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I rescued this little frog from my dog today and took his photograph before releasing him.
I couldn't resist the urge completely ... the one in the comments has been edited.
Form 2 student (male) in class. In this school there are four streams in Form 2, each with 50+ students. Still, these are the lucky few. There are too few slots at secondary schools, so only the very best students are able to attend. Kashaulili Secondary School, Mpanda District, Katavi Region, Tanzania
Tanzania, August 2019
Credit: GPE/Kelley Lynch
Learn more: www.globalpartnership.org/where-we-work/tanzania
Aunt Rebekah holding her new nephew, Hendrix, while Haidyn plays with his hair. I have some better ones of aunt and nephew that I probably post later, but I love the bonds being formed here.
This statue is one of hundreds at Caesars Palace in Las Vegas.
If you would like a print of this photo, go to:
fineartamerica.com/featured/the-male-form-paul-mashburn.html
I Took this Photo inside the Flagler Station Complex on February 2, 2008. It shows models of the Forms used to construct the Bridge Piers for the Florida East Coast Railway Key West Extension. The Model Forms are contained in Glass Display Cases in one of the buildings within the Flagler Station Complex on Caroline Street in Downtown Key West.
Directions scanned from General Printing, by Cleeton & Pitkin, 1953, McKnight & McKnight Publishing Company, Bloomington, IL, in which are described the steps one would take toward tying a standing form of lead type used in letterpress printing.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husbandâs passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as âCourtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Artist: Henry Moore
Title: Large Interior Form
Materials: bronze
Snape Maltings
Snape, Suffolk, England, UK
The newly formed Senior Wrestling League competition between Aspull Warriors and City of Manchester Wrestling Club, was held at the Aspull on Saturday Saturday 21 Jan 2023.
This is part of the two pilot leagues which were launching in September 22.
This could be a huge step for the development of wrestling in this country. If successful with our pilot season this could lead to the launch of a nationwide league launching in every region of the UK by the end of 2023.
The clubs competing in the inaugural Northern Seniors Wrestling League are:-
Manchester Y-Club Wrestling
@aspullwarriorswrestling
@bowcbears
@manchester_wrestling_club
@empower_wrestling
@bradfordwrestlingacademy
Nel caseificio con le forme di parmigiano danneggiate dal terremoto in Emilia bit.ly/ricostruireEmilia
The Jewish Square, Vienna 1, formed in the Middle Ages under the name of "schoolyard" the center of the former Jewish Town, extending next to the Ducal court. It was closed from the rest of the city by four gates. Here there were school, bathhouse, synagogue and the house of the rabbi. The school was one of the most important of German-speaking countries. The community existed from about 1190 to the Vienna Geserah in 1421.
The stemming from the 15th century Jordan House, Nr. 2, bears a late Gothic relief with the representation of Jesus' baptism in the Jordan. This is not only a reference to the name of the house owner, Jörg Jordan, but also to the Vienna Geserah which the accompanying text endorses. On the initiative of Cardinal Christoph Schönborn, the Archdiocese of Vienna donated a plaque which Cardinal Franz König on 29 October 1998 unveiled. Its text reads: "Kiddush HaShem" means "sanctification of God". With this awareness, chose Viennese Jews in the synagogue here on Jewish Square - the center of an important Jewish community - at the time of persecution 1420/21 the suicide to escape a feared by them forced baptism. Others, about 200, were burnt alive in Erdberg (today 3rd district of Vienna) at the stake. Christian preachers of that time spread superstitious anti-Jewish ideas and thus incited against the Jews and their faith. So influenced, Christians in Vienna acquiesced without resistance, approved it and became perpetrators. Thus, the liquidation of the Vienna Jewish Town in 1421 was already a looming omen for what happened in our century throughout europe during the Nazi dictatorship. Medieval popes pronounced unsuccessfully against the anti-Jewish superstition, and individual believers struggled unsuccessfully against the racial hatred of the Nazis. But those were too few. Today Christendom regrets its involvement in the persecution of Jews and recognizes its failures. "Sanctification of God" today for Christians can only mean: asking for forgiveness and hope in God's salvation. October 29, 1998
Already in 1910, consisted the plan here the poet of the Enlightenment, Gotthold Ephraim Lessing (1729-1781), who in his play "Nathan the Wise" the interdenominational tolerance has put up a literary monument, to honor with a statue. In 1935, a sculpture by Siegfried Charoux was unveiled, but only four years later, in 1940, taken off and melted down for armaments. In 1968, the same artist created again a Lessing monument, which came first on the Morzin square and 1981 on the original site.
