View allAll Photos Tagged largeformat

On day 3 of my 2016 fall color trip to Zion, I awoke to overcast skies and strong winds. I decided to spend the day exploring various washes and canyons to see if I could find anything to photograph. In the afternoon, I came across this unnamed slot canyon, and as the light was flat but the textures were beautiful and the stone was not affected by the wind, I decided to capture the scene on black and white film. After walking through this canyon back and forth slowly several times, gazing at the walls and soaking in the textures, lines, light, and shadows, I finally settled on this scene with a large rift in the stone wall of the canyon on the right forming a nice leading line, along with the wash itself meandering up the canyon and disappearing behind a tight bend in the slot.

 

You can own a signed limited edition fine art print here:

www.lowerylandscapes.com/zion/fracture

 

Intrepid 4x5" Field Camera

Schneider-Kreuznach 90mm ƒ/8 Super-Angulon lens

Fujifilm Neopan Acros 100

Toyo Field 45CF, Rodenstock 150mm, Ilford delta 100, yellow filter

 

1/8th, F22

 

Rodinal 1:50, 8 minutes

  

Camera: 4x5

Lens: Nikkor 150mm

Film: Ilford Delta 100

Dev.: Ilford Lc29

Toyo 4x5, 300mm Nikkor

TriX, N+1 (500ASA), f/11 2/3, 1/8s

View On White

Rahima Ali

Burke & James 4x5

Nikon Nikkor-W 210 f/5.6

Ilford HP5+

Tynehead Park, Surrey, BC

Horeseman L45

Schneider Symmar-S 135mm

Fomapan 200

 

Ilford ID11 1+3, 20mins

Epson V850

Canham JMC 8x10 + Fujinon 300 C f8.5 Lens.

 

Ilford Direct Positive FB Glossy. Paper pre exposed under an enlarger before use.

 

Exposure f22 - 4sec.

Type 559 4x5, Gundlach Korona

Taken by Cambo and Eurynar 240mm on 4x5" Xray film, green sensitive. Developed in caffenol for 6:30 minutes. Ca. 50% cropped during scanning.

 

Camera is in perfect condition again and the rangefinder is spot-on. Very very nice.

 

Please take a look at my most interesting photos Or take a look at my entire portfolio

4x5 Pacemaker Speed Graphic + Kodak Aero Ektar 178mm f2.5 + Polaroid back + Fuji FP100C instant film

 

Karla - Miss Coventry 2014

In the studio tonight. B&W conversion and dusty scan

 

f16, 2 seconds (approx), flash lit. Removed lens cap, manually fired strobes, returned lens cap. No shutter used.

Epson v600 scan @1200

 

mrleica.com/2014/11/29/large-format-4x5-pacemaker-speed-g...

collodion sur plexi noir 18x24

Fellow photographer standing for a shot..

 

ilford delta 100

Homemade camera (Blackeye Mk2), 210mm. The 4*5 negative is "scanned" with my digital camera.

Having neglected to bring the dark bag I thought I'd have a go at loading sheets in the cellar. A partial success.

 

We're Here, scarred negatives and all.

 

Hand-held wobble focused macro (Dah!) of a 4x5 negative laid on an LED lightbox dingus that I acquired for the purpose of digitising negatives with a DSLR. I haven't used this process for ages, so Thanks WAH!

 

WakaWaka Pelcomb Portraits.

Taken in fall 2020 on large format (4x5) Kodak Ektar film.

from a Half Plate negative, lith print on Fomatone 131, MT2 toner (I think :) )

Sigüenza, Guadalajara - Castilla la Mancha - España

Chamonix F1 : Sinaron-W 75/6.8

Adox CHS 100 II : HC-110 (e)

 

Photographer Gregory Crewdson checks the image of Union street on the ground-glass ofhis large format cameras, Wed Feb 8, 2006 (GARVER) Pittsfield, Massachusetts

Sinar Norma 4x5

Fujinon SW 90mm F8

Kodak Portra 160

St Bernard square, Dijon

January 2020

Homemade 18x24 pinhole camera

1 minute exposure

Foma RC negative paper

Brush developed with Cafenol CM

intrepidcamera 4x5" | fomapan 400 | rodinal 1+25

Wista Field 4x5 / Calumet Caltar II-N 90mm f/6.8 / Polaroid 55 on Ilford FB Warmtone paper

© julienbotella.com

Still catching up on previous scans done. Was out in the grey day with the Horseman Woodman 45 and expired HP5 and rodinal semistand. It probably wasn't the best combination for an expired film, but the lighting conditions were subpar as well. But even though the equipment and I got rained on, it was still great to get out there, slow down, spot meter, and still try to capture images for the detail that large format so wonderfully does. Thanks for the inspiration from my flickeranian colleagues.

on 4x5 ektachrome, rochester NY, november 1995. 203mm f/7.7 ektar. the transparency has held up pretty well over the past decades.

Moraine Park - November 2009

 

Velvia 50 4x5, Super Angulon 75mm

large format photography constantly reminds you of your fallibility - another reason to love it

I recently visited Stockport, Ohio, with my 1921 Cirkut No. 10 to capture a panorama of the historic Stockport Mill and Muskingum River Lock and Dam #6.

 

I made a few passes, but this infrared exposure is my favorite.

 

📷 1921 Cirkut No. 10

🔎 16.5” Schneider Repro-Claron

🔴 Kodak Wratten 89B

️ Agfa Aviphot Pan 200

Test shot after repair

 

Fatif Milano 4x5"

Ilford Delta 100 4x5"

Rodenstock Sironar 210mm

Shot with Fomapan 100 and processed in Rodnial

1 2 ••• 15 16 18 20 21 ••• 79 80