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Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Influenced by the rich cultural traditions of Los Angeles muralists, sign lettering, graffiti and calligraphy, artists Siner, Fishe and Dreye will be exhibiting works in a variety of mediums. In addition to the three featured artists work on display will be pieces from the SURVIVE campaign and original large-scale mural collaborations.
" REFRACTION balances the distinctively raw aesthetics, but complementary works of each artist. What emerges is a continuous visual identity that both provokes and subdues the senses. The result is unfiltered and illuminated."
Vogue 100 fashion industry influencer Victoria Barbara street style in New York City wearing Khaite suit, coat by The Frankie Shop, & Khaite Boots while holding Bottega Veneta handbag during New York Fashion Week FW 22
The architectural elements present on the terrain are in morisco style , a mixture of andalucias past with its arabic history and influences. This white pueblo style, so typical of Andalucias heritage is rapidly vannishing, drowned by loud colors of recent constructions. It is sad to see the traditional colors and architectural styles that have given Marbella its worldwide name and image replaced by tuscan or maroccan colors, The white has been used in Andalucia because in winter it reflect light and in summer it reflects heat. Our most prestigious establisments (Marbella Club, Puente Romano, Marbella Old Town, Puerto Banus, La Virginia together with Ronda ) have wisely remained in pueblo style, but local rules on this subject are vague and poorly applied. Marbella could loose its history and heritage and seriously damage its tourist industry if neglect persists in protecting and preserving its andalusian heritage.
Project 52 Assignment 12: Artist Portrait
John is a sculptor and painter based in Reno, Nevada. He's lived there his entire life but has sold his works around the world including New York, Boston, Paris & Switzerland. His works are abstract with a southwest influence. He specializes in alabaster but also works with wood.
Influencers like Ludmila Adamciuc and Sergiu Beznițchi had an unforgettable journey as they explore the beautiful regions of Cahul and Ungheni in Moldova. Despite being well-known, these regions still have many undiscovered curiosities and experiences waiting to be explored!
Ludmila and Sergiu take us on a trip to the Ungheni carpet factory, which has been producing carpets for over 40 years and has reached all continents! In Cahul, they visit the only sea-river port in the country, the Giurgiulești International Free Port, which provides access to the Danube Delta, the Black Sea, and the Mediterranean Sea.
These amazing experiences were captured in two films produced with the financial support of the European Union through the “EU4Moldova: Focal Regions” Programme, implemented by UNDP and UNICEF.
Photo: UNDP Moldova
This is an image from an influencer marketing campaign that was created and managed by ApexDrop Influencer Marketing on behalf of Ably. In order to use these images, you must follow the creative commons license and include a link to www.apexdrop.com.
Andermatt, 2FEB2020 - Winter Influencer Summit: Conference day at the Radisson Hotel. Speakers: Fabio Zingg & Valentin Manhart.
Photo of a woman sat at a desk using hair straighteners on wet hair, with a beauty influencer setup on the desk including makeup and a panel light in the background.
This image is licensed under the Attribution Creative Commons licence, which means you can use it as long as you credit geehair.com/
This is an image from an influencer marketing campaign that was created and managed by ApexDrop Influencer Marketing on behalf of Ably. In order to use these images, you must follow the creative commons license and include a link to www.apexdrop.com.
This is one piece of thirty that I painted on myself. They were all painted on top of one another and then peeled off in one big sheet.
Check it out at www.philinthecircle.com/influence
Medical Alumni Association Alumni Reunion Weekend Frederick P. Whiddon College of Medicine 50th Celebration, 50 People of Influence Awards Saturday night June 10, 2023 at the Grand Hotel in Point Clear, AL
For this third edition of Les Roches influencers trip, eight international YouTubers travelled to Spain and Switzerland to get a glimpse of hospitality management education, the student experience on our Les Roches campuses, what it means to study in such a multicultural environment and the career opportunities in the global hospitality industry.
