♠ THIS IS A SET OF 3 ANTIQUE SHOE LAST FORMS

♠ SOLD AS AN INSTANT VINTAGE COLLECTION

♠ BOXED TOGETHER AND SHIPPED TOGETHER WITH ONE FAIR SHIPPING CHARGE

♠ THESE WERE USED BY COBBLERS TO FORM LEATHER AND MAKE SHOES

♠ THEY HAVE A GREAT RUSTY, HISTORICAL AND INDUSTRIAL VIBE

♠ MADE OF CAST IRON

♠ SUPER COOL MACHINE AGE VINTAGE PIECES

The Buildings On The RAF Swinderby Technical Site Have Been Demolished. However, The Foundations, Roads, Street Lights and Road Signs Remain

This are some shots of the first valezina form Silver-washed that I've ever seen. She was absolutely stunning and very fresh. I couldn't get a full open wing shot as she was feeding on bramble at the side of one of the rides in Bentley Wood and quite mobile. I was delighted to catch up with this beautiful variant as she is far more beautiful in the flesh than I'd imagined.

  

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

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Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

 

Mark got his start in comedy after he dropped out of university and moved West to Calgary where met up with Bruce McCulloch. They formed an improv troupe called 'The Audience' and in 1983, made their way to Toronto along with Dave Foley, Kevin McDonald and eventually, Scott Thompson. One name change later and 'The Kids in the Hall' were born. In 1988, Lorne Michaels of Saturday Night Live put them on television and man, did they ever push the envelope. Perhaps you remember Mark as the 'Chicken Lady'? By the mid 90's, the 'Kids' split up and Mark joined the cast of 'SNL,' for three seasons. He's since gone on to star in films and on Broadway while writing and starring in the critically acclaimed Canadian series 'Slings and Arrows'. Mark also worked on the well received but short lived nAmerican series 'Studio 60 on the Sunset Strip.' This past spring, he reunited with the 'Kids' for a North American tour and recently, he got a star on Canada's Walk of Fame. Now, he's producing a half-hour comedy series called 'Less Than Kind.'

 

Watch his interview with George here - www.cbc.ca/thehour/videos.html?id=880086884

A male mallard comes in for a landing right in front of me.

Bit of a quiet and sometimes dull morning, then this little chap decided to cheer me up

The Sky Form of Shaynim only available in Pokemon Platinum and can be captured on the Pokemon Ranger tracks of light(not release yet)

 

Site from the same site seen in my Latias and Latios pic at the bottom

1913-1914. Oli sobre xarpellera. 130,2 x 97,6 cm. Museu d'Art de Filadèlfia, Filadèlfia. 1950-134-123. Obra exposada: Galeria 266.

Presqu'île de Landrellec à Pleumeur-Bodou dans les Côtes d'Armor en Bretagne

Title: Forms Int. Tunnel

 

Alternative Title: [Forms Interior Tunnel]

 

Creator: Unknown

 

Date: August 3, 1910

 

Part of: George W. Cook Dallas/Texas Image Collection

 

Place: Dallas, Dallas County, Texas

 

Physical Description: 1 photographic print: gelatin silver; 10.5 x 16 cm

 

File: a2014_0020_3_5_a_0114_tunnelforms.jpg

 

Rights: Please cite DeGolyer Library, Southern Methodist University when using this file. A high-resolution version of this file may be obtained for a fee. For details see the sites.smu.edu/cul/degolyer/research/permissions/ web page. For other information, contact degolyer@smu.edu.

 

For more information and to view the image in high resolution, see: digitalcollections.smu.edu/cdm/ref/collection/gcd/id/2021

 

View the George W. Cook Dallas/Texas Image Collection

Musée du Louvre

Jaunzems, Steve, university photographer.

 

1 negative : col. ; 5 x 5 in. or smaller

 

Date: ca. early 1980s

 

Location: Convocation Hall, University of Toronto, Toronto, Ontario, Canada

 

Notes:

Forms part of: History of Erindale collection

 

Subjects:

Erindale Campus

Convocation

 

Rights Info: University of Toronto

 

Repository: UTM Library Archives, Hazel McCallion Academic Learning Centre

 

Part Of: History of Erindale Photographic Collection

 

Digital File Name: 1883_Sleeve7-11-Box5-Sec3

L'escalier d'eau est une figure classique des parcs du 17ème siècle clin d'oeil à la rivière du château de Marly. La forme évoluera par la suite en cacadelles, s'affranchissant de marches géométriques pour imiter un cours d'eau naturel.

