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Andermatt, 2FEB2020 - Winter Influencer Summit: Conference day at the Radisson Hotel. Keynote Speaker: Jonathan Kubben.
The Dinner was attended by the food and drink manufacturing industry's leading companies and their senior teams as well as the main influencers in our sector. It was an exciting evening of great food and drink; networking and the chance to hear from our guest speakers.
Andermatt, 2FEB2020 - Winter Influencer Summit: Conference day at the Radisson Hotel. Keynote Speaker: Jonathan Kubben.
This is an essay about ‘The influence of the subtly disturbing in my current practice’. I explore some of my design decisions and how other designers have influenced my work.
BAKER, L, (2019) The formidable women behind the legendary Christian Dior www.bbc.com/culture/article/20190129-the-formidable-women..., (Accessed 27/12/20)
FRANKEL S, (2007) The Real McQueen, Harper’s Bazaar, www.harpersbazaar.com/fashion/designers/a68/alexander-mcq.... Accessed 01/01/21)
FURNISS, J, (2014) Comme des Garçons Spring 2015 Ready-to-Wear in: Vogue Runway At: www.vogue.com/fashion-shows/spring-2015-ready-to-wear/com... (Accessed 07/12/2020)
FURY, A and SABTILNI, A, (2017), S/S 1947 Haute Couture – ‘The New Look (Corolle and 8 Lines)’ SABTILNI, A. (eds.) Dior Catwalk, London: Thames & Hudson Ltd, p24
THROWBACK THURSDAYS | SEASON 2 | EPISODE 5, Alexander McQueen’s Controversial "Highland Rape" Show 10/30/2014 with BLANKS T, www.vogue.com/video/watch/throwback-thursdays-with-tim-bl... (Accessed 01/01/21)
LOWTHORPE, R (2014) Dispatches From Paris: Comme Des Garçon in: ELLE UK 28/09/2014. At: www.elle.com/uk/fashion/news/a23166/paris-fashion-week-sh... (Accessed 15/12/20)
Photos
Figure 1- BUMPUS J, (2014), Comme Des Garçons Spring/Summer 2015 Ready-To-Wear Collection, www.vogue.co.uk/shows/spring-summer-2015-ready-to-wear/co..., (Accessed 02/01/21)
Figure 2- Own Photo
Figure 3 – (2011), Dress, Highland Rape, autumn/winter 1995–96, blog.metmuseum.org/alexandermcqueen/tag/highland-rape/ (Accessed 03/01/21)
Figure 4- LEAPER C, (2017), www.telegraph.co.uk/fashion/brands/inside-dior-70-year-ol... (accessed 04/01/21)
Figure 5- Own photo
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
KONICA MINOLTA DIGITAL CAMERA
From back in 2008 or 2009. This is the lovely little town of Poulsbo, Washington. I live here. It's steeped in Nordic tradition and influence. It's a nice place to live, especially if you have a boat.
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Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Suit, tie and shoes (geta), 2016, Thom Browne
This suit by Thom Browne takes inspiration from kimono primarily through its imagery. The debt to Japanese historic dress is also seen in the way the design moves across the whole surface of the ensemble. For the catwalk presentation of the collection, models stood inside kimono with their arms outstretched on bamboo stands. They were then individually released, revealing suits embellised with Japanese motifs and styled with geta (shoes).
Kimono ensemble, 2016-17, Hirayama Yoshihide
Hirayama is inspired by modernist art movements and British rock music. He uses digital design skills to explore new possibilities for kimono. His brand, Modern Antenna, is known for its bold, geometric, ink-jet printed designs. Their obi, woven by textile artisans in the Nishijin textile area of Kyoto, are equally graphic. The 'Union Jack' design is one of the most popular.
[V&A]
Kimono: Kyoto to Catwalk
(February to October 2020)
This exhibition will present the kimono as a dynamic and constantly evolving icon of fashion, revealing the sartorial, aesthetic and social significance of the garment from the 1660s to the present day, both in Japan and the rest of the world.
The ultimate symbol of Japan, the kimono is often perceived as traditional, timeless and unchanging. Kimono: Kyoto to Catwalk, the UK's first major exhibition on kimono, counters this conception, presenting the garment as a dynamic and constantly evolving icon of fashion.
[V&A]
Influencer shoot for Standard Textiles. I shot this for the Brandman Agency
Influencers were
www.instagram.com/ashleytstark/
My website www.justintshockley.com
Instagram @neohxc
Mirrors and Masks (2013–15)
A number of works in Kader Attia's solo exhibition The Museum of Emotion explore the still under-acknowledged influence of African art on the trajectory of Western art history.
Attia made the first mask in his series Mirrors and Masks in 2009, after visiting the exhibition Picasso and the Masters at the Grand Palais, in Paris. Although the exhibition included works by Western artists known to have influenced Picasso, Attia was shocked to find that it did not include any African masks, another well-known influence on the artist.
The work he made as a response – a wooden mask covered with shards of broken mirror – reflects the viewer back in fragments, or in Attia's words, ‘shows everybody who looks at it a Cubist portrait of themselves.’
[Hayward Gallery]
Kader Attia: The Museum of Emotion
(February-May 2019)
Kader Attia’s first UK survey exhibition traces several strands of the artist’s work from the past two decades.
Defining himself as an activist as well as an artist, Attia has over the past twenty years set out to create artworks that engage our capacity for thinking as well as feeling, and provoke what he calls a ‘real, fundamental dialogue’ about the world in which we live.
In sculptures, installations, collages, videos and photographs that move ‘back and forth between politics and poetry’, Attia inventively explores the ways in which colonialism continues to shape how Western societies represent and engage with non-Western cultures, and offers a passionate critique of modern Western systems of control that define everything from traditional museology to the design of modernist social housing.
A key group of works in The Museum of Emotion engage with the idea of repair as both a physical and symbolic act. These include objects ‘repaired’ by the artist using techniques and materials employed in certain non-Western cultures, as well as videos and large-scale installations that explore the way in which repair relates to psychological as well as physical injury, and to collective as well as individual trauma.
In The Museum of Emotion, Attia transforms detailed research into compelling works of art, and at the same time probes the ways in which the museum itself might be transformed into a forum for emotional response, capable of eliciting, exploring and even harnessing strongly held feelings of anger, sorrow, joy and grief.
[Hayward Gallery]
Influencer shoot for Standard Textiles. I shot this for the Brandman Agency
Influencers were
www.instagram.com/ashleytstark/
My website www.justintshockley.com
Instagram @neohxc
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Influencers like Ludmila Adamciuc and Sergiu Beznițchi had an unforgettable journey as they explore the beautiful regions of Cahul and Ungheni in Moldova. Despite being well-known, these regions still have many undiscovered curiosities and experiences waiting to be explored!
Ludmila and Sergiu take us on a trip to the Ungheni carpet factory, which has been producing carpets for over 40 years and has reached all continents! In Cahul, they visit the only sea-river port in the country, the Giurgiulești International Free Port, which provides access to the Danube Delta, the Black Sea, and the Mediterranean Sea.
These amazing experiences were captured in two films produced with the financial support of the European Union through the “EU4Moldova: Focal Regions” Programme, implemented by UNDP and UNICEF.
Photo: UNDP Moldova
We raise awareness of water, hygiene and sanitation's vital role in reducing poverty.
“We have cost-effective tools to provide clean, safe drinking water to everyone in need.”
Actor / singer Mandy Moore
Photo: WaterAid / Bill Crandall