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1954 Jaguar XK120 OTS
Chassis No: 675496
Engine No: F2996-8
Body No: F7775
The XK120 was launched in roadster form at the 1948 London Motor Show as a test bed and show car for the new Jaguar XK engine. It caused a sensation, which persuaded William Lyons to put it into production.
The "120" in its name referred to its 120 mph top speed, which made the XK120 the world's fastest standard production car at the time of its launch. It was available in two convertible versions: the roadster (OTS, for open two-seater), and the drop head coupé (DHC), as well as a closed, or "fixed-head" coupé (FHC).
With alloy cylinder head and twin side draft SU carburetors, the dual overhead-cam 3.4 L straight-6 the XK engine was a comparatively advanced unit for the time. With standard 8:1 compression ratio it produces 160 bhp. This same basic design of the XK engine was later modified into 3.8L and 4.2L versions, and survived into the late 1980s.
All XK120s have independent torsion bar front suspension, semi-elliptic leaf springs at the rear, recirculating-ball steering, and a telescopically adjustable steering column.
The roadster's lightweight canvas top and detachable side screens stow out of sight behind the seats, and its barchetta-style doors have no external handles; instead there is an interior pull-cord which is accessible through a flap in the side screens when the weather equipment is in place.
This XK120 OTS presents very well as a beautiful driver! Recent restoration includes: fresh, Old English White (Cream) paint, red leather interior, floor panels, new canvas top and side screens, as well as a complete mechanical overhaul. The body gaps are unusually very even and straight. The chrome work is brand new and the fender skirts ad a graceful look.
Features:
· Fender Skirts!
· Full cab tonneau cover!
· Last year production XK120
· Beautiful, all-new leather interior.
· All matching numbers!
· Just came out of a long-term collection!
Contact Jose Romero: jose@driversource.com
We buy all classic European and American cars! Finders Fee paid!!
Pendant from polymer clay, alcohol ink and metallic powders, finished with epoxy resin (according to the Rocky Path-tutorial from Rivervalley)
This photograph is being made available only for publication by Dallas Habitat for Humanity and for personal use printing, sharing on social media, or archiving by the volunteers, groups, and/or owners of the household featured in the photograph.
The photograph may not be manipulated in any way and may NOT be used in any form in any commercial or political materials, advertisements, emails, products, and/or promotions that in any way suggests approval or endorsement of the Dallas Habitat for Humanity, the photographer, volunteers, or owners of the house without written consent. This image is not managed or maintained by the Dallas Habitat for Humanity and the photographer / account owner is a volunteer and does not officially represent the organization.
For Thanksgiving dinner, my wife made homemade crescent rolls. Here they are ready to go into the oven.
For FlickrBingo3, week29: FORM
Many of the exchangable tools for an excavator have a similarity of form with the human hand in the appropriate position for a similar function, upscaled.
FORM in this sense is FORM in Swedish, as well.
A form for filling in, as for customs or taxes, is FORMULÄR in Swedish.
On my card:
NECK well GOOD open body
make FORM BAND AREA seal
rate skip FREE WOOD word
LIKE rack RACE FALL HAIR
zone heel bolt wick shoe
ma una foglia portata dal vento sulla mia finestra e lì rimasta a prendere la pioggia
la foto non è ritoccata
The railway formed a part of the metre gauge Jodhpur Railway and originally extended as far west as Hyderabad which it reached in 1901. The stretch westwards from Mirpur Khas was converted to broad gauge several years ago. The metre gauge lines were separated from the Indian metre gauge system as a result of the partition in 1947. Through services ceased in 1965 during the Indo-Pakistan war that year and the stretch crossing the border east of Khokhrapar was lifted.
The line now exists primarily to serve the numerous army facilities along what remains a volatile border area. In 2004, Pakistani newspapers carried reports of a high level meeting between Pakistani and Indian officials about the proposed reopening of the line across the border. The Pakistani position was that the railway eastwards from Mirpur Khas needed complete reconstruction and should be rebuilt as a broad gauge line since the Pakistanis have no modern metre gauge equipment. They estimated that the work would take about two and a half years. The Indian position was that they could supply metre gauge equipment and diesels as needed to enable through trains to restart quickly – possibly as soon as September 2005.
In the meantime the railway remained something of a time capsule of how the Indian metre gauge must have been in the days of the British Raj. It is worked solely by BESA standard SP class 4-6-0’s designed in 1903, and by IRS standard YD class 2-8-2’s designed in the 1920’s.
This image was scanned from a photograph held by Cultural Collections at the University of Newcastle, NSW, Australia.
If you have any information about this photograph, please contact us.
