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Exploitant : CAB Solution
Réseau : Navette Substitution SNCF Île-de-France
Ligne : Navette Transilien J
Lieu : Gare d'Argenteuil (Argenteuil, F-95)
Lien TC Infos : tc-infos.fr/id/43818
Exploitant : Autocars Groussin
Réseau Aléop - Pays de la Loire
Substitution SNCF en raison de travaux pendant le week-end du 11 novembre 2022.
The exploitation rights for this text are the property of the Vienna Tourist Board. This text may be reprinted free of charge until further notice, even partially and in edited form. Forward sample copy to: Vienna Tourist Board, Media Management, Invalidenstraße 6, 1030 Vienna; media.rel@wien.info. All information in this text without guarantee.
Author: Andreas Nierhaus, Curator of Architecture/Wien Museum
Last updated January 2014
Architecture in Vienna
Vienna's 2,000-year history is present in a unique density in the cityscape. The layout of the center dates back to the Roman city and medieval road network. Romanesque and Gothic churches characterize the streets and squares as well as palaces and mansions of the baroque city of residence. The ring road is an expression of the modern city of the 19th century, in the 20th century extensive housing developments set accents in the outer districts. Currently, large-scale urban development measures are implemented; distinctive buildings of international star architects complement the silhouette of the city.
Due to its function as residence of the emperor and European power center, Vienna for centuries stood in the focus of international attention, but it was well aware of that too. As a result, developed an outstanding building culture, and still today on a worldwide scale only a few cities can come up with a comparable density of high-quality architecture. For several years now, Vienna has increased its efforts to connect with its historical highlights and is drawing attention to itself with some spectacular new buildings. The fastest growing city in the German-speaking world today most of all in residential construction is setting standards. Constants of the Viennese architecture are respect for existing structures, the palpability of historical layers and the dialogue between old and new.
Culmination of medieval architecture: the Stephansdom
The oldest architectural landmark of the city is St. Stephen's Cathedral. Under the rule of the Habsburgs, defining the face of the city from the late 13th century until 1918 in a decisive way, the cathedral was upgraded into the sacral monument of the political ambitions of the ruling house. The 1433 completed, 137 meters high southern tower, by the Viennese people affectionately named "Steffl", is a masterpiece of late Gothic architecture in Europe. For decades he was the tallest stone structure in Europe, until today he is the undisputed center of the city.
The baroque residence
Vienna's ascension into the ranks of the great European capitals began in Baroque. Among the most important architects are Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt. Outside the city walls arose a chain of summer palaces, including the garden Palais Schwarzenberg (1697-1704) as well as the Upper and Lower Belvedere of Prince Eugene of Savoy (1714-22). Among the most important city palaces are the Winter Palace of Prince Eugene (1695-1724, now a branch of the Belvedere) and the Palais Daun-Kinsky (auction house in Kinsky 1713-19). The emperor himself the Hofburg had complemented by buildings such as the Imperial Library (1722-26) and the Winter Riding School (1729-34). More important, however, for the Habsburgs was the foundation of churches and monasteries. Thus arose before the city walls Fischer von Erlach's Karlskirche (1714-39), which with its formal and thematic complex show façade belongs to the major works of European Baroque. In colored interior rooms like that of St. Peter's Church (1701-22), the contemporary efforts for the synthesis of architecture, painting and sculpture becomes visible.
Upgrading into metropolis: the ring road time (Ringstraßenzeit)
Since the Baroque, reflections on extension of the hopelessly overcrowed city were made, but only Emperor Franz Joseph ordered in 1857 the demolition of the fortifications and the connection of the inner city with the suburbs. 1865, the Ring Road was opened. It is as the most important boulevard of Europe an architectural and in terms of urban development achievement of the highest rank. The original building structure is almost completely preserved and thus conveys the authentic image of a metropolis of the 19th century. The public representational buildings speak, reflecting accurately the historicism, by their style: The Greek Antique forms of Theophil Hansen's Parliament (1871-83) stood for democracy, the Renaissance of the by Heinrich Ferstel built University (1873-84) for the flourishing of humanism, the Gothic of the Town Hall (1872-83) by Friedrich Schmidt for the medieval civic pride.
Dominating remained the buildings of the imperial family: Eduard van der Nüll's and August Sicardsburg's Opera House (1863-69), Gottfried Semper's and Carl Hasenauer's Burgtheater (1874-88), their Museum of Art History and Museum of Natural History (1871-91) and the Neue (New) Hofburg (1881-1918 ). At the same time the ring road was the preferred residential area of mostly Jewish haute bourgeoisie. With luxurious palaces the families Ephrussi, Epstein or Todesco made it clear that they had taken over the cultural leadership role in Viennese society. In the framework of the World Exhibition of 1873, the new Vienna presented itself an international audience. At the ring road many hotels were opened, among them the Hotel Imperial and today's Palais Hansen Kempinski.
Laboratory of modernity: Vienna around 1900
Otto Wagner's Postal Savings Bank (1903-06) was one of the last buildings in the Ring road area Otto Wagner's Postal Savings Bank (1903-06), which with it façade, liberated of ornament, and only decorated with "functional" aluminum buttons and the glass banking hall now is one of the icons of modern architecture. Like no other stood Otto Wagner for the dawn into the 20th century: His Metropolitan Railway buildings made the public transport of the city a topic of architecture, the church of the Psychiatric hospital at Steinhofgründe (1904-07) is considered the first modern church.
With his consistent focus on the function of a building ("Something impractical can not be beautiful"), Wagner marked a whole generation of architects and made Vienna the laboratory of modernity: in addition to Joseph Maria Olbrich, the builder of the Secession (1897-98) and Josef Hoffmann, the architect of the at the western outskirts located Purkersdorf Sanatorium (1904) and founder of the Vienna Workshop (Wiener Werkstätte, 1903) is mainly to mention Adolf Loos, with the Loos House at the square Michaelerplatz (1909-11) making architectural history. The extravagant marble cladding of the business zone stands in maximal contrast, derived from the building function, to the unadorned facade above, whereby its "nudity" became even more obvious - a provocation, as well as his culture-critical texts ("Ornament and Crime"), with which he had greatest impact on the architecture of the 20th century. Public contracts Loos remained denied. His major works therefore include villas, apartment facilities and premises as the still in original state preserved Tailor salon Knize at Graben (1910-13) and the restored Loos Bar (1908-09) near the Kärntner Straße (passageway Kärntner Durchgang).
