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Fashion design is the art of the application of design and aesthetics or natural beauty to clothing and accessories. Fashion design is influenced by cultural and social latitudes, and has varied over time and place. Fashion designers work in a number of ways in designing clothing and accessories such as bracelets and necklace, because of the time required to bring a garment onto the market, must at times anticipate changing consumer tastes.
Fashion designers attempt to design clothes which are functional as well as aesthetically pleasing. They must consider who is likely to wear a garment and the situations in which it will be worn. They have a wide range and combinations of materials to work with and a wide range of colors, patterns and styles to choose from. Though most clothing worn for everyday wear falls within a narrow range of conventional styles, unusual garments are usually sought for special occasions such as evening wear or party dresses.
Some clothes are made specifically for an individual, as in the case of haute couture or bespoke tailoring. Today, most clothing is designed for the mass market, especially casual and every-day wear.
Structure[edit]
Fashion designers can work in a number of many ways. Fashion designers may work full-time for one fashion as 'in-house designers' which owns the designs. They may work alone or as part of a team. Freelance designers work for themselves, selling their designs to fashion houses, directly to shops, or to clothing manufacturers. The garments bear the buyer's label. Some fashion designers set up their own labels, under which their designs are marketed. Some fashion designers are self-employed and design for individual clients. Other high-fashion designers cater to specialty stores or high-fashion department stores. These designers create original garments, as well as those that follow established fashion trends. Most fashion designers, however, work for apparel manufacturers, creating designs of men’s, women’s, and children’s fashions for the mass market. Large designer brands which have a 'name' as their brand such as Abercrombie & Fitch, Justice, or Juicy are likely to be designed by a team of individual designers under the direction of a designer director.
Designing a garment[edit]
Fashion designers work in different ways. Some sketch their ideas on paper, while others drape fabric on a dress form. When a designer is completely satisfied with the fit of the toile (or muslin), he or she will consult a professional pattern maker who then makes the finished, working version of the pattern out of card or via a computerized system. The pattern maker's job is very precise and painstaking. The fit of the finished garment depends on their accuracy. Finally, a sample garment is made up and tested on a model to make sure it is an operational outfit.
Fashion design is generally considered to have started in the 19th century with Charles Frederick Worth who was the first designer to have his label sewn into the garments that he created. Before the former draper set up his maison couture (fashion house) in Paris, clothing design and creation was handled by largely anonymous seamstresses, and high fashion descended from that worn at royal courts. Worth's success was such that he was able to dictate to his customers what they should wear, instead of following their lead as earlier dressmakers had done. The term couturier was in fact first created in order to describe him. While all articles of clothing from any time period are studied by academics as costume design, only clothing created after 1858 are considered as fashion design.
It was during this period that many design houses began to hire artists to sketch or paint designs for garments. The images were shown to clients, which was much cheaper than producing an actual sample garment in the workroom. If the client liked their design, they ordered it and the resulting garment made money for the house. Thus, the tradition of designers sketching out garment designs instead of presenting completed garments on models to customers began as an economy.
The garments produced by clothing manufacturers fall into three main categories, although these may be split up into additional, more specific categories
Haute couture[edit]
Main article: Haute couture
Until the 1950s, fashion clothing was predominately designed and manufactured on a made-to-measure or haute couture basis (French for high-sewing), with each garment being created for a specific client. A couture garment is made to order for an individual customer, and is usually made from high-quality, expensive fabric, sewn with extreme attention to detail and finish, often using time-consuming, hand-executed techniques. Look and fit take priority over the cost of materials and the time it takes to make.[1][2] Due to the high cost of each garment, haute couture makes little direct profit for the fashion houses, but is important for prestige and publicity.[3]
Ready-to-wear (pret-a-porter)[edit]
Main article: Ready-to-wear
Ready-to-wear clothes are a cross between haute couture and mass market. They are not made for individual customers, but great care is taken in the choice and cut of the fabric. Clothes are made in small quantities to guarantee exclusivity, so they are rather expensive. Ready-to-wear collections are usually presented by fashion houses each season during a period known as Fashion Week. This takes place on a city-wide basis and occurs twice a year. The main seasons of Fashion Week include, spring/summer, fall/winter, resort, swim, and bridal.
