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Ongoing design refinements for my lasercut 4x5 build. This will be cut from a single sheet of 6mm material before assembly. The final camera will have a rotating back with embedded DDS/groundglass holder along with full movements on the front standard.
The first experiments with 35mm film sewn into 3.25x4.25 sheets. These were made with the help of nightvision goggles and a sewing machine.
With Jake Appelbaum and Mike Estee.
We have a few papers so rare and expensive that most people never see them. But since a customer recently ordered one of our Gold* Fusuma papers, we thought you might enjoy a glimpse of a paper you would otherwise never see.
*It's actually burnished bronze, but no less beautiful for that!
Very mysterious. I took a large format photo class one semester and got a camera to use for the entire semster. Bitchin. Someday I'll scan the work that I shot with it and post it up here.
Arista 200 4x5 sheet film, rated at 200. F8 at 1/30 second. Xtol 1+1 for 10 minutes.
Scanned by putting the negative on a cell phone and then using a digital camera to take a picture, then inverting it in Lightroom.
There is a "grain" that is visible across the view. This is actually the OLED display behind the negative. When I get home I will do a proper scan.
using 8x10 format with APOLLO 300mm f2.8 lens, which equals to 35mm format 40mm f0.38
TOYO 810M2
Kodak aerocolor 2460
With GREAT trepidation I disassembled the rear standard of my 10x8 in order to properly measure the ground glass to get a brighter one made to replace what is probably getting on 50 years old and very dim.,
It is now re-assembled and good to go again while I wait for the replacement.
MPP Micro Press
Rodenstock Sironar-N 150mm F/5.6
Fomapan 400
Agfa Rodinal 1:50 12min
CanonScan 9000f mk2 (4800dpi) ~500MB DNG
Vuescan 16bit raw
Lightroom
crop 70x87,5
First time to use 4x5 camera
Front view of the camera.
The 4x5 model allows u to shoot pinhole shots with a normal film holder behind. The box that holds the pinhole camera is also a 6x8 pinhole camera.
Arizona Cactus Garden, Stanford University. Ebony 45SU, 250mm Rodenstock Imagon, H 5.8-7.7 disk at H 5.8, 1/100. 2-stop ND filter. Ilford Delta 100 Film.
shot on a Sinar 5x4 - FP4 film developed in Perceptol.- printed on Ilford MG FB lV - toned in sepia and selenium
View of the back that articulate with the film back.
The 4x5 model allows u to shoot pinhole shots with a normal film holder behind. The box that holds the pinhole camera is also a 6x8 opinhole camera.
My roommate and I made t-shirts. I'm pretending to look at one of the screens. The quartz studio lights came in handy for burning screens.
Burke & James 5x7 view camera with 4x5 reducing back, 8" f/7.5 Graflex Optar, Polaroid Type 52.
Here you can see an unfinished film holder inserted in the back section (on the right, sticking out of the top). In front are the four pieces of the middle section, which slides inside the front and back sections.
On the left is the front, with c-clamps holding the lens-board supports in place as the glue dries.
This camera has a rising front, for perspective control. The front can be raised a couple of inches.
Built from plans in the book 'Primitive Photography' by Alan Greene.
The students' photo club has set up an arrangement whereby one can book time at a studio after completing a course. This was one of the photos I snapped during the course, with my Sinar Norma. It's worth looking at the full-resolution file.
It's the first time I have taken a portrait at an aperture smaller than f/8 (the largest on this lens is f/5.6). I seem to recall I took the photo at f/16. I like the results! Pretty sharp, eh?
Fomapan 100, developed 6 or 7 minutes in XTOL with continuous agitation. Scanned as a 16-bit TIF at 3200dpi with an Epson Perfection 1680, and some contrast added in Lightroom.
I need to get better at dusting the film sheets after loading them into the magazine. The dust was a part of the exposure.