View allAll Photos Tagged largeformat
Developed some Plus-X which expired back in 1979.
This time I used a yellow filter which introduced a little more contrast into the negative which seemed to be helpful in breaking through the fogging on this old film and made the negative jump out a little more.
Captured with my ShenHao HZX45-IIA & Fujinon-W 135mm f5.6 lens
Shot @ f32 @ 1/2 sec exposure with Yellow Filter
I exposed the film at 25 iso and developed in HC-110 H @ 14 minutes
Deardorff 5x7 + Hugo Meyer Double Plasmat 1:4 210mm / Apature Open wide
Fomapan100 @ISO80 Supr Acurol-N
I shot four 4x5 sheets and four rolls of 120 on the last day of 2023, and developed same on the first day of 2024. I have been a little inactive for the past couple of months and it felt so satisfying to be behind a camera again. I have photographed this scene a few times over the years, and it caught my eye again with the precarious cant to the porch column. This neglect saddens me so much. My "beautiful" city.
Monument Valley, Intrepid 4x5 mk2, DaYi Back 6x17, Schneider Symmar S 150mm f5.6, Fujichrome Velvia 50, developed in Arista Rapid E6
4x5 Busch Pressman
Fuji Crystal Archive Paper 4x5
f22-38,7 sec. with no filter (ISO 50)
Developing time:
1`30``developer (room temperature: 18 degrees ish )
1`30``blix
Not ra4 reversal process. I have processed and adjusted in PS. The neg is not scanned. I took a pic with a Ricoh GR handheld.
I think the res could be a bit better but I have not scanner yet.
Large format Crown Graphic. Practice shot from first shots ever with this camera. Developed in straight d-76 i think. Student grade film (Arista Edu 100 iso)
this one got kind of weird (in the sky) when I scanned it in.....
I've been experimenting with ways to develop my large format sheet film in daylight, without a dark room. For this sheet I used the Taco method in a Paterson 4 daylight tank. I'm getting there. Still not perfect. I may try BTZS tubes next.
It's been a while since I last released any photos.
This one was taken 11 months ago in AlGan at the northern tip of Saudi Arabia. It was a cold night and we found refuge in small area surrounded by mountains from all sides except a small opening in southern side that was barely enough for my car. A fine shelter from the cold Northern wind.
At midnight the clouds gathered and it started raining lightly. At sunrise clouds started to part and sun stroke the mountain across the valley. This is the view outside our mansion!
Shot on kodak ektar using chamonix 4x5 and Rodenstock 90mm
4x5 Fuji Provia 100F, Linhof Technika, Schneider Symmar 15cm 1:5.6, wide open 1/4 sec exposure w/ off-camera flash
From "My Life In A Dome" project, exploring themes from my boyhood through the objects saved by my parents.
Toyo 45CF, 150mm Schneider, Ilford HP5+, PMK Pyro developer.
Pont sur la rivière la Haine, Mons.
Un sac en plastique contenant un torse de femme a été trouvé flottant dans la Haine le 25 juillet 1996. Les jambes, la tête et les seins en ont été retirés. On attribue ces faits au dépeceur de Mons. Son identité reste inconnue.
Travail en cours sur les évènements importants de l’histoire Belge.
--------------------------------------------------------------------
Bridge over the river "la Haine" (hatred), Mons.
A plastic bag containing a woman's chest was found floating in la Haine on July 25, 1996. The legs, the head and the brests were withdrawn from it. One allots these facts to the cutter of Mons. Its identity remains unknown.
Work in progress on the important events of the Belgian history.
Fuji Velvia 50 shot in Busch Pressman D with Graflex Optar 162mm f/3.5. Developed in Arista Rapid E6 kit with the Mod Photographic 4x5 reel (AMAZING).
A while back, I bought a wooden film holder at a flea market that turned out to have a couple sheets of unknown film in it. I held out no hope of finding latent images, but I developed them anyway, thinking maybe there would be something interesting. One sheet was purely blank, but this one revealed abstract evidence of handling, exposure, and time. What you see here is heavily post-processed, with individual color channels enhanced and combined.