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For this third edition of Les Roches influencers trip, eight international YouTubers travelled to Spain and Switzerland to get a glimpse of hospitality management education, the student experience on our Les Roches campuses, what it means to study in such a multicultural environment and the career opportunities in the global hospitality industry.
We had the pleasure to host:
When television became popular during the early 1950s, many families changed their traditional dining and recreational habits. Instead of eating their meals at a communal dining table, it was not unusual for an entire family to eat in front of the television set. This new TV-centric lifestyle inspired several manufacturers to market a type of folding tray known as a TV tray. Users could unfold the hollow aluminum legs and attach a tray to hold their plates while they watched their favorite television programs in the living room or den.
There is a bit of a "chicken or the egg" controversy surrounding the first introduction of the TV tray, however. Some television historians say the first TV trays were available at least a year before the advent of the frozen TV dinner. The original TV tray was not necessarily marketed as a dinner tray, but more of a catch-all for plates, books, and craft projects a user might need while watching television. When not in service, a TV tray could be folded quickly and stored in an unobtrusive corner of the room.
My grandmother kept her T.V. trays in a place in one of her closets, she would say "Kids go get the T.V. trays and then we excitedly knew it was time to eat (she was an excellent cook).
The T.V. trays were only used outside, inside we ate at the table. I do not remember ever watching T.V. and eating, I do not think my grandparents allowed such activity !
Rida Tharana, an Indian fashion model, content creator, anchor, and social media starlet hailing from Coorg, Karnataka, India. She is best known for sharing her lifestyle, modeling, and motivational content on social media. To read continue visit: favceleb.com/who-is-rida-tharana-biography-age-height/
Church in art-deco style with Byzantine influence, build 1932-1941. Design by architect Jef Huygh ( 1885 - 1946). The Holy Sacraments-altar is designed by the architect himself. The cone-shaped top rests on 12 little colums in white marble, wich represent the 12 apostles.
Kerk in art-déco stijl met Byzantijnse inslag. Zij werd opgetrokken in de jaren 1932-1941 naar het ontwerp van architect Jef Huygh ( 1885 - 1946 ). Het ontwerp van het Heilig-Sacramentsaltaar is van de architect zelf. De kegelvormige bekroning ervan rust op 12 wit marmeren zuiltjes die verwijzen naar de twaalf apostelen.
Micro Influencers Marketing App - TribeFluence
Fashion Brand need to use our TribeFluence App to quickly promote their name.
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This is one piece of thirty that I painted on myself. They were all painted on top of one another and then peeled off in one big sheet.
Check it out at www.philinthecircle.com/influence
Andermatt, 2FEB2020 - Winter Influencer Summit: Conference day at the Radisson Hotel. Speaker: Rainer Kuhn.
Crane Estate - Ipswich, Massachusetts - Classically influenced sculpture of a madden stands in waiting overlooking the patio above the casino. Wicker patio chairs and table provide comfort to visitors on sunny days. The image was captured on analog black and white film
"Influenced by the rich cultural traditions of Los Angeles muralists, sign lettering, graffiti and calligraphy, artists Siner, Fishe and Dreye will be exhibiting works in a variety of mediums. In addition to the three featured artists work on display will be pieces from the SURVIVE campaign and original large-scale mural collaborations. REFRACTION balances the distinctively raw aesthetics, but complementary works of each artist. What emerges is a continuous visual identity that both provokes and subdues the senses. The result is unfiltered and illuminated"
-Juxtapos Magazine
™VidéoOo vimeo.com/groslee
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Additional information at www.Superviveredesign.com
This is an essay about ‘The influence of the subtly disturbing in my current practice’. I explore some of my design decisions and how other designers have influenced my work.
BAKER, L, (2019) The formidable women behind the legendary Christian Dior www.bbc.com/culture/article/20190129-the-formidable-women..., (Accessed 27/12/20)
FRANKEL S, (2007) The Real McQueen, Harper’s Bazaar, www.harpersbazaar.com/fashion/designers/a68/alexander-mcq.... Accessed 01/01/21)
FURNISS, J, (2014) Comme des Garçons Spring 2015 Ready-to-Wear in: Vogue Runway At: www.vogue.com/fashion-shows/spring-2015-ready-to-wear/com... (Accessed 07/12/2020)
FURY, A and SABTILNI, A, (2017), S/S 1947 Haute Couture – ‘The New Look (Corolle and 8 Lines)’ SABTILNI, A. (eds.) Dior Catwalk, London: Thames & Hudson Ltd, p24
THROWBACK THURSDAYS | SEASON 2 | EPISODE 5, Alexander McQueen’s Controversial "Highland Rape" Show 10/30/2014 with BLANKS T, www.vogue.com/video/watch/throwback-thursdays-with-tim-bl... (Accessed 01/01/21)
LOWTHORPE, R (2014) Dispatches From Paris: Comme Des Garçon in: ELLE UK 28/09/2014. At: www.elle.com/uk/fashion/news/a23166/paris-fashion-week-sh... (Accessed 15/12/20)
Photos
Figure 1- BUMPUS J, (2014), Comme Des Garçons Spring/Summer 2015 Ready-To-Wear Collection, www.vogue.co.uk/shows/spring-summer-2015-ready-to-wear/co..., (Accessed 02/01/21)
Figure 2- Own Photo
Figure 3 – (2011), Dress, Highland Rape, autumn/winter 1995–96, blog.metmuseum.org/alexandermcqueen/tag/highland-rape/ (Accessed 03/01/21)
Figure 4- LEAPER C, (2017), www.telegraph.co.uk/fashion/brands/inside-dior-70-year-ol... (accessed 04/01/21)
Figure 5- Own photo
"#Influence operations are #weaponized stories. #Manipulation of the fundamental #ideologies & behaviors of a target population depends on the construction of a complex #narrative that is capable of taking on a life of its own... "- James Scott
KONICA MINOLTA DIGITAL CAMERA
From back in 2008 or 2009. This is the lovely little town of Poulsbo, Washington. I live here. It's steeped in Nordic tradition and influence. It's a nice place to live, especially if you have a boat.
