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Chaillot | 13 Avenue du Président Wilson
L'Usage des Formes exhibition
Palais de Tokyo, Paris
March 20 - May 17, 2015
Do you need a copy of a tax form? If so, the library can help.
The Birmingham Public Library provides copies of tax forms, instructions, and publications. Basic forms are available at most library locations; a more extensive collection of forms is available in the Government Documents Department in the Linn-Henley Building.
BTW Birmingham Public Library is hosting EITC Awareness Day 2010 at the Five Points West Branch. FREE tax return preparation for those with income under $49,000 will be available at this event.
I find filling in this form is intriguing:
B: Have you ever been arrested or convicted for an offence or crime involving moral turpitude or a violation related to a controlled substance; or have been arrested or convicted for two or more offences for which the aggregate sentence to confinement was five years or more; or have been a controlled substance trafficker; or are you seeking entry to engage in criminal or immoral activities?
C Have you ever been or are you now involved in espionage or sabotage; or in terrorist activities; or genocide; or between 1933 and 1945 were you involved; in any way in persecutions associated with Nazi Germany or its allies ?
I guess the logic is that you can be immediately deported for lying on your visa application, whether or not they have proof of a serious crime e.g. "Al Capone and tax evasion. It might also be to limit the ignorance argument - "Oops, I didn't know that I couldn’t be involved in espionage, sabotage or in terrorist activities, how embarrassing, I do apologise”. Nevertheless I find the phrasing interesting, for example what is moral turpitude? How many people who fill in this form who are ignorant like me, or English isn’t their first language - do they know what it means? Just in case you are wondering, crimes of moral turpitude are those which involve "conduct that shocks the public conscience" - some might give mention the war in Iraq at this juncture.
Legislative Assembly Chandigarh, India - Architect: Le Corbusier
The Parliament or Legislative Assembly (1955) was designed as a large box with the entrance portico on one side, concrete piers on the other, and a repetitive pattern on the façade. Sculptural forms on the roof, a dramatic ‘funnel’ top light over the Assembly, and a tilted pyramid over the Senate chambers completed the composition. The Assembly Hall has a square plan. The Assembly chamber, in the form of a hyperbolic shell, is surrounded by ceremonial space. This circulation space is planned as a dimly lit, triple height, columned hall for informal meetings and discussions. The side of the hall facing the high court has a great portico and has eight thin piers. These piers frame a view of glimpses of the Shivalik Hills. A ceremonial pivoting door is placed in an off-centre bay of the portico. Le Corbusier was inspired by the form of the cooling towers of a power station near Ahmedabad. The architect designed the hyperbolic shell of the Assembly chamber with a base diameter of 39.6 m. This shell is 38 m and terminates in an oblique section with a metallic framework at the top. This framework directs the interplay of natural and artificial lighting, ventilation, and acoustics. The hyperbolic shell is only 15 cm thick, which helped in reducing the cost and the weight of structure. The Assembly chamber has a seating capacity for 252 persons. Additional galleries are provided for ladies, journalists, and officials. Acoustical treatment has been given to the Assembly Chamber to modulate and control the sound levels by providing sound absorbing panels in bright colours and random curvilinear shapes. The Council chamber, with a capacity of 70 seats is crowned by a pyramid, which admits light from the north into its interior. A ladies gallery with 90 seats, a men’s gallery with 104 seats, and a press gallery with 24 seats are also provided in this chamber. Staircases, lifts and ramps provide various means of circulation and access to different levels of the building. The construction of the entire structure is in exposed reinforced concrete.
>> Download https://dl.dropboxusercontent.com/u/3202151/Resource Downloads/Transfer_of_Copyright_Form.zip
The link will download a ZIP archive of an: InDesign file CC7 & CS4 (without fonts), and a PDF (with embedded fonts) for the updated: Logo Design Copyright Transfer Form Template, all ready for you and your client.
Feel free to use this as is, or change the layout/contents as you see fit (obviously remove all instance of my name and details). Hope you find it useful. The download includes an InDesign file (without fonts), and a PDF (with embedded fonts)
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Logo Design Copyright
Copyright is quite a different beast to that of a Trademark and Registered Trademark, so it’s very important to know the difference between them. So with that said, this Transfer of Copyright form is simply a means for you to pass over your ownership of a logo to your client, which should be as simple a process as possible for the client.
All it really requires is a dated signature, but it’s nice to pad it out a little to make it feel a little more substantial.
En Corrida familiar “103 aniversario de Everton”
Como una forma de sumarse a la celebración de un nuevo año del Club Everton, la Municipalidad de Viña del Mar a través de la Casa del Deporte realizarán el próximo sábado 21 de julio la 4ª versión de la Corrida Familiar, Corre por tu salud, que en esta ocasión se denominará “103 Aniversario Everton”.