Since 2000, the place is a unique ensemble of remembering with the memorial by Rachel Whiteread for the 65,000 Austrian victims of the Shoah. 1995 the foundations of the in 1420 destroyed synagogue were excavated which now with finds constitute a part of the branch of the Jewish Museum Vienna. A computer-animated walk leads into one of the largest Jewish communities in Europe which existed here in the early 15th century. Another room is dedicated to the Shoah documentation.
Der Judenplatz, Wien 1, bildete im Mittelalter unter dem Namen „Schulhof“ den Mittelpunkt der einstigen Judenstadt, die sich neben dem Herzogshof erstreckte. Sie war durch vier Tore von der übrigen Stadt abgeschlossen. Hier befanden sich Schule, Badestube, Synagoge und das Haus des Rabbiners. Die Schule war eine der bedeutendsten des deutschen Sprachraums. Die Gemeinde bestand ab etwa 1190 bis zur Wiener Geserah im Jahre 1421.
Das aus dem 15. Jahrhundert stammende Jordanhaus, Nr. 2, trägt ein spätgotisches Relief mit der Darstellung der Taufe Jesu im Jordan. Dieses ist nicht nur eine Anspielung auf den Namen des Hausbesitzers, Jörg Jordan, sondern auch auf die Wiener Geserah, die der beigefügte Text gut heißt. Auf Initiative von Kardinal Christoph Schönborn stiftete die Erzdiözese Wien eine Gedenktafel, die Kardinal Franz König am 29. Oktober 1998 enthüllte. Ihr Text lautet: „Kiddusch HaSchem“ heißt „Heiligung Gottes“ Mit diesem Bewußtsein wählten Juden Wiens in der Synagoge hier am Judenplatz — dem Zentrum einer bedeutenden jüdischen Gemeinde — zur Zeit der Verfolgung 1420/21 den Freitod, um einer von ihnen befürchteten Zwangstaufe zu entgehen. Andere, etwa 200, wurden in Erdberg auf dem Scheiterhaufen lebendig verbrannt. Christliche Prediger dieser Zeit verbreiteten abergläubische judenfeindliche Vorstellungen und hetzten somit gegen die Juden und ihren Glauben. So beeinflusst nahmen Christen in Wien dies widerstandslos hin, billigten es und wurden zu Tätern. Somit war die Auflösung der Wiener Judenstadt 1421 schon ein drohendes Vorzeichen für das, was europaweit in unserem Jahrhundert während der nationalsozialistischen Zwangsherrschaft geschah. Mittelalterliche Päpste wandten sich erfolglos gegen den judenfeindlichen Aberglauben, und einzelne Gläubige kämpften erfolglos gegen den Rassenhaß der Nationalsozialisten. Aber es waren derer zu wenige. Heute bereut die Christenheit ihre Mitschuld an den Judenverfolgungen und erkennt ihr Versagen. „Heiligung Gottes“ kann heute für die Christen nur heißen: Bitte um Vergebung und Hoffnung auf Gottes Heil. 29. Oktober 1998
Schon 1910 bestand der Plan, dem Dichter der Aufklärung Gotthold Ephraim Lessing (1729-1781), der in seinem Stück „Nathan der Weise“hat Lessing der interkonfessionellen Toleranz ein literarisches Denkmal gesetzt hat, hier mit einem Standbild zu ehren. 1935 wurde eine Plastik von Siegfried Charoux enthüllt, doch schon vier Jahre später entfernt und 1940 für Rüstungszwecke eingeschmolzen. 1968 schuf der selbe Künstler wieder ein Lessing-Denkmal, das zunächst auf den Morzinplatz und 1981 an den ursprünglichen Aufstellungsort kam.
Seit 2000 ist der Platz ein einzigartiges Ensemble des Erinnerns mit dem Mahnmal von Rachel Whiteread für die 65.000 österreichischen Opfer der Schoa. 1995 wurden die Fundamente der 1420 zerstörten Synagoge ergraben, die nun mit Funden einen Teil der Außenstelle des Jüdischen Museums Wien ausmachen. Ein computeranimierter Spaziergang führt in eine der größten jüdischen Gemeinden Europas, die Anfang des 15. Jahrhundert hier bestand. Ein weiterer Raum ist der Schoa-Dokumentation gewidmet.
austria-forum.org/af/Wissenssammlungen/Schicksalsorte/Jud...