Mass market[edit]
Main article: Mass market
Currently the fashion industry relies more on mass market sales. The mass market caters for a wide range of customers, producing ready-to-wear garments using trends set by the famous names in fashion. They often wait around a season to make sure a style is going to catch on before producing their own versions of the original look. In order to save money and time, they use cheaper fabrics and simpler production techniques which can easily be done by machine. The end product can therefore be sold much more cheaply.[4][5][6]
There is a type of design called "kutch" design originated from the German word "kitschig" meaning "ugly" or "not aesthetically pleasing." Kitsch can also refer to "wearing or displaying something that is therefore no longer in fashion."[7] Often, high-waisted trousers, associated with the 1980s, are considered a "kitsch" fashion statement.[8]
Income[edit]
Globe icon.
The examples and perspective in this section may not represent a worldwide view of the subject. Please improve this article and discuss the issue on the talk page. (December 2010)
Median annual wages for salaried fashion designers were $61,160 in May 2008. The middle 50 percent earned between $42,150 and $87,120.[9] The lowest 10 percent earned less than $32,150, and the highest 10 percent earned more than $124,780. Median annual earnings were $52,860 (£28,340) in apparel, piece goods, and notions - the industry employing the largest numbers of fashion designers.[10]
God Is Great | Thank Godx💖 "The True Love of God" 💞| Praise the Lord | Best Christian Music Video
😊Introduction
I
I stand before my God again today.
My heart has much to say when I see His lovely face.
I’ve left my wandering past behind me.
His word fills me with bliss and joy from His grace.
It’s God’s tender words that
water and nourish me to grow up.
It’s His stern words that encourage me to stand up again.
God, we sing to You today 'cause of Your blessings.
We give praise to You today because You’ve raised us.
Almighty true God who has loved us!
We love You! Oh God! We truly do!
II
I want to relish in Your word for all my days.
I look to You, my God, for light in each and every way.
You water and nourish Your people in love.
You lead us away from the devil’s influence to stray.
It’s God’s tender words
that water and nourish me to grow up.
It’s His stern words that encourage me to stand up again.
God, we sing to You today 'cause of Your blessings.
We give praise to You today because You’ve raised us.
Almighty true God who has loved us!
We love You! Oh God! We truly do!
III
Brothers and sisters! Let’s rise and praise!
Cherish this moment we share together.
Freed from the shackles of the burdens of flesh,
let’s show our love for God in real actions,
fulfill our duty with heart and might.
We love You, Almighty God! We’ll never leave You!
It’s God’s tender words that
water and nourish me to grow up.
It’s His stern words that encourage me to stand up again.
God, we sing to You today 'cause of Your blessings.
We give praise to You today.
It’s God’s tender words that
water and nourish me to grow up.
It’s His stern words that encourage me to stand up again.
God, we sing to You today 'cause of Your blessings.
We give praise to You today because You’ve raised us.
Almighty true God who has loved us!
We love You! Oh God! We truly do!
Because You’ve raised us.
Almighty true God who has loved us!
We love You! Oh God! We truly do!
from Follow the Lamb and Sing New Songs
Vogue 100 fashion industry influencer Victoria Barbara street style in New York City wearing Khaite suit, coat by The Frankie Shop, & Khaite Boots while holding Bottega Veneta handbag during New York Fashion Week FW 22
Influencers like Ludmila Adamciuc and Sergiu Beznițchi had an unforgettable journey as they explore the beautiful regions of Cahul and Ungheni in Moldova. Despite being well-known, these regions still have many undiscovered curiosities and experiences waiting to be explored!
Ludmila and Sergiu take us on a trip to the Ungheni carpet factory, which has been producing carpets for over 40 years and has reached all continents! In Cahul, they visit the only sea-river port in the country, the Giurgiulești International Free Port, which provides access to the Danube Delta, the Black Sea, and the Mediterranean Sea.
