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Title: Butterfly
Artist/Maker: Albert Bierstadt (German, American, 1830-1902)
Place Made: Unknown
Date Made: 04/16/1896
Medium: oil and gouache on paper
Measurements: Overall: 13 in x 15 1/2 in; 33.02 cm x 39.37 cm
Credit Line: Gift of Mrs. Deen Day Sanders
Collection: The Diplomatic Reception Rooms, U.S. Department of State, Washington, D.C.
Accession No: RR-2008.0005
PORTSMOUTH, Va. (June 17, 2014) – Construction of approximately 4,100 linear feet of shoreline protection along the western shore of Craney Island Dredged Material Management Area, or CIDMMA, is progressing smoothly as Corps contractor Coastal Design and Construction, Inc. completes construction of 11 riprap breakwaters to replace the existing (randomly placed) concrete rubble.
The concrete rubble, remnants of the old James River Bridge, did not provide adequate means of shoreline protection.
The U.S. Army Corps of Engineers, Norfolk District, is managing the project, which includes creating vegetated wetlands behind the breakwaters for habitat and added shoreline protection. Coastal Design and Construction, Inc., based in Gloucester, Va., is an 8a small business company.
The shoreline protection project is funded through a combination of Corps Operations and Maintenance and Sandy Flood Control and Coastal Emergency Funds.
CIDMMA is a 2,500-acre artificial confined dredged material disposal site. Plans for the site were developed in the early 1940s to provide a long-term disposal area for material dredged from the channels and ports in the Hampton Roads area. Hampton Roads, including the ports of Norfolk, Portsmouth, Chesapeake, Newport News, and Hampton, comprises Virginia’s largest port complex.
CIDMMA was recommended and approved by Congress under the River and Harbor Act of 1946. Actual construction of Craney Island was completed in 1957. Since that time, this site has received maintenance, private and permit-dredged material from numerous dredging projects in the Hampton Roads area. (U.S. Army photo/Gerald Rogers)
Ashwin Shahani, MSE Assistant Professor, and Saman Moniri, ChE PhD Student, discuss an image of a spiral structure in a sample material in the MC2 Lab in the North Campus Research Center on North Campus of the University of Michigan in Ann Arbor, MI on January 22, 2020.
Shahani’s group is working to map out the process of creating spiral structures in materials. This could lead to a wide range of new applications in optical and mechanical applications.
Photo: Joseph Xu/Michigan Engineering, Communications & Marketing
A new Tennessee material I have found and as of yet have not named. This is a seam replacement of a layer of fossils that has been agatised, as I say for as lack of a more geologicaly correct term. Ranges from opaque to very translucent and contains lots of coral and bivalves. Variable material that quite often has pinholes in it when polished. There seems to be pockets of some sort of soft material, especially in some of the coral, that disolves as you polish and cut. When you do get a solid piece the detail of the fossil remnants is quite striking and it makes am interesting but not beautifull cutting material. I have never seen anything like it before and it is another stone I will be marketing in the near future. If you are a staff member at a university and desire a piece, send me an email and we will talk about it. I just want to make sure you really are what you say you are is all.
pocket spring material --- non woven fabric
pp spunbond nonwoven fabric100% Spun bonded PP Non woven Fabric Description1.Material: 100%polypropylene
2.Characteristic:-- Eco-friendly-- Harmless, antbacterial-- Strong strength and elongation, soft, light weight, non-toxic-- Excellent property of air through, water repellent etc.
3.Application:-- for medical/hygiene as disposable medical products-- diapers, personal healthcare products-- shopping bags, tablecloth, compound packing material, filter material-- household products and suitcase interlining-- agricultural covers
4. Color: Any color is available. All depends on your requirement.
Sunshine Nonwoven Fabric Co., Ltd
1.Sunshine is a factory of NON WOVEN FABRIC for 10 years, with the strength of high quality and competitive price.
2.Imported machinery equipments from German. We are specialize in 100% pp spun bonded non woven fabric.