Así lo dieron a conocer la alcaldesa Virginia Reginato y el presidente de Everton Antonio Bloise, junto a al concejal Jaime varas, el director de la Casa del Deporte, Javier Aravena y los jugadores Fernando Saavedra y Luis Acuña.
En la oportunidad la autoridad comunal hizo una invitación a participar de esta prueba recreativa gratuita.
“Everton es parte de la historia de Viña del Mar, y como gesto de reconocimiento a su recorrido institucional, como municipio nos sumamos a esta celebración, por lo cual invitamos a los amantes del running y principalmente a los evertonianos a participar en forma activa y entusiasta, vistiendo en la oportunidad, la camiseta del club de sus amores, de manera de pintar nuestras calles y borde costero, con los colores oro y cielo, al tiempo de hacer deporte y fomentar la actividad física”.
En tanto el presidente del club, Antonio Bloise quien tomará parte de la prueba, dijo que es una buena forma de terminar estos festejos.
“El deporte es uno solo y es una buena oportunidad para que los evertonianos nos acompañen, vestidos con la camiseta del club, para demostrar la unión que existe en el deporte en que los hinchas del fútbol y los aficionados del running se congreguen en una actividad de sano esparcimiento, desparramando el espíritu oro y cielo”, dijo el timonel evertoniano.
La Corrida Familiar se desarrollará a partir de las 9:00 horas en la distancia de 5 kilómetros, en un circuito que se inicia en la Av. Perú para continuar por puente Casino, Av. La Marina hasta el Reloj de flores y el retorno hasta el punto de partida, es gratuita y los interesados, pueden inscribirse a través del portal
PGB Photographer & Creative - © 2023 Philip Romeyn - Phillostar Gone Ballistic 2021 - Photo may not be edited from its original form. Commercial use is prohibited without contacting me.
The East Kent Railway's class 101 DMU formed of a coach each from units 101682 and 101660 is shunted into Shepherdswell station by resident English Electric diesel shunter 'Richborough Castle', on a glorious 14/07/13.
This picture forms part of a series depicting famous Cambridge scientists and is painted on one of the walls at Addenbrookes Hospital Cambridge United Kingdom. It was produced and unveiled on 28 September 2009 by Quentin Blake, to celebrate the 800th anniversary of the University of Cambridge. These scenes can also be bought as post cards, magnets and posters.
Avebury (/ˈeɪvbri/) is a Neolithic henge monument containing three stone circles, around the village of Avebury in Wiltshire, in southwest England. One of the best known prehistoric sites in Britain, it contains the largest stone circle in Europe. It is both a tourist attraction and a place of religious importance to contemporary Pagans.
Constructed around 2600 BCE, during the Neolithic, or 'New Stone Age', the monument comprises a large henge (a bank and a ditch) with a large outer stone circle and two separate smaller stone circles situated inside the centre of the monument. Its original purpose is unknown, although archaeologists believe that it was most likely used for some form of ritual or ceremony. The Avebury monument was a part of a larger prehistoric landscape containing several older monuments nearby, including West Kennet Long Barrow and Silbury Hill.
By the Iron Age, the site had been effectively abandoned, with some evidence of human activity on the site during the Roman occupation. During the Early Middle Ages, a village first began to be built around the monument, which eventually extended into it. In the Late Medieval and Early Modern periods, locals destroyed many of the standing stones around the henge, both for religious and practical reasons. The antiquarians John Aubrey and William Stukeley however took an interest in Avebury during the 17th century, and recorded much of the site before its destruction. Archaeological investigation followed in the 20th century, led primarily by Alexander Keiller, who oversaw a project of reconstructing much of the monument.
Avebury is owned and managed by the National Trust, a charitable organisation who keep it open to the public. It has been designated a Scheduled Ancient Monument, as well as a World Heritage Site, in the latter capacity being seen as a part of the wider prehistoric landscape of Wiltshire known as Stonehenge, Avebury and Associated Sites.
