View allAll Photos Tagged largeformat
A neighborhood eatery called Melt. Taken with a 1910 Seneca 8 with expired Kodak Portrait Pan. Developed in Caffenol.
Re-envisioning of Mapplethorpe's work with the two men with alopecia- 16" x 20" silver gelatin fiber print: 4" x 5" Negaive Film studio portrait
Went out with some expired Arista Ultra 100 and the Intrepid 8x10. Wandered on a back country road and captured some perspective images. The detail in LF is really wonderful, and using Rodinal/Xtol in sequence seems to bring out the detail with good tonality. Thanks to the inspiration that the flickr community continues to give!
...worm casting inside a barnacle, Bass Point.
Chamonix 045F1, Rodenstock Ysaron 75mm, Delta 100, Xtol(1.3)+RO9(1.160)
Every time i going from work i look to this my favoutrite place in the night. I hope once i save money for colour film, now in BW. Little bit of my out view because i planed to shoot on F22 but i forgot to set it. This is why i thing image is not too sharp for my focus point.
This is second photo i shoot with tilted lens and tryed to focus on the street light.
I took two photos, 1st photo with landscape orientation and normal paraler focus.
Shoted with my Large format Camera Graflex Pacemaker Speed Graphic on film Foma Fomapan 100 in format 4x5 and developed in Foma Fomadon R09. Scan with Canon Canoscan 9950F in original film holder, EXIF information added from ExifNotes via ExifTool Development details on FilmDev
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I love film photography most. I started to shoot on the film when i was 12 yo. after my high school I photographed on digital and in 2020 i came back to the film. In two year i spread my point of view to film and raised my family size to medium format 6x6 and 4.5x6 and finaly in 2022 i juped to do Large format 4x5.
Are you interesed into my gear check out this page and look what i`m using and why [My photograpy gear]
If you like my work and want to support me, Thank you and go to adlg.cz/donate
All my photos are in same license, see the info on the site. If you like to use my photo outside of this license pleas write me message with your offer and plan.
Quickly view my LargeFormat 4x5 | MediumFormat 6x6 or 645 | 35mm | 360degrees photography
Graflex "Pre Anniversary" Speed Graphic / C.P. Goerz Berlin Dagor 12.5cm f6.8 / Rollei Retro 100 Tonal (Caffenol C-M(RS) 16℃ 20min 44sec)
Seneca Improved View 5x7 + 4x5 reducing back, Bausch and Lomb 5x7 Tessar 1c f/4.5, New Guy positive collodion (1 week old), Tintype
f/4.5, 6 seconds
Shane, a video production pal from Vancouver, happened to be in town visiting his girlfriend. He's become interested in the process so we met up so I could demo and explain it to him. Of course I had to take his portrait.
When the early 19th century meets the 21st century. Quite the contrast and coexistance of these buildings. Glad the government has made the necessary steps to conserve.
Built in the 14th Century.
Canham JMC 8x10 + Fujinon 300 C f8.5 Lens.
Ilford Direct Positive FB Glossy. Paper pre exposed under an enlarger before use.
Exposure f11 - 2sec.
"Porcupine"
Zion's backcountry washes take on an entirely different character in winter, and one of my favorite things to see was how the snow blanketed the various desert flora. The Yucca plants covered in snow in particular were really bizarre and fascinating to behold. This scene captures an ephemeral moment when a group of maples and cottonwoods in this wash were covered in a fresh coat of deep powder. The snow-buried Yucca made for a striking foreground element, and if you look closely, you’ll notice a set of bighorn sheep tracks leading through the deep snow around the Yucca on the bottom right of the frame. I captured this scene on Fuji Acros 100, and I admire the way it renders the red sandstone a dark charcoal grey and creates a strong contrast with the dark rocks and light snow. Acros has very fine grain structure, which results in gorgeous detail rendition & tonality.
2nd-Gen @intrepidcameraco 4x5
Fuji Neopan Acros 100
Schneider-Kreuznach 90mm Æ’/8 Super-Angulon
1.5s @ Æ’/45
4:20pm 12/28/2016
"The point is this. The arts are not the pretty but irrelevant bits around the border of reality. They are the highways into the center of a reality which cannot be glimpsed, let alone grasped, any other way. The present world is good, but broken and in any case incomplete; art of all kinds enables us to understand that paradox in its many dimensions. But the present world is also designed for something which has not yet happened. It is like a violin waiting to be played: beautiful to look at, graceful to hold-and yet if you'd never heard one in the hands of a musician, you wouldn't believe the new dimensions of beauty yet to be revealed. Perhaps art can show something of that, can glimpse the future possibilities pregnant within the present time." – N.T. Wright
This is the other negative of Mell that I shot in this pose. Think I might like it better, although they are very similar.
participation pour l'exposition organisée par les Black Cat Bones dans leur BCB Café à Mexico pour les 20 ans de la série Twin Peaks
Newly Weds, Chris and Sara's in Xidi
Ebony SV45 Ti
Carl Zeiss 135mm f3.5 T*
Kodak G 100
Profoto Acute B
Harman Direct Positive paper unflashed rated 1,5 iso. Developed in Ilford Multigrade developer for 3 min. Taken with Sinar P 8x10 and Rodenstock 300mm f5,6 Sironar wide open.
This is my first large format photo in a while and the first one I developed myself at home. Shot in open shade with my Graphic View II 4x5 camera and Schneider – Kreuznach 150mm Symmar convertible lens wide open at f/5.6 and at 1/100 of a second. Film is TMAX 100 (expired in 2003) developed in Ilford DDX for 7 minutes at 20 degrees C agitated with 4 inversions every 30 seconds in my new SP-445 developing tank.
I "scanned" the negative by putting the negative on a light table and photographing it with my Nikon D610 and an old Nikkor 55 micro set at f/8 – the metadata is wrong because I forgot to tell the camera which lens I was using.
Spotted, reversed and adjusted in Lightroom.