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We have a few papers so rare and expensive that most people never see them. But since a customer recently ordered one of our Gold* Fusuma papers, we thought you might enjoy a glimpse of a paper you would otherwise never see.
*It's actually burnished bronze, but no less beautiful for that!
Arista 200 4x5 sheet film, rated at 200. F8 at 1/30 second. Xtol 1+1 for 10 minutes.
Scanned by putting the negative on a cell phone and then using a digital camera to take a picture, then inverting it in Lightroom.
There is a "grain" that is visible across the view. This is actually the OLED display behind the negative. When I get home I will do a proper scan.
Lake Tahoe sunset on 4X5, VS100.
As I recall, this was about a 30 second exposure at f45.
Minor tonal adjustment and dust removal in photoshop.
This was a difficult shot for me. The temperature was about 10 degrees and the wind blowing off the lake made it seem well below zero. I wasn't dressed for it. After two hours of waiting for a sunset I wasn't really caring much about the shot. I just wanted back into the warm car.
MPP Micro Press
Rodenstock Sironar-N 150mm F/5.6
Fomapan 400
Agfa Rodinal 1:50 12min
CanonScan 9000f mk2 (4800dpi) ~500MB DNG
Vuescan 16bit raw
Lightroom
crop 70x87,5
First time to use 4x5 camera
Front view of the camera.
The 4x5 model allows u to shoot pinhole shots with a normal film holder behind. The box that holds the pinhole camera is also a 6x8 pinhole camera.
shot on a Sinar 5x4 - FP4 film developed in Perceptol.- printed on Ilford MG FB lV - toned in sepia and selenium
View of the back that articulate with the film back.
The 4x5 model allows u to shoot pinhole shots with a normal film holder behind. The box that holds the pinhole camera is also a 6x8 opinhole camera.
Arizona Cactus Garden, Stanford University. Ebony 45SU, 250mm Rodenstock Imagon, H 5.8-7.7 disk at H 5.8, 1/100. 2-stop ND filter. Ilford Delta 100 Film.
Here you can see an unfinished film holder inserted in the back section (on the right, sticking out of the top). In front are the four pieces of the middle section, which slides inside the front and back sections.
On the left is the front, with c-clamps holding the lens-board supports in place as the glue dries.
This camera has a rising front, for perspective control. The front can be raised a couple of inches.
Built from plans in the book 'Primitive Photography' by Alan Greene.
Arizona Cactus Garden, Stanford University. Ebony 45SU, 250mm Rodenstock Imagon, H 7.7-9.5 disk at H 7.7, 1/100. 2-stop ND filter. Ilford Delta 100 Film.