These amazing experiences were captured in two films produced with the financial support of the European Union through the “EU4Moldova: Focal Regions” Programme, implemented by UNDP and UNICEF.
Photo: UNDP Moldova
This is an image from an influencer marketing campaign that was created and managed by ApexDrop Influencer Marketing on behalf of Ably. In order to use these images, you must follow the creative commons license and include a link to www.apexdrop.com.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
This is an image from an influencer marketing campaign that was created and managed by ApexDrop Influencer Marketing on behalf of Ably. In order to use these images, you must follow the creative commons license and include a link to www.apexdrop.com.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
This is one piece of thirty that I painted on myself. They were all painted on top of one another and then peeled off in one big sheet.
Check it out at www.philinthecircle.com/influence
Viral nation is Social Media Influencer marketing wants to use your influence to build community and sell their products and services. Viral Nation is the leading agency of Influencer Marketing. For more info reach us here: viralnation.com/
Passing influences is a sample from a recent commission i completed for the Causeway Hospital Colraine Northern Ireland.
I love to use the sewing macchine a drawing tool i find the outcome very spontainous
The Kraton, the palace grounds of the sultan of Yogyakarta. The Sultan still has considerable influence on the politics of Java. His position is slotted into the political system by making the sultan automatically the governor of the province - the only hereditary governor of Indonesia.
The sultan familiy lives and rules here, but the place is open to visitors in the morning.
El sábado pasado concluía la última sesión del seminario “Líderes Influencers”, en esta ocasión el título fue: "LO IMPORTANTE ES LEVANTARSE: FORTALEZA". Comenzaban a las 16.30h tomando un café, a continuación tuvieron varias dinámicas de grupo con Pascual Hernández, socio director de Explora, aplicando la importancia de la fortaleza que radica no en caerse, sino levantarse siempre, llegar a los objetivos sorteando los obstáculos y descubriendo las debilidades que impiden alcanzar las metas, la importancia del trabajo en equipo, soluciones más efectivas etc. Más tarde Diana y Mar Quesada, influencers decoradoras de interiores de Tres Studio (@tres_studio), les contaron su experiencia profesional, cómo comenzaron con las redes sociales, primero con un blog y Facebook, más tarde con Instagram, cómo las distintas situaciones de su vida afectaron este ámbito, hablaron de responsabilidad social, de transmitir valores y nos quedamos con la frase “..nosotras llevamos las redes, las redes no nos llevan a nosotras…” más tarde intervino Juan Martínez Otero, autor del libro "Tsunami digital, hijos surferos" les habló cómo internet ha modificado los hábitos de la sociedad, pero en todos lo casos y situaciones que expuso daba enfoques muy positivos y consejos para enfrentarlas, y para que las redes e Internet no dominen su vida. Tras un descanso y después de la Misa vespertina, tuvieron tertulia con Mario Gil, influencer cómico (@mariuslekker), les contó cómo su hermano le animaba, ya que a él le gustaba crear humor, pero no quería desvelar su vida privada, luego se dio cuenta que era una forma de transmitir valores y hacer humor sano y crear contenidos que fuesen dignos de seguir y sin comprometer su información personal. Tuvieron tiempo de hacerles a todos muchas preguntas e intercambiar experiencias.
Damos las gracias a la coordinadora y artífice de este seminario, Zoimer Quintero que se ha dejado la piel con y por los jóvenes, y a muchas personas que han contribuido a las satisfacción de todos los asistentes como María, Ana…etc.
Sobre todo estamos muy agradecidos con otros influencers que desde muy lejos durante los meses que ha durado el seminario, han estado enviando videos, especialmente nuestra gratitud a mons. Munilla, Obispo de San Sebastián que desde el primer momento nos apoyó en esta iniciativa.
When television became popular during the early 1950s, many families changed their traditional dining and recreational habits. Instead of eating their meals at a communal dining table, it was not unusual for an entire family to eat in front of the television set. This new TV-centric lifestyle inspired several manufacturers to market a type of folding tray known as a TV tray. Users could unfold the hollow aluminum legs and attach a tray to hold their plates while they watched their favorite television programs in the living room or den.