Newgrange in Ireland, contains various examples of abstract Neolithic rock art carved onto large stones. These carvings fit into ten categories, five of which are curvilinear (circles, spirals, arcs, serpentiniforms and dot-in-circles) and the other five of which are rectilinear (chevrons, lozenges, radials, parallel lines and offsets).
Various archaeologists have speculated as to the meaning of the decoration, with some, such as George Coffey (who produced a study of art at "New Grange" in the 1890s), believing them to be purely decorative, whilst others, like M.J. O’Kelly (who led the 1962–1975 excavation at the site), believing them to have some sort of symbolic purpose, because some of the carvings had been in places that would not have been visible, such as at the bottom of the orthostatic slabs, below ground level
Hershman, Lynn, Eleanor Coppola, Contemporary Art Council, Society for the Encouragement of Contemporary Art Re: Forming Familiar Environments. [Los Angeles: Los Angeles County Museum of Art?], 1975.
See MCAD Library's catalog record for this book.
“Long Shot” was choreographed by Kelly Hagfeldt and features 10 dancers. Pictured here, left to right, are Amanda McCabe, Kodi Auch, Brittney Rau, Jessica Aparicio, Ashley Magelky, Rachel Cross and Kelly Hagfeldt.
Every woman should own at least one fabulous steel-boned corset and we have a huge range to choose from AEC Corsets. To know more visit here: www.instagram.com/aeclothing/?hl=en
In the United States the Autism rates are now 1 in every 97 births. The worst country being United Kingdom with a male autism rate of 1 in 38 births. Get your exemption forms at my website: experimentalvaccines.org/vaccine-exemption-forms/
Formado em 1989 no curso de jornalismo da Universidade Metodista de São Paulo, na cidade de São Bernardo do Campo, em São Paulo.
Ingressou na Folha de S.Paulo em setembro de 1990. Trabalhou no jornal como redator e editor-assistente até o fim de 1992. Após uma temporada em Londres no ano seguinte, retornou à Folha em janeiro de 1994 na função de repórter. Saiu do jornal para trabalhar na campanha presidencial de Luiz Inácio Lula da Silva em abril daquele ano. Atuou como assessor de imprensa de Lula até julho de 1995.
Voltou pela terceira vez à Folha em setembro de 1995. Por seis meses, fez cobertura de polícia. Em 1996, assumiu o cargo de editor da coluna de notas "Painel". Foi enviado especial para a cobertura do conflito no Kosovo em 1999. Escreveu o livro "Kosovo, a Guerra dos Covardes".
Em 2000, incorporou-se ao grupo de repórteres especiais da Folha. Em setembro daquele ano, foi transferido para Brasília, onde passou a escrever sobre os bastidores do poder. Depois do atentado de 11 de setembro de 2001, atuou como correspondente de guerra no Paquistão, Tadjiquistão e Afeganistão.
No ano de 2008, foi convidado para ser comentarista de política do telejornal RedeTV! News, da RedeTV!. Em outubro, estreou um novo programa semanal de entrevistas da emissora, o É Notícia. Conversou com os principais personagens do poder no Brasil. O programa entrevistou figuras de destaque no cenário internacional, como Hugo Chávez, Oliver Stone, Tariq Ali e José Sócrates.
Em 2010, foi o organizador e mediador dos dois primeiros debates presidenciais da RedeTV!. Mediou ainda seis debates estaduais. Em 2012, voltou a organizar e mediar debates eleitorais.
Deixou a versão impressa da Folha em 31 de dezembro de 2010 e a coluna semanal da versão eletrônica do jornal em 05 de outubro de 2012. Saiu da RedeTV! em 30 de setembro de 2013.
Em 07 de agosto de 2013, lançou o Blog do Kennedy, com informações, análises e opiniões principalmente sobre política e economia. É comentarista da CBN desde 15 de março de 2011. De segunda a quinta-feira, entra ao vivo na rádio por volta das 18h03 e comenta os assuntos do dia junto com Roberto Nonato, dentro do Jornal da CBN 2ª Edição, onde faz a coluna "A Política Como Ela É", nome do seu canal no YouTube.
A partir de 17 de março de 2014, passou a trabalhar no SBT. Analisava e informava os bastidores do dia em Brasília no SBT Brasil, no extinto Jornal do SBT e depois no "SBT Notícias". Fazia também entrevistas com personalidades de destaque da política e economia que foram exibidas nos telejornais da emissora. As íntegras das entrevistas estão publicadas no Blog do Kennedy. Em 05 de outubro de 2017, pediu demissão do SBT devido a mudanças no telejornal "SBT Brasil" e ao cancelamento da série "Cenários 2018", que era exibida no "SBT Notícias".
