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Rea IRVIN • American
* 26 August 1881 in San Francisco, California.
✝︎ 28 May 1972 in Frederiksted, U.S. Virgin Islands.
The New Yorker cover design.
August 25, 1934.
Issue 497 — Volume 10 — Number 28.
About IRVIN ↓
Few artists have had as enduring an influence on one magazine as cartoonist Rea Irvin has had on The New Yorker. As the magazine's first art editor, Irvin created a style that continues to define the publication to this day, witty, urbane, and socially and culturally aware. He is known for his distinctive thin and trembly line, poached eyes, and almost oriental splendor of his drawings.
Born in San Francisco on August 28, 1881, Irvin started his career in illustration as an unpaid cartoonist for The San Francisco Examiner. His only former training consisted of six months' study at the Hopkins Art Institute. At the age of 25, he moved to the East Coast and was soon a regular contributor to Life and Cosmopolitan magazines.
In 1924, Irvin joined an advisory board to help launch The New Yorker. For the cover of the magazine's debut issue the next year, Irvin created Eustice Tilley, a smartly attired dandy with a monocle and top hat. This amusing and worldly, yet somewhat detached, character embodied the spirit of the new publication. Tilley quickly became Irvin's signature piece and has reappeared on the magazine's cover every year since, with one exception — 1994.
Irvin, as a veteran editor of Life magazine, served for twenty-one years as the art director of The New Yorker. It was said that the first issues of the brash, new magazine were so top heavy with art that one observer dubbed it, 'The best magazine in the world for people who can't read.'
Between 1925 and 1958, Irvin's work appeared on 169 covers of The New Yorker. Hundreds of other illustrations by Irvin were also published inside the magazine. In addition to his illustrations, Irvin contributed significantly to The New Yorker's layout and design. He created the magazine's sharp and casually elegant type style, which is still known as "Irvin type," and he added the squiggly column rules that provide a distinct delineation between text and illustrations.
In 1967, Irvin gave his personal collection of 412 works on paper to the Museum of the City of New York. In March 2000, an exhibition of his work, "The Talk of the Town; Rea Irvin of The New Yorker", was shown at the Brandywine River Museum. It presented 83 original illustrations from the Museum of the City of New York's extensive collection of Irvin's original covers, drawings and cartoons. The exhibition featured many of these works, including caricatures of contemporary figures such as Diego Rivera and Pablo Picasso, and parodies of social issues. One example, The Unity of the Allied Nations which appeared on The New Yorker's July 1, 1944 cover, depicts the American Eagle, the Chinese Dragon, the Russian Bear and the British Lion clearly united in the pursuit of victory during World War II. The exhibit introduced visitors to the broad range of Irvin's talent and explored his enduring influence on The New Yorker magazine and American illustration.
Rea Irvin died on May 28, 1972, in Fredericksted, Virgin Islands, at the age of 90.
#Source: Brandywine Museum of Art.
Andermatt, 2FEB2020 - Winter Influencer Summit: Conference day at the Radisson Hotel. Speaker: Jeremy Kunz.
in der jubiläumsausgabe der active rendering (seite 4-10) aus dem jahre 06/2007 war ein sehr ausführliches tutorial von wolfgang rode (contrafibbularities) zum thema ecosystems. da ich bei den ökosystemen in vue noch nicht so gut bewandert bin habe ich dieses mal ausprobiert. die bilder die im laufe des tutorials entstanden sind könnt ihr euch auf meinem flickr-account anschauen.
da das ökosystem so viele möglichkeiten bietet, bin ich hin und wieder vom eigentlichen tutorial abgewichen. das ziel war es, die funktion “decay near foreign objects” (übersetzt: zerfall in der nähe von fremdkörper) zu erläutern. was so viel bedeutet wie objekte die dem ökosystem fremd sind bzw. sie abstoßen. klingt komisch verhält sich aber wie ein virus in eine gesundem organismus. :)
man kann mit dieser funktion z.b. pflanzen um einen felsbrocken herum in ihrer dichte dezimieren oder aber auch ganz weglassen. so hat es den anschein als ob dieses objekt und die gegend um ihn nicht fruchtbar sei. eine phantastische funktion.
die zeit die ich benötigt habe lässt sich leider nicht bestimmen, da ich zu viel gespielt und probiert habe.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
collage of all things that influence me. Roy Lichtenstein, Warhol, Russian constructivism art, Quentin Tarrantino movies
Andermatt, 2FEB2020 - Winter Influencer Summit: Conference day at the Radisson Hotel. Speaker: Christoph Emch.