Between the Wars: International Modern Age and social housing
After the collapse of the monarchy in 1918, Vienna became capital of the newly formed small country of Austria. In the heart of the city, the architects Theiss & Jaksch built 1931-32 the first skyscraper in Vienna as an exclusive residential address (Herrengasse - alley 6-8). To combat the housing shortage for the general population, the social democratic city government in a globally unique building program within a few years 60,000 apartments in hundreds of apartment buildings throughout the city area had built, including the famous Karl Marx-Hof by Karl Ehn (1925-30). An alternative to the multi-storey buildings with the 1932 opened International Werkbundsiedlung was presented, which was attended by 31 architects from Austria, Germany, France, Holland and the USA and showed models for affordable housing in greenfield areas. With buildings of Adolf Loos, André Lurçat, Richard Neutra, Gerrit Rietveld, the Werkbundsiedlung, which currently is being restored at great expense, is one of the most important documents of modern architecture in Austria.
Modernism was also expressed in significant Villa buildings: The House Beer (1929-31) by Josef Frank exemplifies the refined Wiener living culture of the interwar period, while the house Stonborough-Wittgenstein (1926-28, today Bulgarian Cultural Institute), built by the philosopher Ludwig Wittgenstein together with the architect Paul Engelmann for his sister Margarete, by its aesthetic radicalism and mathematical rigor represents a special case within contemporary architecture.
Expulsion, war and reconstruction
After the "Anschluss (Annexation)" to the German Reich in 1938, numerous Jewish builders, architects (female and male ones), who had been largely responsible for the high level of Viennese architecture, have been expelled from Austria. During the Nazi era, Vienna remained largely unaffected by structural transformations, apart from the six flak towers built for air defense of Friedrich Tamms (1942-45), made of solid reinforced concrete which today are present as memorials in the cityscape.
The years after the end of World War II were characterized by the reconstruction of the by bombs heavily damaged city. The architecture of those times was marked by aesthetic pragmatism, but also by the attempt to connect with the period before 1938 and pick up on current international trends. Among the most important buildings of the 1950s are Roland Rainer's City Hall (1952-58), the by Oswald Haerdtl erected Wien Museum at Karlsplatz (1954-59) and the 21er Haus of Karl Schwanzer (1958-62).
The youngsters come
Since the 1960s, a young generation was looking for alternatives to the moderate modernism of the reconstruction years. With visionary designs, conceptual, experimental and above all temporary architectures, interventions and installations, Raimund Abraham, Günther Domenig, Eilfried Huth, Hans Hollein, Walter Pichler and the groups Coop Himmelb(l)au, Haus-Rucker-Co and Missing Link rapidly got international attention. Although for the time being it was more designed than built, was the influence on the postmodern and deconstructivist trends of the 1970s and 1980s also outside Austria great. Hollein's futuristic "Retti" candle shop at Charcoal Market/Kohlmarkt (1964-65) and Domenig's biomorphic building of the Central Savings Bank in Favoriten (10th district of Vienna - 1975-79) are among the earliest examples, later Hollein's Haas-Haus (1985-90), the loft conversion Falkestraße (1987/88) by Coop Himmelb(l)au or Domenig's T Center (2002-04) were added. Especially Domenig, Hollein, Coop Himmelb(l)au and the architects Ortner & Ortner (ancient members of Haus-Rucker-Co) by orders from abroad the new Austrian and Viennese architecture made a fixed international concept.
MuseumQuarter and Gasometer
Since the 1980s, the focus of building in Vienna lies on the compaction of the historic urban fabric that now as urban habitat of high quality no longer is put in question. Among the internationally best known projects is the by Ortner & Ortner planned MuseumsQuartier in the former imperial stables (competition 1987, 1998-2001), which with institutions such as the MUMOK - Museum of Modern Art Foundation Ludwig, the Leopold Museum, the Kunsthalle Wien, the Architecture Center Vienna and the Zoom Children's Museum on a wordwide scale is under the largest cultural complexes. After controversies in the planning phase, here an architectural compromise between old and new has been achieved at the end, whose success as an urban stage with four million visitors (2012) is overwhelming.
The dialogue between old and new, which has to stand on the agenda of building culture of a city that is so strongly influenced by history, also features the reconstruction of the Gasometer in Simmering by Coop Himmelb(l)au, Wilhelm Holzbauer, Jean Nouvel and Manfred Wehdorn (1999-2001). Here was not only created new housing, but also a historical industrial monument reinterpreted into a signal in the urban development area.
New Neighborhood
In recent years, the major railway stations and their surroundings moved into the focus of planning. Here not only necessary infrastructural measures were taken, but at the same time opened up spacious inner-city residential areas and business districts. Among the prestigious projects are included the construction of the new Vienna Central Station, started in 2010 with the surrounding office towers of the Quartier Belvedere and the residential and school buildings of the Midsummer quarter (Sonnwendviertel). Europe's largest wooden tower invites here for a spectacular view to the construction site and the entire city. On the site of the former North Station are currently being built 10,000 homes and 20,000 jobs, on that of the Aspangbahn station is being built at Europe's greatest Passive House settlement "Euro Gate", the area of the North Western Railway Station is expected to be developed from 2020 for living and working. The largest currently under construction residential project but can be found in the north-eastern outskirts, where in Seaside Town Aspern till 2028 living and working space for 40,000 people will be created.
In one of the "green lungs" of Vienna, the Prater, 2013, the WU campus was opened for the largest University of Economics of Europe. Around the central square spectacular buildings of an international architect team from Great Britain, Japan, Spain and Austria are gathered that seem to lead a sometimes very loud conversation about the status quo of contemporary architecture (Hitoshi Abe, BUSarchitektur, Peter Cook, Zaha Hadid, NO MAD Arquitectos, Carme Pinós).
Flying high
International is also the number of architects who have inscribed themselves in the last few years with high-rise buildings in the skyline of Vienna and make St. Stephen's a not always unproblematic competition. Visible from afar is Massimiliano Fuksas' 138 and 127 meters high elegant Twin Tower at Wienerberg (1999-2001). The monolithic, 75-meter-high tower of the Hotel Sofitel at the Danube Canal by Jean Nouvel (2007-10), on the other hand, reacts to the particular urban situation and stages in its top floor new perspectives to the historical center on the other side.
Also at the water stands Dominique Perrault's DC Tower (2010-13) in the Danube City - those high-rise city, in which since the start of construction in 1996, the expansion of the city north of the Danube is condensed symbolically. Even in this environment, the slim and at the same time striking vertically folded tower of Perrault is beyond all known dimensions; from its Sky Bar, from spring 2014 on you are able to enjoy the highest view of Vienna. With 250 meters, the tower is the tallest building of Austria and almost twice as high as the St. Stephen's Cathedral. Vienna, thus, has acquired a new architectural landmark which cannot be overlooked - whether it also has the potential to become a landmark of the new Vienna, only time will tell. The architectural history of Vienna, where European history is presence and new buildings enter into an exciting and not always conflict-free dialogue with a great and outstanding architectural heritage, in any case has yet to offer exciting chapters.
Exploitant : Transdev TVO
Réseau : R'Bus (Argenteuil)
Ligne : 8
Lieu : Gare d'Argenteuil (Argenteuil, F-95)
Lien TC Infos : tc-infos.fr/id/27679
Exploité par la société DUPERREX Frères SA établie depuis 1964 dans la Région de La Côte sur l'Arc lémanique. Il s'agissait du seul camion de ce type.