3.We can specially supply Width1.6m- 3.2m (can be spilt).
4.We can specially offer 9gsm-200gsm weight Nonwoven Fabric which is widely used in Health, Hygiene, Medical, Packaging, Agriculture, Furniture Upholstery, Shoes and Garments.
5.Strict quality control as the standard of ISO9000:2000 and SGS
Payment--30%Deposit balance against copy of B/L--100%T/T in advance (specially for air shipment or small amount)--Irrevocable L/C at sight
What is beneficial for you?
FREE advantages
1. Give you a nonwovens solution;
2. A full quotation as your required will be offered in 24 hours;
3. FREE samples will be delivered for your reference;
Packing & Loading:Inside paper tube, outside foil bag.
1.500meters per roll
2.Tube 2 or 3"
3.Each roll in a ploy bag
4.5.5Tons per 1x20GP
5.12.5Tons per 1x40GP
Reference materials stored at the IAEA Analytical Laboratory, Seibersdorf, Austria
Copyright: IAEA Imagebank
Photo Credit: Dean Calma/IAEA
Juliette Lewis
Brooklyn Bowl
Brooklyn, NY
Saturday, August 6th, 2016
© 2016 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
Sustainable Materials for Net Zero Asphalt Pavements – at the Estonian Embassy in Stockholm
A gathering of innovators, scientists, and infrastructure leaders at the Embassy of Estonia in Stockholm explored how biomaterials can decarbonize road construction. Hosted with Estonian cleantech innovator Fibenol, the event showcased lignin-based solutions and cross-sector collaboration to accelerate Net Zero asphalt pavements and climate-smart cities.
CleanTech Region was advising and mentoring Fibenol through the senior advisory program by Tehnopol.
Fibenol: fibenol.com/
Photos and videos courtesy of Lars Ling. linktr.ee/larsling
© 2025 Lars Ling / CleanTech Region Group. All rights reserved.
De Havilland Mosquito--Permann Collection Image--Please tag these photos so information can be recorded.---Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--Repository: San Diego Air and Space Museum
Sustainable Materials for Net Zero Asphalt Pavements – at the Estonian Embassy in Stockholm
A gathering of innovators, scientists, and infrastructure leaders at the Embassy of Estonia in Stockholm explored how biomaterials can decarbonize road construction. Hosted with Estonian cleantech innovator Fibenol, the event showcased lignin-based solutions and cross-sector collaboration to accelerate Net Zero asphalt pavements and climate-smart cities.
CleanTech Region was advising and mentoring Fibenol through the senior advisory program by Tehnopol.
Fibenol: fibenol.com/
Photos and videos courtesy of Lars Ling. linktr.ee/larsling
© 2025 Lars Ling / CleanTech Region Group. All rights reserved.
I live in Bath with my artist/writer husband.
I make bespoke textile, bead and button jewellery. I work with a mixture of reclaimed materials and offcuts of cloth, beads/buttons etc. I firmly believe in the recycled art movement and I am inspired by modern art and contemporary and vintage fashion.
My recent collections are made of a mixture of textiles, including silk, small beads and buttons, and braids from India and other far eastern countries, some modern and other vintage.
I accept commissions and attend craft fairs. Contact me for further information at susan.margaret.baker1@gmail.com
I sell my work locally in Bath, Bristol, Wiltshire, Somerset and South Gloucestershire through craft fairs and local arts festivals. My work is also available through Lauren Shanley's Fashion and textile Gallery in the OXO Tower London. www.laurenshanley.co.uk/
• Object: Coat of arms
• Place of origin: Florence (made)
• Date: early 16th century (made)
• Artist/Maker: della Robbia (workshop, maker)
• Materials and Techniques: Polychrome, enamelled terracotta
• Museum number: 7397A-1860
• Gallery location: Medieval and Renaissance, room 50a
Physical description: Within a rectangular recess frame at the top and sides with egg-and-dart moulding is set a Tusacan shield bearing the charge: Barry nubuly gules and or. On either side of the inner frame is a painted bramble or thorn. The lower sides are ornamented with a pattern of flowers and leaves; between them runs the inscription: SIMONETTO.DI/CHORSO.DALL/ARENA.PodestA.M.D.XII. The face is enamelled in white, yellow, blue and black, part of the shield being left unglazed (presumably for painting in red).