El sábado pasado concluía la última sesión del seminario “Líderes Influencers”, en esta ocasión el título fue: "LO IMPORTANTE ES LEVANTARSE: FORTALEZA". Comenzaban a las 16.30h tomando un café, a continuación tuvieron varias dinámicas de grupo con Pascual Hernández, socio director de Explora, aplicando la importancia de la fortaleza que radica no en caerse, sino levantarse siempre, llegar a los objetivos sorteando los obstáculos y descubriendo las debilidades que impiden alcanzar las metas, la importancia del trabajo en equipo, soluciones más efectivas etc. Más tarde Diana y Mar Quesada, influencers decoradoras de interiores de Tres Studio (@tres_studio), les contaron su experiencia profesional, cómo comenzaron con las redes sociales, primero con un blog y Facebook, más tarde con Instagram, cómo las distintas situaciones de su vida afectaron este ámbito, hablaron de responsabilidad social, de transmitir valores y nos quedamos con la frase “..nosotras llevamos las redes, las redes no nos llevan a nosotras…” más tarde intervino Juan Martínez Otero, autor del libro "Tsunami digital, hijos surferos" les habló cómo internet ha modificado los hábitos de la sociedad, pero en todos lo casos y situaciones que expuso daba enfoques muy positivos y consejos para enfrentarlas, y para que las redes e Internet no dominen su vida. Tras un descanso y después de la Misa vespertina, tuvieron tertulia con Mario Gil, influencer cómico (@mariuslekker), les contó cómo su hermano le animaba, ya que a él le gustaba crear humor, pero no quería desvelar su vida privada, luego se dio cuenta que era una forma de transmitir valores y hacer humor sano y crear contenidos que fuesen dignos de seguir y sin comprometer su información personal. Tuvieron tiempo de hacerles a todos muchas preguntas e intercambiar experiencias.
Damos las gracias a la coordinadora y artífice de este seminario, Zoimer Quintero que se ha dejado la piel con y por los jóvenes, y a muchas personas que han contribuido a las satisfacción de todos los asistentes como María, Ana…etc.
Sobre todo estamos muy agradecidos con otros influencers que desde muy lejos durante los meses que ha durado el seminario, han estado enviando videos, especialmente nuestra gratitud a mons. Munilla, Obispo de San Sebastián que desde el primer momento nos apoyó en esta iniciativa.
Auf der Konferenz haben wir über die veränderten Arenen der digitalen Öffentlichkeit diskutiert und sie analysiert. Wir haben das Potential von Spielarten politischer Kritik, wie etwa Humor als Subversion erörtert und Wege aus der linken Bubble heraus erkundt. Wie lässt sich auf Shitstorm-Wellen surfen und welche neuen Praxen der Solidarität sich eröffnen. Welche Rolle spielen linke Podcasts als Medium zur Information und Organisierung?
Andermatt, 2FEB2020 - Winter Influencer Summit: Conference day at the Radisson Hotel. Speaker: Jeremy Kunz.
Andermatt, 2FEB2020 - Winter Influencer Summit: Conference day at the Radisson Hotel. Speaker: Urs Eberhard, Head of markets.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
El sábado pasado concluía la última sesión del seminario “Líderes Influencers”, en esta ocasión el título fue: "LO IMPORTANTE ES LEVANTARSE: FORTALEZA". Comenzaban a las 16.30h tomando un café, a continuación tuvieron varias dinámicas de grupo con Pascual Hernández, socio director de Explora, aplicando la importancia de la fortaleza que radica no en caerse, sino levantarse siempre, llegar a los objetivos sorteando los obstáculos y descubriendo las debilidades que impiden alcanzar las metas, la importancia del trabajo en equipo, soluciones más efectivas etc. Más tarde Diana y Mar Quesada, influencers decoradoras de interiores de Tres Studio (@tres_studio), les contaron su experiencia profesional, cómo comenzaron con las redes sociales, primero con un blog y Facebook, más tarde con Instagram, cómo las distintas situaciones de su vida afectaron este ámbito, hablaron de responsabilidad social, de transmitir valores y nos quedamos con la frase “..nosotras llevamos las redes, las redes no nos llevan a nosotras…” más tarde intervino Juan Martínez Otero, autor del libro "Tsunami digital, hijos surferos" les habló cómo internet ha modificado los hábitos de la sociedad, pero en todos lo casos y situaciones que expuso daba enfoques muy positivos y consejos para enfrentarlas, y para que las redes e Internet no dominen su vida. Tras un descanso y después de la Misa vespertina, tuvieron tertulia con Mario Gil, influencer cómico (@mariuslekker), les contó cómo su hermano le animaba, ya que a él le gustaba crear humor, pero no quería desvelar su vida privada, luego se dio cuenta que era una forma de transmitir valores y hacer humor sano y crear contenidos que fuesen dignos de seguir y sin comprometer su información personal. Tuvieron tiempo de hacerles a todos muchas preguntas e intercambiar experiencias.
