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Trabajando en la oscuridad- (Faro de Vilanova - Cataluña)
Working in the dark-. ( Vilanova Lighthouse - Catalonia)
Historia de la foto en español:
Escogimos una noche de invierno para poder trabajar más tranquilos sin tener a turistas o parejas de enamorados en la arena de la playa.
Tratamos de conseguir una buena instantánea del faro de "Vilanova i la Geltrú" por lo que nos reunimos un grupo de compañeros y que los cuales quise capturar en pleno trabajo, cada uno buscando su propio encuadre del lugar donde estábamos.
Como los disparos eran a velocidades muy lentas, el problema era que el trípode lo teníamos en la arena y tenias que tener mucho cuidado en que no se moviera por hundirse en ella o a causa del viento, además de trabajar con guantes del frio que hacía ese día.
También tuve que calcular el tiempo en que el faro realizaba su giro para captar el destello de luz que pasaba durante la apertura del obturador.
Las luces que se ven en la oscuridad son de los visores de las cámaras del mis compañeros.
La edición ha sido bastante laboriosa, por la gran oscuridad que teníamos en el lugar, frente a la potente luz del faro.
Espero que os guste la fotografía, un fuerte abrazo amigos/as de Flickr. Antoni.
Datos técnicos:
Cámara: Nikon D800
Objetivo: Nikon con una focal de 42 m/m.
Diafragma: f/5.0
En esta ocasión abrí más el diafragma por la poca luz, no quise subir la ISO.
Velocidad: 35 de segundo.
ISO: 100
Trípode: Si
Utilicé una piedra chata en cada pata del trípode para evitar que se hundiera en la seca arena.
Filtros: NO
Story of the photo in English:
We chose a winter night to be able to work calmer without having tourists or couples in love on the sand on the beach.
We tried to get a good snapshot of the "Vilanova i la Geltrú" lighthouse, so a group of colleagues got together and I wanted to capture them at work, each looking for their own framing of the place where we were.
Since the shots were shot at very slow speeds, the problem was that we had the tripod on the sand and you had to be very careful that it did not move due to sinking in it or because of the wind, in addition to working with gloves because of the cold that was. day.
I also had to calculate the time in which the lighthouse made its turn to capture the flash of light that passed during the opening of the shutter.
The lights that are seen in the dark are from the viewfinders of my companions' cameras.
The edition has been quite laborious, due to the great darkness that we had in the place, in front of the powerful light of the lighthouse.
I hope you like photography, a big hug friends of Flickr. antoni.
Technical data:
Camera: Nikon D800
Objective: Nikon with a focal length of 42 m/m.
Diaphragm: f/5.0 This time I opened the aperture more due to low light, I didn't want to raise the ISO.
Speed: 35 of a second.
ISO: 100
Tripod: Yes I used a flat stone on each leg of the tripod to keep it from sinking into the dry sand.
Filters: NO
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Paneles laterales
Història de la foto en català:
Escollim una nit d'hivern per poder treballar més tranquils sense tenir turistes o parelles d'enamorats a la sorra de la platja.
Intentem aconseguir una bona instantània del far de "Vilanova i la Geltrú" pel que ens vam reunir un grup de companys i que els vaig voler capturar en plena feina, cadascú buscant el seu propi enquadrament del lloc on estàvem.
Com que els trets eren a velocitats molt lentes, el problema era que el tripode el teníem a la sorra i havies de tenir molta cura que no es mogués per enfonsar-s'hi oa causa del vent, a més de treballar amb guants del fred que feia aquest dia.
També vaig haver de calcular el temps en què el far feia el seu gir per captar la llampada de llum que passava durant l'obertura de l'obturador.
Els llums que es veuen a la foscor són dels visors de les càmeres dels meus companys.
L'edició ha estat força laboriosa, per la gran foscor que teníem al lloc, davant de la potent llum del far.
Espero que us agradi la fotografia, una forta abraçada amics i amics de Flickr. Antoni.
