Back view without the film holder, black felt around the square and inside painted black. The pinhole itself is made by : Stenocamera

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I have started a group for large format pinhole only as to separate it from the rest of the pinhole images. Because its another world and focal length in large image photography.

Images must be made starting from 4x5inch and upwards, bigger the better and using plan film, polaroid or photographic paper to create the images. Using homemade or modified large format cameras.

Everyone that is into large format pinholes is welcome :

The Large Format Pinhole Group

fashion shoot for my large format class. i still need to return these shoes...

This is my first ever 4x5 tin type. Two 3,000Watt flashes, at 1/2 power, at a 45 degree angle.

I had to trigger the power pack with my foot.

Shot 4x5 with a 180mm lens... unfortunately the wide angle of it left me some weird dream like affect around the outside edges... attempted to crop out would have lost too much had I cropped it all :(. This image doesn't quite "fit" with the other two however shows the attempt to hide what's going on to the public and therefore I kept it.

Shen Hao TZ45IIB, TXP320 developed in Caffenol C-M.

This is now my go to developer.

Operation guide for the camera exposure timer.

5X4 & Tilt shift

Symmar 240mm, Portra160

bigger

Fuji FP-100B45 instant film rated at ISO 200, Sinar F2, Grandagon 90mm, #23a wratten gel filter

Toko 4X5 Field Camera, Kodak Ektar 100 Film

Sorry, essentially the same, but have been advised that the 2005 film stock I used will have a strong magenta cast, so here I have tried to re-balance things a little.

A short description of this trip can be found on my blog at

i have published a brief account of this trip on my blog, it can be found here www.csmithimages.com/csmithimages/Blog/Blog.html

taken with Nanjing JTS 340mm f2.4 ultra speed lens on 8X10 format, with SMARTFLEX 810 reflex 8x10 camera and full size curtain shutter

This lens show the ultimate bokeh with standard angle of view on 8X10 format, currently I have no chance to get any more lens faster than f2.4!

Calumet 45n, 150mm Rodenstock Sironar-N, Kodak E100VS

View On White

4x5 field view camera, Kodak Ektar 100, 135mm lens

Ikeda Anba w 6x12 adapter / Foma 100 / Rodinal 1:100

Busch Pressman

format: 4x5 large format, press camera

serial D114521

circa 1950s?

lens: Wallensack Raptor F4.7. 135mm. Lens mount allows from tilt.. Rapax shutter.

condition: good

Camera owner: Charlie Graf

2 colour wrap

Graflex Crown GraphicFuji FP-100C45

www.timothy-logan.com

all i could make out on the tombstone was that the woman's name was julia.

detail shot, 4 seasons assignment: winter

Candice

Argentique Grand Format 4x5

Chambre Sinar Norma

Film Foma 200

Selfdev (Fomadon R09)/ Scan

© All rights reserved. Use without permission is illegal.

© Tous droits réservés. L'utilisation sans ma permission est illégale.

Site web : www.JulienTocanier.com

Facebook : Julien Tocanier - Photographie

7x17 platinum/palladium contact print on Fabriano Artistico Extra white paper

Amy Longcrier, underwater, taken with large-format.

8x10 Ektachrome

Il mio primo Ambrotipo al collodio umido. Shen-Hao 4x5" - Symmar-S 150/5.6 - 30sec - New Guy - Fix Tiosolfato

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My first Ambrotype with wet collodion. Shen-Hao 4x5 "- Symmar-S 150 / 5.6 - 30sec - New Guy - Fix Thiosulfate

4x5 txp320 in moersch tanol poor "scan" with dslr

MPP wooden plate holder with metal face plate removed.

photo-analogue.blogspot.co.uk/2016/04/ilford-selochrome-s...

Film: Ektar 100, 4x5

Joining the movement of photos of dead places. This is an abandoned farm near my house. I've been looking for different places to explore that are near my home.

Graflex Graphic View I ; 4x5" EFKE PL 100;

Ernemann Ernon 13.5 cm F6.8;

t 1/10; f 11;Rodinal 1:50; 20 C;

13 min

Carlton 10x12 large format camera

Nikkor-W 180mm, pro160c

Killing time on a Sunday. It's tricky making a selfie with the big camera. Also hair and dust.

Toko 4X5 Field Camera, Kodak Ektar 100 Film

ShenHao 5x7, Ilex Caltar 365mm, 1/50@F6.3, Fomapan 100, ID11

The sharpness was set to the face only, and f6,3 does not seem to be enough, still I like it.

Bildet er tatt i forbindelese med en fotosession som fotograf Signe Følstad hadde med den katolske biskopen Johannes Wember M.S.F (misjonærene av den hellige familie). Wember ble født i Tyskland i 1900 og kom til Norge og Tromsø i 1938.

Signe Johanne Følstad (f.1905 - d.1976) var datter av fotograf Chr. Hansen og Elisabeth Heggelund. Hun overtok i 1935 forretningen Chr. Hansen A/S som hun drev sammen med sin ektemann, Gunnar Følstad, til sin død. Deres sønn, Knut Følstad (f.1942 -), tok da over forretningen. Signe Følstad ble i 1963-64 den første olderkvinnen i Nord-Norges Fotograflaug.

Foto: Følstadsamlingen

Har du mer informasjon om dette bildet? Kontakt: fotoarkiv@perspektivet.no

Nikkor-W 180mm, pro160c

film for friend's family

My first large format camera! It´s a 4x5 with a Nikon 127mm F5.6 lens. The camera can be focused by moving the inner box in/out.

Pretty self explanatory here.

Built from plans in the book 'Primitive Photography' by Alan Greene.

these was the same day but the pictures are taken with Kodak Aeroektar 178mm f2.5. This lens was regarded as a common initiative lens of hyper bokeh on 4x5 format, with the speedgraphic. Making a 35mm equivalent f0.68. Different to the 3G4E structure, the AE is a typical double gauss design, the bokeh is still my favourite style. These 3 pic are also with the kodak aerocolor film 2460, an aero with aero photo