 

Le château du Haut-Rosay date du 17eme siècle. Les Courtin, famille de la noblesse de robe, puis passé Son parc a été remanié au 18ème et au 19ème siècle avec une transition à l'anglaise entre la partie régulière et le bois aux allées rectilignes. La parc a été orné de fabriques dans la première partie du 18ème et au début du 19ème mais il n'est pas facile de trouver des informations sur la date de construction de chacune d'elles.

   

Les fabriques

Le pavillon chinois et le passage de roches

C'est le point central de la composition paysagère du 18ème, au pied de l'escalier d'eau, à la transition du bois et de la pelouse. Au bout d'une pièce d'eau, le pavillon chinois surmonte une rocaille, qui se continue par le passage de roches; une aérienne passerelle cintrée s'appuie sur le côté.

 

La rocaille du potager

Cette fabrique n'est mentionnée nulle part. Imposante, on la voit pourtant clairement sur les vues satellitaires de Google Earth et du géoportail IGN, dès lors qu'on a pris conscience de son existence. De facture fin 18ème, entourée d'un bosquet, elle est dans l'axe du jardin potager, devenu aujourd'hui une pelouse, qui s'étend au nord-est sous la terrasse du château.

 

Le château d'eau

De style classique 17ème, il se situe en limite de domaine, dans l'axe de la perspective du jardin régulier s'étendant en pente sous la terrasse du château. Le château d'eau est à un point bas, l'eau qui s'en écoule provient du réseau des canaux joignant les pièces d'eau, situées à la hauteur du château; l'eau est sans doute mise en charge dans des conduites qui vont au château d'eau, puis en jaillit et sort du domaine. Il composait un classique fond de perspective depuis la terrasse, avant l'édification de la rocaille, qui doit aujourd'hui le masquer en grande partie.

 

L'escalier d'eau

L'escalier d'eau est une figure classique des parcs du 17ème siècle. La forme évoluera par la suite en cacadelles, s'affranchissant de marches géométriques pour imiter un cours d'eau naturel.

 

La statue de Diane

Ce n'est pas exactement une fabrique mais un ornement important du parc. Elle est à une position clef du réseau de canaux parcourant le parc, au centre d'un bassin d'où l'eau s'écoule par l'escalier jusqu'au bief fu pavillon chinois.

 

La Dame Blanche - pavillon et statue

Cette fabrique de facture classique 17ème/18eme est à cheval sur une source, en tête du réseau des canaux qui joignent les pièces d'eau; elle abrite une majestueuse statue de nymphe allongée en marbre blanc.

   

the forms are inspired by the traditional Nguni artifacts,

mainly clay and wooden storage vessels.

The gracious simplicity of these forms is classical and is being reinterpreted into contemporary art pieces

for a contemporary lifestyle.

The surface treatment is inspired by an old African traditional called body scarification.

this piece falls under the;

AFRICASSO-RANGE; While studying the history of art, I came across dif ferent artists that I could identify with, based on their philosophy; technique; use of color and their interpretations of life. Pablo Picasso is one of those great artists that are influential within my work along with Joan Miro; Salvador Dali and others. Using these influences, I am able to interpret and convey my childhood; mythical and everyday stories.

  

Dimensions: h/w - 18cm / 14cm

Designed by Andile Dyalvane and produced at Imiso ceramics studio

info@imisoceramics.co.za

This is actually a really pleasing shot for me. So many of the larches have been cleared from Wentwood to prevent the spread of the Larch fungal disease, and yet the native broadleaves have been left. Areas like this will naturally regrow with broadleaf seedlings, and areas without any broadleaves will be planted with a native species mix. Despite the devastation, I can see hope for the future of Wentwood.

Soldiers form the 3d U.S. Infantry Regiment (The Old Guard), conduct a Twilight Tattoo performance, hosted by Maj. Gen. Michael L. Howard, commanding general, Joint Force Headquarters - National Capital Region and the U.S. Army Military District of Washington, in Conmy Hall, Joint Base Myer Henderson-Hall, Va., April 25, 2018. Twilight Tattoo is an event that showcases the history of the U.S. Army through the Soldiers of The Old Guard and The U.S. Army Band "Pershing's Own". (U.S. Army photo by Sgt. Nicholas T. Holmes)

snow sculpture in form of a budha in an winter landscape

Pale Buddist Caves

[Pale leni(caves), Mahad, Raigad, MH]

 

These 29 caves can be found right on the National Highway NH-17(Mumbai Goa) just before Mahad (3KMs) on the East Hillside. Very short hike on the about 50 to 100 steps leads to these magnificent 2nd Century Buddhist caves!!