This stemma or shield of arms is made by the workshop of the Della Robbia, in Florence in the early 16th century.
The relief is composed of fragments from two separate works. The upper part carries the arms of the Spini family (a Tuscan shield bearing the charge: Barry nebuly gules and or), and the lower part an inscription with the name of Simonetto di Corso and the date 1512.
The Della Robbia family was an Italian family of sculptors and potters. They were active in Florence from the early 15th century and elsewhere in Italy and France well into the 16th. Family members were traditionally employed in the textile industry, and their name derives from rubia tinctorum, a red dye.
Luca della Robbia founded the family sculpture workshop in Florence and was regarded by contemporaries as a leading artistic innovator, comparable to Donatello and Masaccio. The influence of antique art and his characteristic liveliness and charm are evident in such works as the marble singing-gallery for Florence Cathedral. He is credited with the invention of the tin-glazed terracotta sculpture for which the family became well known.
July 16, 2010 - Port St. Joe, FL: USFWS biologist Lorna Patrick uses steaks that were used to mark the nest to fashion handles for carrying the cooler!
Photo by Jennifer Strickland, USFWS.
Hoje saí da loja me xingando rs. Era pra comprar só o papel termocolante e o poá vermelho, daí vi que tinham vários poás novos na loja e aproveitei pra comprar o marrom que nunca achava, nisso bati o olho nesse floral mega lindo e não resisti.
Gente, eu preciso de tratamento urgente!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Photographed at the Sixth Annual Cantrall Car Show in Cantrall, Illinois on July 10, 2011. The show is a fund-raising event for the Cantrall United Methodist Church Men's Club and is held in cooperation with the Cool Cruisers Car Club in Springfield, Illinois.
Please visit my collection of Motor Vehicles on Flickr where you will find more than 10,000 photographs thoughtfully organized into albums, and presented by model year, manufacturer, vehicle type, and more. This project, which began in 2008, continues to expand with new material added daily.
Materials & Tools:
* Tilda with Strawberries 963
* Strawberry Ice cream 123
* "Basic Grey" Lily Kate
* "Bazzill" cardstock
* "Faber Castell" - watercolor pencils
* Sewing machine
To see the product description, pricing and other details related to product, please download the product-sheets from baapstore.com/products-1.
Steps to follow to see the product price and details:
1. To see the respective product's price, visit this link- baapstore.com/products-1
2. Download all the available sheets from that link-
baapstore.com/products-1
3. Copy the product's id that's followed by 'PID-'. For example: If a product name starts with 'PID-17413', the product id is '17413'.
4. Open the downloaded sheets from the step#2. Find the matching product id and see all the product related details in that respective row.
Avenue Six Trinidad Executive Office Chair with Espresso PVC Material - www.vistastores.com/office-chairs
Bolsa grande. Cabe todo o material, inclusive a placa de corte, e a régua
Bolsos internos para tecidos, cortadores, etc.
Urbex Benelux -
The material used in the construction of a building has a lot to do with how long it’s going to last. Some materials (such as, stone), as you can imagine, make sturdier structures, but have other disadvantages.
For example, wood is a very common material used in construction; but a house made primarily of wood will likely fall apart in nearly 50 years (or much faster, depending on the ambient temperature and climate). Similarly, a concrete structure would last anywhere between 50-100 years while a stone building may last more than a century.
I created this card for Hero Arts June2012B Challenge, Daniel's WSW12 Material Whirl Challenge, and Neysa's WSW12 Birds of a Feather Challenge. I had forgotten that Neysa did not want us to combine her challenge with other challenges... so I am posting it to Neysa's challenge, so others can see it, but it will not count toward Neysa's challenge or RAK. (Sorry, Neysa!)