Exploitant : RATP
Réseau : RATP
Lieu : Centre Bus de Lagny – Unité Paris Est (Paris 20ème, F-75)
Lien TC Infos : tc-infos.fr/id/3804
Exploitant : RATP
Réseau : RATP
Ligne : 85
Lieu : Mairie de Saint-Ouen (Saint-Ouen-sur-Seine, F-93)
Lien TC Infos : tc-infos.fr/id/6199
Péribus
Périgueux
Réseau 🎫 : Péribus
Exploitant 📋 : Régie Péribus
Véhicule 🚐 : Ebusco 2.2⚡ (Test en Mars2021)
Numéro de Parc ️ : Sans Numéro
Ligne 🚦 : D en direction de Trélissac les Garennes
Photo : 26/03/21 dans le virage du Cours Tourny
Téléphone📱 : IPhone 11
Hashtag #️⃣: #ebusco #ebusco2.2 #IDFM #ebus #buselectrique #sustainable #sustainablebus #Peribus #perigueux #busperigueux #bus #busspotter #busspotting #busfan #busphotograph #busphotography #likebus #bustransport #transportencommun #publictransport #tcdefrance
This small-box release of the women in prison cult exploiter "Caged Heat" recycles some cover art from other release. Very rare first-edition.
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I was originally enrolled into the GETTY IMAGES collection as a contributor on April 9th 2012, and when links with FLICKR were terminated in March 2014, I was retained and fortunate enough to be signed up via a second contract, both of which have proved to be successful with sales of my photographs all over the world now handled exclusively by them.
On November 12th 2015 GETTY IMAGES unveiled plans for a new stills upload platform called ESP (Enterprise Submission Platform), to replace the existing 'Moment portal', and on November 13th I was invited to Beta test the new system prior to it being officially rolled out in December. ESP went live on Tuesday December 15th 2015 and has smoothed out the upload process considerably.
These days I take a far more leisurely approach to my photographic exploits, a Nikon D850 FX Pro body as my trusted companion, I travel light with less constraints and more emphasis on the pure capture of the beauty that I see, more akin to my original persuits and goals some five decades previously when starting out. I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 24.900+ Million visitors to my FLICKR site.
***** Selected for sale in the GETTY IMAGES COLLECTION on November 28th 2018
CREATIVE RF gty.im/1069532030 MOMENT OPEN COLLECTION**
This photograph became my 3,217th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.
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Photograph taken at an altitude of Forty six metres at 11:34am on Saturday 10th November 2018, off Frakkastigur and Eriksgata inside Hallgrímskirkja (church of Hallgrímur) , a Seventy five metre high 1676 ㎡ Lutheran (Church of Iceland) church at Skólavörðurholt in the Helgason Parish of Reykjavík. The church is named after the Icelandic poet and clergyman Hallgrímur Pétursson.
The church was built between 1945-1986, a lengthy period thanks to continually diminishing funds, and was built by Guðjón Samúelsson. Inside is a pipe organ boasting 5275 pipes that was built in 1992, standing fifteen metres high and weighing twenty five tons.
Reykjavik is Iceland's capital city, and the most populous at 124,847.
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Nikon D850 Focal length 24mm. Hand held with Nikkor VR vibration reduction enabled on Normal setting. Shutter speed 1/30s Aperture f/4.0 iso1000 RAW (14 bit uncompressed) Image size L 8256 x 5504 FX). Colour space. Adobe RGB. AF-C focus 51 point with 3-D tracking. Manual exposure. Matrix metering. Auto 0 white balance (8030K). Nikon Distortion control on. Vignette control Normal.
Nikkor AF-S 24-120mm f/4G ED VR. Phot-R ultra slim 77mm UV filter. Nikon EN-EL15a battery. Matin quick release neckstrap. My Memory 128GB Class 10 SDXC. Lowepro Flipside 400 AW camera bag. Nikon GP-1 GPS module.
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LATITUDE: N 64d 8m 30.60s
LONGITUDE: W 21d 55m 36.70s
ALTITUDE: 46.0m
RAW (TIFF) FILE: 130.00MB NEF: 91.3MB
PROCESSED (JPeg) FILE: 30.30MB
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PROCESSING POWER:
Nikon D850 Firmware versions C 1.01 (16/01/2018) LD Distortion Data 2.017 (20/3/18)
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB SATA storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit (Version 1.2.11 15/03/2018). Nikon Capture NX-D 64bit (Version 1.4.7 15/03/2018). Nikon Picture Control Utility 2 (Version 1.3.2 15/03/2018). Adobe photoshop Elements 8 Version 8.0 64bit.
Spanish postcard for Paris misteriosa, the Spanish title for Les Mystères de New York (1915), a European re-edition of the three Pearl White serials The Exploits of Elaine (Louis J. Gasnier, George B. Seitz, Leopold Wharton, Theodore Wharton, 1914), The New Exploits of Elaine (Louis J. Gasnier, Leopold Wharton, Theodore Wharton, 1915) and The Romance of Elaine (George B. Seitz, Leopold Wharton, Theodore Wharton, 1915), all starring Pearl White and with Riley Hatch as her father. The serials were produced by Wharton for Pathé Exchange.
Pearl White (1889 - 1938) was dubbed 'Queen of the Serials", and noted for doing her own stunts, in silent film serials such as The Perils of Pauline (1914) and The Exploits of Elaine (1914-15). Many episodes ended with a literal cliffhanger. In Europe, The Exploits of Elaine were re-edited with two subsequent serials into Les Mystères de New York. Until the end of the First World War White remained globally a popular action heroine.
Randonnée dans le colorado Provençal à Rustrel.
Le Colorado Provençal, issu de l'exploitation d'anciennes carrières d'ocres, s'étend sur une superficie de plus de 30 hectares. Paysage aux multiples couleurs (plus de 20 teintes d'ocre, du jaune pâle au rouge vif, qui contrastent avec le vert des arbres et des collines et le bleu du ciel), les sentiers cheminent au milieu de falaises érodées, de formes parfois extraordinaires : quel spectacle !
Le mot "ocre" vient du grec okhra signifiant "terre jaune". Source: www.photos-provence.fr/vaucluse/rustrel-colorado-provenca...
Police from Tameside investigating modern slavery and drugs trafficking between Tameside and #Humberside have made arrests this morning.
Warrants were executed at addresses in #NewtonHeath, #Failsworth, and the #NorthernQuarter area as part of an operation dedicated to disrupting a drugs line between Tameside and #Hull that involves the criminal exploitation of vulnerable children.
The action is part of #OperationMarconi which was formed in June 2020 and concerns the exploitation of children from Tameside aged between 16 and 17.