 

Pale village, almost a suburb of Mahad about two miles north-west, has a group of twenty-nine Buddhist caves of about the first or second century after Christ.

 

The Patna of Ptolemy and Patmai of the Periplus are the Sanskrit Pattan city.]. Pale next appears as Valipavana or Palipattana, in a copper-plate of Anantdev, the fourteenth prince of the northern Silahara family (A. D. 1094) where it is mentioned as the native place of the Chief Minister.

 

The caves are cut in the almost perpendicular scarp of the hill and face east. The first twenty are in the upper scarp and the remaining eight about thirty feet lower.

 

Beginning from the south end of the series, Cave I is the largest and perhaps one of the latest of the group. Its veranda, fifty-three feet by eight, is supported by six pillars and two end pilasters. Of these only the south pilaster and the next pillar have been finished; the others are merely blocked out square masses.

 

Cave IX is a caitya or temple-cave and is one of the largest of the group. It consists of a veranda, a middle-hall with cells in the side walls and a shrine with a daghoba behind. The two pillars in front of the veranda are destroyed, but part of the capital of one still attached to the ceiling and portions of the bases, show that they were of the old pot or lota shape like the pillars in Nasik Cave X and in some of the Junnar caves. There is also a pilaster on either side with the usual double-horn ornament. The hall, 27' wide, 23' 9" deep and 9' 2" high, has a bench running along the back and side walls. The right and left walls of the hall have in each a row of three cells with grooved doors and benches along their back wall. In the back wall are the shrine in the middle and on either side a cell with bench along the back wall. The shrine is a large recess about 15' square, with in front of it large holes as if for a screen. The shrine once contained a relic-shrine, or daghoba of which the only traces are the umbrella left in the roof and the rough surface of the floor. On the back wall is an inscription of four lines and two letters which from the form of the letters appears to be of about A. D. 130.

 

0-16450 in "Heavy left" formation with A2-488 as number 1, 0-60809 as number three and A2-485 as number 4 on 23 August 1982. Photo taken from A2-488 S/L Wood RNZAF, Cpl K Manuel RAAF.

One World Trade Center.

Sony a-6000.

 

spectralelements.art

@spectral.visual

Concrete forms for producing concrete cattle guards. For more information visit www.wallties.com

NARMADA PARIKRAMA

The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).

The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".

To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.

The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.

There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.

Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.

Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.

Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.

The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com

  

NARMADA PARIKRAMA

The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).

The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".

To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.

The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.

There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.

Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.

Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.

Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.

The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com

  

NARMADA PARIKRAMA

The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).

The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".

To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.

The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.

There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.

Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.

Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.

Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.

The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com

  

NARMADA PARIKRAMA

The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).

The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".

To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.

The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.

There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.

Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.

Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.

Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.

The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com

Inspired by `Tongue in Cheek` by Tony Cragg

 

Larry (Lawrence) Duggan, Butte, Montana (1901)

Member of Fire and Water Committee of the Council

 

Image taken from pg 11 of Souvenir history of the Butte Fire Department by Peter Sanger, Chief Engineer.

View entire book at the Montana Memory Project.

 

Unique ID: mze-butt1901 pg 11

 

Type: Pamphlet

 

Contributors: Sanger, Peter, Peoples Pub. Co. Butte, Mont.

 

Date Digital: September 2009

 

Date Original: November 1901

 

Source: Butte Digital Image Project at Montana Memory Project (read the book)

 

Library: Butte-Silver Bow Public Library in Butte, Montana, USA.

 

Rights Info: Public Domain. Not in Copyright. Please see Montana Memory project Copyright statement and Conditions of Use (for more information, click here). Some rights reserved. Attribution-Noncommercial-No Derivative Works.

 

More information about the Montana Memory Project: Montana's Digital Library and Archives.

 

More information about the Butte-Silver Bow Public Library.

 

Search the Butte-Silver Bow Public Library Catalog.

 

Ele, pela forma como descreveu a sua arriscada e grande viagem aos reis de Espanha, poderá e deverá ser considerado o primeiro jornalista do Novo Mundo. É pois também justo relevar esta sua faceta de homem da comunicação que, naqueles tempos, se exercia duma forma muito mais difícil que nos dias de hoje.