Fotos: Felipe L. Gonçalves/Brasil247
The Banks Peninsula.
This stunning volcano formed peninsula was named by Captain Cook in 1770 believing that it was an island after he saw Lake Ellesmere which he thought was the sea. He named it after the botanist on his voyage – Joseph Banks. We know that the peninsula is made up of two volcanic cones with breached sides on the calderas - with one forming Lyttelton Harbour and the other Akaroa Harbour. The volcanoes were active 1.6 to 5 million years ago. The volcanic cones or calderas have steep indented sides producing dramatic coastal and cliff formations. The first settlement that we reach on Banks Peninsula is called Little River which is known for its grass seed industry. On top of the caldera we should have superb views of Akaroa harbour if it is clear.
Apart from Maori occupation Akaroa was first settled by two Frenchmen who created the village of Duvauchelle in 1840. A little further on is Akaroa. The harbour is known for its wildlife including the rare Hector Dolphins and many seabirds. Since the Polynesian invasion of NZ about 1,000 years ago three successive waves of Maori have occupied Akaroa Harbour – the Waitaha, the Kati Mamoe and finally from the 1600s to the arrival of white settlers the Ngai Tahu. In 1830 the Maori settlement on the south side of the harbour was the scene of a notorious incident with the British ship named Elizabeth. British Captain John Stewart helped the North Island chieftain Ngata Toa to capture the local chieftain Te Maiharanui which resulted in a battle and massacre. The British wanted to establish a whaling station at Akaroa but the Ngai Tahu would not agree to this. Partly as a result of this James Busby was sent to New Zealand to negotiate with the Maoris for British occupation which he did through the Treaty of Waitangi in 1840. In the meantime Akaroa was left alone until 1838 when French whaler Captain Langlois decided to use Akaroa for a whaling station. He “purchased” some Maori land through a dubious agreement with the Maoris. He returned to France, floated the Nanto-Bordelaise Company and returned to Akaroa with a group of French families with the intention of founding a French colony there. But by the time he arrived back in Akaroa the Treaty of Waitangi had been signed, including by the Akaroa chiefs and Britain had declared sovereignty over all of New Zealand’s three main islands. But the French stayed and settled anyway with villagers at Duvauchelle and Akaroa itself. New Zealand’s first Governor Hobson despatched a British ship the Britomart from the Bay of Islands to Akaroa to ensure British sovereignty was respected. The French laid out the streets of Akaroa with French names and they planted many walnut trees and bush roses. By the time the British arrived in Christchurch with the Canterbury Associated in 1850(based like SA on the ideas of Edward Gibbon Wakefield) Akaroa was already well established albeit with a French flavour. Look at the street names- Rue Lavaud, Rue Pompallier, Rue Jolie, Rue Balguerie, Rue Benoit, Rue Viard and Rue Grehan. The hill behind the town is L’Aube Hill (Sunrise Hill).
Historical walk in Akaroa with buildings numbered.
1. L’aube hill. Site of the pioneer French cemetery.
2. Trinity Church. A Presbyterian church opened here in 1860 by Mr Eteveneaux. Replaced 1886. Hall 1916.
3. Mrs Eteveneaux’s shop. No 42 Rue Lavaud.
4. No 43. A typical early colonial French style house.
5. Chez La Mer and the Madeira Hotel. Erected 1871 by Mr Rodrigues of the Madeira Islands.
6. Nos 45 and 47 were sites sold by the Nanto-Bordelaise Company in 1842 to a German settler, Jacob Waeckerle. House built 1877 with gallery added 1905.
7. Bon accord. Interesting house with two front doors. Used as Catholic school room and offices.
8. Chemist Shop. Henri Citron opened this pharmacy in 1883. During World War 2 a plane crashed into the shop.
9. No 60 was erected 1864 as a Town hall. Façade remodelled in 1993.
10. First Police Station built in 1864 and extended in 1904. Now a residence.
11. Akaroa Museum. The complex includes the Courthouse 1880, the Langlois-Eteveneaux house 1841.
12. The Old Criterion Hotel. Began as a shop in 1850s and became a hotel in 1860s.
13. The Customs House opened in 1853 closed 1880.
14. The old Post Office opened in 1914. Now the Information Centre.
15. Bank of New Zealand. A bank opened in 1863 but this one was built in 1905.
16. St Peters Church in Rue Balguerie. Built 1864 in English style. Graveyard contains grave of an early vicar who became the first Anglican Bishop of Dunedin.
