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Trying out the legendary Kodak Aerochrome infrared film at Alviso Marina on a sunny and windy day. Probably long expired, but seems to kept well. I shot the film at ISO 50, with a yellow filter. Film was cross processed in C41.
- Camera: Sabrina 4x5 custom camera (Will Travel)
- Lens: Schneider Super Angulon 65mm f/8
- Film: Kodak Aerochrome (expired)
- Exposure: f/16, 1/60s
- Camera movements: none
- Development:Kodak C41 kit with Stearman SP645 tank
- Scanning: Epson V700 as slide
- PostPro: Adobe Lightroom with Negative Labs Pro for inversion
MPP wooden plate holder with metal face plate removed.
photo-analogue.blogspot.co.uk/2016/04/ilford-selochrome-s...
Film: Ektar 100, 4x5
Joining the movement of photos of dead places. This is an abandoned farm near my house. I've been looking for different places to explore that are near my home.
Graflex Graphic View I ; 4x5" EFKE PL 100;
Ernemann Ernon 13.5 cm F6.8;
t 1/10; f 11;Rodinal 1:50; 20 C;
13 min
ShenHao 5x7, Ilex Caltar 365mm, 1/50@F6.3, Fomapan 100, ID11
The sharpness was set to the face only, and f6,3 does not seem to be enough, still I like it.
This is 5x7 image, taken with Century Studio Master camera with 5x7 back on Fomapan200 and with the front element of an 24inch Kodak Aero-Ektar, about 8-9 inches focal-length.
My first large format camera! It´s a 4x5 with a Nikon 127mm F5.6 lens. The camera can be focused by moving the inner box in/out.
The first experiments with 35mm film sewn into 3.25x4.25 sheets. These were made with the help of nightvision goggles and a sewing machine.
With Jake Appelbaum and Mike Estee.
ХниПаН на каŃданнŃŃ ĐşĐ°ĐźĐľŃŃ ŃĐžŃПаŃĐ° 4Ń 5, пОŃŃĐžĐźŃ ĐżĐžŃŃойОваНОŃŃ Đ˝ĐľĐźĐ˝ĐžĐłĐž вŃĐ´ĐľŃМки Ń ĐžĐąĐžĐ¸Ń ŃŃĐžŃОн) ĐĐž кОгда на ŃНиŃĐľ ниМо -40, ŃĐž и ŃпоŃиŃŃ ŃМо нокŃĐ´Đ°) ĐНонка foma200, ĐаПоŃĐ° Sinar F, ОйŃокŃив Schneider-Kreuznach Symmar 1:5,6/210 ĐĄĐ˝ŃŃĐž на ĐžŃĐşŃŃŃОК диаŃŃагПо. ĐŃĐ´ĐľŃМка 1/50. I shot with a 4x5 cardan camera, so it took a little exposure on both sides) But when it's below -40 outside, there's nowhere to hurry) Foma200 film, Sinar F camera, Schneider-Kreuznach Symmar lens 1:5,6/210 Filmed at an open aperture. 1/50 exposure.
shot with a broken 9x12 folding camera on old orwo bn113 printing paper, scanned and tinted via silver efex
Camera has front rise and tilt along with swing and shift, Back has tilt. Max focus is 34" due to bellows length and minimum is 5". This bellows was from a large vertical process / stat camera.
kodak portra 160 developed in unicolor c41 kit. digital capture with olympus epl1 and inversion + color correction in photoshop/lightroom.
the orange color bleed may be the result of non flat film capture or exceeding the DR of the film.
There is no shutter on this camera. Exposures are made by removing the lens cap and replacing it after the required time has passed.
For this picture, in a convex mirror, it did not matter that I was unavoidably in shot for the brief moments required to remove and replace the cap for the 2 minute exposure. My presence was not recorded as I waited out of view to replace the lens cap.
Fomapan 400 5x7 inch sheet film, cut down to half plate size (4ž x 6½ inches). Developed in Rodinal 1+25 for 5 minutes.
Film: Portra 400 4x5
Portrait of friend that stopped by.
I had to severely crop this image because the bottom half of the negative was blocked by bellow sag. The bellows in the camera sagged to the point where they blocked some of the light hitting the negative. It's happened a couple of times and it's annoying.
I shot some on b&w film as well. But those are in the fridge waiting to be developed.