Handheld Large Format Camera
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Another attempt with the Graflex: I found this willow on Lake Hallwil. For the first time I disappeared under my new "adjusting cloth". On this cold morning it was wonderfully warm underneath and focusing was a lot easier. I snapped a few shots as the sun colored the sky. Despite all the concentration, one picture ended up being black and one double-exposed - sigh - but the rest were usable!
Camera: Graflex Century Grafic 2x3 (6x9)
Film: Kodak Portra 400 (120)
Scanner: Epson V850 Pro
Scannersoftware: SilverFast
Sinar F
Schneider-Kreuznach 150mm F5.6
Shanghai GP3 100
Kodak HC110 1+31 19C 8:17mins
Epson Scan V800
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Sinar F 4x5 camera
Schneider 150mm F5.6
Shanghai GP3 ISO 100
Blazinal 1+25 20C 10mins
Fix 5mins.
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Graflex Speed Graphic Large Format 4X5
Lens: Cooke Telephoto Anastigmat F/5.6 320mm 12 1/2 Inch Series III (Made by Taylor-Hobson England (Maybe Year 1906-1923)
120 film Back
Kodak EPP
CineStill D9 First Developer Bath 1+1 9mins 15 Sec)
Rinse 6 Lifes or 6 Inversion Cycles
Color&Reversal Bath 7mins
Rinse Fill and Empty Tank 6 times
Bleaches & Fixer Bath 8mins
Wash fill and Empty 10 times
Stabilizer: 1min
Scan：Epson V800
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Polaroid 79
I was thinking about another picture for today but I think that this is the best for the this year's Spring Roidweek.
This is how it looks after a few hours of snowing in the woods.
Toyo 45G Fujinon A 240mm/F9 Yellow Filter. Ilford FP4+ 125 ASA.
1/30s F25. Mangrove Base Zone II; Cloud Highlights Zone VIII/IX.
Standard development Ilfosol-3.
11 AM, Bright sun. The cumulus clouds had built up through the morning, and blew off soon after I finished shooting.
again in the east side of the Zion National Park autumn 2019
Chamonix F2
Rodenstock Grandagon-N 90mm f/4.5
Kodak Ektar 100
Epson V800
Graflex Speed Graphic Large Format 4X5
Lens:Carl Zeiss Jena Tessar 1:4.5 F=21cm (1920-1930)
4x5 Glass Wet Plate Collodion
F8.0 30" outdoor Cloud day
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Sinar F 4x5 camera
Schneider 150mm F5.6
Fomapan ISO 100 , 4x5 format
Develop - Kodak HC110 (1+79) 12min （20C）
Fix 1:4 8 mins
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Paper negative
Self-made film holder still lets in light.
But the effect of it makes the picture almost picturesque.
The thin strip of light only hits the elevations in the paper.
Linhof color 5x7 (by adapter from 4x5), Computar Symmetrigon 150mm. one second exposure in the wind.
Fomaspeed 311 with yellow filter and exposed at ISO3.
Everyday you can see
Changes in her hair and smile
I can wait a million days
While her smile goes away (Mazzy Star – Roseblood)
Lith Print onto Forte FN14 Fortezo Museum using Moersch Easy Lith @ 1+20
Toyo 45G + Schneider-Kreuznach Symmar-S MC 210mm 1:5.6 + Ilford FP4+ in Rodinal @ 1+50
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Paper negative, overexposed and underdeveloped. The uneven development makes a really nice effect. Linhof Color 4x5, Computar Symmetrigon 150mm f6.3.
I originally said it was a Direct positive, but I was mislead by a wrong prefix in the name of the file from 2018. (Silverfast repeats the prefix from previous session unless you change it)
The picture was finished long time ago and when I put it out here, I was misled by the prefix.
I am sorry about it, but now I have corrected it. I found the result a bit difficult to explain and had to check the original. But at that time I treated both paper negatives and positives the same way, with highly diluted paper developer.
The time is up now.
Days are getting shorter and the darker moments become more strength. For the most people this could ne a mental problem. So it’s important to have periods like this week where people can find some happiness and warmth for their heart like here on the autumn Polaroidweek.
Have a nice week ✌️
Roidweek Day 1, Image 1
Pines at Nivaa Beach
Camera: Toyo Field 45A
Lens: Nikon Nikkor-W 210mm f:5.6 (yellow filter)
Exposure: 1/8 sec @ F/22
Film: Fomapan 200 Creative 4x5" hand developed in Xtol Replenished
From Pordenack Point looking across Zawn Trevilley towards Carn Boel.
Pinhole
Zero 45
New55 film
March 2016
Paper negative
Linhof color
f27 and 30 sec
The paper negative can give excellent results, but it also requires respect for the light and the right exposure.
I am beginning to suspect that I should go for exposure closer to ISO 8 thant ISO 6.
Older 4x5" negative I stumbled across during my most recent darkroom session :)
It's been quite some time since I've last enlarged 4x5". This print here is 24x30 cm in size and looks virtually grainless, what a beauty to behold ;)
Print onto Ilford Ilfospeed 4.44M using Moersch Eco 4812 @ 1+14
Toyo-View 45G + Schneider-Kreuznach Symmar-S MC 210mm 1:5.6 + Fomapan 100 @ 64 in Rodinal 1+50
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.