 

Por outra lado, João Rodrigues Cabrilho é dentre todos o herói mais ignorado daquela época áurea dos descobrimentos. Tanto em Portugal como em Espanha, João Rodrigues Cabrilho raramente é mencionado como figura de grande relevo. Em Espanha ainda se compreende porque está científicamente provado que ele era português e em Portugal porque outras figuras notáveis (felizmente são muitos os heróis portugueses de Quinhentos) ocupam o seu lugar. Portanto, há aqui uma obrigação acrescida dos portugueses em geral e dos barrosões em particular de lembrar a memória de João Rodrigues. Valha-nos o facto da comunidade de S. Diego da Califórnia, Estados Unidos da América, todos os anos, em finais de Setembro, comemorar a chegada de Cabrilho à baía desta linda cidade com um programa de âmbito nacional e de grandiosa espectacularidade. Portugal, Espanha, México, para além dos Estados Unidos fazem-se representar nessas comemorações americanas.

 

A pessoa por nós escolhida para falar sobre o herói das terras de Barroso é o Dr. João Soares Tavares, um investigador com obra de mérito e consagrada. Apesar de beirão, ele vem, mais uma vez, demonstrar com novos dados que João Rodrigues Cabrilho é de Lapela, de Cabril. Aliás, como será do conhecimento geral, hoje por hoje, e ao contrário de há duas ou três décadas atrás, ninguém contesta a naturalidade barrosã de João Rodrigues.

 

Contamos que na sessão compareçam os montalegrenses e os barrosões em geral para tomarem mais conhecimento da nossa história barrosã. É que lembrar os feitos dos nossos heróis e apontá-los como exemplo aos mais jovens é tarefa obrigatória de todos porque só deste modo se conseguirá uma sociedade mais justa e com mais autoestima.

 

Carvalho de Moura

 

Inn Notícias de Barroso, de 27 de Dezembro de 2007. omontalegrense.blogspot.com/2007/12/joo-rodrigues-cabrilh...

 

See where this picture was taken. [?]

Each time I think I have a Sulphur identified I'm wrong. I learned....... "Some Orange Sulphurs, especially late in the season and with females both orange and white, have a lot of dark scaling, referred to as melanic forms." It's always worth double checking. Someday I may have something different :)

 

Photos by Jonathan Cherry

jonathancherry.net

 

RELEASE DATE: 21st May 2019

 

PRESS RELEASE

 

Dare to Dream: New ‘Craftivism’ project

announced by Heritage Open Days

www.heritageopendays.org.uk

13th-22nd September 2019

 

This year, England’s largest festival of culture and heritage will celebrate its 25th anniversary, with a new arts commission focusing on those who have affected positive change and the power of gentle protest.

 

In 2019, Heritage Open Days will celebrate its anniversary with 25 Years of People Power. Against a backdrop of Brexit - a time of unprecedented social division and uncertainty - hundreds of events across the country will celebrate change-makers; those whose visions and dreams have brought positive developments to our society, both large and small.

 

Alongside festival walks, talks and openings, the Dare to Dream project will explore the power of positive visualisation in effecting change and finding solutions to the problems that surround us. Through a series of ‘craftivism workshops’ designed by Sarah Corbett, founder of the global Craftivist Collective, participants will have an opportunity to think about the issues that matter to them, and how to be an active part of bringing positive change, both locally and globally. The commission is the third in Heritage Open Days’ Unsung Stories strand, made possible by support from players of People’s Postcode Lottery with the aim of exploring lesser-known histories in new and innovative ways.

 

Participants will hand-stitch their positive visions for the future onto fabric ‘dream clouds’, share their creations on social media, and display them in meaningful locations to encourage us all to be solution-seekers and change-makers. “We’re thrilled to be working with Sarah, who embodies the gentle form of People Power that is at the heart of Heritage Open Days,” says HODs National Manager, Annabelle Thorpe.

 

“Throughout history, real change has come from those who have thought differently, dreamed big and believed solutions are there to be found. Dare to Dream offers a chance for everyone to think about how we can all positively shape the future, and make our dreams for a fairer, happier society become reality.”