It is one of over 20 investigations being led by GMP Tameside's Child Criminal Exploitation (CCE) team dedicated to modern slavery and the exploitation of vulnerable people who have been coerced into criminal activity in the district.
The CCE team have already made an additional eight arrests as part of those investigations and four people have been charged with modern slavery and drug offences.
A number of vulnerable individuals coerced into 'county lines' and identified as high-risk have been safeguarded and re-housed with support from local partner agencies.
County lines describes organised criminal networks involved in exporting illegal drugs into one or more importing areas within the UK, using dedicated mobile phone lines.
Children and vulnerable adults are often exploited to move and store the drugs and money often through coercion, intimidation, violence and weapons.
Police continue to collaborate with social services and schools, in particular, to help spot the signs of any children that may have been identified to be at risk of such exploitation.
Detective Constable Laura Hughes, of GMP Tameside's Child Criminal Exploitation team, said: "Today's action is a significant statement as we continue to tackle the pernicious exploitation of vulnerable young people for illicit gains.
"We have been working tirelessly in the CCE team in Tameside to work with local agencies in identifying and safeguarding potential victims of this criminality, while pursuing those that we believe are responsible for such exploitation.
"Tackling 'county lines' by its nature requires closely co-ordinated work, not just with local partners, but also policing partners from across the country and I would like to thank Humberside Police for their support during this operation so far.
"A lot of our work is based on intelligence and we are forever gaining a clearer picture as to how these criminal enterprises operate and are developing a real understanding of how these groups recruit and coerce vulnerable young people.
"It is important people know to spot the signs of when someone may be being exploited; whether it being withdrawn from family and friends and skipping school, to having more than one phone and going missing from home more regularly.
"Anyone with suspicions or concerns should contact police online via our website, call 101 and always dial 999 in an emergency. Details can be passed to the independent charity Crimestoppers on 0800 555 111."
Exploitant : Cars Hourtoule
Réseau : SQY Terre d'Innovations
Lieu : Gare de Plaisir – Grignon (Plaisir, F-78)
Lien TC Infos : tc-infos.fr/id/35055
Exploitant : Transdev Les Cars d'Orsay
Réseau : Paris-Saclay Mobilités
Ligne : 9
Lieu : Université Paris-Saclay (Orsay, F-91)
Lien TC Infos : tc-infos.fr/id/42361
The exploitation rights for this text are the property of the Vienna Tourist Board. This text may be reprinted free of charge until further notice, even partially and in edited form. Forward sample copy to: Vienna Tourist Board, Media Management, Invalidenstraße 6, 1030 Vienna; media.rel@wien.info. All information in this text without guarantee.
Author: Andreas Nierhaus, Curator of Architecture/Wien Museum
Last updated January 2014
Architecture in Vienna
Vienna's 2,000-year history is present in a unique density in the cityscape. The layout of the center dates back to the Roman city and medieval road network. Romanesque and Gothic churches characterize the streets and squares as well as palaces and mansions of the baroque city of residence. The ring road is an expression of the modern city of the 19th century, in the 20th century extensive housing developments set accents in the outer districts. Currently, large-scale urban development measures are implemented; distinctive buildings of international star architects complement the silhouette of the city.
Due to its function as residence of the emperor and European power center, Vienna for centuries stood in the focus of international attention, but it was well aware of that too. As a result, developed an outstanding building culture, and still today on a worldwide scale only a few cities can come up with a comparable density of high-quality architecture. For several years now, Vienna has increased its efforts to connect with its historical highlights and is drawing attention to itself with some spectacular new buildings. The fastest growing city in the German-speaking world today most of all in residential construction is setting standards. Constants of the Viennese architecture are respect for existing structures, the palpability of historical layers and the dialogue between old and new.
Culmination of medieval architecture: the Stephansdom
The oldest architectural landmark of the city is St. Stephen's Cathedral. Under the rule of the Habsburgs, defining the face of the city from the late 13th century until 1918 in a decisive way, the cathedral was upgraded into the sacral monument of the political ambitions of the ruling house. The 1433 completed, 137 meters high southern tower, by the Viennese people affectionately named "Steffl", is a masterpiece of late Gothic architecture in Europe. For decades he was the tallest stone structure in Europe, until today he is the undisputed center of the city.
The baroque residence
Vienna's ascension into the ranks of the great European capitals began in Baroque. Among the most important architects are Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt. Outside the city walls arose a chain of summer palaces, including the garden Palais Schwarzenberg (1697-1704) as well as the Upper and Lower Belvedere of Prince Eugene of Savoy (1714-22). Among the most important city palaces are the Winter Palace of Prince Eugene (1695-1724, now a branch of the Belvedere) and the Palais Daun-Kinsky (auction house in Kinsky 1713-19). The emperor himself the Hofburg had complemented by buildings such as the Imperial Library (1722-26) and the Winter Riding School (1729-34). More important, however, for the Habsburgs was the foundation of churches and monasteries. Thus arose before the city walls Fischer von Erlach's Karlskirche (1714-39), which with its formal and thematic complex show façade belongs to the major works of European Baroque. In colored interior rooms like that of St. Peter's Church (1701-22), the contemporary efforts for the synthesis of architecture, painting and sculpture becomes visible.
Upgrading into metropolis: the ring road time (Ringstraßenzeit)
Since the Baroque, reflections on extension of the hopelessly overcrowed city were made, but only Emperor Franz Joseph ordered in 1857 the demolition of the fortifications and the connection of the inner city with the suburbs. 1865, the Ring Road was opened. It is as the most important boulevard of Europe an architectural and in terms of urban development achievement of the highest rank. The original building structure is almost completely preserved and thus conveys the authentic image of a metropolis of the 19th century. The public representational buildings speak, reflecting accurately the historicism, by their style: The Greek Antique forms of Theophil Hansen's Parliament (1871-83) stood for democracy, the Renaissance of the by Heinrich Ferstel built University (1873-84) for the flourishing of humanism, the Gothic of the Town Hall (1872-83) by Friedrich Schmidt for the medieval civic pride.
Dominating remained the buildings of the imperial family: Eduard van der Nüll's and August Sicardsburg's Opera House (1863-69), Gottfried Semper's and Carl Hasenauer's Burgtheater (1874-88), their Museum of Art History and Museum of Natural History (1871-91) and the Neue (New) Hofburg (1881-1918 ). At the same time the ring road was the preferred residential area of mostly Jewish haute bourgeoisie. With luxurious palaces the families Ephrussi, Epstein or Todesco made it clear that they had taken over the cultural leadership role in Viennese society. In the framework of the World Exhibition of 1873, the new Vienna presented itself an international audience. At the ring road many hotels were opened, among them the Hotel Imperial and today's Palais Hansen Kempinski.