Andermatt, 2FEB2020 - Winter Influencer Summit: Conference day at the Radisson Hotel. Speaker: Rainer Kuhn.
Andermatt, 2FEB2020 - Winter Influencer Summit: Conference day at the Radisson Hotel. Speaker: Urs Eberhard, Head of markets.
Andermatt, 2FEB2020 - Winter Influencer Summit: Conference day at the Radisson Hotel. Speaker: Urs Eberhard, Head of markets.
This is the way to the Casino at Resorts World Sentosa. I love this architecture so much.. It influences you to a large extent, the actual entrance is still far, but it induces the mood already.. It tempts you to "- - GO GAMBLE - -"
All you need is to be strong not to get tempted! They charge $100 for locals to even go see the dreamland inside, leave alone gambling! Sigh!!! Have fun all you tourists!
I envy you guys! But someday when I have enough money to lose, I will sneak in there n try my luck! ;-P
I did not even think of the angle or symmetry or anything else when I clicked this.. I was in another world! :D
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
Mirrors and Masks (2013–15)
A number of works in Kader Attia's solo exhibition The Museum of Emotion explore the still under-acknowledged influence of African art on the trajectory of Western art history.
Attia made the first mask in his series Mirrors and Masks in 2009, after visiting the exhibition Picasso and the Masters at the Grand Palais, in Paris. Although the exhibition included works by Western artists known to have influenced Picasso, Attia was shocked to find that it did not include any African masks, another well-known influence on the artist.
The work he made as a response – a wooden mask covered with shards of broken mirror – reflects the viewer back in fragments, or in Attia's words, ‘shows everybody who looks at it a Cubist portrait of themselves.’
[Hayward Gallery]
Kader Attia: The Museum of Emotion
(February-May 2019)
Kader Attia’s first UK survey exhibition traces several strands of the artist’s work from the past two decades.
Defining himself as an activist as well as an artist, Attia has over the past twenty years set out to create artworks that engage our capacity for thinking as well as feeling, and provoke what he calls a ‘real, fundamental dialogue’ about the world in which we live.
In sculptures, installations, collages, videos and photographs that move ‘back and forth between politics and poetry’, Attia inventively explores the ways in which colonialism continues to shape how Western societies represent and engage with non-Western cultures, and offers a passionate critique of modern Western systems of control that define everything from traditional museology to the design of modernist social housing.
A key group of works in The Museum of Emotion engage with the idea of repair as both a physical and symbolic act. These include objects ‘repaired’ by the artist using techniques and materials employed in certain non-Western cultures, as well as videos and large-scale installations that explore the way in which repair relates to psychological as well as physical injury, and to collective as well as individual trauma.
In The Museum of Emotion, Attia transforms detailed research into compelling works of art, and at the same time probes the ways in which the museum itself might be transformed into a forum for emotional response, capable of eliciting, exploring and even harnessing strongly held feelings of anger, sorrow, joy and grief.
[Hayward Gallery]
Mimas, seen here beyond Saturn's rings, is a major sculptor of Saturn's
rings. The 398-kilometer-wide (247-mile-wide) moon not only maintains the
Cassini Division (not seen here), a gap wide enough to be visible from
Earth through a small telescope, but it is also responsible for two of
the thin, bright bands visible in this image near the rings' center,
interior to the dark Encke Gap.
Knots in the thin, twisted F ring also are easily visible here.
The image was taken in visible light with the Cassini spacecraft narrow
angle camera on Sept. 7, 2004, at a distance of 8.8 million kilometers
(5.5 million miles) from Mimas and at a Sun-Mimas-spacecraft, or phase,
angle of 84 degrees. The image scale is 53 kilometers (33 miles) per
pixel.
The Cassini-Huygens mission is a cooperative project of NASA, the
European Space Agency and the Italian Space Agency. The Jet Propulsion
Laboratory, a division of the California Institute of Technology in
Pasadena, manages the Cassini-Huygens mission for NASA's Office of Space
Science, Washington, D.C. The Cassini orbiter and its two onboard cameras,
were designed, developed and assembled at JPL. The imaging team is based
at the Space Science Institute, Boulder, Colo.
For more information, about the Cassini-Huygens mission visit,
saturn.jpl.nasa.gov/ and the Cassini imaging team home page,
credit: NASA/JPL/Space Science Institute