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Song: Material Girl - Kris Bowers : www.youtube.com/watch?v=MEsls2Y7YyA
Props:
HMART: Royal Carriage // White + Gold by ღIzzy Hollowheartღ (Vanilla Vanilla)
Fauteuil en lampas rose -C&G- by Caroline de Rothschild (MariedePolignac)
Caroline de Rothschild (MariedePolignac) by DPSP Poses (QStyle)
Chair (Adult) by Madame Marie Comtesse de Vache (Marie Patrucci)
dust bunny . dreamy outing collection by Noel Bunny
DRD Victorian Musicroom - harp playable by DRD (Deathrowdesigns)
SM - Candelabra Fan Silver V1 White Rose by Electra (Electra Spearsong)
~Libertine~ Whore of Babylon, Sevres Vase / withering roses by Alia Baroque
R(S)W Tea Pot Set - Garden Rose by Robin Sojourner
[DDD] Baroque Crystal Chandelier by Anke Pancake
{OBD} Rosabella Roses [Planted] by Ƭąylღяя (Taylorr Firethorn)
{QP} - The Last Unicorn by Jαηηα ƊαуƊяєαм Rєєd™ (Janna Blackwood)
Set:
Secret Garden by Kaya Angel by Anke Pancake
Im wearing!
LL - Coiffure - Heloise by Laurent Lamar (Flikflok) : marketplace.secondlife.com/p/LL-Coiffure-Heloise/17417636
Seconda *FAT* [Broach] by YukaChoco Magic marketplace.secondlife.com/stores/64625
GHS Wired Whisk by marketplace.secondlife.com/stores/234586
MG - Necklace - Alexa White Choker Pearls - by marketplace.secondlife.com/p/Necklace-Alexa-White-Choker-...
CHN S23 londonshirt ( neck gem ) by maps.secondlife.com/secondlife/CheerNo/141/123/1693
ERSCH - Amoure Bracelet L {Legacy} by maps.secondlife.com/secondlife/Lyrics/29/72/35
1. toksik - Forage Ring by maps.secondlife.com/secondlife/The%20Sign%20IV/128/184/22
Cubura David Corset Legacy by marketplace.secondlife.com/stores/170714
GHS Louis XIV Heels Legacy Male by Mitra Ardwyad (MitraArdwyad) : maps.secondlife.com/secondlife/Gallimaufry/135/175/32
NECROEGO - Lace Gloves Medium - BOM (tintable) marketplace.secondlife.com/es-ES/stores/238202/
Noche. Vee Thong Fatpack [B3] - Legacy by maps.secondlife.com/secondlife/Beach%20Bay/190/199/2503
PEBBLES LINGERIE SET (BOM) Unpack hud (lcc) by Luna Chelsea ᵀᴹ (Lunachelsea) : marketplace.secondlife.com/es-ES/stores/224573
Plan from the mastabas of Khenut and Nebet, principal wives of King Unis. Originally designed with the same plan in a single project.
• V dinastía. Reinado de Unis (Horus: Waztawy).
• Ubicación: Saqqara. Alrededores del Complejo piramidal del rey Unis.
• Material:
• Dimensiones:
• Conservación: In situ.
BIBLIOGRAFÍA:
- Porter and Moss. “Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings”. III. Part 2. (1978), p. 623-625. Pl. LXIV.
ENLACES:
REFERENCIAS:
Texto: Juan Rodríguez Lázaro.
A partir del plano original de: Porter and Moss. “Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings”. III. Part 2. (1978), Pl. LXIV.
Materials: oil on canvas. Dimensions: 69.5 x 101 cm. Source: www.the-athenaeum.org/art/display_image.php?id=263409.
living in a material world!
Aren't we all?
Lola looks like I have embarrassed her to death... sorry kiddo!
www.youtube.com/watch?v=tUadW2eWsKg
I have totes been in an eighties mood of late!
The Peabody Room is a special collection of Georgetown neighborhood history, and is a part of The People's Archive. The People’s Archive is DC Public Library’s local history center with materials on D.C. and African American history and culture. The Peabody Room has a house history file, covering many Georgetown homes.