Laboratory of modernity: Vienna around 1900
Otto Wagner's Postal Savings Bank (1903-06) was one of the last buildings in the Ring road area Otto Wagner's Postal Savings Bank (1903-06), which with it façade, liberated of ornament, and only decorated with "functional" aluminum buttons and the glass banking hall now is one of the icons of modern architecture. Like no other stood Otto Wagner for the dawn into the 20th century: His Metropolitan Railway buildings made the public transport of the city a topic of architecture, the church of the Psychiatric hospital at Steinhofgründe (1904-07) is considered the first modern church.
With his consistent focus on the function of a building ("Something impractical can not be beautiful"), Wagner marked a whole generation of architects and made Vienna the laboratory of modernity: in addition to Joseph Maria Olbrich, the builder of the Secession (1897-98) and Josef Hoffmann, the architect of the at the western outskirts located Purkersdorf Sanatorium (1904) and founder of the Vienna Workshop (Wiener Werkstätte, 1903) is mainly to mention Adolf Loos, with the Loos House at the square Michaelerplatz (1909-11) making architectural history. The extravagant marble cladding of the business zone stands in maximal contrast, derived from the building function, to the unadorned facade above, whereby its "nudity" became even more obvious - a provocation, as well as his culture-critical texts ("Ornament and Crime"), with which he had greatest impact on the architecture of the 20th century. Public contracts Loos remained denied. His major works therefore include villas, apartment facilities and premises as the still in original state preserved Tailor salon Knize at Graben (1910-13) and the restored Loos Bar (1908-09) near the Kärntner Straße (passageway Kärntner Durchgang).
Between the Wars: International Modern Age and social housing
After the collapse of the monarchy in 1918, Vienna became capital of the newly formed small country of Austria. In the heart of the city, the architects Theiss & Jaksch built 1931-32 the first skyscraper in Vienna as an exclusive residential address (Herrengasse - alley 6-8). To combat the housing shortage for the general population, the social democratic city government in a globally unique building program within a few years 60,000 apartments in hundreds of apartment buildings throughout the city area had built, including the famous Karl Marx-Hof by Karl Ehn (1925-30). An alternative to the multi-storey buildings with the 1932 opened International Werkbundsiedlung was presented, which was attended by 31 architects from Austria, Germany, France, Holland and the USA and showed models for affordable housing in greenfield areas. With buildings of Adolf Loos, André Lurçat, Richard Neutra, Gerrit Rietveld, the Werkbundsiedlung, which currently is being restored at great expense, is one of the most important documents of modern architecture in Austria.
Modernism was also expressed in significant Villa buildings: The House Beer (1929-31) by Josef Frank exemplifies the refined Wiener living culture of the interwar period, while the house Stonborough-Wittgenstein (1926-28, today Bulgarian Cultural Institute), built by the philosopher Ludwig Wittgenstein together with the architect Paul Engelmann for his sister Margarete, by its aesthetic radicalism and mathematical rigor represents a special case within contemporary architecture.
Expulsion, war and reconstruction
After the "Anschluss (Annexation)" to the German Reich in 1938, numerous Jewish builders, architects (female and male ones), who had been largely responsible for the high level of Viennese architecture, have been expelled from Austria. During the Nazi era, Vienna remained largely unaffected by structural transformations, apart from the six flak towers built for air defense of Friedrich Tamms (1942-45), made of solid reinforced concrete which today are present as memorials in the cityscape.
The years after the end of World War II were characterized by the reconstruction of the by bombs heavily damaged city. The architecture of those times was marked by aesthetic pragmatism, but also by the attempt to connect with the period before 1938 and pick up on current international trends. Among the most important buildings of the 1950s are Roland Rainer's City Hall (1952-58), the by Oswald Haerdtl erected Wien Museum at Karlsplatz (1954-59) and the 21er Haus of Karl Schwanzer (1958-62).
The youngsters come
Since the 1960s, a young generation was looking for alternatives to the moderate modernism of the reconstruction years. With visionary designs, conceptual, experimental and above all temporary architectures, interventions and installations, Raimund Abraham, Günther Domenig, Eilfried Huth, Hans Hollein, Walter Pichler and the groups Coop Himmelb(l)au, Haus-Rucker-Co and Missing Link rapidly got international attention. Although for the time being it was more designed than built, was the influence on the postmodern and deconstructivist trends of the 1970s and 1980s also outside Austria great. Hollein's futuristic "Retti" candle shop at Charcoal Market/Kohlmarkt (1964-65) and Domenig's biomorphic building of the Central Savings Bank in Favoriten (10th district of Vienna - 1975-79) are among the earliest examples, later Hollein's Haas-Haus (1985-90), the loft conversion Falkestraße (1987/88) by Coop Himmelb(l)au or Domenig's T Center (2002-04) were added. Especially Domenig, Hollein, Coop Himmelb(l)au and the architects Ortner & Ortner (ancient members of Haus-Rucker-Co) by orders from abroad the new Austrian and Viennese architecture made a fixed international concept.
MuseumQuarter and Gasometer
Since the 1980s, the focus of building in Vienna lies on the compaction of the historic urban fabric that now as urban habitat of high quality no longer is put in question. Among the internationally best known projects is the by Ortner & Ortner planned MuseumsQuartier in the former imperial stables (competition 1987, 1998-2001), which with institutions such as the MUMOK - Museum of Modern Art Foundation Ludwig, the Leopold Museum, the Kunsthalle Wien, the Architecture Center Vienna and the Zoom Children's Museum on a wordwide scale is under the largest cultural complexes. After controversies in the planning phase, here an architectural compromise between old and new has been achieved at the end, whose success as an urban stage with four million visitors (2012) is overwhelming.
The dialogue between old and new, which has to stand on the agenda of building culture of a city that is so strongly influenced by history, also features the reconstruction of the Gasometer in Simmering by Coop Himmelb(l)au, Wilhelm Holzbauer, Jean Nouvel and Manfred Wehdorn (1999-2001). Here was not only created new housing, but also a historical industrial monument reinterpreted into a signal in the urban development area.
New Neighborhood
In recent years, the major railway stations and their surroundings moved into the focus of planning. Here not only necessary infrastructural measures were taken, but at the same time opened up spacious inner-city residential areas and business districts. Among the prestigious projects are included the construction of the new Vienna Central Station, started in 2010 with the surrounding office towers of the Quartier Belvedere and the residential and school buildings of the Midsummer quarter (Sonnwendviertel). Europe's largest wooden tower invites here for a spectacular view to the construction site and the entire city. On the site of the former North Station are currently being built 10,000 homes and 20,000 jobs, on that of the Aspangbahn station is being built at Europe's greatest Passive House settlement "Euro Gate", the area of the North Western Railway Station is expected to be developed from 2020 for living and working. The largest currently under construction residential project but can be found in the north-eastern outskirts, where in Seaside Town Aspern till 2028 living and working space for 40,000 people will be created.
