View allAll Photos Tagged embedded
Cele Kula, in Turkish the Tower of Sculls, was built from the sculls of the Serbs killed in the battle of Cegar, near Nis, in May 1809.
It is of rectangular shape, about 3 m high and was built from quicklime, sand and the skinned sculls according to the order of Khurshid Pasha who sent the skulls filled with cotton to the Sultan in Istanbul.
Each side of the Tower has 14 rows with 17 openings where the sculls were embedded. There were around 950 sculls, but today only 58 have remained.
The rest were pulled out to be buried or were lost in time.
EMBEDDED SYSTEM “
Your heart is like Microcontroller 8051,
But now you have become old,
I’ve got a more developed technology,
That is 8052 Microcontroller.
You have only two timers,
TM0 for your family and
TM1 for your carrier.
But 8052 has three timers,
TM0 for his family, TM1 for carrier
And TM2 for me.
You have only five interrupts,
So you have no time for me
When I call you,
But in 8052, there is no
Problem of time, because
He has six interrupts.
PRAGYA KUSHWAHA
B.Tech 3rd YEAR EC
Raj Kumar Goel Institute Of Technology
Ghaziabad
a wall-mounted assemblage of casting paper embedded with electronics measuring approximately 3'x4', 7744 is one of three works from our recent solo exhibit, of light like intervals, made specifically for installation on the porch of the virginia weston besse gallery on martha's vineyard.
inspired by the slowly changing, ambient natural light of the westward facing space, the architecturally transitional nature of the porch, and the color and textures of its wooden interior, we developed this project with the combining of indirect sunlight and electric light (LEDs), and the qualities of transition, in mind.
the electronics consist of multiple small micro-controllers each controlling a single tiny LED, each embedded and interconnected by thin, white wire.
the network of micro-controllers are programmed individually to persistently and slowly change the brightness of their LEDs in a process analogous the gentle shifts in ambient light of the space as sunlight is filtered through the lush foliage of a garden in front of it.
looking at 7744, one is aware of change occurring on the surface of the piece, resulting in different views of the works subtle and complex topography, but the specifics of what in fact has changed are not always clear.
we began making site visits to prepare for our show in early may, prior to the bloom of spring, and were captivated by the island's natural light, and the intricate, twisting branches, and horizontality of its trees and brush. in subsequent visits we noted the forms created by the lines of branches interlaced with increasing foliage. while we never intended to portray these forms in our work the affinity between the island's landscape and our compositions and mark marking is clear, and in the context of these works in this location, formative.
for additional projects and videos, please visit our site: www.mayarouvelle.com
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.
This lady in the markets of Seoul, South Korea, sews while embedded on 3 sides by assorted sewing necessities. Her job is to act as a general seamstress for the market - buy some clothes and get them altered immediately or take in some item that you want altered and she will do it while you browse.
This is a 1:100 scale model replica of the SpaceX Dragon2. The model features the capsule along with the cargo compartment. The model is as detailed as allowed by scale resolution, painted to specification and decorated with logos and flags. The model was developed in 3D software, rapid prototyped from durable plastics and assembled/painted manually. The model has embedded magnets, making it compatible and able to dock to any of our Space Station models' docking ports.
For the first order we produced two of the Dragon2 models.
This large mosaic was embedded in the wall of the fish hatchery at Leavenworth. The design was very intricate, and the whole mosaic was 3 ft. across - so someone had a lot of fun working on this!
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.
I don't know if the rails that remain in the High Line are in their original alignment or if they've been artfully rearranged.
qwikLoadr™ Videos...
U2 | ultraViolet [Rose Bowl] Live! • mail.RU™
F-104 | StarFighter Whistler Xrm150! • YouTube™
phoneCall | flight [3.13.19] gwennie2006! • YouTube™
ultraViolet | part I [10.2-5.19] gwennie2006! • YouTube™
ultraViolet | part II [10.6.19] duckDuck, Goose[s] gwennie2006!
ultraViolet | part III [10.8.19] misty Mountain Top gwennie2006!
Blogger HiltonFan | Venice Queen [Miss Independence]...
HiltonFan-GrfxDziner.blogspot.com/2016/07/venice-queen...
Blogger HiltonFan | Night of Khadija StarFighter! Go Molly!...
HiltonFan-GrfxDziner.blogspot.com/2018/05/night-of-khadija...
Blogger HiltonFan | Night of Khadija Atom & Eve [Go Molly!]...
HiltonFan-GrfxDziner.blogspot.com/2018/05/night-of-khadija...
blueJay
equate'r linearEagle [9.15 - 16.19] gwennie2006! • YouTube™
splish 'n splash | part I [9.20-23.19] gwennie2006! • YouTube™
Ph.Law.D. | novel for Deanna Cremin [chapter 1]...
www.flickr.com/groups/GrfxDziner/discuss/72157685360935812/
Tenuous Link: phone number > phone pole
Photographer Robert L. Cunningham (shown) and journalist Steve Hartov speak to Defense Information School students during a 50th anniversary literary event on July 1. The two media members led an open forum about public affairs officers hosting embeds. (Photo by Brandon Bieltz)
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Since 2009, Daniel Kerkhoff, from Minneapolis, Minnesota, U.S.A., has been creating his own artist-in-residencies in communities in Ghana, Ecuador, and Vietnam.
Embedding himself in a community, he develops multiple connections through creating art (installations), writing poetic journals, making art with children, curating exhibitions, working with artists, assisting art libraries and community libraries, documenting walks and the community, and just being a part of everyday life.
