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A researcher performs work in a glove box in the Center for Advanced Energy Studies (CAES) Advanced Materials Laboratory.
An international team of researchers announced the observation of a dynamic Mott transition in a superconductor. The discovery experimentally connects the worlds of classical and quantum mechanics and illuminates the mysterious nature of the Mott transition. It also could shed light on non-equilibrium physics, which is poorly understood but governs most of what occurs in our world. The finding may also represent a step towards more efficient electronics based on the Mott transition. Read more »
This figure illustrates the movement of vortices as the material changes from insulating to conducting (metallic). Image courtesy Valerii Vinokur/Science.
Material Circulante: DPE 208 e RE007
Hora: 14:42
Data: 12-10-2013
Local: Estação do Tua (PK 139 - Linha do Douro)
Exhibition opening on saturday (june 19th) at 12:00. Objects from two collections shown in Stockholm and Milan this year.
see you there!
Saqqara Mastaba S-2405.
Titles of Hesy-Ra (the one praised by Ra): Chief royal scribe, Confidant of the king, Magician of Mehit, Great one of the ivory cutters (or Great one of the dentists).
Egyptian Museum, Tahrir Square, Cairo; Inventory #CG 1429 & SRII 15065 S.
The accompanying image was taken on the 17th February, 2020 and remains to be published, along with more material from that date, in the next few days.
The 1st of the two Archive Sites is now complete and all the material, 995 pictures, are below. These date from 10th May, 2011 up until and including the 1st of June 2016. Archive 2 will now be populated with the remainder of the recently deleted images, from 3rd June 2016 up until and including 9th April, 2018, and this should be ready within a week or so.
Image Archive 1, 10/5/2011 - 1/6/2016. is at-
Image Archive 2, 3/6/2016 - 9/4/2018, is at-
the latter one only contains a single image at present.
The normal Flickr site, 'Views in Camera',
www.flickr.com/photos/daohaiku
currently contains all the important stuff, 990 pictures, and that will now remain in tact, with the 'best' pictures and videos from 2011 until the end of December, 2019 with all the attendant comments, albums, groups and view numbers. This new site here, 'Views in Camera 2020', will now be home to pictures and videos, taken from January 1st this year and, to that end, I have uploaded this years 27 images/videos, from the old site, 'Views in Camera', to this new one, to get things going. A link has been placed on the 'Views in Camera' site, in the description of what's going on, beneath the most recent image, indicating these changes... I hope this isn't all too much of an imposition, but I have taken this opportunity of change, to sort out what was a hugely burgeoning set of material and try and bring some order to it all, partly prompted by the recent price hike in the Pro membership...
As mentioned in the earlier picture, see link above, the solution to the image limit here can be addressed by posting one or two pictures here, from what I consider a set when I go out shooting stuff, the main picture(s) will appear here and the support images will be available on my own website,
just the supporting images will be there, titled again after removing this some months ago as an inconvenience, they will be put back as there will be no other identification available, just the supporting images. The links for them will be here in the text narrative for the main image(s) and there will be only one narrative piece for the set of images, unlike earlier pictures here where the text has varied from one shot to another, to cover differences in what's visible. Although some, including to some extent myself, don't like the mosaic method of presenting more than one picture with, occasionally here, a 3x3, 4x4 or even 5x5, option being used, it does mean that Flickr classes this as one picture or so will still be used from time-to-time...
The link to the new site is-
www.flickr.com/photos/VinC2020
and this will be the Flickr presence I will now use to upload pictures, for a while this will not contain too many links to the
site, which is being used for 'overflow', when a handful of shots or taken but with only 1 main subject, this will keep under control, filling out this site with material amounting to around 4 out of 5 not really pertinent to the main subject; something in the past I have been guilty of not taking too much heed over! In fact, since 2011, I have taken just under 50,000 shots and only 5,450 of those have found their way onto the 'Views in Camera' site.
From today, I hope to start the large Archive picture up-load but it will take some time, around 5-6hours, (WRONG, actually 22 hours for the 1st one, that's about 1m 30s per picture!), for each Archive as the pictures have to be re-built with names, text, tags and the album to which they belong; all comments and number of views will, sadly, be lost.
Materials: oil on canvas. Dimensions: 172.5 x 261 cm. Nr.: 128063. Source: commons.wikimedia.org/wiki/File:Bellotto_View_of_Warsaw_f.... I have changed the light of the original photo.
Sustainable Materials for Net Zero Asphalt Pavements – at the Estonian Embassy in Stockholm
A gathering of innovators, scientists, and infrastructure leaders at the Embassy of Estonia in Stockholm explored how biomaterials can decarbonize road construction. Hosted with Estonian cleantech innovator Fibenol, the event showcased lignin-based solutions and cross-sector collaboration to accelerate Net Zero asphalt pavements and climate-smart cities.
CleanTech Region was advising and mentoring Fibenol through the senior advisory program by Tehnopol.