In one of the "green lungs" of Vienna, the Prater, 2013, the WU campus was opened for the largest University of Economics of Europe. Around the central square spectacular buildings of an international architect team from Great Britain, Japan, Spain and Austria are gathered that seem to lead a sometimes very loud conversation about the status quo of contemporary architecture (Hitoshi Abe, BUSarchitektur, Peter Cook, Zaha Hadid, NO MAD Arquitectos, Carme Pinós).
Flying high
International is also the number of architects who have inscribed themselves in the last few years with high-rise buildings in the skyline of Vienna and make St. Stephen's a not always unproblematic competition. Visible from afar is Massimiliano Fuksas' 138 and 127 meters high elegant Twin Tower at Wienerberg (1999-2001). The monolithic, 75-meter-high tower of the Hotel Sofitel at the Danube Canal by Jean Nouvel (2007-10), on the other hand, reacts to the particular urban situation and stages in its top floor new perspectives to the historical center on the other side.
Also at the water stands Dominique Perrault's DC Tower (2010-13) in the Danube City - those high-rise city, in which since the start of construction in 1996, the expansion of the city north of the Danube is condensed symbolically. Even in this environment, the slim and at the same time striking vertically folded tower of Perrault is beyond all known dimensions; from its Sky Bar, from spring 2014 on you are able to enjoy the highest view of Vienna. With 250 meters, the tower is the tallest building of Austria and almost twice as high as the St. Stephen's Cathedral. Vienna, thus, has acquired a new architectural landmark which cannot be overlooked - whether it also has the potential to become a landmark of the new Vienna, only time will tell. The architectural history of Vienna, where European history is presence and new buildings enter into an exciting and not always conflict-free dialogue with a great and outstanding architectural heritage, in any case has yet to offer exciting chapters.
Info: The folder "Architecture: From Art Nouveau to the Presence" is available at the Vienna Tourist Board and can be downloaded on www.wien.info/media/files/guide-architecture-in-wien.pdf.
National Geographic ha señalado a Soportújar como un pueblo “extraño y lleno de magia” es “su atractivo turístico, que es conocida desde antiguo como ‘tierra de brujas’, un apelativo que sus habitantes aceptaron durante siglos con resignación, hasta que en 2017 su Ayuntamiento decidió explotar sus atribuciones mágicas.
National Geographic has described Soportújar as a “strange and magical” town, which is “its tourist attraction, known since ancient times as the ‘land of witches’, a name that its inhabitants accepted for centuries with resignation, until in 2017 its City Council decided to exploit its magical powers.
La Alpujarra (Granada/ Spain)
Dans les exploitations agricoles vaudoises, le ressat désigne le repas qui clôture un dur labeur collectif, comme les moissons ou les vendanges. Il est offert par le chef d’exploitation pour remercier les gens ayant travaillé pour lui.
NJ Pinebarrens Winter Scene.
Outtake from the Otter Slide image. The otter's path across the ice is seen here beginning in the bottom right corner of the frame.
This composition worked out as planned for me, which is likely why I like the shot.
Looks best in Lightbox.
Pendant 73 ans, le château et diverses structures en pierre ont été laissés à la merci du vent, de la pluie, de la glace, de la neige et des vandales. Lorsque la Mille-Îles Bridge Authority a acquis la propriété en 1977, il a été décidé que grâce à l'utilisation de tous les revenus nets de l'exploitation du château, elle serait préservée pour le plaisir des générations futures.
Depuis 1977, plusieurs millions de dollars ont été consacrés à la réhabilitation, à la restauration et à l'amélioration des structures de Heart Island.
The Societé Anonyme Belge d'Exploitation de la Navigation Aérienne better known internationally by the acronym SABENA, was the national airline of Belgium from 1923 to 2001 when the company went into liquidation on November 6th, 2001. During 1984 2 Airbus A.310-200s were introduced on routes that had high passenger density (a third plane was later leased), followed few year later by 2 of the series -300.
OO-SCC (c/n 437 series -322) was the third Airbus A.310, the first of the series -300, delivered to SABENA in March 1987. Retired in 1997, the plane was sold to leasing company ILFC and was firstly leased to Passaredo in Brasil as PP-PSD from December 1997. Returned to the lessor in August 2000, the plane went on lease in Indonesia to Region Air/Awair from December 2000 to April 2001. Next operator was Vietnamese company Pacific Airlines form July 2001 to August 2002. In August 2002 AMC Airlines leased the plane as SU-BOW. The plane was immediately sub-leased to Air Mali and returned to AMC in January 2003. In December 2005 the plane ws sub-leased again to Sudan Airways as ST-AST. The plane was retired and stored at KTK during year 2010.
Slide taken at BRU in April 1988. The plane shows the SABENA color scheme of the '80s.
Exploitant : Transdev TVO
Réseau : R'Bus (Argenteuil)
Ligne : 9
Lieu : Gare d'Argenteuil (Argenteuil, F-95)
Lien TC Infos : tc-infos.fr/id/37467
Protesters outside the Apple Store on London's Regent Street in solidarity with the population of Congo, who on the one hand are being exploited by British and other western multinationals for the country's rich resources - especially industrial scale mining of diamonds, gold, timber, copper, oil, and gas and cobalt, leading to massed evictions and also the exploitation of child labour. The continuing legacy of the country's shocking history of colonial exploitation. As if that wasn't enough to blunt the prospects for Congolese people, Rwanda, with its own eye on some of those same resources, is backing and arming M23 rebels within Congo who have committed wholesale human rights abuses, including rape. The UK, increasingly dependent on the goodwill of the Rwandan government for it's shameful crackdown on asylum seekers, refuses to recognise the extent of the catastrophe in Congo or to even consider sanctions against Rwanda.
A Congo activist sings outside the Apple Store - www.youtube.com/watch?v=huWvYMyiQdM
Although this image is being posted as creative commons non-commercial share alike, the following organisations and publications are welcome to reproduce it even if it is to raise money without the need for permission or any payment. Please see the link below - However they should still attribute and publish the image on a share alike basis. For more info please email me at alisdare@gmail.com.
To misuse the beauty of nature
To exploit the love of nature and the animals of the ocean
To instrumentalize women's feelings
Profiteering
Abusive men: www.lfcc.on.ca/HCT_SWASM_4.html
Exploitant : Voyages Nombalais
Réseau Tourisme
Substitution SNCF en raison de travaux pendant le week-end du 11 novembre 2022.
Go-Go for a wild ride with the action girls! Russ Meyer, the king of exploitation, directs this lurid thrill-ride starring Tura Satana, Haji, and Lori Williams as a trio of dancers who turn to murder and mayhem on a road trip from hell. Varla is well-endowed, beautiful, physically powerful, savvy and conniving. She lives for kicks, but she's also got a serious mad on for the world, and anyone who crosses her finds out the hard way. Her job as a go-go dancer, supplemented by a part time career in petty crime has afforded her a sleek and fast sports car, which she enjoys riding in the desert with her fellow dancers. One of them, Rosie, has a crush on Varla, which she happily encourages, even if Varla is really more interested in the control it gives her over Rosie than in Rosie herself. The other dancer, Billie, is a little harder for Varla to manage, but Billie isn't bright enough to outmaneuver Varla.
