View allAll Photos Tagged influence
This video shows the quick and easy step process of signing up as an Influencer on the #TribeFluence app... You can also sign up as a Brander as this innovative new app allows the same user to be both. On Google play store now coming to Apple store soon. bit.ly/2DlrsVx
KONICA MINOLTA DIGITAL CAMERA
From back in 2008 or 2009. This is the lovely little town of Poulsbo, Washington. I live here. It's steeped in Nordic tradition and influence. It's a nice place to live, especially if you have a boat.
Vogue 100 fashion industry influencer Victoria Barbara street style in New York City wearing Khaite suit, coat by The Frankie Shop, & Khaite Boots while holding Bottega Veneta handbag during New York Fashion Week FW 22
Andermatt, 2FEB2020 - Winter Influencer Summit: Conference day at the Radisson Hotel. Keynote Speaker: Jonathan Kubben.
Generations collided as celebrities and influencers gathered together for a rad time travel experience last May 3 at Cable Car Pasay Road for this year’s exciting flip-flop customization event of the year, Make Your Own Havaianas!
visit www.nognoginthecity.com
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Suit, tie and shoes (geta), 2016, Thom Browne
This suit by Thom Browne takes inspiration from kimono primarily through its imagery. The debt to Japanese historic dress is also seen in the way the design moves across the whole surface of the ensemble. For the catwalk presentation of the collection, models stood inside kimono with their arms outstretched on bamboo stands. They were then individually released, revealing suits embellised with Japanese motifs and styled with geta (shoes).
Kimono ensemble, 2016-17, Hirayama Yoshihide
Hirayama is inspired by modernist art movements and British rock music. He uses digital design skills to explore new possibilities for kimono. His brand, Modern Antenna, is known for its bold, geometric, ink-jet printed designs. Their obi, woven by textile artisans in the Nishijin textile area of Kyoto, are equally graphic. The 'Union Jack' design is one of the most popular.
[V&A]
Kimono: Kyoto to Catwalk
(February to October 2020)
This exhibition will present the kimono as a dynamic and constantly evolving icon of fashion, revealing the sartorial, aesthetic and social significance of the garment from the 1660s to the present day, both in Japan and the rest of the world.
The ultimate symbol of Japan, the kimono is often perceived as traditional, timeless and unchanging. Kimono: Kyoto to Catwalk, the UK's first major exhibition on kimono, counters this conception, presenting the garment as a dynamic and constantly evolving icon of fashion.
[V&A]
Mirrors and Masks (2013–15)
A number of works in Kader Attia's solo exhibition The Museum of Emotion explore the still under-acknowledged influence of African art on the trajectory of Western art history.
Attia made the first mask in his series Mirrors and Masks in 2009, after visiting the exhibition Picasso and the Masters at the Grand Palais, in Paris. Although the exhibition included works by Western artists known to have influenced Picasso, Attia was shocked to find that it did not include any African masks, another well-known influence on the artist.
The work he made as a response – a wooden mask covered with shards of broken mirror – reflects the viewer back in fragments, or in Attia's words, ‘shows everybody who looks at it a Cubist portrait of themselves.’
[Hayward Gallery]
Kader Attia: The Museum of Emotion
(February-May 2019)
Kader Attia’s first UK survey exhibition traces several strands of the artist’s work from the past two decades.
Defining himself as an activist as well as an artist, Attia has over the past twenty years set out to create artworks that engage our capacity for thinking as well as feeling, and provoke what he calls a ‘real, fundamental dialogue’ about the world in which we live.
In sculptures, installations, collages, videos and photographs that move ‘back and forth between politics and poetry’, Attia inventively explores the ways in which colonialism continues to shape how Western societies represent and engage with non-Western cultures, and offers a passionate critique of modern Western systems of control that define everything from traditional museology to the design of modernist social housing.
A key group of works in The Museum of Emotion engage with the idea of repair as both a physical and symbolic act. These include objects ‘repaired’ by the artist using techniques and materials employed in certain non-Western cultures, as well as videos and large-scale installations that explore the way in which repair relates to psychological as well as physical injury, and to collective as well as individual trauma.
In The Museum of Emotion, Attia transforms detailed research into compelling works of art, and at the same time probes the ways in which the museum itself might be transformed into a forum for emotional response, capable of eliciting, exploring and even harnessing strongly held feelings of anger, sorrow, joy and grief.
[Hayward Gallery]
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Huntington Middle School students are "Above the Influence" and showed their support for National Above the Influence Day, which is today, Oct. 18. Above the Influence is a program of the White House office of Drug Control Policy that celebrates youth refraining from substance abuse. It also recognizes the power of prevention efforts in local communities. United Way of the River Cities and CCSAPP staff also show their support for the Above the Influence campaign in this photo album.
Photo by Kaylin Adkins.
Pour mieux apprécier cette photo , je crois qu'elle mérite d' être regardée en plus grand format ( format original )
One of the last Asian influenced architechural buildings in Chinatown. This was the site of an HSBC bank.
This image is part of my Photography A2 course. the topic is about distortion and minupylation of the human face and exploring different areas of portrature.