This local branch dates back to 1875, when the first library in Georgetown was funded by George Peabody. George Peabody (1795–1869) was an American financier and philanthropist. Peabody was born into a poor family in Massachusetts. He went into business in dry goods and later into banking. In 1837 he moved to London (which was then the capital of world finance) where he became the most noted American banker and helped to establish the young country's international credit. Having no son of his own to whom he could pass on his business, Peabody took on Junius Spencer Morgan as a partner in 1854 and their joint business would go on to become the global financial services firm J.P. Morgan & Co. after Peabody's 1864 retirement.
Peabody is often considered the father of modern philanthropy. He founded the Peabody Trust in Britain, the Peabody Institute as well as the George Peabody Library in Baltimore, among other charitable initiatives. For his generosity, he was awarded the Congressional Gold Medal and made a Freeman of the City of London.
In 2007 a large fire broke out at the Georgetown library, severely damaging much of the building and causing the roof to collapse. The fire irreparably damaged some of the library's holdings and artwork, including the Peabody collection. Repairs and a major renovation were completed in 2010. (Source: Wikipedia)
A narrow interior volume in downtown San Francisco turns verticality into its primary material. The space rises quietly, guided by converging wall planes and a restrained palette that keeps attention focused on proportion, texture, and light rather than spectacle. What holds the eye are the suspended wire spheres overhead—luminous, precise, and slightly otherworldly—hovering like drawn constellations against a patterned backdrop.
The walls read as disciplined and architectural, their subtle diagonal seams reinforcing a sense of measured ascent. The floor remains deliberately calm, a neutral base that lets the composition breathe. Light here is not dramatic but intentional: warm enough to soften the metal latticework, cool enough to maintain clarity and separation between surfaces. The result is a balanced interior that feels contemporary without chasing novelty.
This kind of space is quintessentially San Francisco in its restraint. It favors thoughtfulness over excess, design literacy over decoration. There’s a quiet confidence at work—an understanding that geometry, repetition, and material honesty can carry an entire room when handled with care. The composition rewards a centered viewpoint, where symmetry and alignment create a moment of visual stillness amid the city’s usual pace.
Seen through an architectural lens, the scene becomes less about function and more about pause: a brief interlude where light, structure, and proportion align. It’s an interior moment that reflects San Francisco’s ongoing dialogue between modern design and understated urban elegance—meant to be noticed slowly, and remembered just as quietly.
Mountains of sand and gravel accumulate at the harbor in San Francisco destined for construction sites in the City.
Reference: Photo 24/(135)
From the Girdwood Collection held by the British Library.
This image is part of the Europeana Collections 1914-1918
Date: 25 Jul 1915
See also:
- View this at the British Library's site
Much of the geologic interest of cemeteries lies, not surprisingly, in their gravesites—their headstones, markers, monuments, and mausolea. But many burial grounds also feature equally interesting geo-materials in their walls, gateposts, office buildings, and chapels.
Chicago's Graceland is world-famous as the final resting place of some of America's greatest architects (John Wellborn Root, Louis Sullivan, Daniel Burnham, Ludwig Mies van der Rohe, et al.), other Windy City notables (politicians, robber barons, and baseball stars) and Sullivan's exquisite Ryerson and Getty tombs. But the site's Earth-science interest starts right at the front gate, with pylons and other entrance structures designed by Holabird & Roche. This prestigious firm chose to use the same rare igneous selection for all of them.
I confess that that selection, the Mesoproterozoic-era Waupaca Granite, is one of my top three or four architectural-stone favorites. Quarried for a relatively short time about 4 mi (6.4 km) north-northeast of the eponymous community in central Wisconsin, the Waupaca is a rapakivi granite, with hefty alkali-feldspar phenocrysts ringed with lighter-toned plagioclase feldspar. This unusual crystalline composition produces a stunning visual effect, especially when the rock is dressed-faced and polished.
In succeeding photos in this set I'll have much to say about the Waupaca. Here, suffice it to say that in this pylon it's in a rock-faced form that dulls its color but also gives it a rugged, naturalistic appearance.
To learn much more about this site and 200 others in the Windy City, make it your top personal priority to get a copy of my book Chicago in Stone and Clay, described at www.cornellpress.cornell.edu/book/9781501765063/chicago-i...
And to peruse the other photos and descriptions in this series, pay a visit to my Graveyard Geology of Chicago album.