17. Blythcliffe at no 37. Two storey house from 1857.
18. War Memorial which was unveiled in 1924.
One I thing hate doing and that's filling in forms but this one means I'll get extra dosh in my wages so I think I can force myself to fill it in.
Esta revolucionária máscara nasal de pano supera os 5 piores problemas de quem dormer com cpap para o tratamento da AOS:
1. 1. Vazamento de ar reduzido:
A SleepWeaver é feita de pano e não tem partes rígidas, que entram em contacto com a pele. Ela infla para formar um balão de ar que empurra suavemente contra a face do paciente para formar uma vedação. Como o tecido é flexível e segue a forma exata da face de cada paciente, o vazamento de ar é reduzido.
2. 2. Pressão reduzida para fixar a máscara:
Muito pouca tensão é necessária no arnês para alcançar uma boa vedação, que é formada pela pressão de ar no interior da máscara.
Como a necessidade de apertar continuamente a máscara para alcançar uma boa vedação é eliminada, os utilizadores SleepWeaver não terão mais feridas de pressão sobre a ponte do nariz ou outras partes do rosto.
3. 3. Mais posições do sono
SleepWeaver permite que os pacientes durmam de costas, ou de lado, pois não possui fivelas rígidas, clipes ou placas frontais para machucar a sua pele. A máscara é leve e macia, e fica posicionada durante toda a noite, mesmo com mudanças nas posições durante o sono do paciente. Usuários relatam acordar no meio da noite e se perguntando se ele ainda está no seu rosto.
4. 4. Irritação da pele
O material de pano é muito suave e respirável. Assim, enquanto que forma uma vedação muito boa, ela não fica pegajosa sobre a pele e não cria reações alérgicas. Não há nada que vai dentro do nariz para irritar ou secar os tecidos da mucosa dentro do nariz. A máscara não contém látex ou silicone.
5. 5. Menos ruído
O ruído do uso do CPAP vem de três fontes: da válvula de exalação, de vazamentos e da turbulência dentro da máscara.
O SleepWeaver tem uma série de orifícios de exalação de pequeno porte que eliminar "whooshing" ar "ou assobiando".
A máscara diminui a turbulência do ar no interior da máscara, reduzindo a última fonte de ruído da máscara.
Ao eliminar esses incômodos a máscara SleepWeaver permite que os pacientes com apnéia do sono fiquem confortavelmente para executar sua terapia CPAP e tirar o sono profundo e restaurador de que necessitam.
Azul Cod. 100274
Bege Cod. 100332
Camuflada Cod. 100281
Leopardo Cod. 100285
Rosa Cod. 100277
Número de Registro na Anvisa: 80102511010
Modern - to reject the traditionally accepted or sanctioned (in art and design). To be of one's time, not antiquated or obsolete.
The ethos of Modernism is exemplified the collaborations between Alessi, the Italian utensils company (founded in 1921 -http://en.wikipedia.org/wiki/Alessi_(company) ) and modern designers, many of whom come from diverse professional backgrounds. This timer exemplifies form and function, the ultimate modern design accolade (IMHO), having survived many moves and daily use, and was designed by Michael Graves, one of America's leading architects of the 20th century en.wikipedia.org/wiki/Michael_Graves.
ODC Modern
TheFlickrLounge, Minimalism
Eschscholzia californica 'Coastal Form'
Irish Hills, San Luis Obispo, CA 27May14 BushPhoto
Papaveraceae
Formed in 2008 in (not surprisingly) Hackney, this brass band played a mixed set of original tunes and covers (including Gangsta's Paradise and Got Your Money).
Their first album is out soon.
The band consists of:
Trumpet, flugelhorn: Nick Ashwood
Trumpet, melodica: Steve Pretty
Alto & baritone saxophones: Cath Roberts
Tenor saxophone: Tom Ward
Trombone: Dave Odams
Trombone: Jonathan Sweeney
Trombone: Magnus Dearness
Sousaphone: Jeff Miller
Snare drum, hi hat & cymbals: Luke Christie
Bass drum, wood block, cowbell & cymbals: Olly Blackman
[from their website]
1) This image investigates form because form is an object that appears to be three dimensional with light, and this globe appears to be three dimensional.
2) The subject matter is the globe. In order to show this, I was far from the globe and I zoomed on it so that it was focused on.
3) I believe that the most successful part of this photograph is how the globe is the main part of the picture because it is so focused.
4) If I could shoot this again, I would've taken it later so that the background was different shades of red and orange in the fall.
I was reorganizing photos stored on my computer and I came across this one taken right after the snow melted this early spring. It was taken in the wetlands portion of my backyard in Merrimack,NH. It shows decaying leaves on the forest floor under a thin film of water.
This abstract image is best viewed large.