Dades tècniques:
Cambra: Nikon D800
Objectiu: Nikon amb una focal de 42 m/m.
Diafragma: f/5.0
En aquesta ocasió vaig obrir més el diafragma per la poca llum, no vaig voler pujar la ISO.
Velocitat: 35 de segon.
ISO: 100
Tripode: Si
Vaig utilitzar una pedra xata a cada pota del trípode per evitar que s'enfonsés a la seca sorra.
Filtres: NO
In this shot, the sun rays are much more definitive. This was a special moment and I'm glad I was there with my daughter.
This was taken in Eyam in the Peak District a few weeks ago.
It was just before sunset on a long day of shooting. I very nearly didn't bother getting my kit out as it was very cold and I was ready for a rest and a pint.
As I said in an earlier post, I've challenged myself to try to produce some standard landscape shots rather than long exposure or fine art shots. I think it's actually more difficult to produce an eye catching landscape as they don't have the immediate grab of LE shots.
Aperture: f/20
Exposure: 1 second
ISO: 100
Camera: Canon 5D MKII
Lens: Canon 17-40mm f/4L @ 17mm
Filters: LEE 0.3S ND Grad
Processing: Photoshop CC
An early morning to the top of Mt Eden to take in the view of Auckland. Mt Eden is an extinct volcano and is moderately steep so you need a minute to get your breath before heading back down again.
Sunrise through a stunning woodland on a perfect misty cold morning near Castleton in the heart of the Derbyshire Peak District.
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Sunlight rays
Woodward Park
Tulsa Ok.
Minolta Rokkor X PF 58mm f1.4
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This has to be one of my favourite Damselfly photos I’ve taken this season.
‘In the Spotlight’
Laying in the wet grass is becoming a very familiar pastime photographing these dainty little Damselflies. I may take up yoga with all the peculiar contorted body shapes I create to frame a shot. It’s not exactly a cool Vogue ‘Strike a Pose’ moment.♂️
I’m very happy with the way this one turned out.
*The timing, precision and patience is so important to achieve an image like this and the enjoyment of course*
Techy info.
Controlling the exposure was tricky shooting directly into the sun with the limitations of the camera shooting at 1/8000s at iso50. Unexpectedly the damselfly actually flapped it’s wings at high speed for a split second. I was able to capture them without blurring because of such a high shutter speed. I must admit I was lucky🍀 because I wouldn’t normally shoot a still object with these settings but was forced to in such bright light trying to control the exposure.
The image on the screen of the camera looked very overexposed but it’s amazing the detail you can recover shooting in raw format. In post processing I moved the highlights slider all the way to the left and the wings surprisingly appeared. I looked at the sequence of shots hoping for one with splashes of dew flying off the hovering wings. Now that would have been special!
📍Stover Country Park, Devon
📷 Canon 5D mkiii
🔘 Canon EF 100mm f2.8L Macro IS USM + extension tubes
#damselfly #dragonflysociety #emeralddanselfly #stoverpark #macrophotography #morningdew #silhouette
Evening in Kalalock Campground with a bit of campfire smoke and a low sun.
Trees are above a small bluff and are mostly Sitka Spruce with some alder.
In Explore June 13, 2023.
Yellowstone National Park
Wyoming
Thanks, as always, for stopping by and for your kind comments, awards and faves -- I appreciate them all. Take care and stay safe!
© Melissa Post 2022
In Explore 16 February 2022
PP with Flypaper Textures
On the road to Eastbourne, behind Charleston House, Bloomsbury Group's museum.
Please, no notes on my images! :-)
Gary and I ventured out in our truck camper in September to California's North Coast Redwoods. It is calming to walk among these giants who have stood together these last thousands of years. Our troubles today are nothing to them — a bleep in time. You can read more about our road trip in our cocoon in my blog. charlottegibbblog.com/road-trip-a-photographic-journey-th...
Up on The Roaches in the week and had the plesure of watching the light pass over the land, this is looking East towards Danebridge and the Hanging Stone.
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