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Formed on the 19th June 1981 with a mandate to preserve, promote and provide racing for cars with a competition history, the Historic Sports & Racing Car Association has around 900 members.
Since its inception, the Association has promoted around 100 Historic Race meetings, along with providing driver training days, technical days, social events, and all those activities related to being the only motor-sport and heritage based racing car club in the state of New South Wales.
The Tasman Revival meeting is one of the activities promoted by the Club.
Parallel Pleat Forms Hyperbolic Paraboloid Shelter
www.youtube.com/watch?v=2zhuS6jxJwk
Tutorial 6 Hyperbolic Paraboloid Shelter.
www.youtube.com/watch?v=5c2n44hW8bg
Hyperbolic-Paraboloid Shelter
www.youtube.com/watch?v=ATHlcgRyjNo
Hyperbolic-Paraboloid Doubly-Ruled Shelter
De skydivers van Nationaal Paracentrum Teuge (paracentrumteuge.nl) naderen elkaar voor het vormen van de formatie. Een fotograaf hangt boven de groep. Onderin het beeld zie je de wolken komen waar de groep kort hierna doorheen ging. De parachutisten sprongen van ruim 14.000ft (meer dan 4 kilometer) en zaten ruim 6 kilometer van mij verwijderd. Foto's gemaakt met 714mm telescoop met 2x converter. Als je de cropfactor van 1.6x mee rekent is dit 2285mm.
Zie meer skydiving foto's, waaronder de sprong uit de Skyvan op :
www.flickr.com/photos/wblokzijl/sets/72157645156793786/
The skydivers from Nationaal Paracentrum Teuge (paracentrumteuge.nl) approaching eachother to form a formation. A photographer is hovering above them to capture the action. They jumped out of SC-7 Skyvan OE-FDI.
More skydiving pictures, including their jump out of the Skyvan :
In Hindu system of religion to worship the God in a human form is regarded as the highest form of worship. In old Vedic era it is the Acharya (The Master/Teacher) who was worshipped as the embodiment of the God. Even today all the popular religious beliefs, like Vaishnavism, Bauls and the others, consider a human form as a temple of the God.
Kumari puja is one such ritual where the Goddess durga is being invoked and worshipped within the form of a virgin girl whose age is between 1 to 16 years. This ritual is being observed mostly on the third day, that is "Maha Astami", of Durga puja while in some places the fourth day, that is "Maha Navami", is considered to be the day for it. Kumari puja is actually a Tantrik ritual of Sadhana (worship) which is believed to bring great blessings on the worshipper. Different Tantras have extensive discussions on the methods and procedures to be followed by different categories of Sadhakas (worshipper); however I think the ritual is not being observed in all its rigorous details now-a-days during the puja, at least that is not realistically possible.
The choice of the virgin for Kumari puja is not made based on caste, religion or social backgroung, rather the physical, emotional and mental characteristics are taken into consideration. Swami Vivekananda is said to have worshipped a Muslim girl as a Kumari. The girls at different ages are believed to represent the different manifestations of the Goddess: A girl of 1 year is called Sandhya, of 2 years Saraswati, of 3 years Tridhamurti, of 4 years Kalika, of 5 years Subhaga, of 6 years Uma, of 7 years Malini, of 8 years Kuvjika, of 9 years Kalasandarbha, of 10 years Aparajita, of 11 years Rudrani, of 12 years Bhairavi, of 13 years Mahalaksmi, of 14 years Pithanayika, of 15 years Ksetrajna and of 16 years Annada or Amvika.
While chanting the "Mantras" (text from Holy Scriptures) different postures are assumed and these are strictly guided by the rituals of the puja.
Acknowledgement: I like to give thanks to the family members of Rani Rashmoni's house at Jaanbazar, Kolkata, for allowing me to photograph the rituals at their premises.
Jaanbazar, Kolkata.
October, 2007
Chocolate sponge sandwiched with chocolate buttercream ganache and covered in a mix of fondant and chocolate flavoured fondant. All decorated to look like Alakay from the film Madagascar.
All photos in this gallery are all rights reserved. If you want to use any of them, please send an email before. Thanks for collaboration.
Vessel in the form of a man with a cleft lip and tattoos
Moche
North coast, Peru
100 B.C./500 A.D.
Ceramic and pigment
In the collection of the Art Institute of Chicago.
With the loss of tissue from the tip of the nose, there's more wrong than just a cleft lip. Leishmaniasis? Syphillis?
Also, the Moche were able to paint very fine lines on their vessels, so if these designs were meant to represent tattoos, they would likely have been painted on. Since they're incised, it might be worth considering whether they're scarification.
Hotel Pro Forma
Operation : Orfeo
Vizuális opera három tételben
Budapesti Tavaszi Fesztivál
Nemzeti Színház - Nagyszínpad
2010.03.22.