Material Circulante: CP 4711 + 8 Sgnss + 8 Sgmms + 3 Lgnss + 1 Sggmrss
Hora: 15:17
Data: 01-04-2015
Local: Sorieira (PK 135 - Linha do Norte)
Serviço: Comboio de Contentores n.º 69810 (Terminal XXI --» Leixões)
This manuscript is one of the relatively few illustrated Byzantine copies of the Acts and Epistles of the Apostles. It consists of three parts produced at different dates: the New Testament text with its accompanying prefatory material (known as Euthalian apparatus, after the name of its supposed compiler Euthalius) was copied in the early twelfth century, then lists of readings were added at two stages, in the fourteenth and fifteenth centuries, to facilitate their use in church. Some of the Epistles have lost the miniature that once marked their beginning. A couple of lost leaves were replaced in the sixteenth century.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Material Circulante: CP 0186 + ACDt 481 + ACDt 484 + CTF 5513 + CTF 5511 + CTF 2282
Hora: 15:20
Data: 24-09-2011
Local: Covelinhas (PK 115 - Linha do Douro)
Serviço: Comboio Sazonal n.º 20811 (Régua --» Tua) [Comboio Histórico]
fabric, bottle caps, glue (I used tacky, super and a glue stick) cardstock, scissors, needle, embroidery floss or trim to coordinate with fabric, 4 beads (5mm-10mm), fiber fill
I've started to write up the pattern for my cakes and take some step by step photos. Hopefully I'll get it all into pdf format very soon.
Material Circulante: Takargo 6006 + 3 Sorefames Renovadas IC
Hora: 16:42
Data: 04-03-2018
Local: Estação de Santa Comba Dão (PK 85 - Linha da Beira Alta)
Serviço: Locomotiva 6006 da Takargo após ter ido buscar as 3 carruagens do IC 510 que não descarrilaram do local do descarrilamento (Coval) para Santa Comba Dão
Website FOOD PRODUCTS & MATERIALS:
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Allinoneproducts Distributor & Supplier -
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onestopseller For Sale all kinds of Disposable Materials & many more
First outing with the X100T.
Shot using Film Simulation Bracketing. I have it set up as Monochrome +R Filter, Velvia and Classic Chrome.
This is the Classic Chrome option.
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ask for my personal tumblr.
instagram: @iamjaycee
©All photographs on this site are copyright: DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2020 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of DESPITE STRAIGHT LINES (Paul Williams) ©
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I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 37.026+ Million visitors to my FLICKR site.
***** Selected for sale in the GETTY IMAGES COLLECTION on February 3rd 2020
CREATIVE RF gty.im/1203142464 MOMENT ROYALTY FREE COLLECTION**
This photograph became my 4,537th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.
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Photograph taken in the magic of the Golden hour around sunrise at 08:23am on Wednesday 18th December 2019, off Chessington Avenue in Bexleyheath, Kent.
As the sun rises over the houses, the little starlings (Sturnus vulgaris) like nothing more than a game of trying to get as many feet on the roof aerial whilst bickering and singing a dawn chorus. Like a game of musical chairs, they shuffle and displace each other until all have left.
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Nikon D850 Focal length 240mm Shutter speed 1/100s Aperture f/13.0 iso64 RAW (14 bit uncompressed) Image size L 8256 x 5504 FX). Hand held with Sigma Image stabilization enabled . Colour space Adobe RGB. Nikon Back button focusing enabled. Focus mode AF-C focus 51 point with 3-D tracking. AF Area mode single. Exposure mode - Manual exposure. Matrix metering. ISO Sensitivity: Manually set. Nikon Distortion control on. Vignette control Normal. Active D-lighting on Automatic. High ISO Noise Reduction: On. Picture control: Auto with Sharpening A+1.00.
Sigma 60-600mm f/4.5-6.3DG OS HSM SPORTS. Lee SW150 MKI filter holder with MK2 light shield and custom made velcro fitting for the Sigma lens. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch. Nikon EN-EL15a battery. Matin quick release neckstrap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.
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RAW (TIFF) FILE: 130.0MB NEF: 88.9MB
PROCESSED (JPeg) FILE: 52.30MB
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PROCESSING POWER:
Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.017 (20/3/18) LF 1.00
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit (Version 1.2.11 15/03/2018). Nikon Capture NX-D 64bit (Version 1.4.7 15/03/2018). Nikon Picture Control Utility 2 (Version 1.3.2 15/03/2018). Adobe photoshop Elements 8 Version 8.0 64bit.
