the inevitable differences in monitor settings, the colors shown in the photograph may not correspond 100% to those in the items themselves.
The International Conference on the Management of Naturally Occuring Radioactive Materials (NORM) in Industry held at the Agency headquarters in Vienna, Austria. 19 October 2020
Photo Credit: Dean Calma / IAEA
Panelists:
Juan Carlos Lentijo, IAEA Deputy Director General and Head of the Department of Nuclear Safety and Security
Mikhail Chudakov, IAEA Deputy Director General and Head of the Department of Nuclear Energy
Peter Johnston, IAEA Director, Division of Radiation, Transport and Waste Safety, Department of Nuclear Safety and Security
Christophe Xerri, IAEA Director, Division of Nuclear Fuel Cycle and Waste Technology, Department of Nuclear Energy
Jane Gerardo-Abaya, IAEA Director, Division for Asia and the Pacific, Department of Technical Cooperation
Moderator:
Horst Monken- Fernandes, IAEA Environmental Remediation Specialist
The purpose of the conference is to foster the sharing of experiences in the management of NORM in industrial operations with the aim of contributing to the harmonization of approaches and adoption of good practices that are simultaneously cost effective and safe taking into consideration members of the public and workers. This is the first conference on NORM organized by the IAEA and will build upon inputs provided by different events already organized by the international community with a focus on the industry. This new conference aims to explore the good practices that have been put in place worldwide and bring together different players to identify current issues and expected future challenges and possible strategies for dealing with them.
An image from the exhibit entitled : Everything in Place
It focuses on the preparatory materials kept "at hand"—sketches, diagrams, discoveries, studies, and ephemera—both inspiring and documenting the creative process.
Artists included in the exhibition: Deborah Boardman, Judy Chicago, Virginia Eifert, Fatherless (Corey Hagberg, Jarrod Hennis, Javier Jimenez, David Menard, Greg Lang), James Garrett Faulkner, Susan Frankel, Winifred Godfrey, Shoshana Hoffman, Kate Ingold, Jessie Pixely Lacey, Julius Moessel, John Warner Norton, Olivia Petrides, James Purdy, Milton Rivera, Francois Robert, Flora Schofield, Diane Simpson, Eleanor Spiess-Ferris, Frank Trankina, Rudolph Weisenborn, Rebecca Wolfram, Mary Agnes Yerkes, Betsy Youngquist, R. Scott Long, archaeological sketch maps and journals by W. B. Nickerson and Gwyneth Gillette, and species identification drawings by Don Luce.
Materials: oil on panel. Dimensions: 25.6 x 37.1 cm. Inscriptions: MHobbema (lower right). Source: en.m.wikipedia.org/wiki/File:Meindert_Hobbema_-_Wooded_La.... I have changed the light and contrast of the original photo.
Esta caja consta de 10 tajetas en esta el niño puede palpar los numeros contar las cantidades es una excelente herramienta para el aprendizaje
Material: Lycra
Elasticity: Yes
Lining: No
Pocket: No
Accessories: No
Color: Black
Size: Free Size
Measurements: Bust:35CM*2,Clothing Length:82CM, Hip: 37*2CM
www.buytrends.com/Products/sexy-sparkle-sweetheart-neck-m...
This is a photograph from the 6th annual running of the Meath Spring Half Marathon and 10KM Road Races and Fun Runs which were promoted and hosted by Bohermeen Athletic Club at Bohermeen, Navan, Co. Meath, Ireland on Sunday 12th of March 2017 at 11:00. The half marathon consists of a 11KM and 10KM repeated loop around the roads of Bohermeen and Oristown. The 10KM race just completes the 2nd part of the half marathon. The finish line is on the running track within Bohermeen Community Center. The course is a fast fair course with a few small hills. Last year the course was 'reversed' which just meant that the traditional course changed to accomodate the large number of participants and the narrow country roads on which both the race participants and race traffic must both share before, during and after the race. Most runners agreed that this made the course much faster as a result. There was almost a total of 1,000 participants in both races.
