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Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Coat, 1920-30
Probably by Emilie Flöge
Extraordinary sleeves, one longer than the other, are a feature of this remarkable kimono-style coat. The garment, constructed from strips of black and white cotton satin, is believed to have been designed by Emilie Flöge. She was part of the Viennese avant-garde and a life-long friend of artist Gustav Klimt, who collected Japanese art. In 1904 Flöge opened a fashion house, Schwestern Flöge, with her sisters Helene and Pauline.
[V&A]
Kimono: Kyoto to Catwalk
(February to October 2020)
This exhibition will present the kimono as a dynamic and constantly evolving icon of fashion, revealing the sartorial, aesthetic and social significance of the garment from the 1660s to the present day, both in Japan and the rest of the world.
The ultimate symbol of Japan, the kimono is often perceived as traditional, timeless and unchanging. Kimono: Kyoto to Catwalk, the UK's first major exhibition on kimono, counters this conception, presenting the garment as a dynamic and constantly evolving icon of fashion.
[V&A]
Mirrors and Masks (2013–15)
A number of works in Kader Attia's solo exhibition The Museum of Emotion explore the still under-acknowledged influence of African art on the trajectory of Western art history.
Attia made the first mask in his series Mirrors and Masks in 2009, after visiting the exhibition Picasso and the Masters at the Grand Palais, in Paris. Although the exhibition included works by Western artists known to have influenced Picasso, Attia was shocked to find that it did not include any African masks, another well-known influence on the artist.
The work he made as a response – a wooden mask covered with shards of broken mirror – reflects the viewer back in fragments, or in Attia's words, ‘shows everybody who looks at it a Cubist portrait of themselves.’
[Hayward Gallery]
Kader Attia: The Museum of Emotion
(February-May 2019)
Kader Attia’s first UK survey exhibition traces several strands of the artist’s work from the past two decades.
Defining himself as an activist as well as an artist, Attia has over the past twenty years set out to create artworks that engage our capacity for thinking as well as feeling, and provoke what he calls a ‘real, fundamental dialogue’ about the world in which we live.
In sculptures, installations, collages, videos and photographs that move ‘back and forth between politics and poetry’, Attia inventively explores the ways in which colonialism continues to shape how Western societies represent and engage with non-Western cultures, and offers a passionate critique of modern Western systems of control that define everything from traditional museology to the design of modernist social housing.
A key group of works in The Museum of Emotion engage with the idea of repair as both a physical and symbolic act. These include objects ‘repaired’ by the artist using techniques and materials employed in certain non-Western cultures, as well as videos and large-scale installations that explore the way in which repair relates to psychological as well as physical injury, and to collective as well as individual trauma.
In The Museum of Emotion, Attia transforms detailed research into compelling works of art, and at the same time probes the ways in which the museum itself might be transformed into a forum for emotional response, capable of eliciting, exploring and even harnessing strongly held feelings of anger, sorrow, joy and grief.
[Hayward Gallery]
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
We raise awareness of water, hygiene and sanitation's vital role in reducing poverty.
“We have cost-effective tools to provide clean, safe drinking water to everyone in need.”
Actor / singer Mandy Moore
Photo: WaterAid / Bill Crandall
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
looks like the plastic bag cocktail pioneered by Vinyl in Hongdae (inspired by a trip to South East Asia), has spread to Daehakno.
Hyehwa
line 2
Pour mieux apprécier cette photo , je crois qu'elle mérite d' être regardée en plus grand format ( format original )
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
One of the last Asian influenced architechural buildings in Chinatown. This was the site of an HSBC bank.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Attending the April 26, 2017, Alex Katz Media and Influencer Exhibition Preview, we were fortunate to have an advanced view of the "Brand-New & Terrific: Alex Katz in the 1950s" exhibition. It is the largest museum exhibition to showcase Alex Katz’s innovative portraits, landscapes and still lifes from this pioneering period.
For this third edition of Les Roches influencers trip, eight international YouTubers travelled to Spain and Switzerland to get a glimpse of hospitality management education, the student experience on our Les Roches campuses, what it means to study in such a multicultural environment and the career opportunities in the global hospitality industry.
We had the pleasure to host:
This image is part of my Photography A2 course. the topic is about distortion and minupylation of the human face and exploring different areas of portrature.
For this third edition of Les Roches influencers trip, eight international YouTubers travelled to Spain and Switzerland to get a glimpse of hospitality management education, the student experience on our Les Roches campuses, what it means to study in such a multicultural environment and the career opportunities in the global hospitality industry.
We had the pleasure to host:
I was influenced by an advert I saw in an Italian Vogue. I tried to make this happen a few months ago but I had no success. I was having issues with the lighting. So I tried this again with Anne and she said these words, "It's like you can't see the edges of the glass!" BINGO there was my goal. To place the lights in such a way as to not see the edges of the glass. Was blown away by the results.
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Influencers like Ludmila Adamciuc and Sergiu Beznițchi had an unforgettable journey as they explore the beautiful regions of Cahul and Ungheni in Moldova. Despite being well-known, these regions still have many undiscovered curiosities and experiences waiting to be explored!
Ludmila and Sergiu take us on a trip to the Ungheni carpet factory, which has been producing carpets for over 40 years and has reached all continents! In Cahul, they visit the only sea-river port in the country, the Giurgiulești International Free Port, which provides access to the Danube Delta, the Black Sea, and the Mediterranean Sea.
These amazing experiences were captured in two films produced with the financial support of the European Union through the “EU4Moldova: Focal Regions” Programme, implemented by UNDP and UNICEF.
Photo: UNDP Moldova