At grid reference SU10266996,[5] Avebury is respectively about 6 and 7 miles (10 and 11 km) from the modern towns of Marlborough and Calne. Avebury lies in an area of chalkland in the Upper Kennet Valley which forms the catchment for the River Kennet and supports local springs and seasonal watercourses. The monument stands slightly above the local landscape, sitting on a low chalk ridge 160 m (520 ft) above sea level; to the east are the Marlborough Downs, an area of lowland hills. The site lies at the centre of a collection of Neolithic and early Bronze Age monuments and was inscribed as a World Heritage Site in a co-listing with the monuments at Stonehenge, 17 miles (27 km) to the south, in 1986. It is now listed as part of the Stonehenge, Avebury and Associated Sites World Heritage Site.[2] The monuments are preserved as part of a Neolithic and Bronze Age landscape for the information they provide regarding prehistoric people's relationship with the landscape.[6]
Radiocarbon dating and analysis of pollen in buried soils have shown that the environment of lowland Britain changed around 4,250–4,000 BCE. The change to a grassland environment from damp, heavy soils and expanses of dense forest was mostly brought about by farmers, probably through the use of slash and burn techniques. Environmental factors may also have made a contribution. Pollen is poorly preserved in the chalky soils found around Avebury, so the best evidence for the state of local environment at any time in the past comes from the study of the deposition of snail shells. Different species of snail live in specific habitats, so the presence of a certain species indicates what the area was like at a particular point in time.[7] The available evidence suggests that in the early Neolithic, Avebury and the surrounding hills were covered in dense oak woodland, and as the Neolithic progressed, the woodland around Avebury and the nearby monuments receded and was replaced by grassland.
Background
The history of the site before the construction of the henge is uncertain, because little datable evidence has emerged from modern archaeological excavations.[9] Evidence of activity in the region before the 4th millennium BCE is limited, suggesting that there was little human occupation.
Mesolithic
What is now termed the Mesolithic period in Britain lasted from circa 11,600 to 7800 BP, at a time when the island was heavily forested and when there was still a land mass, called Doggerland, which connected Britain to continental Europe.[10] During this era, those humans living in Britain were hunter-gatherers, often moving around the landscape in small familial or tribal groups in search of food and other resources. Archaeologists have unearthed evidence that there were some of these hunter-gatherers active in the vicinity of Avebury during the Late Mesolithic, with stray finds of flint tools, dated between 7,000 and 4,000 BCE, having been found in the area.[11] The most notable of these discoveries is a densely scattered collection of worked flints found 300 m (980 ft) to the west of Avebury, which has led archaeologists to believe that that particular spot was a flint working site occupied over a period of several weeks by a group of nomadic hunter-gatherers who had set up camp there.[12]
The archaeologists Mark Gillings and Joshua Pollard suggested the possibility that Avebury first gained some sort of ceremonial significance during the Late Mesolithic period. As evidence, they highlighted the existence of a posthole near to the monument's southern entrance that would have once supported a large wooden post. Although this posthole was never dated when it was excavated in the early 20th century, and so cannot definitely be ascribed to the Mesolithic, Gillings and Pollard noted that its positioning had no relation to the rest of the henge, and that it may therefore have been erected centuries or even millennia before the henge was actually built.[13] They compared this with similar wooden posts that had been erected in southern Britain during the Mesolithic at Stonehenge and Hambledon Hill, both of which were sites that like Avebury saw the construction of large monuments in the Neolithic.[14]
Early Neolithic
The two monuments of West Kennet Long Barrow and Silbury Hill were constructed in the nearby vicinity of Avebury several centuries before the henge was built.
In the 4th millennium BCE, around the start of the Neolithic period in Britain, British society underwent radical changes. These coincided with the introduction to the island of domesticated species of animals and plants, as well as a changing material culture that included pottery. These developments allowed hunter-gatherers to settle down and produce their own food. As agriculture spread, people cleared land. At the same time, they also erected the first monuments to be seen in the local landscape, an activity interpreted as evidence of a change in the way people viewed their place in the world.[13]
Based on anthropological studies of recent and contemporary societies, Gillings and Pollard suggest that forests, clearings, and stones were important in Neolithic culture, not only as resources but as symbols; the site of Avebury occupied a convergence of these three elements.[15] Neolithic activity at Avebury is evidenced by flint, animal bones, and pottery such as Peterborough ware dating from the early 4th and 3rd millennia BCE. Five distinct areas of Neolithic activity have been identified within 500 m (1,600 ft) of Avebury; they include a scatter of flints along the line of the West Kennet Avenue – an avenue that connects Avebury with the Neolithic site of The Sanctuary. Pollard suggests that areas of activity in the Neolithic became important markers in the landscape.[16]
Late Neolithic
During the Late Neolithic, British society underwent another series of major changes. Between 3500 and 3300 BCE, these prehistoric Britons ceased their continual expansion and cultivation of wilderness and instead focused on settling and farming the most agriculturally productive areas of the island: Orkney, eastern Scotland, Anglesey, the upper Thames, Wessex, Essex, Yorkshire and the river valleys of the Wash.[18]
Late Neolithic Britons also appeared to have changed their religious beliefs, ceasing to construct the large chambered tombs that are widely thought by archaeologists to have been connected with ancestor veneration. Instead, they began the construction of large wooden or stone circles, with many hundreds being built across Britain and Ireland over a period of a thousand years.[19]
KPM Berlin Mokkatasse des Jugendstil, Campaner Form in Kobalt Blau mit Email Malerei, www.kabelitz-porzellan.de
Forms in Transit was created by the modernist sculptor Theodore Roszak for the 1964-1965 New York World’s Fair.