The other great variable in road racing - the weather - was dry, clear but rather windy. At several parts of the course there was a stiff headwind which made these sections that bit more difficult. Temperatures were around a seasonal 10C for this time in March in Ireland.
Bohermeen AC is steeped in Irish athletics history since 1927 and it is this experience and exceptional community spirit and volunteering which has made this event today so successful. Having now organised the event for six years running it is certain that the event will continue to grow and expand become one of the mainstays on the Irish athletic club road racing calendar for many years to come.
This race takes place about one month after the Bewley's 10 Mile Road Race in Trim (just down the road from Bohermeen). Indeed these races truly kick-start the whole road racing season of fixtures amongst the clubs in Meath who are now famous for the quality and standard of the road races staged and organised.
The race is supported by substantial local sponsorship from businesses in the local area. McNally Logistics and Transportation are the main sponsors of this year's event. The company specialises in national and international haulage.
Timing and event management was provided by http://www.myrunresults.com/. Their website is here [www.myrunresults.com/] and will contain the results to today's race.
Some useful Internet links related to the race
MapMyRun GPS Trace of the Route in 2016: www.mapmyrun.com/routes/view/988503627
Google Streetview of the Race Start: goo.gl/maps/rtj1X
Google Streetview of the Race Finish and Race Headquarters: goo.gl/maps/qVttR
Photographs from previous events
Our Flickr Photograph set from the 4th Spring Marathon 2016: www.flickr.com/photos/peterm7/albums/72157665850980555
Our Flickr Photograph set from the 4th Spring Marathon 2015: www.flickr.com/photos/peterm7/albums/72157648897769373
Our Flickr Photograph set from the 3rd Spring Marathon 2014: www.flickr.com/photos/peterm7/sets/72157641717197563
Our Flickr Photograph set from the 2nd Spring Marathon 2013: www.flickr.com/photos/peterm7/sets/72157632906920970/
Our Flickr set from the 1st Spring Marathon (2012) www.flickr.com/photos/peterm7/sets/72157629146137284/
Photographs from the 2013 event from our friend Paul Reilly [pjrphotography.zenfolio.com/p670974697]
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Instagram, Snapchat, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Hoje saí da loja me xingando rs. Era pra comprar só o papel termocolante e o poá vermelho, daí vi que tinham vários poás novos na loja e aproveitei pra comprar o marrom que nunca achava, nisso bati o olho nesse floral mega lindo e não resisti.
Gente, eu preciso de tratamento urgente!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Materials & Tools:
* Tilda with Strawberries 963
* Strawberry Ice cream 123
* "Basic Grey" Lily Kate
* "Bazzill" cardstock
* "Faber Castell" - watercolor pencils
* Sewing machine
A slice of one of my bookshelves. This one holds the techie books and the "real" books. Tagging this one may take a while...
To see the product description, pricing and other details related to product, please download the product-sheets from baapstore.com/products-1.
Steps to follow to see the product price and details:
1. To see the respective product's price, visit this link- baapstore.com/products-1
2. Download all the available sheets from that link-
baapstore.com/products-1
3. Copy the product's id that's followed by 'PID-'. For example: If a product name starts with 'PID-17413', the product id is '17413'.
4. Open the downloaded sheets from the step#2. Find the matching product id and see all the product related details in that respective row.
Dental tourism is among the worlds best dental implants in Macedonia. Get cheap dental services nhs & tooth filling material for more information visit Macedonia-dental.
July 16, 2010 - Port St. Joe, FL: USFWS biologist Lorna Patrick uses steaks that were used to mark the nest to fashion handles for carrying the cooler!
Photo by Jennifer Strickland, USFWS.
Black light Photography: Beo Beyond - www.beobeyond.com
Lighting: UV / Blacklight
This photo belongs to a series containing nearly abstract motives.
They are very dynamic and contrast compositions of colors, forms and light.
UV materials produced by Rolf Bender, www.depro.com.
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