Fibenol: fibenol.com/
Photos and videos courtesy of Lars Ling. linktr.ee/larsling
© 2025 Lars Ling / CleanTech Region Group. All rights reserved.
Title: Figural Group
Artist/Maker: Attributed to Charles-Gabriel Sauvage (Lemire) (French, 1741-1827), Niderviller Factory (French, active 1754-1827)
Place Made: France: Niderviller
Date Made: ca. 1780-1785
Medium: ceramic; bisque porcelain
Measurements: Overall: 12 5/16 in x 9 1/2 in x 6 in; 31.27375 cm x 24.13 cm x 15.24 cm
Credit Line: Gift of Mr. and Mrs. Donald F. Carpenter, in memory of Mrs. Carpenter's parents, United States Senator from Massachusetts and Mrs. Marcus A. Coolidge
Collection: The Diplomatic Reception Rooms, U.S. Department of State, Washington, D.C.
Accession No: RR-1982.0090
This Sparrow has visted the Dove's nest several times today and each time steals a piece of nesting material from under the chicks. Bit worrying, as the nest was hardly more than three crossed twigs held together by spider webs to begin with.
mirit ben nun woman women feminine female composition artistic artwork strong language influence idea powerful center of art human relations participate gallery exhibition vision work works muse leading art artist gallery museum paint painter painters painting paintings drawing draw drawings simple israel israeli media acrylic talented timeless dynamic emerging energetic exceptional expressive extreme fascinating figurative fresh hyper imaginative abstract aesthetic authentic inspiring the beautiful classic colorful conceptual contemporary creative decorative detailed participates in an exhibition powerful leading model diferent special art world talented virtual gallery stunning symbolic reclyced material an unexpected visual intuitive inventive layered like mature moving mysterious original personal pure refreshing remarkable looks good magical angle art sales drama positive red easy perfect minded eye fun funny natured someone special the gifted special diferent influent heart light happy colorful hardworking intellectual intelligent wish wonderful the drawings paintings draw colorful influence israeli reclycled material magnetic angelic accepting bright careful half main curious perfect work works picture those pictures working shape leading model first representing the wonders independent woman actress african american leading talented muse in the country solo exhibition leader subject group exhibition exhibit the subject look vision image outside country artist art sales sale acrylic canvas artworks modern contemporary original visual sculpture collection collector image images figurative exhibit exhibition abstract culture museum figurative decorative dealer
In a whimsical mood this morning, I thought of doing an alphabet of fruit for the current theme on Paper, Paint, Pencils & Pens. This was also a chance to trot out my Daniel Smith and Winsor Newton watercolor dot sample cards. In extra whimsy I also had fun making up different fonts to go with each fruit.
I learned some really interesting facts about fruit doing this (thanks Wikipedia!) such as: the Jabotica grows on a tree trunk (check out the amazing photo on Wikipedia!); the Illawarra plum grow a double fruit; the aubergine (eggplant) is technically a fruit because it has seeds. I chose most of these fruits as having cultural significance to me, as a Chinese American now living in Australia, if you can imagine that!
Blogged at: lynnnonameblog.blogspot.com.au/2014/11/fruit-alphabet-l-b...
Furlong Mills Ltd was established in 1842 and supplies a wide range of materials to the pottery industry including silica, feldspar, alumina, and industry specific composite ceramic fluxes.
Argonne chemist Kris Pupek adjusts the stirrer speed of a 20-liter reactor in a walk-in hood in the Materials Engineering Research Facility’s process scale-up lab. These reactors are used to prepare large quantities of electrolyte materials for lithium-ion batteries.
Photo courtesy Argonne National Laboratory.
30147D33
For the last day of Kim's colour week on Beyond Layers - we can post a rainbow of colours.
I took this image in the material shop on Friday - as well as the bright colours I was attracted to the beautiful patterns and embroidery on these beautiful lush fabrics.
el material utilizado en este bolso, es totora..Ahhhh y el broche con plumas es un regalo de Zanhifer
May 31, 2018- Hamptons Bays, NY- Governor Andrew Cuomo deploys former Tappen Zee Bridge materials and Canal Corp. canal boats forming an artificial reef off Shinnecock Bay.
12/08/2012
Material Tree
Materials Used; calico, cotten, old horse rug, stuffing and fabric glue
Technique: Drew the trunck and branches onto a piece of material then spray painted black. using the dimensions of the tree cut the calico to size and sawed up two off the sides, filled with stuffing and sawed the final side.
Using fabric glue stuck the tree to cushion. Cut the squares out of an old horse rug and stuck them on.
Difficulties: run out of stuffing - filled with unused material nappies
www.titansuhelift.com/product/freight-elevator/
Freight elevators are used to unload and transport materials or goods from one floor to another. Their carrying weight can vary from 2000 to 4500 kg. In most cases, their power source is an electric engine.
Freight elevators only carry elevator operators or forklift operators because they are designed with different safety equipment than passenger elevators. When the elevator is carrying passengers, the elevator doors and related equipment will be modified to ensure a higher level of safety. The freight elevator has a freight door that opens vertically. Many older freight elevators have wooden doors that open manually. These types of elevators can be designed to lift over 20,000 pounds for special purposes. TITANSUHE can design freight elevators to accommodate all speeds and capacities required by the building.