We had the pleasure to host:
El sábado pasado concluía la última sesión del seminario “Líderes Influencers”, en esta ocasión el título fue: "LO IMPORTANTE ES LEVANTARSE: FORTALEZA". Comenzaban a las 16.30h tomando un café, a continuación tuvieron varias dinámicas de grupo con Pascual Hernández, socio director de Explora, aplicando la importancia de la fortaleza que radica no en caerse, sino levantarse siempre, llegar a los objetivos sorteando los obstáculos y descubriendo las debilidades que impiden alcanzar las metas, la importancia del trabajo en equipo, soluciones más efectivas etc. Más tarde Diana y Mar Quesada, influencers decoradoras de interiores de Tres Studio (@tres_studio), les contaron su experiencia profesional, cómo comenzaron con las redes sociales, primero con un blog y Facebook, más tarde con Instagram, cómo las distintas situaciones de su vida afectaron este ámbito, hablaron de responsabilidad social, de transmitir valores y nos quedamos con la frase “..nosotras llevamos las redes, las redes no nos llevan a nosotras…” más tarde intervino Juan Martínez Otero, autor del libro "Tsunami digital, hijos surferos" les habló cómo internet ha modificado los hábitos de la sociedad, pero en todos lo casos y situaciones que expuso daba enfoques muy positivos y consejos para enfrentarlas, y para que las redes e Internet no dominen su vida. Tras un descanso y después de la Misa vespertina, tuvieron tertulia con Mario Gil, influencer cómico (@mariuslekker), les contó cómo su hermano le animaba, ya que a él le gustaba crear humor, pero no quería desvelar su vida privada, luego se dio cuenta que era una forma de transmitir valores y hacer humor sano y crear contenidos que fuesen dignos de seguir y sin comprometer su información personal. Tuvieron tiempo de hacerles a todos muchas preguntas e intercambiar experiencias.
Damos las gracias a la coordinadora y artífice de este seminario, Zoimer Quintero que se ha dejado la piel con y por los jóvenes, y a muchas personas que han contribuido a las satisfacción de todos los asistentes como María, Ana…etc.
Sobre todo estamos muy agradecidos con otros influencers que desde muy lejos durante los meses que ha durado el seminario, han estado enviando videos, especialmente nuestra gratitud a mons. Munilla, Obispo de San Sebastián que desde el primer momento nos apoyó en esta iniciativa.
When television became popular during the early 1950s, many families changed their traditional dining and recreational habits. Instead of eating their meals at a communal dining table, it was not unusual for an entire family to eat in front of the television set. This new TV-centric lifestyle inspired several manufacturers to market a type of folding tray known as a TV tray. Users could unfold the hollow aluminum legs and attach a tray to hold their plates while they watched their favorite television programs in the living room or den.
There is a bit of a "chicken or the egg" controversy surrounding the first introduction of the TV tray, however. Some television historians say the first TV trays were available at least a year before the advent of the frozen TV dinner. The original TV tray was not necessarily marketed as a dinner tray, but more of a catch-all for plates, books, and craft projects a user might need while watching television. When not in service, a TV tray could be folded quickly and stored in an unobtrusive corner of the room.
My grandmother kept her T.V. trays in a place in one of her closets, she would say "Kids go get the T.V. trays and then we excitedly knew it was time to eat (she was an excellent cook).
The T.V. trays were only used outside, inside we ate at the table. I do not remember ever watching T.V. and eating, I do not think my grandparents allowed such activity !
nrhp # 71000929- Designed by A. O. Watson and built in 1897 by A. O. Watson and Eugene T. Heiner, the DeWitt County Courthouse is an example of the Romanesque Revival style and was influenced by architect H. H. Richardson's courthouse in Allegheny County, Pennsylvania. The three-story structure is square in plan, framed by four corner pavilions and topped with a six-story clock tower. The building is constructed of rusticated sandstone with contrasting accents of red sandstone. The main roof is hipped, and the tower and pavilions have pyramidal roofs clad in red clay tile. The primary facade consists of a recessed, triple-bay section between flanking corner pavilions. The pavilions are united on the first floor by a connecting one-story arcade. The clock tower rises from behind the central bay. The paired, single pane, first-story windows of the front and sides of the courthouse are set in large arched openings with stone transoms. The windows on the rear facade, in the arcade and on the second story are one-over-one light, double-hung, sash-type, with stone lintels and single pane transoms. The windows are placed in the pavilions so that one large arched opening is on the first story, two trabeated windows are on the second story, and two trabeated windows set behind a four-bay arcade with balustrades are on the third story. Romanesque Revival capitals cap the porch's clustered columns, reminiscent of H. H. Richardson's designs. The large arches spring low and have rusticated voussoirs finished with a drip-mold archivolt. A balustrade is used in the side arches and as a protective railing above the porch. All projecting corners of the building have decorative quoins of narrow stones Ñ alternately placed vertically and horizontally. The pavilions have engaged columns at the corners of the third story. The corners of the tower have rounded edges or rusticated engaged columns at its full height. The second, third and fourth story windows of the tower are vertically grouped under colossal arches. The four clock faces are simply and effectively framed by radiating rusticated voussoirs in an inset square panel. The top story of the tower is open to the air with a three-bay arcade. The historic characteristics of the courthouse interior were completely altered by a 1957 renovation.
from historical marker
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I was influenced by an advert I saw in an Italian Vogue. I tried to make this happen a few months ago but I had no success. I was having issues with the lighting. So I tried this again with Anne and she said these words, "It's like you can't see the edges of the glass!" BINGO there was my goal. To place the lights in such a way as to not see the edges of the glass. Was blown away by the results.