Circumcision instruments from the Jewish hospital in Berlin. (1998-2001 Stainless steel and other material).
material water refreshes the body, sensual water nourishes the spirit, and archetypal water deepens the soul. the primordial dream of water flows through the human psyche... in autumn, in ohio, the waters are filled with wonders... and reveries.
my deep thanks to lunaryuna for suggesting that i re-read frank herbert's dune...
scanned, assembled and altered image, october 19, 2006
Materials: oil on canvas. Dimensions: 41.3 x 40 cm. Nr.: L 1052. Source: commons.wikimedia.org/wiki/File:Jacob_van_Ruisdael_- _A_view_of_Amsterdam_1665-1670.jpg. I have changed the light, contrast and colors of the original photo.
the thread i used is some kind of silky craft thread, i wanted a loose stringy string look, it was slippy to work with
Materials: oil on oak panel. Dimensions: 52.7 x 68.3 cm. Acquisiiton date: 1889. Nr.: 89.38. Source: www.dia.org/sites/default/files/tms-collections-objects/8.... I have changed the light and contrast of the original photo.
Street Price: (US) $ 1900
Body Material: Metal
CCD
Effective pixels: 4.92 megapixels
CCD size: 2/3"
Colour Filter Array: G - R - G - B
Max resolution: 2560 x 1920
Lower resolutions:
1792 x 1344
• 1280 x 960
• 1024 x 768
• 640 x 480
Image ratio w:h: 4:3
Image formats:
• JPEG (EXIF)
• RAW (2576 x 1924) - final output is 2560 x 1920
• TIFF (8-bit)
Quality Levels:
1/2.7
• 1/4
• 1/8
Sensitivity equiv:
• Auto
• ISO 80
• ISO 160
• ISO 320
Lens Thread: 62 mm
Zoom wide: (W) 35 mm
Zoom tele (T) 140 mm (4 x)
Zoom type: Mechanically linked
Lens Aperture: F2.0 - F2.4
Lens Construction: 14 elements in 11 groups
Digital zoom: None
Auto Focus: Contrast detection
AF Illumination lamp: Yes, Infrared
Manual Focus: 20 cm - Infininty (focus-by-wire ring on front of lens barrel)
Normal focus range: 60 cm - InfinityMacro focus range: 20 cm - 60 cm
Min shutter:
• Program / Aperture Priority / Shutter Priority: 2 sec
• Manual: Bulb, 60 sec
Max shutter:
• IS (2560 x 1920) 1/640 sec
• PS (1792 x 1344) 1/4000, 1/18000 sec
Noise reduction: Yes, can be manually enabled
Pixel mapping: Yes, menu option
Metering
Digital ESP
• Center-Weighted Average
• Spot
Exposure adjustment: -3EV to +3EV in 1/3EV steps
Auto bracketing: • 3 images
• 0.3 - 1.0 EV in 0.3 EV steps
Aperture priority:
Wide: F2.0, F2.2, F2.4, F2.8, F3.2, F3.6, F4.0, F4.5, F5.0, F5.6, F6.3, F7.1, F8.0, F9.0, F10.0, F11.0
• Tele: F2.4, F2.8, F3.2, F3.6, F4.0, F4.5, F5.0, F5.6, F6.3, F7.1, F8.0, F9.0, F10.0, F11.0
Shutter priority:
IS mode: 2, 1.6, 1.3, 1, 1/1.3, 1/1.6, 1/2, 1/2.5, 1/3, 1/4, 1/5, 1/6, 1/8, 1/10, 1/13, 1/15, 1/20, 1/25, 1/30, 1/40, 1/50, 1/60, 1/80, 1/100, 1/125, 1/160, 1/200, 1/250, 1/320, 1/400, 1/500, 1/640 sec
• PS mode additionally: 1/800, 1/1000, 1/1250, 1/1600, 1/2000, 1/2800, 1/4000, 1/18000 sec
Full manual: As above plus these shutter speeds:
• Bulb, 60, 47, 38, 30, 25, 20, 15, 13, 10, 8, 6, 5, 4, 3, 2.5 secExposure Modes • Program AE
• Aperture Priority
• Shutter Priority
• Manual
White Balance:
• Auto WB
• 3000 K (Tungsten)
• 3700 K (Tungsten - Warmer)
• 4000 K (Fluorescent)
• 4500 K (Fluorescent - Warmer)
• 5500 K (Daylight)
• 6500 K (Cloudy)
• 7500 K (Shade)
• Manual Preset
Continuous: IS: 2560 x 1920 - 2.5 fps max 4 images
PS: 1792 x 1344 - 4.5 fps max 7 images
Built-in Flash: Yes, pop-up (manually released)
Flash Range:• Wide: 0.6 - 8.9 m (2.0 - 29.2 ft)
• Tele: 0.5 - 7.4 m (1.6 - 24.3 ft)
Flash modes:
• Auto
