View allAll Photos Tagged largeformat

Anamorphic shot of the St. Paul Cathedral on New Years Day, 2009. 6.25" dia. popcorn tin, ortho lith film, Soemarko LC-1 developer, single-transfer carbon print on home-made carbon tissue. The final support is fixed out Agfa Brovira photo paper that expired in 1972.

6.25" dia. popcorn tin camera, two pinholes, Arista APHS ortho lith film, Soemarko LC-1 developer, scanned from the negative in two passes and stitched in Photoshop

phase 3 final portfolio

After posing for the picture I thought I was making on this sheet (using T mode in the dark), I closed the shutter and turned on the lights. When I looked at my lens I was staring at a now-open shutter, meaning that the shutter never opened for my originally planned scene in the first place and was instead now photographing an empty bed. Oh well.

4x5 HP5

#StaySenigallia

4"x5"

Pyrocat-HD 2+2+100

Sinar P2 + Rodenstock 155/6.8

Romania, May 2008

To be fair, it's actually my 'tremendous trio'. This picture was taken with my Nikon D40

 

Lens info:

- D300 - Nikkor AF-S DX 18-55mm f/3.5-5.6 VR

- D40 - Nikkor AF-S DX 35mm f/1.8 G

- Sinar - Fujinon 150mm f/5.6

Last large format negative with Acros 100 4x5 in pyrocat hd. 1:1:100 for 8.5 min @ 72* rotary process.

Wista field view w/90mm.

Near Monterey, California.

 

Taken with a 4x5 Super Graphic Camera with a Schneider 90mm f/5.6 Super Angulon lens.

Cambo View Camera 4X5,

Ilford FP4;

Epson V500

Camera: Shen Hao HZX45-IIA

Lens: E.Suter Basel Doppel Anastigmat Series IIIa 15cm/5.6

Film: Polaroid Type 55

Speed Graphic, 4x5 HP5+

Palace square, St.Petersburg, Russia. Fotokor-1, f4.5, FOMA fomaspeed paper, 2 minutes

I built this based on my Leonardo pinhole 4x5 camera. Bamboo 70mm or 2 3/4" focal length, pinhole 0.0126", .320mm

Exhibition printing for stand graphics

158x126cm or 80x64cm, Lightjet on photographic paper

Bill Bayer on Chevy van rooftop with Burke & James 11x14 view camera, somewhere in the California desert. I think this is in the Johannesburg, Randsburg, Red Mountain area off US 395 and was probably shot in the early to mid '80's.

 

B&W negative from postcard format Speed Graphic "scanned" on a light table with the Nikon D-90

Toyo 45AXEpson V750

yes this is one of successful cyanotypes out of thousand.... Exposure was about 1 hour (sunlight 30 min + light bulb 30 min).

  

I have been trying alternative process. Now I am trying cyanotype and vandyke print. Both are awesome and beautiful prints. I am loving them so much.

 

ps. I corrected color a bit with photoshop... :)

the magnificent Roger Eason

after sunset aruba_2

Original on 4x5 inch film, Fuji-chrome Velvia 50.

Taken at Malmok.

Aruba

Graflex Crown Graphic. Leather stripped and wood refinished.

Film: Ektar 100 4x5

Toyo 45c 210mm lens wide open

Chroma spring back release edition showing Fuji Quickload and Wista 6x7 Rollfilm backs in place.

Camera: DIY8x10

Film: GP3

Develop: HC110

  

Qiantang River,Hangzhou China

a revolution of large format SLR system - the smartflex designed and manufactured in China, with modern design and material which has the same weight as 120 SLRs but supporting 4X5, 612, 3x4 etc. altogether with a modern designed Smartnon 7in. bright lens, extremely sharp and good color. The new era of large format portrait is coming!

The priest of Viscri in the orthodox church.

Romania, May 2008

high rise hotels_aruba

Original on 4x5 inch film, Fuji-chrome Velvia 50.

Taken from the landfill before Phoenix hotel at Palm Beach.

Aruba

Chamonix 10x8, Schneider Kreuznach Symmar-S 360/f6.8, Kentmere Glossy Grade 2 RC paper, Ilford Multigrade developer 1+9, Epson V850 scan.

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