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Even in the English countryside nature tries to reclaim older structures and forms. This viaduct on the Oxford to Birmingham line is built of engineering bricks, but the graceful form of arches has been interrupted by saplings and ivy as they try to reclaim their own space.

De forme rectangulaire, elle comporte un puits en ferronnerie gothique. Elle donne vue sur les différents bâtiments aux toits en tuiles vernissées (en fait, en terre cuite émaillée), technique probablement originaire d'Europe centrale, mais qui est devenue caractéristique des monuments bourguignons (la grande salle est couverte de simples ardoises). Ces tuiles ont quatre couleurs (rouge, brun, jaune et vert) formant des motifs d'entrelacs géométriques. Elles ont été reconstruites entre 1902 et 1907 par Sauvageot qui a recréé des motifs personnels, les dessins originaux ayant été perdus. Les parties Nord, Est et Ouest comprennent deux étages à galerie, avec colonnettes de pierre au rez-de-chaussée et de bois au premier, permettant le passage à l'abri des sœurs soignantes. De nombreuses lucarnes arborent des décorations sculptées en bois et en ferronnerie.

Lazio - Formia (LT) - Borgo di Castellone - Piazza S. Anna - Chiesa di S. Anna

Screenshots of a simple interactive flash application where you click to generate animated flowers.

 

script from kirupa.com.

lots of help from Simon.

Thanks Simon!

First attempt at fold forming. This one is called the Romero fold. #share #instajewelrygroup #instasmithy #stonesthrowstudio #whatsonthebench

 

43 Likes on Instagram

 

2 Comments on Instagram:

 

brit_jacobs: So much fun! They look great!

 

stonesthrowstudio: Thanks @notmissrudolf !

  

Recipes for happiness from the Director of the Ornithology of Happiness project Research Institute of Cardboardia

 

Colleagues! Comrades! Friends! This is the director of the Laboratory of Ornithology at the Cardboardia Research Institute. I appeal to all employees of the Laboratory, all its interns and volunteers, as well as to all those who are not indifferent to the scientific progress of the state of Cardboardia.

Recipes for happiness from the Director of the Ornithology of Happiness project Research Institute of Cardboardia.

Our field trip to Kirov, the New Year's capital of Russia in 2025, was recently completed. I am ready to state with full responsibility that all the tasks set have been achieved. We continued our long-standing observations of changes in the level of happiness of the population depending on its geographical location and the time of the year. We have successfully and fruitfully conducted training and retraining of local personnel for potential further participation in the programs of our Research Institute (as well as several permanent residence visas in Cardboardia). Our main task has also been completed — the Vyatka-Kirov Bird of Happiness has been discovered, examined and studied. All received materials will be transferred to the main department of the Research Institute for further work.

I can't help but share some more specific research results. It turned out that the following actions and factors significantly increase the level of happiness in human blood:

• A sharp smile from ear to ear. However, if you have weak blood vessels, you should not use it more than 2-3 times a day.;

• the presence of a headdress on the head (regardless of its appearance and the time of day and year outside the window);

• voluntary and compulsory gymnastics;

At the same time, to our surprise, the following factors negatively affect the level of happiness (both in the short and long term):

• Regular queuing;

• moving up the career ladder too fast;

• a person's lack of sense of rhythm;

According to the tradition of our Research Institute, the Laboratory ended with a large-scale urban march. Several hundred citizens and visitors from other cities who came to Kirov temporarily became naturalists (and at the same time naturalists). The prototype of the Bird of Happiness created by us during the Laboratory has become not only the spiritual, but also the material center of the procession. All the participants, armed with all kinds of objects created by them during our Open Workshops, formed the mass, the core of the procession. Its main purpose was to test in practice (it is important — outdoors) the ability of Happiness to concentrate in various manifestations of human culture: in color, sound, matter.