To create this card, I started with a piece of Sticky-Back Canvas by Claudine Hellmuth for Ranger. I used a blending tool and foam to apply Shabby Shutters Distress Ink all over the surface. Then I stamped a peacock from Hero Arts CL447 Beautiful Peacocks using Ranger Archival Ink in black.
My stamped impression did not work so well on the canvas, so I used a Micron permanent ink pen to trace over the lines that did not stamp well. Then I used washable Crayola markers to color in the peacock. I added Turquoise Stickles glitter glue to the peacock feathers as an accent, and set it aside to dry.
The background is a patterned paper called Teachers Lounge from Basic Grey's Recess collection. I stamped a feather from the same Hero Arts stamp set and the "thinking of you" sentiment from Hero Arts CL140 Thinking of You Messages using Tsukineko VersaMark watermark ink. Then I heat embossed it with Ranger turquoise embossing powder.
Next I die cut and dry embossed a turquoise matte using Spellbinders Nestabilities Labels Three in my Cuttlebug. Once the Stickles glitter glue was dry, I peeled the backing from the Sticky-Back Canvas and adhered it to the matte. Then I adhered the focal panel off-center on the card base using foam squares for dimension.
Thanks for looking! :-)
Country of Origin United Kingdom
Date Unknown (Second World War)
Artist Unknown
Printer W.E. Berry Ltd., Bradford
Size Unknown
Sources IWM PST 3757
Other Information None at present.
Colors Available:
Black
Lait Almond
Materials:
Outer:
Wool 76%
Angola 12%
Nylon 12%
Lining
Particle twill
100% polyester
Blade velveteen
Size:
Length 57.5cm (BNP ~)
Shoulder width 36.5cm
Sleeve 62cm
Bust 97cm
Waist 81cm
Hem around 121cm (closed pleats)
※ detachable tabs available before.
As for shoulder length at nude size 37cm. We have supposed.
Memo:
※Both the blade of the same type color as the frontal land and the metal button of the antique gold are attached.
La continua ricerca per i materiali più idonei, per i colori che più toccano il cuore, l'assoluta certezza che ciò che è fatto con passione e dedizione ha successo, l'esecuzione totalmente a mano con sac a poche, tutto questo ha contribuito al successo internazionale delle Torte finte di Alberto Missoni.
I deliziosi Pasticcini Mignon della linea Patisserie, le Tortine segnaposto di cui abbiamo sempre una discreta disponibilità, i Muffins, i Cupcakes, le Mini Wedding Cakes vengono colate una ad una nei loro pirottini e negli stampi, essiccate con pazienza, laccate usando morbidissimi pennelli di martora e visone con colori opachi come la vera glassa di zucchero in tinte sempre diverse per assicurare l'unicità ed infine finemente decorate con passione, come in una grande Pasticceria. Le mini Wedding Cakes e le tortine sono personalizzate nei colori e nelle decorazioni, e, su richiesta, abbinate all'abito della sposa o alle decorazioni scelte per il matrimonio. Possono essere usate come segnaposto ricordo o come bomboniere. Per averle è indispensabile ordinarle almeno un mese prima dell'evento.
Il successo internazionale delle Torte finte di Alberto Missoni è indiscusso. Le nostre torte sono perfette, l'unione di forme, proporzioni, colori e decorazioni che le rendono dei capolavori. Il buon gusto non si inventa e non si copia e noi siamo i più apprezzati per i nostri prodotti.
