This was a hard negative to work with. The sky was completely blown out in white because it was foggy that day. I did my best to burn it in & add some mood in the photo.

Something very nice about being able to use a 75mm lens on a flat lens board. This is my 75mm f:6.8 Grandagon focused at infinity on the Toyo 45AR. The bellows are fairly compressed, but there's still about an inch of bellows extension allowing for some rise, shift, tilt or swing.

4x5

Took this a few months ago on one of the trails near my home. Loved the foggy scene and the skeletons of trees fading in the mist. Love the green and yellow of grass, a hint of early spring color.

Chamonix 45n2

Congo 150mm f4,5

Kodak Ektar 100 DIY C41 Taco Method

V700

Paper Negative-1900s Hora 10x8, F45, 3 minutes

instant 4x5

Type 559 4x5, Gundlach Korona

Having neglected to bring the dark bag I thought I'd have a go at loading sheets in the cellar. A partial success.

We're Here, scarred negatives and all.

Hand-held wobble focused macro (Dah!) of a 4x5 negative laid on an LED lightbox dingus that I acquired for the purpose of digitising negatives with a DSLR. I haven't used this process for ages, so Thanks WAH!

WakaWaka Pelcomb Portraits.

4x5 Pacemaker Speed Graphic + Kodak Aero Ektar 178mm f2.5 + Polaroid back + Fuji FP100C instant film

Karla - Miss Coventry 2014

In the studio tonight. B&W conversion and dusty scan

f16, 2 seconds (approx), flash lit. Removed lens cap, manually fired strobes, returned lens cap. No shutter used.

Epson v600 scan @1200

mrleica.com/2014/11/29/large-format-4x5-pacemaker-speed-g...

intrepidcamera 4x5" | fomapan 400 | rodinal 1+25

Sinar Norma 4x5

Fujinon SW 90mm F8

Kodak Portra 160

Sinar Norma 4x5

Ilford HP5+ ISO 400

Rodenstock Grandagon-N 65mm f4.5

Natural window light + gold reflector

Still catching up on previous scans done. Was out in the grey day with the Horseman Woodman 45 and expired HP5 and rodinal semistand. It probably wasn't the best combination for an expired film, but the lighting conditions were subpar as well. But even though the equipment and I got rained on, it was still great to get out there, slow down, spot meter, and still try to capture images for the detail that large format so wonderfully does. Thanks for the inspiration from my flickeranian colleagues.

on 4x5 ektachrome, rochester NY, november 1995. 203mm f/7.7 ektar. the transparency has held up pretty well over the past decades.

large format photography constantly reminds you of your fallibility - another reason to love it

from a Half Plate negative, lith print on Fomatone 131, MT2 toner (I think :) )

collodion sur plexi noir 18x24

...Epacris longiflora, Barren Grounds

Chamonix 045F1, Goerz Celor 7", Portra 160, Cinestill C4 developer

Shot with Fomapan 100 and processed in Rodnial

4x5, HP5, Nikkor W 135,

St Bernard square, Dijon

January 2020

Homemade 18x24 pinhole camera

1 minute exposure

Foma RC negative paper

Brush developed with Cafenol CM

Moraine Park - November 2009

Velvia 50 4x5, Super Angulon 75mm

Photographer Gregory Crewdson checks the image of Union street on the ground-glass ofhis large format cameras, Wed Feb 8, 2006 (GARVER) Pittsfield, Massachusetts

from an 8” x 10” black and white negative shot in Northern Ontario, Canada during the mid 1990s

Sigüenza, Guadalajara - Castilla la Mancha - España

Chamonix F1 : Sinaron-W 75/6.8

Adox CHS 100 II : HC-110 (e)

Shot today on the Intrepid 4x5 upgraded to mk 4 Spec. Nikkor 90mm f4.5 with a yellow filter. Very windy so the leaves are blurred.

4x5

2 of the strips fell off or something, didn't have time to redo anything because i had to do them all in one day.

instagram

Viewing Large on Black is a MUST!!!!

Sinar F2 + Rodenstock Sinaron-N 210mm/5.6

Exposure 1/200sec f8.0 ISO 1500

Film: POLAROID SEPIA GIAMBARBA EXPIRED

Scanned from print with Epson 4870

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9.25x7.5 tintype