One can already admit that the whole procession was one big scientific experiment. In addition to the above, it confirmed another of our hypotheses — happiness can be transmitted through physical contact. All the participants of the march were in close physical proximity to each other, which does not happen so often in everyday life. Therefore, today's advice from scientists is to stay with your friends and family more often, hug and do not be afraid of live contact with people. Infection with a bad mood through touching has not yet been proven. In the near future, the Publishing House of Cardboardia, I hope, will release a specialized brochure "Happiness at home and in reality" on how to stay happy under any circumstances.

Concluding my report, I would like to thank the Tyran of Cardboardia for such an attentive and reverent attitude towards science, its development and, most importantly, its people. Hooray, friends! Your I. K

 

photos by Andrey Radchenkov

www.cardboardia.info

Forms in Space...by Light (in Time)

by Cerith Wyn Evans

 

Tate Britain Commission 2017

 

The artwork is made from almost 2km of neon lighting, suspended from the ceiling and configured into straight lines, sweeping curves and spiralling forms.

[Tate Britain]

Serie basada en las formas eróticas de la naturaleza

Nami Island, Chuncheon, South Korea

Monmartre. Place du Tertre.

All photos in this gallery are all rights reserved. If you want to use any of them, please send an email before. Thanks for collaboration.

Como forma de desvendar o mundo da música erudita para as crianças, a Orquestra Sinfônica de Piracicaba desenvolve o projeto ABC do Dó Ré Mi, pioneiro na cidade, realizado com a Secretaria Municipal de Educação e apoio da Secretaria Municipal da Ação Cultural. A estreia das atividades aconteceu na sexta-feira, 11 de março, no Teatro Municipal Erotídes de Campos, no Engenho Central, às 9h e às 10h. As 16 apresentações, até novembro, contemplam 5.200 estudantes da rede municipal de ensino.

 

A estreia do projeto teve a participação de estudantes da Escola Antônia Jesuína Camillo Pipa, do bairro Santa Rosa, e da Escola Professor Taufic Dumit, do Parque Nossa Senhora das Graças. A apresentação das 10h tem a participação de 381 alunos da Escola João de Mello Ferracciu, do Parque das Indústrias, Escola Luís Claudio Alves, do Jardim Primavera, e Escola José Antonio de Souza, do Parque Orlanda 2.

The shape and form of the windows is original but the clear glass is modern. The lack of any stained glass means the church is filled with a clear natural light.

Happy summer flowers to start the week :-))

  

No. 5: Palais Wehli

The former Palais Wehli on the corner of Elizabeth street and Opern alley was built in 1869/1870 by Ludwig Zettl on behalf of baron August von Wehli (Prague 1810-1892 Vienna) in forms of Viennese Neo-Renaissance. Wehli was high official and member of the Danube Regulatory Commission. The building has a hardpan-squared central projection with a balcony portal. The windows are by gables with masks and festoons overroofed. Noteworthy is the hall with columns, arcades, gusset figures and rich stucco coffered ceiling.

 

Nr. 5: Palais Wehli

Das ehemalige Palais Wehli an der Ecke Elisabethstraße und Operngasse wurde 1869 / 1870 von Ludwig Zettl im Auftrag von Freiherr August von Wehli (Prag 1810–1892 Wien) in Formen der Wiener Neurenaissance erbaut. Wehli war hoher Beamter und Mitglied der Donauregulierungskommission. Das Gebäude besitzt einen ortsteingequaderten Mittelrisalit mit einem Balkonportal. Die Fenster sind durch Giebel mit Masken und Festons verdacht. Bemerkenswert ist das Vestibül mit Säulen, Arkaden, Zwickelfiguren und reicher Stuckkassettendecke.

 

Elisabethstraße (1), benannt (8. November 1862 laut Morgenpost) nach Kaiserin Elisabeth. Im Mittelalter Grenze zwischen den Vorstädten vor dem Kärntner- und dem Widmertor; ab dem 16. Jahrhundert Glacis.