• Red-Eye Reduction
• Flash On
• Flash Off
Flash compensation: +/-2 EV in 0.3 EV steps
External flash: Hot-shoe (Olympus FL-40 flash)
• PC Sync terminal
Tripod mount: Yes, metal
Self-timer: Yes, 2 or 12 sec delay
Remote control: Yes, supplied Infrared
Video out: Yes, E-20P - PAL, E-20N - NTSC
Storage media:
Smart Media (up to 128 MB)
• Compact Flash (Type I / II - Microdrive 1 GB supported)
Storage included: 16 MB SmartMedia card
Viewfinder: Optical, TTL (prism), 95% view
LCD: 1.8" TFT, can be tilted by 20 degrees down and 90 degrees up
Playback zoom: Yes, 2x, 3x, 4x
Connectivity: DC-In, USB, Video Out, PC Sync Terminal, Remote control jack
Timelapse: Yes
Battery: 1 x CR-V3 Lithium (non-rechargeable) supplied
Battery charger: 2 x CR-V3 Lithium, or
4 x AA batteries (NiMH recommended)
Weight (inc. battery) 1170 g (2.6 lb)
Dimensions (inc. grip): 128 x 103 x 161 mm (5.1 x 4.1 x 6.3 in)
Materials used: Micron pen, watercolor, Prismacolor, Sharpie, Chartpak design marker, Copic marker. On Strathmore 80 lb drawing paper.
Halsey
Webster Hall
New York City
Thursday, Oktober 22nd, 2015
© 2015 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
A Blue Jay collecting nesting material in the creek.Hard to get a clear view! Prairie Creek Park, Richrdson, Dallas, Texas, USA. 2 April 2025
...Avebury Henge
peterdegraaff.wordpress.com/2017/08/08/blessings/
Holga Pinhole Camera 120 on Ektar 100
----Image from the H. Edwin Morrow Collection. Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--Repository: San Diego Air and Space Museum
Detailed photos of the Saks LE Snow White Doll. Closed box.
I just received the Saks Fifth Avenue Snow White Doll! I purchased her by phoning the flagship NYC Saks store, who in turn had the Saks store in Troy, Michigan ship her to me. I chose overnight shipping. She shipped on Monday evening, and arrived by noon on Tuesday. She was double boxed, which kraft paper used as the packing material. She arrived in perfect condition. However, there was no protection around the doll box itself inside the original shipper box, just a piece of tissue paper between the inside plastic cover and the outside cardboard cover.
The Saks Fifth Avenue Snow White Limited Edition 17 inch Doll, sold exclusively by Saks Fifth Avenue, both online and in stores. She was produced by the Disney Store, for Saks. It rolled out in a few Saks stores, including their flagship NYC store, on Thursday October 26, 2017 as a surprise release. She became available online shortly after midnight in the morning of Friday October 27, 2017, and sold out around noon time. She became briefly available again late that night. She costs $370, just about half the cost of the Snow White and Prince set. My doll is numbered 210 of 1000.
She is in winter colors, primarily white, with gold embroidery and trim, with red and gold satin lining. She is in a box with the same construction as the 2017 Snow White and Prince Collector's Doll Set. She is a really beautiful, well designed and construction doll.
Saks Fifth Avenue Limited Edition Snow White Doll
$370
EXCLUSIVELY AT SAKS FIFTH AVENUE.
This doll features a dramatic stand-up collar, metallic gold embroidery, cascading gems and a sumptuous quilted velvet cape.
• Includes molded bird perched on Snow White's finger
• Ages 6 years and up
• Packaged in a beautiful display box
• Limited edition of 1000 units
• Polyester/nylon lining
• 17.25'' W x 18.75'' H x 7'' D
• PVC/ABS
• Spot clean
• Imported
Style code: 0400095788146