 

Across the Heritage Open Days festival, Sarah will lead four free workshops, launching at

Dartington Hall in Totnes, where the concept for the NHS was established in the 1940s. Moving to Norwich, Manchester and Durham, each session will take inspiration from local dream-makers whose historic ideas helped to shape a new reality. Downloadable instruction packs will also enable organisers to run their own Dare to Dream workshops, enabling nationwide participation. After the festival, insights drawn from the workshops will create a picture of our dreams and hopes for society in the next 25 years.

 

"By having a vision rather than just fixating on a problem, our brains start finding ways to turn

those visions into reality” says campaigner, Sarah Corbett. “Join us and craft your creation, whilst you think deeply about what your dream for a better world will look like, and how you can be part of making it. Stitch by soothing stitch, we can help become change-makers."

 

Yesterday’s dreams shaped today’s reality. This September, join Heritage Open Days and the

Craftivist Collective to create individual dreams for a positive future.

 

- - -

 

For more information and photographs:

Laura Davey, Press and Communications Officer

020 3097 1977 | laura.davey@heritageopendays.org.uk

More details about Dare to Dream can be found at

www.heritageopendays.org.uk/visiting/unsung-stories/dare-...

 

NOTES TO EDITORS

About Heritage Open Days

• Heritage Open Days (13th-22nd September 2019) is England’s largest festival of history and

culture; in 2018, over 5,500 events welcomed more than three million visitors across the

country.

• All events are free, including access to many sites that usually charge for admission.

• Heritage Open Days is coordinated and promoted nationally by the National Trust with

support from players of People’s Postcode Lottery, and run locally by a large range of

organisations (including civic societies, heritage organisations, and local councils,

community champions and thousands of enthusiastic volunteers).

• Heritage Open Days is England’s contribution to European Heritage Days, taking place

across 50 countries. Other events in the UK are Doors Open Days in Scotland

(www.doorsopendays.org.uk); Open Doors Days in Wales

(www.cadw.wales.gov.uk/opendoors); European Heritage Open Days in Northern Ireland

(www.communities-ni.gov.uk/articles/european-heritage-open...); Open House London

(www.openhouselondon.org.uk).

• For further details, visit www.heritageopendays.org.uk, follow on Twitter

@HeritageOpenDay, or subscribe to the newsletter.

 

About People Power and Unsung Stories

• People Power is Heritage Open Days’ theme for 2019, celebrating the 25th anniversary of

the festival, and highlighting the ability of local communities, groups and individuals to evoke change. For more information, visit www.heritageopendays.org.uk/organising/people-

power

• The Unsung Stories programme is annual arts-based strand of Heritage Open Days,

commissioning artists to work with local organisers, bringing to life stories, and reflecting

HODs’ belief that history belongs to all of us. For more information, visit

www.heritageopendays.org.uk/visiting/unsung-stories

 

About the Craftivist Collective and Sarah Corbett

• Sarah Corbett is an award-winning campaigner, author of How to be a Craftivist: The Art of

Gentle Protest, and founder and Creative Director of the global Craftivist Collective. She

grew up in a low-income area of Liverpool and was born into an activist family. Her TED

talk ‘Activism Needs Introverts’ has been viewed over 1 million times.

• The Craftivist Collective is a social enterprise providing products and services to help

individuals, groups and organisations around the world learn and take part in ‘a gentle

protest’ approach to craftivism (craft + activism), and transform the way people practice

activism in more emotionally intelligent, creative and kind and effective ways.

• Previous craftivism projects have addressed mental health, living wage and climate change

amongst other issues. Their projects have helped change laws and policies, as well as hearts

and minds.

• They have worked with Save the Children, Unicef and Mind, have helped create the new

Girlguiding craftivism badge, as well as collaborating with Secret Cinema and V&A, amongst

others.

• Sarah is experienced as an interviewee for print, online, live or prerecorded audio,

television and vlogs.

• For further details, visit www.craftivist-collective.com or follow on Twitter and Instagram

@Craftivists.

 

About People’s Postcode Lottery

• People’s Postcode Lottery manages multiple society lotteries promoted by different

charities and good causes. People play with their chosen postcodes for a chance to win

cash prizes. A minimum of 32% from each subscription goes directly to charities and good

causes across Great Britain and internationally -- players have raised £416 million so far.