Collaboration with Nadya Prilutskaya
www.flickr.com/people/35165895@N03/
The object is made for Exhibition called "Transformation". Constructed from natural elements it shows transformation states of a tree - grass, timber, paper, ash.
X-ray form I took to QScan in Cleveland so that my podiatrist can create orthotics for my shoes. #talipes #orthapedic
from my set: Forms & Colors > www.flickr.com/photos/fsimages/sets/72157616294042748/
All rights reserved - copyright © Frank Smout
100422-2610
Forming one of 20 services running as a short-form on the AGA network this evening, Abellio Greater Anglia Class 379 EMU 379015 is seen standing at Stansted Mountfitchet during the working of 1B90 15:55 London Liverpool Street to Stansted Airport 16/04/15
© Photo by Tasos Tsoukalas
www.facebook.com/pages/Tasos-Tsoukalas-Photography-/29358...
e-mail : t.tsoukalas1978@yahoo.com
via Blogger ipmanmovie.blogspot.com/2016/09/that-one-day-miu-miu-wome...
#Ip Man Movie, #Black Flag Wing Chun Movie, #Wing Chun Kung fu, #Wing Chun Technique, #Wing Chun Video, #Wing Chun Training, #Wing Chun Forms, #Wing Chun Dummy, #Wing Chun Schools, #Yim Wing Chun, #Ip Man Wing Chun
Formado em 2000, o JAM Project é um grupo de cantores japoneses especializados em temas de animês (desenhos animados), tokusatsus (séries live-action) e jogos de videogames japoneses. É o principal expoente do gênero.
O objetivo do grupo é preservar as características originais do gênero musical, que desde a década de 90 tem a interferência do marketing da indústria fonográfica, envolvendo artistas do pop-rock japonês.
A formação atual é composta por Hironobu Kageyama, Masaaki Endoh, Masami Okui, Yoshiki Fukuyama, Hiroski Kitadani e Ricardo Cruz.
West window by Douglas Strachan, part of the full scheme of windows commissioned for the chapel in1921.
Westminster College stands to the north of Cambridge's centre and is primarily a theological college for the training of ministers in the United Reformed Church. The present buildings were designed by Henry Hare and built between 1897–1899.
The reason for my visit was the chapel which is hidden away behind the main frontage. This low vaulted space is remarkable for its glass, a complete scheme of windows by Scottish stained glass artist Douglas Strachan, a symphony of swirling forms and rich colours emanating from all of the thirteen windows. The apse and west windows are relatively small, but the windows on each side of the chapel are larger and more dramatic works illustrating Old and New Testament themes respectively..
en.wikipedia.org/wiki/Douglas_Strachan
This college is off the tourist trail and thus not so widely known or visited, but knowing of the glorious glass I enquired about seeing the chapel at reception and the nice lady there happily let me in and pointed me in the right direction which was very much appreciated, and the chapel's windows really are hidden gems.
This PayPal form asks people to select the type of credit card they are using to make a purchase. Is that necessary?
Wroblewski, Luke. 2008. Web Form Design: Filling In the Blanks. New York: Rosenfeld Media.
1901 Oldsmobile curved dash. At the Naples airport car show. 2019. The gasoline-powered Curved Dash Oldsmobile and is credited as being the first mass-produced automobile, meaning that it was built on an assembly line using interchangeable parts.
Handheld long exposure at night. The cars are moving very fast so all is left behind is the beautiful forms left behind of their headlights.
Here you also see more elongated signage on the road intended for drivers. In Hong Kong, signage on the road is typical, and one can reason that it is a lot safer this way to keep the drivers’ eyes on the road instead of up above.