Along with painting, collage, art installations, photography, and writing, his art practice involves connecting, sharing, and weaving people and places.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Assisting and creating libraries is part of my art practice.
During my art residencies, I continue to bring books and materials, art work, maps, magazines and journals, CDs, DVDs, and photos to the community centers in Adugyama, Ashanti Region Ghana and Sisid-anejo, Cañar, Ecuador. I also give a variety of art books, journals, and materials to fellow artists and art spaces.
In Accra, Ghana, I bring art books and magazines to The Nubuke Foundation and The Center for Contemporary Art, Ghana. In Cuenca, Ecuador, I'm connected to In-Arte Contemporáneo and bring art magazines and information. In Hanoi, I have provided various art publications and books to Cuci Fine Art, Chay Art, and Chaap Collective.
I bring art publications, art work, and music created by friends and colleagues of mine. I document their work in these different communities, creating another form of connection and awareness.
I consider this a weaving project, a form of sharing that can have many on-going effects. –Daniel Kerkhoff, www.danielkerkhoff.com
“Playing Catch, Giving and Receiving”
You are invited to play catch with my prints. Two dimensional prints that hang on the wall are transformed into three dimensional balls, a form of sculpture that is also performance and participatory.
Playing catch is a common past time that's relaxing and connecting. It is an act of giving (throwing) and receiving (catching) involving a ball, and, in this case, prints transformed into a ball (sculpture).
Instead of viewing the stationary print on a wall or a sculpture on the floor, it is viewed moving through time and space, dependent on the participants and their actions.
It is visual, transformative, therapeutic, sharing, interactive, and connecting, simple and playful actions of giving and receiving.
--Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Walking the Path, Prints on Prints”
You are invited to walk on my prints, using them as a path.
It’s another way of experiencing art like a stepping stone meditation,
a different awareness may take place on an intentional walk, slower,
deliberate, a winding pathway, your prints touching these prints.
You become, in a way, the performer, the participant, the collaborator,
your soles connecting and becoming a part of these prints, adding steps,
humbling, engaging, liberating, creating another connection.
The title of this series is: "Paper Trail, A4 (All Over the Place)" from "The Quiet and Ugly Artist (Hanoi, 1965-2015)". These prints are collages made from my daily life in Hanoi -- collections of receipts, maps, brochures, business cards, food wrappers and waste.
They are my journal, a record of my consumption and daily activities, stamped with symbols that reflect my connection with Hanoi. They are painted over,
fragments remain revealed, information becomes cloudy, is lost and buried, like memory and history.
I created these collages during my artist-in-residency in Hanoi from
February 6, 2015 to October 26, 2015.
Walking is an important part of my art residencies. I document a familiar route in the community I’m living in by walking slowly, taking photos, and picking up “treasures”.
--Daniel Kerkhoff, www.danielkerkhoff.com
This was an HP supercell embedded in a line of storms late evening on May 28 in northwest Texas. The structure was more pronounced in the leadup to this shot (as we were moving toward it in low light), but some of the striated characteristics are still visible here. The storm was pretty outflow dominant but showed a period of spiked rotation near sunset -- deep in the rain core and not something we wanted to venture into.
If ever in the Baltimore, MD area, this place is an ABSOLUTE must-experience (if for no other reason than the gift shop) ~ embedded in the outer wall cement we discovered glass, plates, bottles, Henrika's china pattern, mini-statuettes of three presidents (Adams, Kennedy, and um, that other one), and an irridescent bauble I insisted should be some sort of good luck talisman to be rubbed by passers-by. Hoping to start the trend, I rubbed it extra-hard.
Copyright © John G. Lidstone, all rights reserved.
You are warned: DO NOT STEAL or RE-POST THIS PHOTO.
It is an offence under law if you remove my copyright marking, or post this image anywhere else without my express written permission.
If you do, and I find out, you WILL be reported for copyright infringement action to the host platform and/or group applicable.
The same applies to all of my images.
My copyright is also embedded in the image metadata.
Olympus OM-D E-M5 with Panasonic Lumix 20mm F1.7 II ASPH
The Fuji Neopan 1600 film emulation in VSCO Film 02 is really nice. I normally don't care much for B&W photos, but sometimes the color isn't what you're looking for.
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.
Sensors are embedded in the new type of bendable concrete - engineered cement composite, ECC while the cement is poured onto a section of the road at M-City in Ann Arbor.
Civil and Environmental Engineering Professor Victor Lee, Visiting Professors Esayas Ftwi and H. Süleyman GÖKÇE as well as a group of Michigan Engineering graduate students work with the workers from a local cement company Arbor Masonry to mix and pour new type of bendable concrete (engineered cement composite, ECC) into a section of the road at M-City, a driverless vehicle test facility at the University of Michigan. Before the new cement is poured, electronic sensors are installed and embedded in ECC to measure its performance.
Victor Lee, an engineering professor at the University of Michigan has developed a new type of flexible concrete known as an engineered cement composite (ECC). He developed the new new material by reinforcing cement composites with smart fiber.
The flexible concrete doesn’t need expansion joints in driveways or sidewalks the way regular concrete does. It doesn’t need rebar to keep it strong and you only need 4 inches of it vs 8 inches to use in a road or driveway. Finally, the ECC is flexible and not bristle like regular concrete.
The material has a compressive strength similar to that of regular concrete. But while normal concrete has a strain capacity of .01 percent, ECC has a tensile strength capacity of 3 to 5 percent, or about 300 to 500 times as much, making it far more ductile.
Tuesday, September 20, 2022
Photo by Marcin Szczepanski/Lead Multimedia Storyteller, University of Michigan College of Engineering