How to Use a Freight Elevator?
Freight elevators may have visual indicators that indicate whether the elevator is ready for use. If the elevator floor indicator shows "INUSE", it means that the elevator cannot move because someone is already using it to deliver goods. Wait for the "INUSE" light to go out, then try to use the elevator yourself. If the elevator is in use and you try to call the elevator, the elevator will sound an alarm for a short time. Some people close the door by themselves, and some people need to find a freight elevator to deliver it manually.Unlock the freight elevator.If you are in the service area, the elevator is visibly locked and cannot be used by unauthorized passengers. You may need a key or access card to use the elevator.Press the elevator call button.If the elevator is not in use, the freight elevator will be sent to the floor immediately. If placed on the floor, it should be clear through doors and windows.Open the door.Some elevators have electronic doors that open automatically, while others require manual opening. These require pressing the "DOOR OPEN" button next to the call button or physically moving the door with a lever or belt.Move the cargo to the elevator.This could be a box, furniture, vehicle or any other physical object that needs to be transported to another layer.Close the door.The elevator doors remain open until closed. You may need to manually move it into place until the physical door is locked. Alternatively, you may need to press the door close button on the elevator panel.Start the elevator.To do this, select a floor in the Floors panel. This will start the elevator immediately.Open the door.When the elevator reaches the floor, you need to open the door. Some elevators do this automatically, while others require you to press an "open door" button on the panel or physically open the door.Pick up the goods from the elevator.This could be a box, furniture, vehicle or any other physical object that needs to be transported to another layer.Close the door.Once done, you need to close the door manually. Some elevators do this automatically when the next person needs to use it, while others either press the "close door" next to the call button or the physical door. must be closed.
Basic Precautions for Safe Operation of Freight Elevators
The operator must be familiar with the overall structure and performance of the equipment, and the use of ultra-high performance equipment is strictly prohibited.The operator shall not violate the requirements and regulations stipulated in the manual.It is strictly forbidden to move or damage the warning signs or nameplates installed on the elevator.The protection on the machine cannot be removed or modified without permission.
El Presidente de Cruz Roja de Mogán, Diego González, acompañado por la Concejala de Política Social del Ayuntamiento de Mogán, Carmen Rosa Hernández, ha hecho entrega en en el Centro de Servicios Sociales de Arguineguín de material escolar a familias necesitadas del municipio.
Orange flower background material in Taipei, Taiwan.
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📷Photograph by YUSHENG HSU
Location: 台北・台灣
Date: 2018.01.10
Camera: FUJIFILM X-Pro2
Lens: LEICA VARIO-ELMAR-R 80-200mm F4
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Download royalty-free images.
Shutterstock: www.shutterstock.com/image-photo/796252156
PIXTA: pixta.jp/photo/37454448
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Website: yushenghsu.com
Copyright © 2018 YUSHENG HSU All rights reserved.
Material:Cotton
Color:Orange, Green, Red, Blue, Yellow, Black
Size: L/XL/XXL/XXXL
L, Shoulder:40CM, Bust:94CM, Clothes Length:78CM, Sleeve Length:60CM, Waist:86CM
XL, Shoulder:41CM, Bust:98CM, Clothes Length:80CM, Sleeve Length:61CM, Waist:92CM
XXL, Shoulder:42CM, Bust:102CM, Clothes Length:82CM, Sleeve Length:62CM, Waist:98CM
XXXL, Shoulder:43CM, Bust:106CM, Clothes Length:84CM, Sleeve Length:63CM, Waist:104CM
www.buytrends.com/Products/winter-new-arrival-womens-slim...
Important Note:
1. The size refers to clothing dimensions, NOT your body measurements.
2. Please check the measurement chart carefully. Because of different producing batches, there may be deviation of 2~3 cm.
3. Due to limitations in photography and the inevitable differences in monitor settings, the colors shown in the photograph may not correspond 100% to those in the items themselves.
Performing Materials, Sculptures and Gestures is a participatory and experimental workshop led by Primary residents Kashif Nadim Chaudry and Rebecca Gamble. Through a series of actions, gestures and performance we will play with the physical qualities and potentials of materials, objects and sculptures. Nadim and Rebecca share an interest in the performative properties of sculptures, and recently collaborated, together with dressmaker Genelva Meikle, to create a gastronomic performance involving a wearable sculptural garment.
Title: Ships in a Squall
Artist/Maker: Edward Moran (British, American, 1829-1901)
Place Made: Unknown
Date Made: 1870
Medium: oil on canvas
Measurements: Overall: 12 1/4 in x 21 in; 31.115 cm x 53.34 cm
Credit Line: Gift of Dr. and Mrs. Roger G. Gerry
Collection: The Diplomatic Reception Rooms, U.S. Department of State, Washington, D.C.
Accession No: RR-1986.0053