When the little gang run into a square drag racer, he winds up getting into a fight with Varla, losing of course. Varla makes sure he never talks back again, then kidnaps his girlfriend and makes a run for it. BIllie and Rosie tag along, and they soon become involved in intrigue with an old letch in the desert rumored to have a stash of cash hidden away somewhere. When Varla starts to lose control of the situation, things (again) become violent, leading to a revved-up climax! Three strippers seeking thrills encounter a young couple in the desert. After dispatching the boyfriend, they take the girl hostage and begin scheming on a crippled old man living with his two sons in the desert, reputedly hiding a tidy sum of cash. They become houseguests of the old man and try and seduce the sons in an attempt to locate the money, not realizing that the old man has a few sinister intentions of his own.
synopsis
Exploitation maven Russ Meyer created a cult classic with this turbo-charged action film. Three curvaceous go-go dancers in a cool sports car go on a desert crime spree, led by Varla (the amazing Tura Satana), a busty, nasty woman dressed entirely in black. Varla's lesbian moll, Rosie (Haji) -- who has an extremely overwrought accent -- and reluctant bimbo Billie (Lori Williams) are along for the ride. When they meet a naïve young couple, Tommy and Linda (Ray Barlow and Sue Bernard), Varla challenges the man to a race then kills him by breaking his back. They take Linda hostage and drive to a house owned by a crippled old lecher (Stuart Lancaster) and his muscular but retarded son, Vegetable (Dennis Busch). Varla discovers that the old man has money hidden on the property, so the girls try to find it. Meanwhile, Vegetable's perverted father tries to trick him into assaulting one of the girls as he watches, but his other son (Paul Trinka) finally shows up to save the day. A great deal of bloodshed, campy catfighting, and funny dialogue fills the bulk of this fast-paced comic book of a movie.
Born 1946 Quebec,Canada
Passed on 2013
Birth Name - Barbarella Catton Nickname - Haji
Haji was a Cando-American actress renowned for starring in Russ Meyer's sexploitation classic Faster, Pussycat! Kill! Kill! (1965), in which she made her theatrical film debut. Barbarella Catton was born in Quebec City, Quebec on January 24, 1946, and at the age of 14, began dancing topless. The renamed Haji caught the eye of cinema's "King Leer" while performing as an exotic dancer.
He also cast her as one of three go-go dancers who turn into avenging furies in "Pussycat", which was her theatrical film debut as it was released before Motor Psycho (1965). She also appeared in Meyer's potboiler Good Morning... and Goodbye! (1967), his big budget Hollywood sextravaganza Beyond the Valley of the Dolls (1970), and his cartoonish amalgamation of sex and violence, Supervixens (1975).
Haji died on August 10, 2013 at the age of 67.
Was a fervent supporter of animal rights and environmentalism. Interviewed in the book "Invasion of the B-Girls" by Jewel Shepard. Began as an exotic dancer. Moved to California at the age of fourteen and was discovered by filmmaker Russ Meyer performing in a topless bar. Her only child, a daughter she had at age 15, is named Cerlette. Haji was of British and Filipino descent, and her nickname was bestowed on her by an uncle. Was a friend and co-star of former stripper and long-time Russ Meyer paramour Kitten Natividad.
Haji, an Actress Featured in Cult Films by Russ Meyer, Dies at 67
By DANIEL E. SLOTNIK
Published: August 17, 2013
Haji, a voluptuous actress who played one of three homicidal go-go dancers in Russ Meyer’s 1965 cult film “Faster, Pussycat! Kill! Kill!,” died on Aug. 9 in Southern California. She was 67.
Her death was confirmed by the dancer and actress Kitten Natividad, a friend, who said she did not know the cause. She said Haji had high blood pressure and heart problems in recent years and was taken to a hospital after falling ill at a restaurant in Newport Beach.Haji, a brunette of Filipino and British descent, met Meyer, the celebrated B-movie director, in the mid-1960s while she worked in a strip club in California. He cast her as the lead in his biker movie “Motorpsycho” (1965) even though she had no acting experience.Later that year Haji appeared in “Faster, Pussycat! Kill! Kill!,” the tale of three dancers who beat a young man to death, kidnap his girlfriend and flee into the desert. She played the lesbian paramour of the lead character, Varla, played by Tura Satana. The film has acquired a devoted following and has been embraced by the filmmakers John Waters and Quentin Tarantino and even some feminists, including the film critic B. Ruby Rich, who praised it in The Village Voice as a “female fantasy.”“You just didn’t see women taking over and beating up men in those days,” Haji said in an interview posted on Russ Meyer’s Ultravixens, a Web site devoted to Meyer, who died in 2004, and his films. “Russ did something no one else had the imagination to do. And he was smart to use three bodied-up women, so whether the picture’s good or not, you still sort of stare at it.”Haji played a scantily clad bartender in Meyer’s “Supervixens” in 1975 and appeared in “Beyond the Valley of the Dolls,” the story of an all-woman rock band’s descent into debauchery. It was the first of Meyer’s films produced by a mainstream studio. She also acted in John Cassavetes’s gritty drama “The Killing of a Chinese Bookie” in 1976.
Haji was born in Quebec on Jan. 24, 1946. Ms. Natividad said that Haji’s last name at birth was Catton, and that she thought her given name was Cerlette. (The name Haji, she said, was a nickname given to her by an uncle.) Haji left school before finishing the sixth grade and began stripping at 14. She had a daughter, also named Cerlette, at 15. She lived in Oxnard, Calif. Her survivors include her daughter and a granddaughter. Haji’s last screen role was in the 2003 comedy “Killer Drag Queens on Dope.”
www.nytimes.com/2013/08/18/arts/haji-an-actress-featured-...;
Buddy Holly - The day the music died
"Buddy Holly played rock and roll for only two short years, but the wealth of material he recorded in that time made a major and lasting impact on popular music. Holly was an innovator who wrote his own material and was among the first to exploit such advanced studio techniques as double-tracking. He pioneered and popularized the now-standard rock-band lineup of two guitars, bass and drums. In his final months, he even began experimenting with orchestration. Holly’s catalog of songs includes such standards of the rock and roll canon as “Rave On,” “Peggy Sue,” “That’ll Be the Day,” Oh Boy!” and “Maybe Baby.” Though Holly lacked the arresting sexuality of Elvis Presley, he nonetheless cut an engaging, charismatic figure with his trademark horn-rimmed glasses and vocal hiccup. His creative self-reliance and energetic, inspired craftsmanship prefigured the coming wave of rock and rollers in the Sixties. Holly was a professed influence on the Beatles and Hollies (both of whom derived their names from his). Even the Rolling Stones had their first major British hit with Holly’s “Not Fade Away.”