There is a bit of a "chicken or the egg" controversy surrounding the first introduction of the TV tray, however. Some television historians say the first TV trays were available at least a year before the advent of the frozen TV dinner. The original TV tray was not necessarily marketed as a dinner tray, but more of a catch-all for plates, books, and craft projects a user might need while watching television. When not in service, a TV tray could be folded quickly and stored in an unobtrusive corner of the room.
My grandmother kept her T.V. trays in a place in one of her closets, she would say "Kids go get the T.V. trays and then we excitedly knew it was time to eat (she was an excellent cook).
The T.V. trays were only used outside, inside we ate at the table. I do not remember ever watching T.V. and eating, I do not think my grandparents allowed such activity !
Karla Campos, media influencer, networking with bloggers at the Hispanicize Conference, celebrating the power of digital media and Hispanic voices.
Micro Influencers Marketing App - TribeFluence
Fashion Brand need to use our TribeFluence App to quickly promote their name.
#fashionista #streetstyle #stylish #mensfashion #womensfashion #instastyle #whatiwore #fashiondiaries #styleinspo #fashionblogger #wiwt #fashionweek #fashionstyle #styleblog #styleblogger #streetfashion #outfitoftheday #stylediaries #influencer #viral #fashion #ootd #style #instafashion #vintage #fashionblogger
To avoid influence by neighbors and to understand farmers’ real preferences, we insisted on the importance of making their own choices. Farmers in #Senegal took it very seriously and carefully hid their allocations. “You don’t want your neighbors to know what’s happening under your roof!”
Photo by @onegirlisland, April 2015 | #climate #adaptation #agriculture #economics #finance #SNIID #indexinsurance #drought #participatory
Andermatt, 2FEB2020 - Winter Influencer Summit: Conference day at the Radisson Hotel. Keynote Speaker: Jonathan Kubben.
Le texte de l'affiche: www.cpolitic.com/cblog/2010/07/17/corruption-et-trafic-di...
Certains Droits Réservés - Commons Creatives
En cas de réutilisation, merci de veiller à:
Préciser la source www.cpolitic.com
Ne pas faire d´utilisation commerciale
Ne pas réaliser de modification
El edificio del ex Sanatorio Laennec está formado por un conjunto de dos edificios, construidos en distintas épocas, con sistemas constructivos y características diferentes que en su totalidad abarcan 5.200 m2. El edificio original era de adobe y fue construido en 1896.
Albergó entonces al Hotel Francia, cuyos propietarios encontraron en el Cajón del Maipo un clima similar al de Los Alpes, lo que aprovecharon fomentando el turismo y las terapias para tratar enfermedades respiratorias. Los beneficios del clima para el tratamiento de la tuberculosis, enfermedad que en esa época afectaba a un número importante de la población, hizo que los turistas se quedaran por largas temporadas transformando el Hotel paulatinamente en un sanatorio. En 1920 este edificio fue traspasado a la Caja de Seguro Obrero transformándose en sanatorio para pacientes tuberculosos.
Su administración estuvo a cargo de la Junta de Beneficencia, la que decide ampliar el edificio construyendo dos bloques de dos pisos con dormitorios para enfermos, creándose uno de los primeros pensionados sanatorios de Chile, esta ampliación finalizó en 1926. Como iniciativa de la Junta de Beneficencia se creó un Sanatorio para Desvalidos, orientado a la atención de pacientes de escasos recursos. En 1932 pasa a llamarse Sanatorio Laennec, en homenaje al médico tisiólogo francés que lideró el tratamiento de la tuberculosis, y se inicia la construcción de nuevos pabellones.
Dos años después los antiguos dueños del Hotel traspasan íntegramente el edificio y el terreno a la Caja del Seguro Obrero. En 1936 se construyó la segunda parte del complejo, llegando a ocupar la manzana completa. El edificio fue construido con líneas más simples que su antecesor, con dos niveles y un torreón de tres pisos en cada esquina.