Chi ci sceglie vuole distinguersi, vuole il migliore prodotto disponibile e da noi sa di trovarlo ad un prezzo alla portata di tutti. Chi ci ha scelto ha allestito le vetrine di negozi a Cortina, Milano, Roma, Venezia, Parigi, Tokyo, New York, Hong Kong, le ha utilizzate in qualche nota fiction o programma della RAI, in spot della Wind, di Mediaset, su grandi testate come Vogue Bambini, Vogue Sposa, Vogue Acessory, Donna Moderna, Gente, Max, Elle. Grandi Aziende come Benetton, Morellato, Swatch, Guru, Etro, Olivari, Moreschi, Artsana, Cucine Lube hanno scelto per i loro punti vendita i nostri prodotti. I più importanti Wedding Planner adorano le nostre torte e le propongono sicuri di un successo impareggiabile. Da Capri a Varese, ristoranti blasonati le utilizzano per allietare i tavoli, i buffet e come decorazione nelle loro vetrine frigorifero. Sono un'idea originale per decorare vetrine di boutique, profumerie, cucine, come supporto per gioielli, si possono utilizzare come segnaposto in raffinati tavoli matrimoniali o semplicemente per rallegrare un angolo della propria casa se adagiati su di una preziosa alzata in cristallo o argento.
Usatele per scenografie di film o di stand fieristici, per stupire presentando un prodotto unico in un modo unico. Se siete alla ricerca di un prodotto che vi distingua, che distingua le vetrine dei vostri negozi, non esitate ad acquistare una o più torte decorative: la nostra garanzia è che catalizzeranno l'attenzione di chiunque e renderanno più facile distinguere i vostri prodotti dagli altri. Ne siamo veramente certi.
Un utile informazione: tutte le torte in pronta consegna visibili sul sito nella sezione GALLERY sono immediatamente disponibili per essere spedite ovunque.
Per informazioni sulla disponibilità, sui costi e per capire meglio le vostre esigenze è preferibile una telefonata, in questo modo sarà più facile capire i vostri desideri ed aiutarvi nella vasta scelta.
Se siete alla ricerca di qualcosa di speciale, se avete qualche richiesta straordinaria, non esitate a contattarci.
Tutte le torte sono personalizzabili nelle forme e nelle dimensioni, con colori (a richiesta tutta la scala RAL), disegni, dediche ed eventuali candeline, fiori e particolari dorati.
Tutti gli articoli sono spediti in tutta Italia a mezzo Corriere Espresso in sicuri imballaggi.
Come tutti gli oggetti artigianali sono unici, delle vere e proprie sculture e per la loro realizzazione dovrete avere qualche giorno di pazienza, ma ne vale veramente la pena. Siamo pronti a produrre anche grosse quantità a condizione che ci diate un pò di tempo perchè, non dimenticate che produciamo a mano senza ausilio di macchine ed a Udine, Italia.
Per preventivi gratuiti contattate telefonicamente Alberto Missoni, Viale del Ledra 88, 33100 Udine
Telefono: 0432 531885 - 347 4167272
email: missoni.alberto@libero.it Skype: albertomissoni
I am an Italian craftsman, born as a modelmaker for architects but with an innate creative mood who has brought me to find a niche and become a mock up artist in the design and manufacture of original fake cakes.
My fake wedding cakes and patisserie mignon have appeared in prestigious shop windows at Cortina, Milan , Rome , Venice , Paris, Tokyo and Hong Kong , have been used in the setting of a couple of tv fictions , in a tv advert of Wind and have been published in several campains at Vogue Bambini, Vogue Sposa , Max, Elle
The cakes are unique , entirely hand made in my house-laboratory and each and every cake is different and with a careful balance between colour, shape and decorations and tailor made for the different enduses
Material: Cotton
Color: Red
Size: Free Size
Cloth Length: 88 cm Bust: 80-140 cm Shoulder Width:Free
www.buytrends.com/Products/deep-v-neck-striped-a-line-ple...
Pictures of my new decoupage materials. Details of boxes and decorative napkins. It's a new thing I'm going to be trying. :)
Title: George Washington
Artist/Maker: Hiram Powers (American, 1805-1873)
Place Made: Unknown
Date Made: ca. 1845-1855
Medium: stone; marble
Measurements: Overall: 30 in x 29 in; 76.2 cm x 73.66 cm
Credit Line: Gift of Mrs. Marie Louise Jones
Collection: The Diplomatic Reception Rooms, U.S. Department of State, Washington, D.C.
Accession No: RR-1978.0035