Lisbeth Sonne Andersen - tánc,
Baiba Berķe - ének,
a Lett Rádió Kórusa
Koreográfia: Anita Saij
Fény: Maja Ravn, Jesper Kongshaug
Jelmez: Annette Meyer
Technikai igazgató: Jesper Sønderstrup
Vezényel: Sigvards Kļava
Rendező: Kirsten Dehlholm
www.dailymotion.com/video/xcoh3r_hotel-pro-forma-operatio...
I created this form to help record my accomplishments. When I finish my todos, I usually just throw out the list, along with any persistent sense of accomplishment. When I close out a set of todos, I can "shoot down" an invader and take it as a trophy of my accomplishments.
You can read about it and download the forms here:
On jeemain.nic.in IIT JEE 2016 Application Form is available, students can apply for JEE 2016 Main Exam before 31st Dec 2015,check IIT JEE Main important Dates.
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Final inspection for concrete housing forms destine for the Bahammas. For more information on formwork visit Concrete Forms
~ The Windsor Locks Public Library ~ 1905-2006
The Memorial Hall Association formed on June 27, 1905 to provide a "lecture and entertainment course" for the citizens of Windsor Locks. A Library Committee was formed on November 15, 1905 after the Association adopted a constitution and bylaws, which set forth the purpose of the Association as "intellectual and social improvement of the community." On June 29, 1907 the Association voted to authorize the Library Committtee to proceed with locating space for a free library and reading room to serve the town of Windsor Locks. Windsor Locks's first library opened its doors on October 7, 1907. Located then in the Converse Block on the corner of Main and Spring Streets, the library's collection consisted of 1,250 volumes, 450 of which were donated by the Women's Christian Temperance Union of Windsor Locks. Seventy one books were checked out by borrowers on its first day. The town's first permanent librarian, Miss Lula Stockwell, served from 1907 until April, 1918, when she was suceeded by Alice Coffin.
By 1920 the library was open 6 days a week, for a total of 19 hours and in 1924 the library relocated to rooms in the Windsor Locks Bank Building. In May, 1928 the name was changed from the Memorial Hall Association to Windsor Locks Public Library, Inc. By this time there were 6,158 books on our shelves and annual circulation was 10, 336. 1,200 people used the library on a regular basis. In August, 1940 the library received a bequest of $5,000 from the late Mr. J.J. Burke and land from Mrs. Conant for the purpose of building a library. It is on this land that the library presently stands.
Mae Egan was appointed librarian in May, 1941, replacing Alice Coffin. Miss Egan had previously served on the library's Board of Directors as chairman of the book committee and secretary. Discussions about erecting a library building went on for several years, and in 1947 it was decided that building would be delayed for at least 2 years. In 1954 the library was offered the Swindell home, which had to be moved due to construction of the town's new high school. This offer was accepted, the building was moved and remodeled, and on February 1, 1955 the beautiful new library was opened. A new wing was added in 1962 and professional librarians were added to the staff in 1963.
Linda Most was named head librarian in September, 1969. Ronald Hubbs was hired to lead the library's staff in 1979, and in June, 1990 the current building was dedicated under his able direction. Ronald Hubbs served as head librarian until his retirement in 1998. Terry Crescimanno served as Director from 1999 until April 2001 and David Brown managed the library from August, 2001 until September, 2003. Gloria Malec has been serving as Director of the Windsor Locks Public Library since January 2004.
Today the Windsor Locks Public Library's collection includes about 60,000 items, including books, subscriptions to 80 magazines, audio books (on tape, CD, and playaway), more than 1,000 entertainment and informational videos, CDs and CD-ROMs, and a growing number of DVDs. We are also in the process of developing an ESOL (English for Speakers of Other Languages) collection and updating our Reference collection to include more online resources that can be used in conjunction with our print materials. INFOAnytime 24/7 virtual reference service is available for all of our library users. On March 1, 2006 the library, along with 22 other consortium members, began offering downloadable audio books for our users.
In addition to the director, our staff includes an Adult Services Librarian (Eileen Pearce), our new Children's Librarian (Kristin Raiche), our Head of Technical Services (Beth Morrill), 6 part-time library assistants, a page, several fill-in clerks, and numerous dedicated volunteers. During 2007 our staff invites the community to join with us in celebrating our 100th anniversary!
Information on this page was compiled from various local sources, including "The Story of Windsor Locks: 1663-1976",
published by the Windsor Locks Bicentennial Commission in 1976
THE HISTORY IS USED WITH PERMISSION.
COPYRIGHT BY THE WINDSOR LOCKS PUBLIC LIBRARY.
Hollah! Kassia here. Day three was all about getting our surf on. We towed this sick old school raft behind the boat to hold our stuff. It was full-on Huck Finn. Chels and I did cannonballs off the top for funs. (Meanwhile Sofia’s on her board all sophis, looking back at us like we’re crazy. We are, a little bit.)