Ocupó los frentes de las calles Dos Sur y Del Cerro. El sector de mayor valor arquitectónico del inmueble es el que corresponde al primer edificio, ubicado en la esquina de Calle Comercio con Uno Sur.
Posee un diseño ecléctico, de influencia neoclásica, con anchos muros de adobe en un piso, altas ventanas con alfeizares de mármol, puertas con tragaluz y molduras en la fachada principal. Iluminados corredores, además, comunican los distintos recintos y los dos patios. El resto del edificio, construido posteriormente, corresponde a una arquitectura modernista, hecho con albañilería reforzada y estructuras de hormigón armado que se unen con la primera en su continuidad de fachadas.
El Sanatorio fue traspasado al Servicio Nacional de Salud en 1952 quien lo administró hasta 1978, año en que cierra sus puertas. En 1979 se instaló ahí la administración del Servicio de Salud Metropolitano Sur Oriente. Estos edificios son de gran relevancia histórica y arquitectónica para la comuna de San José de Maipo, por esta razón en el año 2002 es declarado Monumento Nacional en la categoría de Monumento Histórico.
En la actualidad, en una parte del edificio funciona la Unidad de Patrimonio Cultural del Servicio de Salud Metropolitano Sur Oriente, con el objetivo de poner en valor y uso el edificio patrimonial. También funcionan la Dirección y Administración del Hospital San José de Maipo, el Jardín Infantil del Servicio y oficinas del Departamento Social del Municipio. Más del 70% del edificio se mantiene desocupado.
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The building of the former Laennec Sanatorium is made up of a set of two buildings, built at different times, with different construction systems and characteristics that together cover 5,200 m2. The original building was made of adobe and was built in 1896.
It then housed the Hotel Francia, whose owners found in the Cajón del Maipo a climate similar to that of the Alps, which they took advantage of by promoting tourism and therapies to treat respiratory diseases. The benefits of the climate for the treatment of tuberculosis, a disease that at that time affected a significant number of the population, made tourists stay for long periods, gradually transforming the Hotel into a sanatorium. In 1920 this building was transferred to the Workers' Insurance Fund, becoming a sanatorium for tuberculosis patients.
Its administration was in charge of the Board of Beneficence, which decided to expand the building by constructing two two-story blocks with bedrooms for the sick, creating one of the first sanatorium boarding houses in Chile. This expansion was completed in 1926. As an initiative of the Board of Charity, a Sanatorium for the Disabled was created, aimed at caring for low-income patients. In 1932 it was renamed Laennec Sanatorium, in homage to the French phthisiologist who led the treatment of tuberculosis, and the construction of new pavilions began.
Two years later, the former owners of the Hotel transferred the entire building and land to the Workers' Insurance Fund. In 1936, the second part of the complex was built, occupying the entire block. The building was built with simpler lines than its predecessor, with two levels and a three-story tower at each corner.
It occupied the fronts of Dos Sur and Del Cerro streets. The sector with the greatest architectural value of the property is the one corresponding to the first building, located on the corner of Calle Comercio and Uno Sur.
It has an eclectic design, with a neoclassical influence, with wide adobe walls on one floor, high windows with marble sills, doors with skylights and moldings on the main façade. Illuminated corridors also connect the different rooms and the two patios. The rest of the building, built later, corresponds to modernist architecture, made with reinforced masonry and reinforced concrete structures that join with the first in its continuity of facades.
The Sanatorium was transferred to the National Health Service in 1952, who managed it until 1978, the year in which it closed its doors. In 1979 the administration of the South Eastern Metropolitan Health Service was installed there. These buildings are of great historical and architectural relevance for the commune of San José de Maipo, for this reason in 2002 it was declared a National Monument in the category of Historical Monument.
Currently, the Cultural Heritage Unit of the South Eastern Metropolitan Health Service operates in part of the building, with the aim of enhancing the value and use of the heritage building. The Management and Administration of the San José de Maipo Hospital, the Service Kindergarten and offices of the Social Department of the Municipality also operate. More than 70% of the building remains unoccupied.