View allAll Photos Tagged largeformat

Tachihara 4x5 | Rodenstock Sironar-N f5.6 210mm | Fomapan 100

Busch Pressman Model D 4x5 Camera - 135mm Raptar lens with a Rapax shutter. 1 second exposure due to an unreliable shutter.

 

Shanghai sheet film ISO100. Contact print on Ilford Ilfospeed semi-matt Paper RC, grade 3

two views of Perch Rock Lighthouse.

Both on Delta 100 5x4.

The final (?) iteration of this project. This allows you to develop up to four sheets of 4x5 film in a daylight tank without resorting to rubber bands or hair ties, ie the taco method.

Sanchez Adobe, Pacifica CA.

 

Technical info:

 

- Camera: Intrepid 8x10 All-black edition

- Lens: Schneider G-Claron 305mm f/9

- Film: Arista EDU Ultra 100 (Fomapan 100)

- Exposure: f/22, 1/30s

- Movement: None

- Development: F76+ 1+9, 6 min in Jobo 3005 tank and CPP2 processor

- Scanning: Epson V700

- PostPro: Adobe Lightroom

ISO6 and old Agfa Rodinal. No fogging to speak of.

The first successful shot. F11, 12 seconds, Arista Ortho Litho 4x5 film. ISO about 50? Developed in Kodak Polymax.

 

Shot off a little light table and digitally inverted in GIMP.

A farm somewhere in Chatham County, NC, shot in the very early 1990s on an Omega-Toyo 4x5 camera with (if I’m remembering correctly) a 210mm lens. I was using T-MAX 400 flim. I think a yellow filter was used when taking the picture.

Exposed on FPP Mummy 400 using Pacemaker Speed Graphic + Ektar 127/4.7 lens; developed in HC-110 for 12 min @ 68˚F.

Place: Russia. Vladimir Region.

Original: One Fujifilm Velvia 4х5" (Large Format)

 

Ica Trona 210 with Ilford HP3 glass plate (leaflet inside the box dated to 1973). Stand developed in Ilfotec LC29 1+100 for one hour.

 

photo-analogue.blogspot.co.uk/2014/10/ica-trona-210.html

Before leaving my country I had made an ecosystem in an old wine jug. The plants grew wild and I would stare at it for hours. It was its own little world.

I shot these two picture while shooting switching between different films with different iso's. I mistakenly shot these underexposed and thought I'd lost them, but I was able to save them during development, pushing the film.

They Turned into my favorite shots from that day. Reminiscent of staring into my glas jug.

 

Shot on Tachihara with a Fujinon W 135mm 5.6 on Catlabs X Film 80.

sinar f2

Rodenstock Sironar-N 210mm F5.6

Fuji Neopan Across100

D-76 1:1

 

Expired Polaroid 4x5, gundlach korona f6.3 1/100s

two views of Perch Rock Lighthouse.

Both on Delta 100 5x4.

SINAR F 4X5"-NIKKOR SW90/8-SHANGHAI GP3-HC110-GTX970

 

F/32-2S

The Fat Boys are back ...

 

My Caltar II-N 210/5.6 has company.

4x5 Combination of Cyanotype and Vandyke Printing, from the "Home" series.

Bear Lake - December 2008

Maine, near Pemaquid Point. Linhof Technika V, 300mm F9 Nikkor M. Kodak Tmax 100 in Diafine

Busch Pressman Model D 4x5 Camera - 135mm Raptar lens with a Rapax shutter.

 

Shanghai GP3 4x5 sheet film Stand developed in Rodinal1:100 for 1 hour.

 

Contact print on Ilford Ilfospeed semi-matt Paper RC, grade 3

Directly photographed on photopaper (13x18cm), developed, scanned and inverted.

Feeleenger Astral Medium 10x10cm, Quasar 110mm f 1.0

Bromine Silver process , 4 sec

600W photofloods + 80A filter.

 

Burke & James 5x7 view camera with 4x5 reducing back, 8" f/7.5 Graflex Optar, Polaroid Type 59.

Burke & James 5x7 view camera with 4x5 reducing back, 8" f/7.5 Graflex Optar, Polaroid Type 52.

Carlton 10x12 large format camera

Busch Pressman Model D 4x5 Camera - 135mm Raptar lens with a Rapax shutter. 1 second exposure due to an unreliable shutter.

 

Paper negative on Ilford Ilfospeed semi-matt Paper RC, grade 3. Pre-flashed. Inverted in The Gimp.

I re-scanned and replaced this picture with a better version 9/20/19. I had trouble with banding in the sky. I got rid of it, but the image suffered from the repair. The description below is from 10 years ago.

 

Two different films, one developer. In this one, the highlights burned out a bit. I could have developed it at for a shorter time. Since there was no info available on development times for this combination, I guessed at 12 minutes. Next time, I'll do 10.

 

Camera: Deardorff V8 with 4x5 back.

Lens: 19" Goerz APO Artar

Film: Adox Ortho 25 developed in PMK Pyro

 

My Blog: Gary L. Quay Photography

My portfolio on Shutterstock

My portfolio on iStock

My portfolio on Adobe

 

Feel free to join my Flickr groups

Wasco County, Oregon

Mosier, Oregon

and Old School Film Photography

 

# #oregon #pacificnorthwest #portland #stfrancis #film #filmphotography #largeformat #largeformatfilm #4x5 #deardorff #westernusa #pdx #blackandwhite #B&W #garyquay #oregonexplored #pnwexplored #ilfordphoto #ilfordhp5 #cascadiaexplored

Cropped from 4x5. Chamonix 045n-2, Fujinon 250mm, Kodak Ektar 100 developed in Tetenal

Seneca view camera

type: 8x10 large format

number stamped on bottom: 9

Lens: None

Shuttler: None

Camera owner: Charlie Graf

 

Internet reference: www.camerapedia.org/wiki/Seneca_9

 

www.fiberq.com/cam/seneca/senview.htm

 

Charlie Graf comments: This is not a Seneca Model 9. Nor is it a true view camera (in spite of its name). It does not have front tilt, so it is really just a field camera.

Nikkor-W 180mm, Portra160

film for friend's family

1 2 ••• 57 58 60 62 63 ••• 79 80