# SML Data
+ Date: 2013-03-17 21:12:33 GMT+0800
+ Dimensions: 3408 x 5112
+ Exposure: 6.0 sec at f/10
+ Focal Length: 17 mm
+ ISO: 100
+ Flash: Did not fire
+ Camera: Canon EOS 7D
+ Lens: Canon EF 17-40mm f/4L USM
+ GPS: 22°16'44" N 114°10'15" E
+ Altitude: 79.0 m
+ Location: 中國香港灣仔告士打道和分域街交界 Intersection at Fenwick Street and Gloucester Road, Wan Chai, Hong Kong, China
+ Serial: SML.20130317.7D.35433.BW
+ Workflow: Lightroom 4
+ Series: 人流 Human Logistics, 形 Forms, 黑白 Black and White
“夜間快車告士打道 Nighttime Fast Track Gloucester Road” / 香港人流之形 Hong Kong Human Logistics Forms / SML.20130317.7D.35433.BW
/ #人流 #HumanLogistics #形 #Forms #SMLForms #黑白 #BW #SMLBW #CCBY #SMLPhotography #SMLUniverse #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #城市 #Urban #街 #Street #灣仔 #Wanchai #夜 #Night
No âmbito do Programa Erasmus +/mobilidade de docentes, a Professora Slavica Vrsaljko, da Universidade de Zadar, Croatia, proferiu no Auditório 2 do IPBeja, a 14 de abril de 2015, o Seminário “Forms of Communication: formal and informal”
Mais reportagens fotográficas em: <a www.flickr.com/photos/40478366@N08/collections/
38° 00' 46.87''N
7° 52' 22.19''W
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husbandâs passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as âCourtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Spersonalizowany Design z Laserową Precyzją: Te eleganckie, pozłacane spinki do mankietów to doskonały przykład naszych możliwości w tworzeniu unikalnej, personalizowanej biżuterii męskiej. Dzięki nowoczesnej technologii laserowej jesteśmy w stanie z jubilerską precyzją odwzorować każdy, nawet najbardziej skomplikowany wzór lub logo. Proces ten eliminuje potrzebę tworzenia drogich form czy matryc, co obniża koszty i pozwala na realizację nawet bardzo krótkich serii, już od jednej pary.
Jakość Jubilerska i Szlachetne Materiały: Jesteśmy polskim producentem, a każda para spinek powstaje od początku do końca w naszej pracowni. Specjalizujemy się w metalach szlachetnych – oferujemy spinki z litego złota próby 585 oraz srebra próby 925, cechowanych w polskim Urzędzie Probierczym. Wykonujemy również bardziej ekonomiczne warianty z mosiądzu, które mogą być pozłacane, posrebrzane lub polerowane na wysoki połysk.
Zobacz więcej naszych prac na: laser-studio.com.pl/spinki-do-mankietow/
Różnorodność Form i Wykończeń: Nasze 20-letnie doświadczenie i zaawansowany park maszynowy pozwalają nam tworzyć spinki w dowolnym kształcie – od płaskich i ażurowych, po złożone, przestrzenne reliefy. Powierzchnię możemy wykończyć na wiele sposobów: nadać jej wysoki połysk, satynowe szlifowanie lub unikalną teksturę za pomocą lasera, dopasowując wygląd do indywidualnych potrzeb projektu.
Wskazówka Dotycząca Pielęgnacji: Należy pamiętać, że spinki wykonane ze srebra, a także z mosiądzu czy posrebrzane, z czasem mogą naturalnie ciemnieć w wyniku procesu oksydacji. Aby przywrócić im pierwotny blask, wystarczy delikatnie przetrzeć je miękką ściereczką do polerowania lub użyć specjalistycznych preparatów do czyszczenia srebra, które są łatwo dostępne w sklepach.
Szybka Realizacja na Zamówienie: Standardowy czas realizacji indywidualnego zamówienia na spersonalizowane spinki do mankietów wynosi około 2 tygodni. W przypadku większych zamówień, przekraczających 50 par, termin realizacji ustalamy indywidualnie, aby zagwarantować najwyższą jakość i dbałość o detal.
Zaprojektuj Własne Spinki: Masz własny pomysł lub logo, które chcesz zamienić w ekskluzywne spinki? Skontaktuj się z nami, aby otrzymać bezpłatny projekt i wycenę. Zapraszamy do skorzystania z formularza na naszej stronie: laser-studio.com.pl/wycena-projektu/
INSTITUT DU MONDE ARABE (IMA)
La façade sud de l’IMA est composée de 240 moucharabiehs dont le mécanisme est actionné électroniquement. L’ouverture des diaphragmes est réajustée toutes les heures pour s’adapter à la luminosité extérieure et créer un jeu de lumière à l’intérieur du bâtiment. L'architecte est Jean Nouvel.
PARIS : INSTITUT DU MONDE ARABE (IMA)
The south facade of IMA is composed of 204 electronic moucharabiehs. The aperture of their diaphragm is adjusted every hour, so as to adapt to the external light and create light effects inside the building. The architect is Jean Nouvel.