View allAll Photos Tagged largeformat

Recovered Fuji 100c45 negative

Hyons Wood, Walker Titan SF, Nikkor 90mm. Rollei Ortho 25 in HC110

lith print on Fomatone 132, selenium 1+9 90 sec

bulldog 4x5, fuji 150mm f5.6, 1min at f64, developed in fomapan for min at 20 C

Happy New Year to all my friends! I wish that you will have much fun, prosperity and that all your dreams come true.

 

For me, my resolution is - to make at least one large format photo each week .... !

The illustration of my life in my beautiful Ukraine. The toughest year. The year of war. But we here, at home, put together pieces of our broken hearts, lives and souls and move, no matter what, to our dreams.

 

Toyo 45G + pieces of film (Fujifilm)

Life underfoot. Usually unnoticed.

So much talent has passed through the Universe, will the Universe remember?

Or just pass by unnoticed?

Ground cover. Variants 1 and 2.

Art 300 in lith.

vase and orchids

 

RoidWeek fall 2020 Day 5 image 1

Linhof Color 4x5

Rodenstock Apo Ronar 360mm f9 at f16. 5 sec exposure.

Fomapan 100, Rodinal R09 1:50.

Taken with 270mm brass lens and Intrepid 8x10.

Fomaspeed 311

Marcus Happe: Charmonix H, Ilford HP5+, Xtol, Epson850

Mohave Desert, CA - 2020

 

Wista VF 4x5

Kodak Portra 160

 

www.christophersoukup.com

 

Instagram

this is my contribution for the May 2019 12.12 Project, the instant photography collective of which I am a member. Our theme is fragility.

 

"Real beauty is in the fragility of your petals. A rose that never wilts isn't a rose at all.”

― Crystal Woods, Write like no one is reading 3

 

Technical information: 1949 Speed Graphic with expired Polaroid type 55 film. Scanned negative (scanned in color).

 

"La vraie beauté se trouve dans la fragilité de tes pétales. Une rose qui ne fane jamais n'est pas du tout une rose."

-- Crystal Woods

 

This day started out cloudy but around noon the clouds started breaking up. I had a few places in mind to shoot some film and as I was driving some of the backroads near my home I encountered this scene. I'm a big fan of windmills and this one is nicely representative of ones you see in this part of the country. I don't think this one is still in operation, but many like this are. They are typically used these days to water livestock. I wanted to bring in some of the road and the trees in the distance to give a sense of scale. I was hoping for better clouds, but sometimes you take what the scene gives you. Image captured with my Linhof Technika IV on FPPs Frankenstein 200 film. Self-developed with Xtol at 1:1 dilution.

A structure I have photographed before, but this time with the Toyo 5x4 on Fomapan 100. Film was developed in Xtol

Inspired by Anne Clark:

youtu.be/cb0_hTDKYB4

 

Hybrid large format 40x40 cm

Meyer Görlitz Epidon 3.6/420mm

Toyo 45a with Rodenstock 150mm, 8 sec @ f16, Rollei RPX25 in Rodinal @ 1+50 for 10 minutes

paper negative

scanned in color, inverted.

b&w below in comments

 

I'm having to tray develop to get any results.

  

1949 Anniversary Edition Speed Graphic, Kodak Ektar 127mm F/4.7 + 2X close-up filter, Ilford HP5, developed in HC-110 for 5 mins

 

Yesterday, I took my Speed Graphic for another spin. It had been over a year since I shot any large format photography. It felt great to see that I remembered how to do everything, from loading the film correctly in the film holder, to opening (and then remembering to close) the lens, to using the ground glass, etc. There are a lot of steps to follow in large format photography. Images are composed upside down and backwards. I have to use a magnifying glass to get a precise focus. It’s like calisthenics for the brain. Any mis-step along the way, and the photo is ruined, and you won’t have any clue until after developing the film. One success is worth all the time and effort though. It feels like a victory. :)

 

Beautiful Rafaella

 

Cambo SC

Rodenstock Sironar 300mm f5.6

Shot on Ilford HP5 4x5

Dev in Kodak D76

Epson V850 scan

 

Two light setup with Elinchrom strobes. Deep octa camera left, gridded reflector on the backdrop.

