View allAll Photos Tagged largeformat
Horseman L, Schneider Symmar-S MC 210mm
Fomapan 100 in Rodinal, semi stand development (1:100, 60min)
Langley Wood, New Forest.
Shen Hao 4x10. 210mm Fujinon W. Ilford FP4+ in Pyrocat HD. Scan from contact print on G2 Lodima.
Outdoor passion for polaroids. Indoor passion for painting.
Please check out my new paintings www.facebook.com/RossHolmesArt
Camera: 1950 4x5 RHS Camera with front tilt
Lens: Schneider-Kreuznach f/5.6 150mm
Paper negative: Kodak Kodabromide F5
Exposition: ISO 3
Developed with Caffenol CM by inspection under a safe light
No name Petzval 10 inch
5x7 Magnola Large format camera
Digital edit
Location: Parc Tournay-Solvay Brussels
Graflex "Pre Anniversary" Speed Graphic / C.P. Goerz Berlin Dagor 12.5cm f6.8 / Fomapan 200 (Rodinal R09 1:50 20℃ 10min)
4x5
Took this a few months ago on one of the trails near my home. Loved the foggy scene and the skeletons of trees fading in the mist. Love the green and yellow of grass, a hint of early spring color.
LageSense.com LS45, 4x5 large format digital back mounted on Svedovsky 8x10D camera. Veronica at Los Gatos, CA, USA. 178mm Kodak Aero Ektar lens f/2.5 at f/2.5. Wine Country Camera filter holder with Backstone ND 3 Stop filter, Schott BG38.
...Racetrack Playa, Death Valley NP.
Chamonix 045F1, Apo-Sironar-S 150mm, TMax 100, Xtol(1.2)+Adonal(1.160)
DECIDUOUS BEECH or Fagus (Nothofagus gunnii),
WEST COAST RANGE, TASMANIA
Autumn colour typically comes early to the Deciduous Beech of the West Coast Range compared to other parts of Tasmania. Exposed to the full force of the weather from the west, many of the plants grow prostrate and are wind pruned.
Relicts - Exploring the Flora of Gondwana
18 March - 15 November 2020
Cradle Mountain Wildness Gallery
www.wildernessgallery.com.au/relicts-exploring-the-flora-...
Toho FC-45x, Nikkor 90mm SW, Fujichrome Veliva RVP 50 4x5 quickload
24x30” Print on Canson Platine Fibre Rag
Kodak Tri-X Pan 320, 4" x 5", 320 iso, Normal development in PMK developer, 1:2:100, 9:35 minutes, 20C. Taken March 2016. Ebony SV45TE. Nikkor M 300mm.
Abandoned Boat, Hornby Island, British Columbia, Canada.
Am Lerchenberg, Hochebene östlich vom Staffelberg, Franken, 2022-09. cma20220917-L-02, Intrepid 4x5, Pinhole 135/0.45mm, UV filter, 7s, Kodak Ektar 100 @ EI100.
camera .. Rittreck View
film .. ARISTA EDU ULTRA 100
chemical .. Jacquard Cyanotype print
exposure .. 30min
use 5x7 bnw nega film
I turned 40 this year. I know this is of no real significance as age is one of the few things that we have absolutely no control over, however I did attempt to investigate my ageing back when I was nearer turning 30, so I though it might be worth looking at again.
By ageing, in both cases a lot of it is down to hair loss. Hair loss and my being increasingly aware of skin's ability to form ever finer wrinkles. Something I believe I have completely failed to show in these pictures.
Seneca Improved View 5x7, New Guy collodion, 5x7 tintype
f/8, 40 seconds
Black spots from unfiltered silver bath.
On day 3 of my 2016 fall color trip to Zion, I awoke to overcast skies and strong winds. I decided to spend the day exploring various washes and canyons to see if I could find anything to photograph. In the afternoon, I came across this unnamed slot canyon, and as the light was flat but the textures were beautiful and the stone was not affected by the wind, I decided to capture the scene on black and white film. After walking through this canyon back and forth slowly several times, gazing at the walls and soaking in the textures, lines, light, and shadows, I finally settled on this scene with a large rift in the stone wall of the canyon on the right forming a nice leading line, along with the wash itself meandering up the canyon and disappearing behind a tight bend in the slot.
You can own a signed limited edition fine art print here:
www.lowerylandscapes.com/zion/fracture
Intrepid 4x5" Field Camera
Schneider-Kreuznach 90mm ƒ/8 Super-Angulon lens
Fujifilm Neopan Acros 100
4x5 Pacemaker Speed Graphic + Kodak Aero Ektar 178mm f2.5 + Polaroid back + Fuji FP100C instant film
Karla - Miss Coventry 2014
In the studio tonight. B&W conversion and dusty scan
f16, 2 seconds (approx), flash lit. Removed lens cap, manually fired strobes, returned lens cap. No shutter used.
Epson v600 scan @1200
mrleica.com/2014/11/29/large-format-4x5-pacemaker-speed-g...
Camera: Black Edition Intrepid 4x5 camera. Lens: Schneider Symmar-S MC 240mm f5.6 @ f22, 1s. Film: Ilford FP4+, developed in R9 1+50.