View allAll Photos Tagged flashing
Taken in a studio using studio flashes to freeze the action of dancers making dance forms while in the air.
© 2017 Trevor Ager - Brightpix Photography
I found this fine old Ansco Shur-Flash without the flash. I'm on a quest now to find that piece to reunite the set. Since this camera takes 120 film, I'll also be on a quest to get some of that bought, shot and shown.
Added a little bit of soft-focus to this image to project a more nostalgic feeling.
[7/28/14 NOTE: Removed permanently from collection]
Sixteen year old Graham Kohler from the Northern California Chapter of the Red Cross found out about the LDC through his involvement with volunteer connections. He applied for and got a position as a LDC intern. “The thing I like most about coming to LDC is the people I meet. I am making so many new friends and I know I will keep in touch with them.” Graham explained that he is a competitive person. He enjoys the friendly competition between the 9 squads at LDC. He also loves being in such a tranquil environment. “Being in the mountains is an environmental change that refreshes me as a person. It’s nice to get away from your phone, friends and family for a while. I’m in a place where nothing matters so I can focus on what I am learning.” Graham plans on keeping in touch with the friends he has made at LDC and wants to apply for the Youth Action Campaign that is coming out in March.
American Red Cross Story Producers | Albert & Virginia Becker
Who said that you can only use small strobes to light small things? Sure, I had to up the ISO a little, but that's nothing the 5D can't handle. SB-25 to camera left, SB-24 to camera right, both on 1/4.
Backlit with off-camera flash.
Gear Used:
-Nikon D3100/18-55mm kit lens.
-Yongnuo YN560 II.
-Tripod.
-Remote shutter release.
For this photo I used an A4 sized piece of glass held up on top of two glasses with an A4 piece of plain white paper below it for the background, my camera with a remote shutter release mounted on a tripod. I positioned the camera above the glass and got it high enough so that it could focus (I tried using my 35mm 1.8 G but it would not focus close enough to fill the frame effectively) and composed the shot using live view. Once I composed the shot I made sure that the settings on the camera made it so that none of the ambient light of my room was being picked up. I then popped up the on-camera flash and set the power to 1.0 just to give a bit of top lighting as well as to trigger the off-camera YN560 II which was set to 1/32 power and had a plastic diffuser on it. I would then trigger the camera with the remote shutter release and would position the YN560 II in different places and angles below the pane of glass until I got a result I was pleased with. After a few shots of trial and error and various alternative compositions with the kiwi slices I found that this was the best result.
If you have any questions about my set-up or the techniques used to capture this image, feel free to ask in the comments below :)
nothing better than running out in the middle of traffic, having eric pull his e46 m3 out in the road, takin a few shots and driving off. more to come.
Sans flash, but i would love to setup flashes on both sides of the road for the next shoot and try to do something quick
Taken in a studio using studio flashes to freeze the action of dancers making dance forms while in the air.
© 2017 Trevor Ager - Brightpix Photography
Moving the flash almost directly above the subject really changes (in my mind improves) the shadows. Still a lot of light on the background, though.
I love Teach Me Flash Cards. Found this cool box of Reptile flash cards on Etsy. The turtle shell was a purchase at the Petticoats on the Prairie vendor show in Waxahachie, TX.
I had need to pull over into a layby, and discovered that what had previously been a bit of waste ground was now a fenced field with a horse in it. The horse was inquisitive and friendly, though it didn't like the camera flash much. Can't say I blame it.
Studio 26 - flash. See description of 'medusae' for flash setup - I simply turned the black cardboard 90degrees for a horizontal alignment of the cutouts. I did brighten Bella's eye, because I liked the way the flash had given her a death glare and wanted to emphasize that.
Three Flash DIY_MG_6446
My Three Flash DIY setup:
two Youngno 560, One Canon 430EX
One Cybersync receiver connected with a radioshack 3-connectors miniphone adapter
Three hotshoe adapters
I HAVE IMPLEMENTED THE SUGGESTIONS OF www.flickr.com/people/54134914@N00/"STELLARVIEW" see BELOW:
Here is an enhancement for it....
Route the wires external to the junction box instead of through the center hole. Then add a Romex clamp fitting in the existing center hole and use it to clamp an umbrella in place.
Then get a blank cover for the box and drill a hole in the center of the cover that is slightly larger than your umbrella shaft. Run the umbrella shaft through the blank cover and out the back through the Romex connector and secure it at the desired point on the shaft. This will give you maximum stability for your umbrella.
incense captured with:
- Canon Speedlight 430EXii @ 1/2 Power
- Yongnuo RF 602 wireless Controler
black background and black paperboards on the side of the flash, so that no light hits the background/lens
--> first experiment with my new flash :)
Trying to get some good light like I've seen in the great light painting photos by people who are far better at it than I am. I finally got out on a good moonlit night with a new orb tool that lasted about six orbs. The next one lasted two. I need to find some more durable wire, but as least I got a shot that I was pleased with.
Alunos do Batelli na Praia Vermelha II.
Strobist: Segunda versão da foto mais elaborada do dia. Ambiente exposto normalmente, um 580EXII iluminando a modelo no primeiro plano à direta e um 430EXII iluminando o modelo à esquerda.
Desta vez as três pessoas do banquinho estão numa posição interessante. :-)
Leo posando com a sua 7D.
Strobist: Aqui a gente tem três luzes. Um 580 EX II com um Ray Flash funcionando como beauty dish à direita e um pouco acima. Um 420 EX no chão, apontado para o fundo branco. Um 430 EX II com um Softbox III da Lumiquest à esqueda e meio atrás do modelo.