Photo: Jeff Hornbaker
A 3D printed jewellery piece created with a Formlabs Form 2 SLA 3D printer. Right is the printed Castable Wax Resin part, ready to be fired, the other is a finished gold cast piece.
Free for use under Creative Commons license. If you use this image, please link to "formlabs.com/3d-printers/" in your attribution.
My entry for the FBTB Moc Madness. This is the Sarracenia, the space ship of bounty huntress Adjenka Ventura. This spaceship as many form, this is used to hunt in the air or in space. The firepower in then concentrated to the front.
Former SEMITRAT / Fil Bleu (Tours, France) n°120 (Berliet PR100 MI) in a scrapyard. He entered in service in 1978 and he was retired in 1994.
Berliet PR100 MI ex-SEMITRAT / Fil Bleu (Tours, France) n°120 dans une casse.
Il est entré en service en 1978 et il a été réformé en 1994.
Part of Azzedine Alaïa: The Couturier
(May to October 2018)
Azzedine Alaïa’s innovations in stretch fabrics were at least as important as his elevation of leather. In his hands, these transformed the silhouette of the wearer.
Rather than creating clothes anchored at strategic points – conventionally, the waist and the shoulders – Alaïa’s bandage dresses cling to the wearer’s form, conscious of the entire body. The stretch fabric allows these minimal silhouettes to move freely.
Debuted in 1986, these variations on the ‘Bandelette’ (bandage) dress are clearly inspired by ancient Egyptian mummification, but also perhaps by the swaddling of infants. The garments join Western and Eastern traditions – highly fitted and precision-cut, with a body simply and sensually wrapped in cloth.
The dresses seem simple, but each band of fabric is precisely engineered and cut to specific dimensions, according to its place on the figure. These creations ushered in the notion of physique-delineating ‘bodycon’ dressing, the defining aesthetic of the early 1990s.
Conceived and co-curated with Monsieur Alaïa before his death in November 2017, the exhibition charts his incredible journey from sculptor to couturier, his nonconformist nature and his infectious energy for fashion, friendship and the female body.
Unlike many of his contemporaries, Alaïa personally constructed each garment by hand and refused to bow to the pressures of fashion week deadlines, instead working to his own schedule. His collaborative approach earned him an esteemed client list, including Greta Garbo, Grace Jones, Michelle Obama and Rihanna.
Rather than a retrospective, the show interlaces stories of his life and career alongside personally selected garments, ranging from the rare to the iconic and spanning the early 1980s to his most recent collection in 2017.
[Design Museum]
Another neat find, a Yes & Know game book from 1985. This one features Walt Disney Fun Forms picture puzzles. As soon as I saw it & the 'Yes & Know' logo I remembered these game books with orange & yellow markers that we'd get for family trips. There are a total of 5 of the original 8 sheets of stickers still intact with jumbled pictures of Donald Duck, Mickey Mouse, Scrooge McDuck and Goofy.
Northern Nomads were an Amateur Football Club who were formed around 1899. They had no permanent home[hence their name!].
Based originally in Manchester they played at the Manchester Athletic Club[MAC] in Fallowfield but for whatever reasons they moved between 1909-1911 and found themselves playing their "Home" games at Prenton Park the home also of Tranmere Rovers. Nomads by name and Nomads by nature, they have now moved on and back closer to their roots by parking up at the "Eccles Boro FC" ground at Salford in Manchester for the start of the 1913-14 Season.
The fixture list will show the opening match of the season versus Manchester United with this being against United's Reserve X1.
Amongst the list of Vice Presidents/Life Long members there is a Harold P. Hardman and for anyone who is not familiar with H.P. Hardman his brief story is he played for Worsley Wanderers in 1897, Chorlton Cum Hardy in 1898, Northern Nomads in 1899, Blackpool 1900 until 1903, then onto Everton where he won an FA Cup Winners Medal in 1906 and got to the Final with Everton again in 1907 but was a runner Up. He then left Everton and played just 4 games for Manchester United in 1908-09, left in January 1909 to go to Bradford City and then moved to Stoke in February 1910.
Harold played in the 1908 Olympic Games in London winning a Gold Medal in the defeat of Denmark in the Final and made 4 appearances for England between 1905-1908.
All the time he played he did so as an Amateur.
Finally when he signed up to play for Stoke he was appointed a Director of Manchester United where he stayed on the board until 1951 when he was appointed the Chairmen and held this honour until he passed away in 1965.
During his playing days for all the various League Club's and his ultimate devotion to Manchester United-he continued to play for the Nomads as this was his second "love".
It is a great possibility that this members card was originally belonging to Harold.
Please visit on this site the section devoted to Harold P. Hardman where you can see his 1906 English Cup Final Winners Medal.
Harold was only one of 2 men who have EVER won an F.A. Cup Winners Gold Medal and an Olympic Gold Medal.