He was born Charles Hardin Holley (later amended to “Holly") on September 7th, 1936, in Lubbock, Texas. He learned to play guitar, piano and fiddle at an early age. After high school, he formed the Western and Bop Band, a country-oriented act that performed regularly on a Lubbock radio station and opened for acts that came through town. After being noticed by a talent scout, Holly was signed to Decca in early 1956, recording demos and singles for the label in Nashville under the name Buddy Holly and the Three Tunes. Back home, Holly opened a show at the Lubbock Youth Center for Elvis Presley, an event that hastened his conversion from country and western to rock and roll. ("We owe it all to Elvis,” he later said).
On February 25th, 1957, Holly and a revised band lineup, now dubbed the Crickets, recorded “That’ll Be the Day” at the Clovis, New Mexico, studio of producer Norman Petty. The effortless, upbeat rocker won them a contract with the Coral and Brunswick labels. Later that year it became a Number One pop hit and even rose to Number Two on the R&B charts. The terms of Holly’s arrangement with his record labels, negotiated by producer/manager Petty, were somewhat unusual. Releases alternated on Coral and Brunswick, with those on the former label credited to Buddy Holly and the latter to the Crickets. Between August 1957 and August 1958, Holly and the Crickets charted seven Top Forty singles.
In October 1958, Holly split both with the Crickets and with Petty, moving to Greenwich Village and marrying Maria Elena Santiago, to whom he proposed on their first date. Because of legal and financial problems engendered by his breakup with Petty, Holly reluctantly agreed to perform on the Winter Dance Party, an ill-advised bus tour of the Midwest in the winter of 1959. Following a show in Clear Lake, Iowa, Holly chartered a private plane to the next stop on the tour, Moorhead, Minnesota. Two other performers, Ritchie Valens and the Big Bopper, joined him. Their plane left the Mason City, Iowa, airport at one in the morning and crashed in a cornfield a few minutes later, killing all aboard. Buddy Holly was only 22 years old at the time of the crash - an event immortalized in Don McLean’s “American Pie” as “the day the music died."”
TIMELINE
September 7, 1936: Charles Hardin Holley, a.k.a., Buddy Holly, is born in Lubbock, Texas.
September 1, 1953: Best friends Buddy (Holly) and Bob (Montgomery) audition for radio station KDAV in Lubbock. The teenage duo is given a half-hour show on Sunday afternoons, during which they perform country and bluegrass standards.
October 14, 1955: The trio of Buddy Holly, Bob Montgomery and Larry Welborn opens for Bill Haley and the Comets in Lubbock. Holly impresses a Nashville talent scout, leading to his eventual signing with Decca Records.
October 15, 1955: In the process of moving from their country-music origins toward the rockabilly sound, Buddy Holly’s trio open for Elvis Presley in Lubbock.
January 9, 1956: Buddy Holly & the Two-Tones (Sonny Curtis and Don Guess) kick off a 14-date country & western tour in Little Rock, Arkansas. They’re bottom-billed on a lineup that includes Hank Thompson, George Jones, Wanda Jackson and Cowboy Copas.
January 26, 1956: Signed to Decca Records, Buddy Holly heads to Nashville for his first official recording session. Overseen by veteran country producer Owen Bradley, the session yields four tracks, including Holly’s debut single ("Blue Days, Black Nights") and a classic cover ("Midnight Shift").
February 25, 1957: Buddy Holly records “That’ll Be the Day” at Norman Petty’s studio in Clovis, New Mexico. The single is released on the Brunswick label (a Decca subsidiary) and credited to the Crickets.
September 23, 1957: “That’ll Be the Day” hits #1. “Peggy Sue” is released hot on its heels, reaching #3. Buddy Holly performs both songs on The Ed Sullivan Show in December.
January 25, 1958: “Oh Boy!” becomes Buddy Holly’s third Top Ten hit.
March 28, 1958: Buddy Holly performs at Brooklyn’s Paramount Theater as part of a bill that includes Chuck Berry, Jerry Lee Lewis, Frankie Lymon & the Teenagers. It is the kickoff date for a two-month tour billed as “Alan Freed’s Big Beat Show.”
August 15, 1958: Buddy Holly marries Maria Elena Santiago back home in Lubbock.
October 3, 1958: Another caravan tour, “The Biggest Show of Stars for 1958—The Autumn Edition,” kicks off in Worcester, Massachusetts. Buddy Holly and the Crickets share the bill with Bobby Darin, Dion and the Belmonts, Clyde McPhatter, and the Coasters.
January 5, 1959: “It Doesn’t Matter Anymore” becomes the last release from Buddy Holly before his death.
January 23, 1959: The “Winter Dance Party,” an ill-advised tour through the frigid Midwest, is launched at George Devine’s Million Dollar Ballroom in Milwaukee, Wisconsin. Buddy Holly, who has parted ways with the Crickets, is the headliner. The other acts are Dion and the Belmonts, Ritchie Valens, the Big Bopper and Frankie Sardo.
February 3, 1959: After performing at the Surf Ballroom in Clear Lake, Iowa, Buddy Holly charters a plane to fly him to Fargo, North Dakota. Shortly after takeoff, the plane crashes eight miles northwest of the airfield, killing Holly, Ritchie Valens, J.P. Richardson (a.k.a. The Big Bopper) and pilot Roger Peterson.
March 9, 1959: “It Doesn’t Matter Anymore,” written by Paul Anka and recorded by Buddy Holly at his last studio session, becomes a posthumous hit.
December 24, 1969: The Buddy Holly Story, a best-of album that has been in print since 1959, is certified gold (500,000 copies sold).
July 1, 1976: Lifelong Buddy Holly fan Paul McCartney purchases rights to the entire Holly song catalog.
September 7, 1976: On what would have been Buddy Holly’s 40th birthday, the singer’s life and music are the subject of a week-long tribute organized by Paul McCartney. “Buddy Holly Week” becomes an annual affair.
May 18, 1978: The Buddy Holly Story, a popular film biography starring Gary Busey in the title role, is released. Twelve years later, the actor pays a quarter of a million dollars at auction for an acoustic guitar that belonged to Holly.
February 3, 1979: A commemorative concert is held at the Surf Ballroom in Clear Lake, Iowa, exactly 20 years after the final show played by Buddy Holly, Ritchie Valens and the Big Bopper. Del Shannon and the Drifters are among the performers.
January 23, 1986: Buddy Holly is inducted into the Rock and Roll Hall of Fame at the first induction dinner, held in New York City. Holly’s widow, Maria Elena, accepts on his behalf.
Exploitant : Transdev TVO
Réseau : R'Bus (Argenteuil)
Ligne : 8
Lieu : Gare d'Argenteuil (Argenteuil, F-95)
Lien TC Infos : tc-infos.fr/id/44809