Negative Foma 100 asa

Camera: Kodak 2 D 20 x 25 cm

Lens No name wide angel

A small house in the forest by the river that you may rent for a night.

 

13x18 Fomapan 200, contact printed on Fomatone 131

Linhof color with adapter, Rodenstock Apo Ronar 360mm.

1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - Fuji UM/MA X-Ray - 8x10 Film (6"x6" In Camera Mask) - HC110 1+100 - Unaltered Negative Scan

 

Sonoran Preserve, Arizona

Camera: Arca Swiss "F" Metric 8x10 IN. large format (cropped)

Lens: Fuji Fujinon W 250mm f/6.7 (Red filter)

Film: Ilford Delta 100 Pro developed in Rodinal 1+50

Exposure: 4 sec. at f/64

Polaroid 59 from a trip to South-Tirol in 2016.

Harman Titan 4x5 Pinhole with Ilford HP5+ developed in HC110 Dilution B.

www.kirtecarterfineartphotography.com

wanderlust travelwide 90

schneider-kreuznach angulon 90mm f/6.8

fuji astia 100F 9x12 cm

Toyo 45a with Rodenstock 150mm lens, 1 sec @ f22, Rollei RPX25 in Rodinal @ 1+25 for 6 min @ 20c

"Onde houver uma árvore para plantar, planta-a tu. Onde houver um erro para emendar, emenda-o tu. Onde houver um esforço de que todos fogem, fá-lo tu. Sê tu aquele que afasta as pedras do caminho."

 

Original de

Gabriela Mistral

 

Fotografia estenopeica por FFilipe Raimundo2024

 

Exp 1.5m

Lata de cerveja

Fstop138

Foma variant 311

5ml Rodinal Ver menos

from a recent lecture/demo. cc harrison on my toyoview; fullplate, the collodion was all over the place that night!!!

 

copyright steve wilson photography 2009

"Pathway to Paradise"

 

On day 4 of my Zion Fall Color Trip, I headed into the famous Virgin River Narrows at first light. Because the water was cold, I wore dry pants and thick neoprene socks, which worked very well to keep my legs dry and my feet warm for the entire day of hiking in the water. In all, I spent nearly 10 hours in the Narrows that day, and as always the time flew by in this majestic and awe-inspiring place.

 

This classic scene was my second to last image made that day. I had run out of Velvia, so I made the exposure on 4x5" Kodak Ektar 100 color negative film. The exposure was 1 minute & 8 seconds @ ƒ/45 with a CPL on my Intrepid 4x5" large format view camera.

 

This was a very tricky negative to scan, but the final result is an incredibly sharp, massive-resolution image filled with rich detail and color tones that could be printed to 40x50 inches at 300dpi (you could stick your nose right up to it and only see more image details and fine film grain, not pixels).

 

You can own a signed limited edition print of this image at: lowerylandscapes.com/zion.

Harman Direct Positive Paper

Linhof Color 4x5

Rodenstock Apo Ronar 360mm

f11 and 4 sec.

*Click image to view detail*

  

Camera: Calumet 4x5

Lens: Fujinon W 150mm f/6.3

Film: Arista EDU 100

Developer: Rodinal 1:100 65 min (semi-stand)

Tank: SP-445

  

Visit davidwjohnson.tumblr.com/ for more work.

Scan from hanmaid bromoil print.

 

Photo taken with Gandolfi with a 4x5 reduction back.

Fomapan 200 @ 100 in Xtol N + 1.

 

Lens Schneider-Kreuznach Symmar 1:5,6 /300 mm.

 

The bromoil made on liquid emulsion from Foma.

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