For details of the charities and good causes which are promoting and benefitting from the

lottery draws, please visit www.postcodelottery.co.uk/good-causes/draw-calendar

• It costs £10 a month to play and winning postcodes are announced every day. The

maximum amount a single ticket can win is 10% of the draw proceed. For details, please

visitwww.postcodelottery.co.uk/prizes

• New players can sign up to pay using direct debit by calling 0808 10 9 8 7 6 5. New players

who sign up online at www.postcodelottery.co.uk can pay using direct debit, debit card or

PayPal.

• Postcode Lottery Limited is regulated by the Gambling Commission under licence

numbers: 000-000829-N-102511 and 000-000829-R-102513. Registered office: Titchfield

House, 69/85 Tabernacle Street, London, EC2A 4BD

• Follow us @PostcodePress

 

Forming up at the 31st Canadian Police and Peace Officer Memorial (CPPOM 2008) Service - Sep 2008

Rassemblement de Harley-davidson à la 31e Commémoration des policiers et agents de la paix canadien - sep 2008

July 2004 A Waterhouse, I Peters P Chambers, B Kelly

 

Please tell us if you can improve our caption with more information, email 50th@stmarysmenston.org

The ancient necropolis of Dahshur is renowned for two of the oldest and best preserved pyramids in Egypt, both built by pharaoh Sneferu of the 4th Dynasty, c2600BC.

 

It is here at Dahshur that the familar form of the straight-sided pyramid was first refined, the earliest being the step pyramid of King Djoser at nearby Saqqara (part of the same necropolis and visible from here). A second pyramid at Meidum (much further south) initially followed this same stepped form, but was modified by filling in the steps to give a smooth diagonal surface, the weight of which proved too great a burden for the structure and large parts collapsed. Meidum pyramid was believed to have been started by pharaoh Huni, but continued by his successor Sneferu, who after this ill fated venture turned his attention to a new site at Dahshur.

 

The first pyramid here is known as the Bent Pyramid owing to the dramatic change of angle halfway up it, which is the result of the building being started at too steep a gradient, and with growing structural instability as work progressed and mindful of the collapse at Meidum the decision was made to lower the angle for the upper parts giving this pyramid its unique form. Behind it is a small satellite pyramid (in a more ruinous condition) probably intended for Sneferu's queen.

 

Sneferu then learned from these mistakes and built a second pyramid nearby sloping at a much lower (and structurally safer) angle. It is not only the first complete smooth-sided pyramid but also the third largest in Egypt (after those of Khufu and Khafre at Giza). The name 'Red Pyramid' refers to the exposed sandstone of the massive structure, which originally would have been covered by a smooth white facing stone which was quarried away in early medieval times. Whilst the Red Pyramid is now externally denuded, much of this facing however still remains on the nearby Bent Pyramid, and no other Egyptian pyramid retains so much of its original outer surface.

 

The Red Pyramid is believed to have been Sneferu's final resting place but the tomb itself was robbed out in antiquity. Visitors may enter the sequence of corridors and rooms that lead to the burial chamber, and admire the dramatically tapering corbelled ceilings within. The interior of the Bent Pyramid is off limits to visitors, beings more difficult to access with a complex internal layout.

 

There are further pyramids surrounding the Dahshur necropolis, all later, smaller scale structures from the Middle Kingdom that are now far more ruinous and look as much like mounds or natural outcrops. The most notable and prominent is the Black Pyramid of Amenemhet III, of which only the heavily eroded mass of the mud-brick core remains, looking more like a natural rock-formation, Like Sneferu, Amemenhet III was also dissatisfied with his first pyramid and frustrated by structural problems, so built a larger second one much further south at Hawara for his final repose.

 

Dahshur's pyramids were for many years off limits to tourists owing to their proximity to a military zone, and on our previous visit to Egypt we could only gaze at their tantalising distant silhouettes from nearby Saqqara. Now the site is happily accessible again, and whilst only the Red Pyramid may be entered to be finally able to get so close to these awesome structures is more than enough reward.

 

en.wikipedia.org/wiki/Bent_Pyramid

 

[There are 7 photos in this set] This is a creative commons image, which you may freely use by linking to this page. Please respect the photographer and his work.