Die Elisabethstraße verläuft zwischen Kärntner Straße und Babenbergerstraße als erste Parallelstraße zum Opernring auf dem Areal des einstigen Glacis. Die Nummerierung erfolgte nach dem Uhrzeigersystem, daher beginnend an der Kärntner Straße. An der linken Straßenseite befindet sich zwischen den Häusern Nr. 9 und Nr. 11 der Schillerplatz, an der rechten Straßenseite zwischen den Häusern Nr. 14 und 16 der Robert-Stolz-Platz (früher Teil der Goethegasse).

www.wien.gv.at/wiki/index.php?title=Elisabethstra%C3%9Fe

de.wikipedia.org/wiki/Elisabethstra%C3%9Fe_(Wien)

neat little guys i found. :P

Gulf Fritillary caterpillar forming into a cocoon/pupa.

The MFA staff know how to light an ancient vase

Affect - The feeling of unease when talks of suicide arise.

Os formados em Medicina pela FURB assistiram, hoje, à aula de ética, ministrada pela primeira secretária do Conselho Regional de Medicina de Santa Catarina (CREMESC), Dra. Rachel Duarte Moritz. Na sequência, os novos médicos receberam a carteira profissional e cédula de identidade médica, além um exemplar do Código de Ética Médica e a quinta edição do Manual de Orientação Ética.

A solenidade ocorreu na sede do CREMESC, em Florianópolis.

This is the Barbara Hepworth Gallery in Wakefield. I love her sculptures and I thought the processing here adds to the feeling of strong form and texture

A black and gold, acrylic on canvas painting of the female form. 20" x 52"

Piano stretto di un particolare del Palazzetto dello Sport, Roma Flaminio, dell'ingegnere Pier Luigi Nervi.

Looking NE from the pile of dirt into the hole, you can see the forms have been completed and excavated.

museumPASSmusees 2021 - BAM - Fernando Botero - Au dela des formes

 

BAM (Beaux-Arts Mons)

 

Pour la premiere fois en Belgique, dans le cadre de la Biennale d'Art et de Culture de la Federation Wallonie-Bruxelles a Mons, le BAM consacre au peintre et sculpteur colombien Fernando Botero une vaste retrospective du 9 octobre 2021 au 30 janvier 2022.

 

Depuis ses recherches de jeunesse, peu connues du grand public, jusqu'aux oeuvres iconiques de la maturite, dont des toiles recentes presentees pour la premiere fois, cette exposition d'envergure brassera l'ensemble de la carriere de l'artiste.

 

Reputee pour ses personnages aux formes rondes et voluptueuses, l'oeuvre de Botero est le resultat d'une recherche exigeante et determinee, dans lequel l'artiste s'est engage il y a plus de 70 ans.

 

A l'heure ou, plus que jamais, le sens commun est en peril, l'exposition interroge la maniere dont une oeuvre, bien que personnelle et situee, parvient a developper un langage universel et accessible. Le parcours emportera les visiteurs dans l'univers foisonnant de Botero, inspire tant par l'art precolombien et l'iconographie populaire que par les muralistes mexicains ou l'art de la Renaissance italienne.

 

L'exposition Fernando Botero. Au-dela des formes rassemblera des oeuvres importantes empruntees a de prestigieux musees, comme le Gunggenheim de New-York, dont des peintures historiques rarement montrees au public europeen. Des toiles, dessins et sculptures appartenant a des collections privees internationales, notamment de Colombie, seront egalement presents.

 

Au centre du parcours d'exposition, une quinzaine d'oeuvres issues des collections meconnues du BAM illustreront les inspirations majeures de l'artiste colombien autour de differentes thematiques : natures mortes, nus, scenes de genre...

 

( 200 musees

 

Des maintenant, vous pouvez visiter tous les musees participants pendant un an. Pas une fois, mais aussi souvent que vous le souhaitez !

 

297 expositions

 

Vous pouvez egalement visiter les expositions temporaires des musees participants gratuitement ou a un tarif fortement reduit.

 

1 pass musees

 

Tout ceci avec seulement 1 pass.

 

www.museumpassmusees.be )

Cover: Thor Lennart Dahl och Sören Frederik Thurell

Use of these images in any form without permission is illegal. If you wish to use or license any images please contact mel@mudkissphotography.co.uk

 

All work copyright Melanie Smith/ Mudkiss Photography All Rights Reserved

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