View allAll Photos Tagged lightrays
Pere Marquette 1225 is a 2-8-4 (Berkshire) steam locomotive built for Pere Marquette Railway (PM) by Lima Locomotive Works in Lima, Ohio. 1225 is one of two surviving Pere Marquette 2-8-4 locomotives, the other being 1223 which is on display at the Tri-Cities Historical Society near ex-GTW coaling tower, in Grand Haven, MI.
this print can be ordered: www.tom-clark.net/monochrome
218e 12 - TAC_3188 - lr - nik B&W - 32x16
From a rather unproductive photowalk some lightrays still found a way to the sensor.
Have a wonderful weekend, folks! :)
Spectacular shafts of light radiating through the fast moving moody clouds over Burrator looking east. The silhouette is Sheep’s Tor
Only one of two butterflies I located that morning.
Thankfully the position of the animal was right for the sun to hit it from the side.
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I spent a ridiculous amount of time in post pro trying to adequately convey a lighting situation that turned out to be an extremely taxing one. This is as close as I could get to replicate a light variant that I had never encountered before.
Don´t redistribute - don´t use on webpages, blogs or any other media without my explicit written permission.
© Andy Brandl (2015) // PhotonMix Photography
--> Andy Brandl @ Robert Harding
the new guy in town, he was the talk of the village everywhere he went his cup did glisten, all the men were in total cup envy.
Spectacular crepuscular rays through woodland mist near Castleton, Peak District National Park.
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All images are copyright © John Finney Photography.
Don't use without permission.
Please contact me here before using any of my images for any reason. Thank you.
Part of the Nant Ffrancon Pass in Snowdonia, on a stretch of the old roman road between Bethesda, Gwynedd, and Llyn Ogwen, North Wales, UK, with Tryfan mountain face in the distance
Caddo Lake, Uncertain Texas
This is a photo that I made one morning at sunrise as the sun broke over the hill and through the trees and onto the mist on the surface of the calm water.
When I saw the light I got pretty excited about it all.
This photo was taken from our canoe with my D850 and my trusty 70-200 vr ii, hand held, first thing in the morning. My good friend and
workshop co-leader Alyce Bender, just Bender to her friends, and I got out on the water as quickly as possible when we saw the mist on the water. It has 28°F and the water was vaporizing while the faintest breeze slowly moved it across the water surface.
I took a series of shots while the light beams were there. I liked this one best.
The comp is simple and the processing minimal, which I'm just fine with.
Winter wonderland at sunrise in the High Peak, taken on Lantern Pike above the village of Hayfield, Derbyshire, Peak District.
See my favourite images I took in 2020.
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All images are copyright © John Finney Photography.
Don't use without permission.
Please contact me here before using any of my images for any reason. Thank you.
Workshops & Tours: We are now taking bookings for our new 2021 Isle of Harris Tour!
Contrapicado en contraluz. (Montseny - Cataluña)
Contrapicado in backlight. (Montseny - Catalonia)
Para verla con todo su esplendor, ampliala
To see it in all its splendor, enlarge it
Historia de la fotografía, en Castellano:
Hola de nuevo amigos, queriendo capturar más imágenes con el especial colorido del Otoño, realizamos otro madrugón para dirigirnos al parque natural del Montseny (Catalunya) y buscamos un lugar en concreto ya preestablecido para realizar fotografias hasta el mediodia, comer un bocadillo y trasladarnos rapidamente a otros paisajes para realizar fotos por la tarde y especialmente a una hora en concreto para terner unas luces adecuadas.
Anécdota de esta fotografía en concreto:
Yo estaba tendido sobre el follaje que habia en el suelo y se me aparece una señora que me pregunta que hacia! yo le contesté que estaba haciendo fotos, ella me dice que ya lo veía, pero que queria fotografiar con aquella postura... yo le digo que quería capturar las raices y a la vez los árboles en un contrapicado pero, que me entrara un pequeño rayo de sol, dado que era un duro contraluz.
Después de tomar esta foto, la señora me pregunta si las publico en redes sociales, le comento que en varias (Flickr - 500 PX - Instagram) me pide mi nombre o nik para poder verlas, toma nota de mi nombre y acto seguido... abre su bolso y saca un teléfono móvil y empezó a tomar fotos junto a mi.
La verdad era que las luces de aquel momento, eran las óptimas para tomar buenas fotos y aquí teneis la foto que tomé en aquel momento mientras estaba dialogando con la misteriosa señora.
Espero que os guste amigo/as. Antoni Gallart.
Datos técnicos de la foto:
Cámara: Nikon D800.
Objetivo: 16 mm. Para poder capturar las raices y los árboles.
Velicidad: 1/100s
Diafragma: f/5,6 Para lograr una buena calidad de imagen.
ISO: 500 Por que eran las últimas luces del dia.
Compensación de Exposición: + 1 paso
Tripode: No
Filtros: NO
History of photography, in English:
Hello again friends, wanting to capture more images with the special colors of Autumn, we made another early morning to go to the Montseny Natural Park (Catalunya) and we looked for a specific place already pre-established to take pictures until noon, eat a sandwich and move quickly to other landscapes to take photos in the afternoon and especially at a specific time to have adequate lights.
Anecdote of this particular photograph:
I was lying on the foliage that was on the ground and a lady appeared to me and asked me what she was doing! I replied that I was taking photos, she told me that I already saw it, but that I wanted to photograph with that position ... I told her that I wanted to capture the roots and at the same time the trees in a low angle, but let a small ray enter me of the sun, since it was a harsh backlight.
After taking this photo, the lady asks me if I publish them on social networks, I tell her that in several (Flickr - 500 PX - Instagram) she asks me for my name or nik to be able to see them, take note of my name and then ... She opens her bag and takes out a mobile phone and started taking pictures with me.
The truth was that the lights of that moment were the best to take good photos and here is the photo I took at that time while I was talking to the mysterious lady.
I hope you like it my friend. Antoni Gallart.
Technical data of the photo:
Camera: Nikon D800.
Objective: 16 mm. To be able to capture the roots and the trees.
Speed: 1 / 100s
Aperture: f / 5.6 For good image quality.
ISO: 500 Because it was the last lights of the day.
Exposure Compensation: + 1 step
Tripod: No
Filters: NO
From a solo trip to visit the giant trees in Redwood National Park! This scene came out of nowhere, and disappeared in merely couple of minutes.
Your comments and critiques are much appreciated. Thanks and have a great week, everyone!
The sun breaks out behind a stand of douglas fir and alder trees on a springtime morning.
All my photographs are © Copyrighted and All Rights Reserved. None of these photos may be reproduced and/or used in any form of publication, print or the Internet without my written permission.
A break in the sky over pasture land.
This is the very spot where the excavation of hundreds of Moa bones were found a few years back.
(now extinct huge native bird of New Zealand)
This was mindblowingly beautiful when i encountered this last morning.
Pretty please view this on black here (true black) to lighten up the contrasts and remove some of the oversharpening, thanks.
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(Explore #390: Jun 28, 2009)
So, I'm experimenting again with interior sunset SP shadows. Here the setting sun behind me casts an interesting shadow on a door of our home in Edmonton, Alberta, Canada
A shot from a more colorful season.
Don´t redistribute - don´t use on webpages, blogs or any other media without my explicit written permission.
© Andy Brandl (2015) // PhotonMix Photography
--> Andy Brandl @ Robert Harding