 

Across the street from Craig County Courthouse in New Castle, Virginia is the 3-story Old Brick Hotel (the NRHP nomination form names it the Central Hotel) dating from circa 1840. It remains pretty much how it appeared in 1854-1855 on both interior and exterior. Apparently it began as a tavern and the building predates the formation of Craig County. The roof is standing-seam-metal hipped roof. There is a wide overhang of the cornice. The brick structure is ell-shaped with various bonds--the first two stories of the front are Flemish bond with the upper story being 7-course American bond. The walls of the ell are irregular American bond. Doors and windows have plain surrounds with corner blocks, wood portions at the corners with a design (barely visible in image 5). The windows also vary in the sash with some being 6/6 and others 2/2. Some of the doors are paneled and some have glass panes; they have rectangular transoms with 4 lights. The two-tiered porch is wraparound. The upper porch roof is supported by wooden piers with molding at the bottom; this porch is supported from below with brick piers. The balustrade on the upper porch generally consists of vertical rails with a central section of horizontal rails. The end balustrade differs in design with an open oval pattern created by the positioning of the rails. Chimneys are interior, A portion of the Craig County Courthouse is visible in the background in some photos. It was listed on the National Register of Historic Places October 25, 1973 #73002005 as part of the New Castle Historic District. The boundary increase on June 10, 1993 of the district provides a more fleshed-out description of the building.

 

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The stage performances by the youth wing of the organization in the form of ballets, skits and devotional songs are done to entertain, educate and contribute to internal illumination. Lord Krishna is the presiding deity of the divine love. Rehearsals for the performances commence months in advance, and final performances enthrall the audience. All the performers are the devotees of Maharaj Ji and not professionals. Yet, the level of perfection shown in the cultural items is stunningly marvelous. The divine grace of the Spiritual Master is visible through all types of activities. The audience remains spellbound during the entire duration of the program.

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The Shri Krishna Janmashtami Mahostav organized by Divya Jyoti Jagrati Sansthan have much more to offer to build the personalities of visitors and to provide to them and their families with a tangible and sustainable message. They explain that the path of spirituality can be and must be followed during the lifetime and introduced to youth and children at an early age. It is not an after-retirement project. ‘Brahm Gyan’ is a mindful experience of divinity, that happens at a subtle transcendental level by the grace of a spiritual master who is capable of disseminating divine knowledge unto seekers of truth. Arjuna emerged victorious, not by polishing the arrows alone, but by galvanizing his inner self, being blessed by the Perfect Master of his Era, Lord Krishna!

 

Divya Jyoti Jagrati Sansthan Founded and headed by Shri Ashutosh Maharaj Ji is a global network, a mission committed to establishing peace in human mind & actions. Ultimately translating the concept of World Peace into a tangible reality and creating universal culture of peace

 

Vision:

“From Self Awakening to Global Peace.”

 

Mission:

“To usher into a world wherein every individual becomes an embodiment of truth, fraternity, and justice through the eternal science of self-realization – ‘Brahm Gyan’, uprooting in its wake all social evils and threat.”

 

Website : djjs.org

 

Foto: Martha Pukallus/Who Dares

Canon EF Lens 50mm 1:1.4 USM Gold .

 

0000 ✨index: Postcard Colour sRGB: High Resolution, Polyester, Cardboard composite form ...

 

essay: What has interested me in taking photographs is the maximum - the maximum that exists in a situation and the maximum i can produce from it.

 

For the past ten years, I have tried to seek my own personal voice, style, and path in photography. This personal journey has led me through life in so many incredible ways. I have learned so many valuable lessons in photography (and life) which has transformed me as a human being. My particular interest has been in street photography; capturing moments of everyday life in public settings. I have always been drawn to my fellow human beings, and street photography has helped me become a more empathetic human being.

 

ww.Charlesfuller.imagekind.com/charlesfuller

 

Description Photographs: charlesfuller capture your story the opportunity to take your creative skills to the next level 2022 documentary style with an informal approach to capturing special moments. Study with a body of published work in a range of formats and realise your potential. View cultural and economic context and their relation to contemporary photographic practice and visual fine art culture.

 

charlesfuller007@hotmail.com

M: +44 07513 770915

Australia Day 2014

Yay!!! The life-sized dress form I ordered is finally here today! Now I can display my jewelries on a life-sized dressed model. But... where is the instruction for assembly? 0_0

Copyright - All Rights Reserved - Black Diamond Images

 

Family : Proteaceae

 

en.wikipedia.org/wiki/Banksia_menziesii

Adventures in Seeing - Humility (1)

 

These are a few of my favourite kitchen tools... simple, functional, unadorned... producing such humble fare as biscuits, scones, and apple crisp. Baking with these simple hand tools brings me in touch with the process and the feel of what I'm making, a sensation I don't get when using more high-tech gadgets.