View allAll Photos Tagged largeformat
Near Monterey, California.
Taken with a 4x5 Super Graphic Camera with a Schneider 90mm f/5.6 Super Angulon lens.
Camera: Shen Hao HZX45-IIA
Lens: E.Suter Basel Doppel Anastigmat Series IIIa 15cm/5.6
Film: Polaroid Type 55
GOMZ Fotokor, 9x12. Digitally inverted paper negative. Paper: Fomaspeed matte, ~ 4 ISO.
F4.5, 120 seconds. A bit overexposed, 90 seconds could be just fine.
Bill Bayer on Chevy van rooftop with Burke & James 11x14 view camera, somewhere in the California desert. I think this is in the Johannesburg, Randsburg, Red Mountain area off US 395 and was probably shot in the early to mid '80's.
B&W negative from postcard format Speed Graphic "scanned" on a light table with the Nikon D-90
Brooklands was a 2.75-mile (4.43 km) motor racing circuit and aerodrome built near Weybridge in Surrey, England, United Kingdom. It opened in 1907 and was the world's first purpose-built 'banked' motor racing circuit.
Shot on 4x5" large format camera
while i was taking this picture, with the camera dark cloth over my head, someone snuck up to my bike across the street and left a note scrawled on a napkin calling me an a__hole, and then disappeared without a trace. this was on treasure island, practically deserted. really creepy. but i like the picture.
Shot for my serie i call "At home" . It´s a on going project were i go to peoples homes and take portraits of them .
A copse, with three large boulders. Miyoshi, Saitama, Japan. Taken on 9.5x12 photo paper with large format wooden camera. (Light leak from the edge of my home-made negative holder.)
This series of rock formations in the negative were actually below my feet as I climbed up on to a big rock with the ShenHao & tripod to compose this shot.
I used some front tilt of the lens to try to get the foreground below my feet in focus. As you can see, I was in a rush and neglected to check the coverage of my lens after tilting the front lens. There is vignetting in both upper corners of the negative due to lack of coverage.
In hindsight, I should have also tilted the back frame of the camera slightly to match the plane of the subject. For this image, my focus was on the progression of rocks throughout the frame, not the background forest.
As for exposure, 50 minute stand seems to be a good time for flat light as in this negative. For images with a broader dynamic range, I will have to back off of my development times with Rodinal.
f45 @ 4 seconds
ShenHao HZX45-IIA + Fujinon-W 135mm f5.6 + Arista EDU Ultra 100 @ 50 iso + Rodinal 1:100 @ 50 min (Jobo Tank, 1 min initial agitation followed by 3 turns @ every minute for next 4 minutes, slight turn at 30 minutes, stand developed)