Damos las gracias a la coordinadora y artífice de este seminario, Zoimer Quintero que se ha dejado la piel con y por los jóvenes, y a muchas personas que han contribuido a las satisfacción de todos los asistentes como María, Ana…etc.
Sobre todo estamos muy agradecidos con otros influencers que desde muy lejos durante los meses que ha durado el seminario, han estado enviando videos, especialmente nuestra gratitud a mons. Munilla, Obispo de San Sebastián que desde el primer momento nos apoyó en esta iniciativa.
Russian Influence Operations in the Digital Age - A Lecture by Alina Polyakova. Boston University Center for the Study of Europe. Thursday, October 18, 2018.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
nrhp # 71000929- Designed by A. O. Watson and built in 1897 by A. O. Watson and Eugene T. Heiner, the DeWitt County Courthouse is an example of the Romanesque Revival style and was influenced by architect H. H. Richardson's courthouse in Allegheny County, Pennsylvania. The three-story structure is square in plan, framed by four corner pavilions and topped with a six-story clock tower. The building is constructed of rusticated sandstone with contrasting accents of red sandstone. The main roof is hipped, and the tower and pavilions have pyramidal roofs clad in red clay tile. The primary facade consists of a recessed, triple-bay section between flanking corner pavilions. The pavilions are united on the first floor by a connecting one-story arcade. The clock tower rises from behind the central bay. The paired, single pane, first-story windows of the front and sides of the courthouse are set in large arched openings with stone transoms. The windows on the rear facade, in the arcade and on the second story are one-over-one light, double-hung, sash-type, with stone lintels and single pane transoms. The windows are placed in the pavilions so that one large arched opening is on the first story, two trabeated windows are on the second story, and two trabeated windows set behind a four-bay arcade with balustrades are on the third story. Romanesque Revival capitals cap the porch's clustered columns, reminiscent of H. H. Richardson's designs. The large arches spring low and have rusticated voussoirs finished with a drip-mold archivolt. A balustrade is used in the side arches and as a protective railing above the porch. All projecting corners of the building have decorative quoins of narrow stones Ñ alternately placed vertically and horizontally. The pavilions have engaged columns at the corners of the third story. The corners of the tower have rounded edges or rusticated engaged columns at its full height. The second, third and fourth story windows of the tower are vertically grouped under colossal arches. The four clock faces are simply and effectively framed by radiating rusticated voussoirs in an inset square panel. The top story of the tower is open to the air with a three-bay arcade. The historic characteristics of the courthouse interior were completely altered by a 1957 renovation.
from historical marker
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Juicy Or Not — Evaluate Whether Juiciness Can Influence Game Presence Or Not
As a kind of game attribute, "Juiciness" was mentioned more and more by many digital game designers. Only needs minimal input, Juiciness game will then continuously respond with multi-sensor feedbacks directly to the player, like a "rip peach". The most typical Juiciness game is the fruit ninja and Candy Crush. Just slide your fingers, those exaggerated explosions, splashes of colour fragments and huge scores will provide you a sense of control, a satisfaction, then make you feel very powerful in the game. Overall, Juiciness can have positive influence on Game experience.
On the other hand, as a kind of game experience, game presence has already been used as an indicator of quality of user experience for evaluating the quality of a virtual environment media system.
This research explores how Juiciness can influence game presence, through an experiment. A game with two versions (No Juiciness one and High Juiciness one) was designed and developed as the material for the experiment. The sense of presence was measured by a cross-media presence questionnaire: The ITC-Sense of Presence Inventory Questionnaire (ITC-SOPI). Overall the findings suggest that Juiciness has the ability to improve game presence.
The evening before the space shuttle Challenger explosion, scientists at NASA caught what they thought was a potentially catastrophic risk with the o-rings considering the unusually cold temperature expected for the morning’s launch. They brought the issue to management attention but failed to influence the final decision enough to stop the launch. Your failure to influence may not cost lives but it could be “catastrophic” for your business.