Was just playing with the tilt on my 4x5 Tachihara.

Shot with a plastic magnifying glass for a lens

210mm lens on 4x5 Portra 160, converted to black and white

treasure island, september 2012

Busch Pressman Model D 4x5 Camera - 135mm Raptar lens with a Rapax shutter. 1 second exposure due to an unreliable shutter.

Shanghai sheet film ISO100. Contact print on Ilford Ilfospeed semi-matt Paper RC, grade 3

The final (?) iteration of this project. This allows you to develop up to four sheets of 4x5 film in a daylight tank without resorting to rubber bands or hair ties, ie the taco method.

ISO6 and old Agfa Rodinal. No fogging to speak of.

MPP Micro-Technical Mk VI with Bausch & Lomb Rapid Rectilinear lens, rear elements only, with yellow filter. Test to use the Rapid Rectilinear as a convertible lens. Fomapan 400, rated 320, developed in Ilfotec LC 29, diluted 1+29, 9 minutes at 20ºC.

photo-analogue.blogspot.co.uk/2014/12/old-lenses.html

The first successful shot. F11, 12 seconds, Arista Ortho Litho 4x5 film. ISO about 50? Developed in Kodak Polymax.

Shot off a little light table and digitally inverted in GIMP.

Tolsta Beach - Taken around mid day on a very warm sunny day, took this photo,whilst the kids were playing. I did like impression the brackish water had on the sand.

Place: Russia. Vladimir Region.

Original: One Fujifilm Velvia 4х5" (Large Format)

The final (?) iteration of this project. This allows you to develop up to four sheets of 4x5 film in a daylight tank without resorting to rubber bands or hair ties, ie the taco method.

sinar f2

Rodenstock Sironar-N 210mm F5.6

Fuji Neopan Across100

D-76 1:1

Expired Polaroid 4x5, gundlach korona f6.3 1/100s

A 4x5 scan shot on Tri-X 320. 165mm f/6.3 lens @ f/16

asheville, nc

two views of Perch Rock Lighthouse.

Both on Delta 100 5x4.

4x5 wet cyanotype print, from the "Home" series

flipped to proper orientation

SINAR F 4X5"-NIKKOR SW90/8-SHANGHAI GP3-HC110-GTX970

F/32-2S

600W photofloods + 80A filter.

Burke & James 5x7 view camera with 4x5 reducing back, 8" f/7.5 Graflex Optar, Polaroid Type 59.

tokyo Japan

Cyanotype on "Cranes Kid Finish Ecru" paper.

Exposure of 10 minutes sun, 10 minutes dim room, 5 minutes sun

10 minutes wash

1 minute Hydrogen Peroxide Development

10 minutes wash

This is my first Cyanotype, and the Emulsion coating is definitely poorly done.

Val Trebbia , Parco dell'Antola

Bear Lake - December 2008

Cropped from the 11x14 b&w negative to approx 7x9. This is the second of two 11x14's we shot of Doris that day.

Burke & James 5x7 view camera with 4x5 reducing back, 8" f/7.5 Graflex Optar, Polaroid Type 52.

Testing large format lenses at NYC Resistor.

Carlton 10x12 large format camera

Shot for an accessories brochure for BMW on a 10x8 camera decades before Photoshop became ubiquitous. It is made up of three elements: the roller skate and wheels were shot in one studio on one transparency. The car was then shot on another transparency with exactly the same tilt/shift to give it the same perspective. These two shots, and an Australian sunset shot were combined by a team of genius retouchers working for several days. Of course, photography was affected by the computer age, but Photoshop completely annihilated the retouching industry worlwide. I remember the retouching invoice for this one shot was £1200, or several month's wages.

Busch Pressman Model D 4x5 Camera - 135mm Raptar lens with a Rapax shutter.

Shanghai GP3 4x5 sheet film Stand developed in Rodinal1:100 for 1 hour.

Contact print on Ilford Ilfospeed semi-matt Paper RC, grade 3

Directly photographed on photopaper (13x18cm), developed, scanned and inverted.

Feeleenger Astral Medium 10x10cm, Quasar 110mm f 1.0

Bromine Silver process , 4 sec

Busch Pressman Model D 4x5 Camera - 135mm Raptar lens with a Rapax shutter. 1 second exposure due to an unreliable shutter.

Paper negative on Ilford Ilfospeed semi-matt Paper RC, grade 3. Pre-flashed. Inverted in The Gimp.

Graflex Speed Graphic; 4X5'' Kodak TXP 320; Schneider Angulon 90/F6.8; 1/22;

HC 110 (H); 8 min.; 20 C

Black tea-toned Cyanotype. 4x5 on FP4 original.

158x126cm or 80x64cm, Lightjet on photographic paper

York is flooded.

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MPP Micro Technical mark VI,

Fomapan 100 (inadvertantly exposed @ 400 due to lightmeter cockup)

Developed in D76 (1:0) 6'30"

(Reflective-scan of negative, crop and levels in Gimp)