The 43-foot long sculpture of aluminum and steel tubes and sheet metal suggests an aircraft, with fuselage and wings, but it is also meant to embody the concept of motion and change.
The sculpture reflected one of the central themes of the fair, space exploration, and complemented several other significant features in the park, such as the Rocket Thrower statue, Court of Astronauts, Fountain of the Planets, Space Park and the Unisphere.
It can be found in its original location in Corona Park in the Flushing Meadows section of Queens, NY.
6ii Form Group, 1967.
Back Row, L-R, Michael "Ted" Malt, Jimmy Nunn, J Goodson, David Crawford, Barry Green, Jonathan Rose, ?, Graham Young, Richard Driver, Danny Wright, James Forte, David Stebbens, Bob Dorling, ? Sheridan.
Middle Row, L-R, Bob Stonehouse, ?, ? Stronach, Paul Balaam, ?, Graham Hopwood, "Tiny" Wilkinson, Richard "Snowy" Howard, ? Hanley?, Tony Buckle, ?, A D Davies, Richard "Futch" Chapman, John Walker.
Front Row, L-R, Ed Whittaker, Alfie Dunningham, John "Yorick" York, John Beatty, John Pettit, Tony Allaway, Peter Digby, W D "Daz" Carr, ?, ?, "Paddy" Smith, John Wallace, John Colwell, Richard Wakeman, Stanley Wilman.
Photographic Souvenirs published by Geo. Holdsworth & Son Ltd., Hartlepool.
Kindly sent by David Crawford.
Free-form Pool at night
Pool
Le Meridien Phuket Beach Resort
29 Soi Karon Nui, Tambon Karon
Amphur Muang
Phuket, 83100
Thailand
www.starwoodhotels.com/lemeridien/property/overview/index...
reservations.phuketbeach@lemeridien.com
76-370-100
Mulheres que se encontram atraídas pela força e raça de tantas outras Marias. Bordadeiras,
pintoras à mão livre, crocheteiras, artistas. Produzem arte para expressarem seus sentimentos.
No trabalho com as mãos, vão construindo a história das Maria Mariás lá... no Itapoã!
Contato: Marilene - 4102-8409/ 9949-8113
Quadra 301, loja 49
CEP 71573-310 Itapoã/DF
Treacherous boulders, slippery with seaweed form a rocky beach extending 1km around the headland at Copt Point in Folkestone. This rocky and challenging terrain is the result of the eroding cliff face. The area has become rich in a wide range of brachiopods, bivalves and gastropods. Crinoids and belemnites are also commonly found. These fossils, unearthed from the fragile crumbling cliffs date back to the Cretaceous era (110-80 million years ago) and draw many visitors. This rocky shoreline is where I took the photos used in this HDR image.
HDR stands for High Dynamic Range.
It’s a term used to describe a way to ‘digitally develop’ your photos using the tonal information contained in multiple exposures of the same shot. Combining a normal shot with a slightly underexposed shot and a slightly overexposed shot ensure that you have a good amount of detail in both the shadows and the highlights. A little creative post processing using photoshop can enhance the image and add some atmosphere.
The form of a bridge pier cap is in place. The bridge pier will hold a southbound SR 99 bridge that will span S. Atlantic Street in Seattle's SODO neighborhood.
Learn more about construction underway to replace the south end of the viaduct.
A new addition to the plant forms series. 10 cm diameter. Mexican smalti, beads, wire, vitreous glass, millefiori.
These photos caputure the festivity of Dahi Handi (pot of curd), which is popular in Maharashtra to celebrate.Janmashtami, the birth day of Lord Krishna. In the month of August- September.
Krishna would love to eat butter and curd, this would be kept in pots hanging from the roof tops.
So as a child he and his friend would form a human pyramid (just like in the photos) to reach the pots and steal the butter. He would enter the houses of the many gopis and carry out his mischief. In spite of this he was loved by one and all.
There are many folk tales and songs spun around this story and are very popular all over India.
This is called Dahi Handi in Maharashtra, were people will tie the dahi handi along with some cash award. During the day various groups come and take the challenge by building mult-story human layers.
At the place were I took these photos the qualifying levels were seven human layers.
In the evening the qualified groups take the challenge of going even higher. At this place the max layers which were made was 9 human layer. This is believed to be a world record.