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I have just been kindly given this 5x7 monorail Toyo view camera. The package included the camera itself, a 5x7 back, a 4x5 back, film holders, a 240 mm Komura lens in Copal 3 shutter, and a 180 mm Bayer lens in Compur shutter.
The camera seems to be a M series as I understand, the predecessor of the famous G series. Still, if any of you have more info on this camera, please share !
Linhof Kardan ST-E
Rodenstock 210mm f/5.6 at f/5.6
Ilford HP5+ 4x5 EI400
Ilfotec DD-X 1+9
Scanned with Canon 5d3 / 100mm f/2.8 Macro at f/8, ISO 10
Two shots with a Princess camera -London & Paris Optic & Clock Company- and the camara itself with Ross no. 3 Cabinet.
Plate size 12x15inch, 31x38cm
Pictures on expired Kodak paper.
On the ground glass everything looks good and negatives this size are astonishing.
ХниПаН на каŃданнŃŃ ĐşĐ°ĐźĐľŃŃ ŃĐžŃПаŃĐ° 4Ń 5, пОŃŃĐžĐźŃ ĐżĐžŃŃойОваНОŃŃ Đ˝ĐľĐźĐ˝ĐžĐłĐž вŃĐ´ĐľŃМки Ń ĐžĐąĐžĐ¸Ń ŃŃĐžŃОн) ĐĐž кОгда на ŃНиŃĐľ ниМо -40, ŃĐž и ŃпоŃиŃŃ ŃМо нокŃĐ´Đ°) ĐНонка foma200, ĐаПоŃĐ° Sinar F, ОйŃокŃив Schneider-Kreuznach Symmar 1:5,6/210 ĐĄĐ˝ŃŃĐž на ĐžŃĐşŃŃŃОК диаŃŃагПо. ĐŃĐ´ĐľŃМка 1/50. I shot with a 4x5 cardan camera, so it took a little exposure on both sides) But when it's below -40 outside, there's nowhere to hurry) Foma200 film, Sinar F camera, Schneider-Kreuznach Symmar lens 1:5,6/210 Filmed at an open aperture. 1/50 exposure.
5x4 Pinhole camera. I use Fidelity double dark slides attached by Velcro straps. Sheet film or paper. Constructed entirely of wood, with black velvet light traps .I call it the Ghost Camera because I was using it in a local graveyard when I was asked by an interested/puzzled stranger "what kind of camera is that"? I couldn't resist it. (naughty I know)
Toyo-View Recessed Lens Board Copal #1, USA CAT#180-619
Reduces focal length for wide angle lenses.
The lens board measures approximately 43 mm in depth and is 158 mm square, used for Toyo-View 45G, 57G and 810G large format cameras and some Omega-View models as well.
Cop1_rlb_IMG_1021
oude kerk_delft
Original on 4x5 inch film, Fuji-chrome Velvia 50.
Church Oude Kerk in Oude Delft.
Delft, Netherlands.
The original paper negative has many many technical issues, but the expression and the eyes especially made it worth working on, to recover as much of the image as possible!
My second 4x5 camera, Wista 45, from Japan. Heavyduty camera, all metal and does a lot of tilt movements even if it is very compact. Folds neatly into a square lump of metal.
Youtube Videos. Watercolor. Blog. Portrait.
Work in progress.
Oil on canvas 200x150cm.
Youtube: youtu.be/EMyVnzI8UOM
Ilford MG RC Pearl 17,8x24 cm taped into 8x10 holder
ISO 25, F22, 1 sec (I started from ISO 6, but that resulted too dark negative), some clouds in sky
Ilford Multigrade dev 1+14 1:30
Water 30sec
Fomafix 1:30
Canoscan 1200dpi, rescaled to 600dpi, PS invert and flip
Sironar-N MC 300mm f5.6
4X5 with a fog machine and strobes behind the lathboards in a very old house that's under restoration.
Anamorphic shot of the St. Paul Cathedral on New Years Day, 2009. 6.25" dia. popcorn tin, ortho lith film, Soemarko LC-1 developer, single-transfer carbon print on home-made carbon tissue. The final support is fixed out Agfa Brovira photo paper that expired in 1972.
6.25" dia. popcorn tin camera, two pinholes, Arista APHS ortho lith film, Soemarko LC-1 developer, scanned from the negative in two passes and stitched in Photoshop
After posing for the picture I thought I was making on this sheet (using T mode in the dark), I closed the shutter and turned on the lights. When I looked at my lens I was staring at a now-open shutter, meaning that the shutter never opened for my originally planned scene in the first place and was instead now photographing an empty bed. Oh well.
4x5 HP5