View allAll Photos Tagged largeformat
Taken in about 1987, this is the bench setup I used to use for showing different types of pressure wave, heat, gases, and occasionally fluids, in air, water etc.
I'm trying to find a negative of some of my results but haven't found any yet. I tell a lie, I found one here.
This was all carried out in the pitch dark with only a bit of light coming from the light source, in this case a projector with a cardboard tube to ensure a "controlled" beam of light. It's all a bit Heath Robinson, especially with the projector sitting on its box on a piece of wood! Needless to say, more than a few shots were ruined by walking into the table in the dark!
Very mysterious. I took a large format photo class one semester and got a camera to use for the entire semster. Bitchin. Someday I'll scan the work that I shot with it and post it up here.
Today we’re sitting down with Marcus Carlsson, Swedish large format aficionado, sometime digital shooter, obsessive DIY-ist and more recently, app developer.
We’ll be telling you more about his Analogue App a little later. For now, let’s see what he has to say for himself.
Over...
Large version at: emulsive.org/interviews/i-am-marcus-carlsson-and-this-is-...
Filed under: #Interviews #4X5FormatFilm #Caltar #Kodak #KodakTriX320320TXP #LargeFormat #Montalivet #Sinar
Lake Tahoe sunset on 4X5, VS100.
As I recall, this was about a 30 second exposure at f45.
Minor tonal adjustment and dust removal in photoshop.
This was a difficult shot for me. The temperature was about 10 degrees and the wind blowing off the lake made it seem well below zero. I wasn't dressed for it. After two hours of waiting for a sunset I wasn't really caring much about the shot. I just wanted back into the warm car.
MPP Micro Press
Rodenstock Sironar-N 150mm F/5.6
Fomapan 400
Agfa Rodinal 1:50 12min
CanonScan 9000f mk2 (4800dpi) ~500MB DNG
Vuescan 16bit raw
Lightroom
crop 70x87,5
First time to use 4x5 camera
Front view of the camera.
The 4x5 model allows u to shoot pinhole shots with a normal film holder behind. The box that holds the pinhole camera is also a 6x8 pinhole camera.
©2009 Gary L. Quay
This was the newly reopened tunnel at the Oneonta Gorge, along the Historic Columbia River Gorge Highway in the Columbia Gorge, Oregon. Just how many "Gorges" can one fit into one sentance? I wanted this image to recall the early Columbia River photography from from a recent retrospective, despite the modern signage.
It was bypassed in 1948 due to being dangerous, after which they filled it with rocks. It was restored, and made safe in 2009, and burned in the Eagle Creek Fire in 2017. It has been restored and opened once again.
Camera: Sinar Alpina
Lens: 180mm Caltar II with a green filter
Film: Adox Ort 25 developed in W2D2 Pyro
Replaced 7/3/2022 with a better version.
# #pnwexplored #sinar #oregonexplored #pacificnorthwest #garyquay #cascadiaexplored #oregon #onlyinoregon #viewfromhere #YourShotPhotographer #pnwcrew #myoregon #oneontatunnel #film #filmphotography #largeformat #hcrh #columbiarivergorge #columbiagorge #viewcamera #hoodgorge
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Arizona Cactus Garden, Stanford University. Ebony 45SU, 250mm Rodenstock Imagon, H 7.7-9.5 disk at H 7.7, 1/100. 2-stop ND filter. Ilford Delta 100 Film.
shot on a Sinar 5x4 - FP4 film developed in Perceptol.- printed on Ilford MG FB lV - toned in sepia and selenium
Here you can see an unfinished film holder inserted in the back section (on the right, sticking out of the top). In front are the four pieces of the middle section, which slides inside the front and back sections.
On the left is the front, with c-clamps holding the lens-board supports in place as the glue dries.
This camera has a rising front, for perspective control. The front can be raised a couple of inches.
Built from plans in the book 'Primitive Photography' by Alan Greene.